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Rupa Gosvami describes, "The sound vibration created by the flute of Krsna wonderfully stopped Lord Siva from playing his dindima drum, and the same flute has caused great sages like the four Kumaras to become disturbed in their meditation": Difference between revisions

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One gopī, expressing herself to Kṛṣṇa, says: "When we meet You at night, we consider the duration of night to be very small. And why speak of only this night? Even if we had a night of Brahmā* we would consider it a very short time!" We get an idea of Brahmā's day from the following statement of the Bhagavad-gītā: "By human calculation, a thousand yuga cycles taken together is Brahmā's one day. And such also is the duration of his night." ([[Vanisource:BG 8.17|BG 8.17]]) The gopīs said that even if they could have that duration of night, it would still not be sufficient for their meeting with Kṛṣṇa.
One gopī, expressing herself to Kṛṣṇa, says: "When we meet You at night, we consider the duration of night to be very small. And why speak of only this night? Even if we had a night of Brahmā* we would consider it a very short time!" We get an idea of Brahmā's day from the following statement of the Bhagavad-gītā: "By human calculation, a thousand yuga cycles taken together is Brahmā's one day. And such also is the duration of his night." ([[Vanisource:BG 8.17 (1972)|BG 8.17]]) The gopīs said that even if they could have that duration of night, it would still not be sufficient for their meeting with Kṛṣṇa.


* 4,300,000,000 solar years equals twelve hours, or one night, of Brahmā.
* 4,300,000,000 solar years equals twelve hours, or one night, of Brahmā.
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62. Kṛṣṇa's Attractive Flute
62. Kṛṣṇa's Attractive Flute


In the [[Vanisource:SB 10.35.15|Tenth Canto, 35th Chapter, 8th verse]] of the Śrīmad-Bhāgavatam, the gopīs tell Mother Yaśodā, "When your son plays on His flute, Lord Śiva, Lord Brahmā and Indra—although they are supposed to be the greatest learned scholars and personalities—all become bewildered. Although they are all very great personalities, by hearing the sound of Kṛṣṇa's flute they humbly bow down and become grave from studying the sound vibrated."
In the [[Vanisource:SB 10.35.14-15|Tenth Canto, 35th Chapter, 8th verse]] of the Śrīmad-Bhāgavatam, the gopīs tell Mother Yaśodā, "When your son plays on His flute, Lord Śiva, Lord Brahmā and Indra—although they are supposed to be the greatest learned scholars and personalities—all become bewildered. Although they are all very great personalities, by hearing the sound of Kṛṣṇa's flute they humbly bow down and become grave from studying the sound vibrated."


In his book Vidagdha-mādhava, Śrī Rūpa Gosvāmī thus describes the vibration of Kṛṣṇa's flute: "The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation. It has caused Lord Brahmā, who was sitting on the lotus flower for the creative function, to become astonished. And Anantadeva, who was calmly holding all the planets on his hood, was moving in this way and that due to the transcendental vibration from Kṛṣṇa's flute, which penetrated through the covering of this universe and reached to the spiritual sky."
In his book Vidagdha-mādhava, Śrī Rūpa Gosvāmī thus describes the vibration of Kṛṣṇa's flute: "The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation. It has caused Lord Brahmā, who was sitting on the lotus flower for the creative function, to become astonished. And Anantadeva, who was calmly holding all the planets on his hood, was moving in this way and that due to the transcendental vibration from Kṛṣṇa's flute, which penetrated through the covering of this universe and reached to the spiritual sky."

Revision as of 06:21, 3 March 2021

Expressions researched:
"The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation"

Other Books by Srila Prabhupada

Nectar of Devotion

In his book Vidagdha-mādhava, Śrī Rūpa Gosvāmī thus describes the vibration of Kṛṣṇa's flute: "The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation. It has caused Lord Brahmā, who was sitting on the lotus flower for the creative function, to become astonished.

One gopī, expressing herself to Kṛṣṇa, says: "When we meet You at night, we consider the duration of night to be very small. And why speak of only this night? Even if we had a night of Brahmā* we would consider it a very short time!" We get an idea of Brahmā's day from the following statement of the Bhagavad-gītā: "By human calculation, a thousand yuga cycles taken together is Brahmā's one day. And such also is the duration of his night." (BG 8.17) The gopīs said that even if they could have that duration of night, it would still not be sufficient for their meeting with Kṛṣṇa.

  • 4,300,000,000 solar years equals twelve hours, or one night, of Brahmā.

62. Kṛṣṇa's Attractive Flute

In the Tenth Canto, 35th Chapter, 8th verse of the Śrīmad-Bhāgavatam, the gopīs tell Mother Yaśodā, "When your son plays on His flute, Lord Śiva, Lord Brahmā and Indra—although they are supposed to be the greatest learned scholars and personalities—all become bewildered. Although they are all very great personalities, by hearing the sound of Kṛṣṇa's flute they humbly bow down and become grave from studying the sound vibrated."

In his book Vidagdha-mādhava, Śrī Rūpa Gosvāmī thus describes the vibration of Kṛṣṇa's flute: "The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation. It has caused Lord Brahmā, who was sitting on the lotus flower for the creative function, to become astonished. And Anantadeva, who was calmly holding all the planets on his hood, was moving in this way and that due to the transcendental vibration from Kṛṣṇa's flute, which penetrated through the covering of this universe and reached to the spiritual sky."

63. Kṛṣṇa is Surrounded by Loving Devotees

When we speak of Kṛṣṇa, Kṛṣṇa is not alone. Kṛṣṇa means His name, His qualities, His fame, His friends, His paraphernalia, His entourage—all of these are included. When we speak of a king, it is to be understood that he is surrounded by ministers, secretaries, military commanders and many other people. Similarly, Kṛṣṇa is not impersonal. In His Vṛndāvana līlā especially, He is surrounded by the gopīs, the cowherd boys, His father, His mother and all the inhabitants of Vṛndāvana.

64. Kṛṣṇa's Exquisite Beauty

In the Third Canto, 2nd Chapter, 12th verse, of Śrīmad-Bhāgavatam, Uddhava tells Vidura, "My dear sir, Kṛṣṇa's form was most wonderful when He appeared on this planet and exhibited the potency of His internal energy. His wonderfully attractive form was present during His pastimes on this planet, and by His internal potency He exhibited His opulences, which are striking to everyone. His personal beauty was so great that there was no necessity for His wearing ornaments on His body. In fact, instead of the ornaments beautifying Kṛṣṇa, Kṛṣṇa's beauty enhanced the ornaments."