Forms which are invisible can be understood only by touch; that is the independent appreciation of invisible form. Visible forms are understood by analytical study of their constitution: Difference between revisions
(Created page with '<div id="compilation"> <div id="facts"> {{terms|"Forms which are invisible can be understood only by touch"|"that is the independent appreciation of invisible form. Visible forms…') |
(Removed from deleted category 'Are') |
||
| Line 21: | Line 21: | ||
[[Category:Invisible]] | [[Category:Invisible]] | ||
[[Category:Visible]] | [[Category:Visible]] | ||
[[Category: | [[Category:Understood By]] | ||
[[Category:Analytical Study]] | [[Category:Analytical Study]] | ||
[[Category:Their]] | [[Category:Their]] | ||
[[Category:Constitution]] | [[Category:Constitution]] | ||
[[Category:Srimad-Bhagavatam, Canto 03 Chapter 26 Purports - Fundamental Principles of Material Nature]] | |||
[[Category:Srimad Bhagavatam, Canto 03 Purports]] | |||
</div> | </div> | ||
<div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | <div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2> | ||
Latest revision as of 15:34, 2 March 2021
Expressions researched:
"Forms which are invisible can be understood only by touch"
|"that is the independent appreciation of invisible form. Visible forms are understood by analytical study of their constitution"
Srimad-Bhagavatam
SB Canto 3
My dear mother, the characteristics of form are understood by dimension, quality and individuality. The form of fire is appreciated by its effulgence.
Every form that we appreciate has its particular dimensions and characteristics. The quality of a particular object is appreciated by its utility. But the form of sound is independent. Forms which are invisible can be understood only by touch; that is the independent appreciation of invisible form. Visible forms are understood by analytical study of their constitution. The constitution of a certain object is appreciated by its internal action. For example, the form of salt is appreciated by the interaction of salty tastes, and the form of sugar is appreciated by the interaction of sweet tastes. Tastes and qualitative constitution are the basic principles in understanding the form of an object.