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chest | chested | chests
This category has the following 4 subcategories, out of 4 total.
Pages in category "Chest"
The following 70 pages are in this category, out of 70 total.
- A brahmanandi (impersonalist) said, "When shall I be able to see that supreme absolute Personality of Godhead who is eternal bliss and knowledge, and whose chest has become smeared with red kunkum powder by touching the breast of Rukmini"
- A golden streak on His chest, the famous Kaustubha gem suspended from His neck, He stood in the air with His lotus feet placed on the shoulders of Garuda
- A yogi is advised to meditate on the form of Lord Visnu from point to point, from the ankles to the legs to the knees to the thighs to the chest to the neck, and in this way gradually up to the face and then to the ornaments
- All types of irreligion spring from the back of Brahma, whereas real religion, the devotional service of the Lord, is generated from the chest, the seat of Narayana
- As soon as Caitanya Mahaprabhu heard that Amogha was going to die, He immediately ran to him in great haste. Placing His hand on Amogha's chest, He spoke as follows
- As soon as they (the cowherd boys) saw Krsna coming toward them, they one after another embraced the son of Nanda and held Him to their chests. After this, they assembled all the calves under their charge and began to return home
- As the fight began, they (Krsna and the Gopis) splashed water on one another. Then they fought hand to hand, then face to face, then chest to chest, teeth to teeth and finally nail to nail
- Bhisma was a stout and strong old man. The arrows were piercing his body only. They did not go all the way through. The arrows piercing his back were supporting his body and there were many arrows piercing his chest. There were no arrows in his head
- Bhrgu Muni tested the tolerance of the Lord by purposely kicking His chest, but instead of being angry at Bhrgu Muni the Lord begged his pardon, saying that Bhrgu Muni's leg might have been badly hurt because His chest is too hard
- Generated from the great ocean (of milk) were the celebrated gems Kaustubha-mani and Padmaraga-mani. Lord Visnu, to decorate His chest, desired to possess them
- Good, or piety, that is God's frontage, and evil means God's back side. So taking this example, the chest or the back of my body, they are equal
- He (Dhanvantari) was dressed in yellow garments and wore brightly polished earrings made of pearls. The tips of his hair were anointed with oil, and his chest was very broad
- He (Hiranyaksa) advanced toward the Lord and, roaring aloud, struck his hard fist against the Lord's broad chest, which bore the mark of Srivatsa
- He (Krsna) dragged Kamsa from his seat to the wrestling dais and threw him down. Then Krsna at once straddled his chest and began to strike him over and over again. Simply from the strokes of Krsna's fist, Kamsa lost his vital force
- He (the expert yogi) should plug up the evacuating hole with the heel of the foot and then progressively move the life air on and on to six places: the navel, abdomen, heart, chest, palate, eyebrows and cerebral pit
- He (Vaisnava) first marks a tilaka temple on the abdomen, then on the chest, then between the collarbones, then on the forehead, and gradually he marks the top of the head, the brahma-randhra
- His (Krsna's) chest is just like a doorway, His hips are dens, and the middle of His body is a terrace
- His (Maha-Visnu) neck was decorated with the Kaustubha jewel, and His chest was marked with the symbol of Srivatsa, which means “the resting place of the goddess of fortune.”
- His (Sukadeva) collarbone was fleshy, his chest broad and thick, his navel deep and his abdomen beautifully striped. His arms were long, and curly hair was strewn over his beautiful face. He was naked, and the hue of his body reflected that of Lord Krsna
- His face is decorated with tilaka made from kasturi (musk), and His broad chest is decorated with a garland of gunja (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave
- I (Laksmidevi) wish that You (Lord Kamadeva) may also place Your hand on My head, for although You already bear my insignia of golden streaks on Your chest, I regard this honor as merely a kind of false prestige for me
- I have got some seed of bhakti, and I keep it in the iron chest. No. You must make cultivation of bhakti-bija
- In many places, the sastras describe the Supreme Personality of Godhead as being more inclined toward His devotees than toward His wife (Laksmidevi), who always remains on His chest
- In this ecstasy of devotional service (in compassion) there are sometimes symptoms like regret, heavy breathing, crying, falling on the ground and beating upon one's chest
- In Vaikuntha all the inhabitants have exactly the same bodily features as Narayana, but Narayana is made distinct by the mark on His Chest and Lotus Feet
- In Vaikuntha, whenever there is a flower garland on the chest of the Personality of Godhead or any one of His associates, it is described that the humming bees are there
- King Bali was feeling such transcendental pleasure that he repeatedly grasped the Lords’ lotus feet and kept them on his chest, and sometimes he put them on the top of his head
- Krsna saw that Paundraka carried an imitation Sarnga bow, and on his chest was a mock insignia of Srivatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vasudeva's
- Lord Rsabhadeva's hands, feet and chest were very long. His shoulders, face and limbs were all very delicate and symmetrically proportioned
- Lord Visnu looked extraordinarily beautiful because the goddess of fortune and a garland were situated on His chest. His face was beautifully decorated with a smiling attitude which can captivate the entire world
- On the forehead is the temple of Lord Kesava, on the belly is the temple of Lord Narayana, on the chest is the temple of Lord Madhava, and on the throat, between the two collarbones, is the temple of Lord Govinda
- On the upper chin of the sisumara is Agasti; on its lower chin, Yamaraja; on its mouth, Mars; on its genitals, Saturn; on the back of its neck, Jupiter; on its chest, the sun; and within the core of its heart, Narayana
- One of the gopis once said to her friend, "My dear beautiful friend, when Krsna, the son of Maharaj Nanda, was taking rest within the cave of a hill, He was keeping His head on the arms of Sridama, and He was putting His left hand on Dama's chest"
