Here is the secret of yoga system. Yoga indriya-samyama. The real purpose of yoga is to control the senses

From Vaniquotes
Jump to: navigation, search

Expressions researched:
"Here is the secret of yoga system. Yoga indriya-samyama. The real purpose of yoga is to control the senses"

This page has been translated in many languages.

Lectures

Bhagavad-gita As It Is Lectures

Yes. Here is the secret of yoga system. Yoga indriya-saṁyama. The real purpose of yoga is to control the senses. Our material activities means to engage the sense in some particular objective or enjoyment. That is our material engagement. And yoga system means that you have to control the senses and detach the senses from material enjoyment, or material pleasure and pains, and divert it, focusing towards seeing the Supersoul Viṣṇu within your soul.
The Real Purpose of Yoga is to Control the Senses
- Prabhupāda 0549


Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968:

Tamāla Kṛṣṇa: "While contemplating the objects of the senses, a person develops attachment for them, and from such attachment lust develops, and from lust anger arises (BG 2.62)." Purport. "One who is not Kṛṣṇa conscious is subjected to material desires while contemplating the objects of the senses. The senses require real engagements, and if they are not engaged in the transcendental loving service of the Lord, they will certainly seek engagement in the service of materialism."

Prabhupāda: Yes. Here is the secret of yoga system. Yoga indriya-saṁyama. The real purpose of yoga is to control the senses. Our material activities means to engage the sense in some particular objective or enjoyment. That is our material engagement. And yoga system means that you have to control the senses and detach the senses from material enjoyment, or material pleasure and pains, and divert it, focusing towards seeing the Supersoul Viṣṇu within your soul (self?). That is the real purpose of yoga. Yoga does not mean... Of course, in the beginning there are different rules and regulations, sitting posture, just to bring the mind under control. But they are not end themselves. The end is to stop the material engagement and begin spiritual engagement. So here it is explained. Go on reading.

Tamāla Kṛṣṇa: "In the material world everyone, including Lord Śiva and Lord Brahmā—to say nothing of other demigods in the heavenly planets—is subjected to the influence of sense objects."

Prabhupāda: Sense objects, yes.

Tamāla Kṛṣṇa: "Sense objects. And the only method to get out of this puzzle of material existence is to become Kṛṣṇa conscious."

Prabhupāda: It is learned from Vedic literature that... Of course, they are showing us, Lord Śiva, Lord Brahmā. They were also sometimes attracted by sense objects. Just like Lord Brahmā, his daughter Sarasvatī... Sarasvatī is considered to be the most perfect form of beauty, womanly beauty, Sarasvatī. So Lord Brahmā became enchanted by the beauty of his daughter just to show us the example that even personalities like Lord Brahmā sometimes become enchanted. This māyā is so strong. He forgot that "She's my daughter." Then to penance this, Brahmā had to quit the body. These stories are there in the Śrīmad-Bhāgavatam. Similarly, Lord Śiva also, when Kṛṣṇa appeared before him in Mohinī-mūrti... Mohinī means the most enchanting, beautiful womanly form. Lord Śiva also became mad after Her. So wherever She was going, Lord Śiva was chasing. And it is stated that while chasing Mohinī-mūrti, Lord Śiva had discharges. So these examples are there. As it is stated in the Bhagavad-gītā, daivī hy eṣā guṇamayī mama māyā duratyayā (BG 7.14). The whole material energy is enchanting every one of us by this beauty, the womanly beauty. Actually, there is no beauty. It is illusion. Śaṅkarācārya says that "You are after this beauty, but have you analyzed this beauty? What is the beauty?" Etad rakta-māṁsa-vikāram. It is just like our student(s) Govinda dāsī and Nara-nārāyaṇa molding plaster of paris. At this time, there is no attraction. But this plaster of paris when it will be nicely painted, it will be so attractive. Similarly, this body is combination of blood and muscles and veins. If you cut the upper portion of your body, as soon as you see inside, it is all obnoxious horrible things. But outwardly so painted by the illusory color of māyā, oh, it looks very attractive. And that is attracting our senses. This is the cause of our bondage.