Music and dancing employed in sense gratification are demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kirtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment: Difference between revisions
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[[Category:Srimad-Bhagavatam, Canto 03 Chapter 20 Purports - Conversation Between Maitreya and Vidura]] | |||
[[Category:Srimad Bhagavatam, Canto 03 Purports]] | |||
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<div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | <div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | ||
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<div class="heading">Usic and dancing employed in sense gratification are to be accepted as demoniac. | <div class="heading">Usic and dancing employed in sense gratification are to be accepted as demoniac. | ||
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<span class="link">[[Vanisource:SB 3.20.38|SB 3.20.38, Translation and Purport]]: </span><div class="trans text" style="display: inline; "><p style="display: inline; ">With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.</p> | <span class="link">[[Vanisource:SB 3.20.38|SB 3.20.38, Translation and Purport]]: | ||
</span><div class="trans text" style="display: inline; "><p style="display: inline; ">With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.</p> | |||
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<div class="purport text"><p>The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.</p> | <div class="purport text"><p>The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.</p> | ||
Latest revision as of 18:36, 7 March 2021
Expressions researched:
"Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kirtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment"
Srimad-Bhagavatam
SB Canto 3
SB 3.20.38, Translation and Purport:
With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.
The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.