- Real religion, the devotional service of the Lord, is generated from the chest of Brahma
- Regarding the cover for "The Lord in the Heart," yes, Lord Visnu should be distinguished by Srivatsa on His chest. The Kaustava jewel should be painted to look just like a very precious jewel. Lord Visnu should be surrounded by effulgence from His person
- Sri Caitanya Mahaprabhu told the Bhattacarya, "Your worshipable goddess of fortune, Laksmi, always remains on the chest of Narayana, and she is certainly the most chaste woman in the creation"
- Srivatsa is a curl of white hair on the chest of the Lord which is a special sign of His being the Supreme Personality of Godhead
- Taking His Kaumodaki club and moving very skillfully, Krsna struck Dantavakra's chest so fiercely that Dantavakra's heart split in twain
- The audience standing nearby saw that Jarasandha's body was now divided into two halves, so that each half had one leg, one thigh, one testicle, half a backbone, half a chest, one collarbone, one arm, one eye, one ear and half a face
- The black siliceous stone on which gold is rubbed to test its value always looks very beautiful, being streaked with gold lines. Yet the chest of the Lord excels even such a stone in its beauty
- The demon (Dhenukasura) appeared before Balarama and kicked His chest with his hind legs. At first Balarama did not say anything, but with great anger the demon kicked Him again more vehemently
- The demon (Hiranyaksa) was enraged when his trident was cut to pieces by the discus of the Personality of Godhead. He therefore advanced toward the Lord and, roaring aloud, struck his hard fist against the Lord's broad chest
- The force of the club on Pradyumna's chest was very severe, and it appeared as though his chest had been torn asunder
- The gem known as Kaustubha was also generated (during the churning of the ocean of milk), and Lord Visnu took that gem and placed it on His chest. Thereafter, a parijata flower and the Apsaras, the most beautiful women in the universe, were generated
- The goddess of fortune was generated from His (Lord Krsna) chest, the inhabitants of Pitrloka from His shadow, religion from His bosom, and irreligion from His back
- The gorilla, being bereft of all trees and stone slabs, now stood before Balarama and waved his strong fists. Then, with great force, he began to beat Lord Balarama's chest with his fists. This time Lord Balarama became most angry
- The heart is the most important part of the body, whereas the back is the most neglected part. When one is attacked by an enemy one is apt to endure attacks from the back and protect himself carefully from all attacks on the chest
- The Lord's beautiful bodily color is blackish, and His broad chest is the resting place of the goddess of fortune, who glorifies the entire spiritual world, the summit of all heavenly planets
- The luster of the hosts of jewels fixed on the chest of the Lord can defeat even the luster of the sun, and still, when compared with the bodily luster of the Lord, that crest of jewels appears to be only as bright as one of the stars in the sky
- The mark of Srivatsa adorns the chest of Lord Visnu, and therefore when Lord Visnu embraced Lord Siva while being circumambulated, the Srivatsa mark touched Lord Siva's bosom
- The necklace of pearls which decorates the upper portion of the Lord's body is also spiritual, and therefore the yogi is advised to gaze at the whitish luster of the pearls decorating His chest
- The Srivatsa mark is described by the Vaisnava-tosani as being a curl of fine yellow hair on the upper portion of the right side of Lord Visnu's chest
- The tilaka mark on the forehead is called Kesava, and on the stomach, chest and arms the other names are also given. These are the same names as those given the months
- The yoga system is a materialistic art of controlling this air by transferring it from the stomach to the navel, from the chest to the collarbone and from there to the eyeballs and from there to the cerebellum and from there to any desired planet
- Then Sri Caitanya Mahaprabhu placed His hand on the chest of Sri Gopala and said loudly, "Gopala, stand up"
- There are markings on the Chest and Feet of the Personality of Godhead. That is the distinction between Him and ordinary living entities. Just like in our palms there are certain marks for a particular person indicating his fame and fortune
- There are some special marks on the chest of Visnu by which in Vaikuntha He is known that He is the Supreme Personality of Godhead. Otherwise, in Vaikuntha, everyone has got the same feature like Visnu
- There was a nice belt around Maha-Visnu's waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles
- They (Bhuta-yogi, Sara-yogi and Bhranta-yogi) saw the lotus-eyed Lord Visnu, the Supreme Personality of Godhead, mounted on Garuda and holding Laksmi, the goddess of fortune, to His chest
- They (Krsna and Canura, Balarama and mustika) joined palm to palm, calf to calf, head to head, chest to chest and began to strike each other. The fighting increased as they pushed each other from one place to another
- They (the Visnu forms) were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Srivatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells
- When a person regains his life, naturally he becomes absorbed in pleasure and joyfulness. They (the inhabitants of Vrndavana) each in turn pressed Krsna to their chests, and thus they felt a great relief
- When Bhimasena and Jarasandha were heavily striking each other with their clubs on different parts of their bodies - namely the shoulders, arms, collarbone, chest, thighs, waist and legs - their clubs were torn to pieces
- When Ravana was engaged in the battle, the trunk of the elephant which carried the King of heaven, Indra, broke in pieces, having collided with the chest of Ravana, and the scattered broken parts illuminated all directions
- When Sathi's mother, the Bhattacarya's wife, heard of this incident, she immediately began to strike her head and chest, saying again and again, "Let Sathi become a widow"
- When she saw that her dear baby Krsna was playing on the chest of the dead demonic woman, Mother Yasoda, at a loss what to do, began to walk this way and that. This is an instance of being emotional on account of seeing something ghastly
- When Yasoda saw that her dear baby Krsna was playing on the chest of the dead demoniac woman, mother Yasoda, at a loss what to do, began to walk this way and that. This is an instance of being emotional on account of seeing something ghastly