Brahma's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music: Difference between revisions
(Created page with '<div id="compilation"> <div id="facts"> {{terms|"Brahma's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength a…') |
m (Text replacement - "\[\[Category:(after|all|also|any|are|but|by|can|even|for|from|get|has|have|his|how|into|it is|not|now|own|such|that|them|then|there|they|this|thus|to be|upon|was|who|will|you)\]\] " to "") |
||
| Line 3: | Line 3: | ||
{{terms|"Brahma's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music"}} | {{terms|"Brahma's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music"}} | ||
{{notes|}} | {{notes|}} | ||
{{compiler|Krsnadas}} | {{compiler|Krsnadas|Rishab}} | ||
{{complete|ALL}} | {{complete|ALL}} | ||
{{first|23Dec11}} | {{first|23Dec11}} | ||
{{last| | {{last|02Feb12}} | ||
{{totals_by_section|BG=0|SB=1|CC=0|OB=0|Lec=0|Con=0|Let=0}} | {{totals_by_section|BG=0|SB=1|CC=0|OB=0|Lec=0|Con=0|Let=0}} | ||
{{total|1}} | {{total|1}} | ||
{{toc right}} | {{toc right}} | ||
[[Category:Brahma]] | [[Category:Brahma]] | ||
[[Category: | [[Category:souls]] | ||
[[Category:Manifest]] | [[Category:Manifest]] | ||
[[Category:touch]] | [[Category:touch]] | ||
[[Category:Alphabet]] | [[Category:Alphabet]] | ||
[[Category:body]] | [[Category:body]] | ||
[[Category:Vowels]] | [[Category:Vowels]] | ||
[[Category:senses]] | [[Category:senses]] | ||
[[Category:Alphabet]] | [[Category:Alphabet]] | ||
[[Category:strength]] | [[Category:strength]] | ||
[[Category:Intermediate]] | [[Category:Intermediate]] | ||
| Line 30: | Line 26: | ||
[[Category:Note]] | [[Category:Note]] | ||
[[Category:Music]] | [[Category:Music]] | ||
[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vaniquotes]] | |||
[[Category:Srimad-Bhagavatam, Canto 03 Chapter 12 - Creation of the Kumaras and Others]] | |||
[[Category:Srimad Bhagavatam, Cantos 01 to 09 - All Verse Translations]] | |||
</div> | </div> | ||
<div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | <div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | ||
| Line 38: | Line 37: | ||
<div class="heading">Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music. | <div class="heading">Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music. | ||
</div> | </div> | ||
<span class="link">[[Vanisource:SB 3.12.47|SB 3.12.47, Translation and Purport]]: </span><div | <span class="link">[[Vanisource:SB 3.12.47|SB 3.12.47, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music.</p> | ||
</div> | </div> | ||
<div class="purport text"><p>In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The Vedas are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The Vedas should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit.</p> | <div class="purport text"><p>In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The Vedas are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The Vedas should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit.</p> | ||
Revision as of 17:51, 7 March 2021
Expressions researched:
"Brahma's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music"
Srimad-Bhagavatam
SB Canto 3
Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music.
SB 3.12.47, Translation and Purport: Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music.
In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The Vedas are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The Vedas should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit.