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Latest revision as of 21:15, 6 July 2017
songs | songbook | song
Subcategories Pages in category
This category has the following 9 subcategories, out of 9 total.
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Pages in category "Songs"
The following 189 pages are in this category, out of 189 total.
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2
A
- A sannyasi is forbidden to hear songs sung by the fair sex. Yet even in the rigid position of a sannyasi He (Caitanya) recommended the mode of worship preferred by the gopis of Vrndavana as the topmost loving service possible to be rendered to the Lord
- According to the Gaura-ganoddesa-dipika (188), the three brothers (Govinda, Madhava and Vasudeva Ghosa) were formerly Kalavati, Rasollasa and Gunatunga, who recited the songs composed by Sri Visakha-gopi
- After hearing the bumblebee’s sweet songs and recognizing that the bee was singing about Krsna for Her (Radharani's) satisfaction, the gopi replied: Dear bumblebee, Krsna has no residence here, but we know Him as Yadupati - the King of the Yadu dynasty
- All (beautiful men and women) were singing auspicious songs. The wife of the brahmana (Sudama) was very glad on hearing the tidings of her husband’s arrival, and with great haste she came out of the palace
- All fictions - dramas and novels - and material songs describe love between men and women. Since people are so attracted to this kind of literature, Krsna appeared in this material world and displayed His transcendental loving affairs with the gopis
- All the devotees sang this popular song along with the Hare Krsna maha-mantra. "Haraye namah, krsna yadavaya namah-gopala govinda rama sri-madhusudana"
- All these (Vaisnava) songs are like that (maha-mantra), requesting relationship. Therefore they are the same. Nirbandhah krsna-sambandhe yuktam vairagyam ucyate - Brs. 1.2.255
- All these flowers were present on that lake, and because the lake was so calm and quiet and filled with lotus flowers, superior birds, like swans, cakravakas and karandavas, stood on the shores and vibrated their different songs
- Along with this chanting of mantras and songs, bugles and kettledrums are sounded outside the house. On this occasion (the ceremony for Krsna's birth), the joyous vibrations could be heard in all the pasturing grounds and all the houses
- "And out of all songs, what song do you think is the best of all?" Caitanya Mahaprabhu asked. And Ramananda replied that any song which describes the pastimes of Radha and Krsna is the best song. In conditional life, the soul is captivated by sex
- Another offense was that he (Narada Muni) considered ordinary songs, like cinema songs and other such songs, to be equal to sankirtana. For this offense he was punished with becoming a sudra
- Any intelligent person who tries to understand the pastimes of Radha and Krsna is most fortunate. The songs that tell of those pastimes are the greatest songs in the world
- As far as Vasudeva Ghosa is concerned, he composed many nice songs about Lord Sri Caitanya Mahaprabhu, and these are all authorized Vaisnava songs, like the songs of Narottama dasa Thakura, Bhaktivinoda Thakura, Locana dasa Thakura, Govinda dasa Thakura
- As they talked of Krsna, Svarupa Damodara Gosvami would sing songs exactly suitable for Sri Caitanya Mahaprabhu's transcendental emotions
- As Vasudeva Datta sang a different song beneath each and every tree, Sri Caitanya Mahaprabhu danced there alone in great ecstasy
B
- Being very pleased, the celestial dancing girls (Apsaras) danced in jubilation, the best of the Gandharvas sang songs, and the great sages, demigods, Manus, Pitas and fire - gods offered prayers to satisfy the Lord
- Bhaktisiddhanta Sarasvati Thakura has condemned this process for neophytes. He has stated in a song: Sitting in a solitary place intending to chant the Hare Krsna maha-mantra is considered a cheating process. This practice is not possible for neophytes
- Bhuliya Tomare, CDV 17 - We have heard so much about surrender. So here are some of the songs how one can make surrender
C
- Caitanya next asked Ramananda Raya, "Among many songs, which song is to be considered the actual religion of the living entity?" Ramananda Raya replied, "That song describing the loving affairs of Sri Radha and Krsna is superior to all other songs"
- Caitanya sang a nice song about the opulences of Krsna, and Sanatana Gosvami listened. All the pastimes of Krsna are exactly like the activities of human beings," the Lord sang. Therefore it is to be understood that His form is like that of a human being
- Customarily, anyone who composed a song, verse, literary composition or poem about Sri Caitanya Mahaprabhu first had to bring it to Svarupa Damodara Gosvami to be heard
D
E
- Everyone is tolerant to a degree, but a sadhu's tolerance and an ordinary man's tolerance are different. This is because a sadhu knows that he is not the body. According to a Bengali Vaisnava song: deha-smrti nahi yara samsara-bandhana kahan tara
- Everywhere were heard the sounds of the conchshell and kettledrum and various other vibrations of music and song. The learned brahmanas showered their blessings upon the newly married couple - Krsna and Satya
F
- For as long as Sri Caitanya Mahaprabhu was in Varanasi, Paramananda Kirtaniya, who was a friend of Candrasekhara's, chanted the Hare Krsna maha-mantra and other songs to Sri Caitanya Mahaprabhu in a very humorous way
- Full self-surrender, therefore, means not only surrendering one's self as spirit soul, but also surrendering one's mind and body to the service of the Lord. Srila Bhaktivinode Thakur has sung a nice song in this connection
G
- Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body
- Gaurangera bhakta-gane jane jane sakti dhare. The purport of this song is that the devotees of Lord Sri Caitanya Mahaprabhu are very powerful, and each and every one of them can deliver the whole world. What, then, to speak of Narada Muni
- Gross matter includes high skyscraper buildings, machines, factories, nice roads, good cars, etc. Subtle matter includes nice songs, poetry, philosophy, etc. People are trying to be happy with this gross and subtle material existence. That cannot be
H
- Haraye namah, krsna yadavaya namah this song was a favorite of Sri Caitanya Mahaprabhu's
- Hare Krsna is transcendental sound vibration. Narottama dasa Thakura says, golokera prema-dhana, hari-nama-sankirtana. This hari-nama-sankirtana is not a cinema song. No. It is golokera prema-dhana
- Hari hari biphale janama gonainu. These songs are very instructive. Simply purposefully, we are drinking poison
- He (Caitanya) never even heard the prayers of the deva-dasis offered in the temple of Jagannatha because a sannyasi is forbidden to hear songs sung by the fair sex
- He (Caitanya) walked from garden to garden, seeing the pastimes of Lord Krsna and hearing and reciting songs and verses concerning the rasa-lila
- He (Damodara Svarupa) used to enhance the pleasure potency of the Lord by singing appropriate songs, which were very much appreciated
- He (Yudhisthira) ordered the musical vibration of different instruments and songs, and the learned brahmanas of the city began to chant the hymns of the Vedas very loudly
- He also passed His time reading the books and singing the songs of Candidasa and Vidyapati, and listening to quotations from the Jagannatha-vallabha-nataka, Krsna-karnamrta and Gita-govinda
- Hearing the song from a distance, Sri Caitanya Mahaprabhu immediately became ecstatic. He did not know whether it was a man or a woman singing
- His eyes and mind fully absorbed in Lord Jagannatha, Caitanya Mahaprabhu began to play the drama of the song with His two arms
I
- I am in due receipt of your letter dated August 6, 1975 with the enclosed versification of the chanting of the song sung by Lord Siva. It is all right
- I am pleased to hear that the song books and tapes of Lalita Prasad Thakura are in New York for being edited and distributed
- I have no objection for Mirabai's songs, but I think Hare Krishna is the greatest common factor understandable by all people all over the world. The chanting is transcendental and quickly effective
- If any Vaisnava is writing song about Krishna, he should have realized himself what is Krishna, just like our great saints and acaryas like Madhvacarya, Ramanujacarya, Rupa Goswami, six Gosvamis, Bilvamangala, Bhaktivinode Thakura, like that
- If someone wrote a book or composed verses and songs and wanted to recite them before Sri Caitanya Mahaprabhu, Svarupa Damodara would first examine them and then correctly present them. Only then would Sri Caitanya Mahaprabhu agree to listen
- If these songs are heard by any person, he can easily get out of the clutches of material contamination
- In a song we sing every day, Narottama dasa Thakura says, caksu-dana dila yei, janme janme prabhu sei: the guru gives spiritual insight to the disciple, and therefore the guru should be considered his master, life after life
- In our Krsna consciousness movement we do not allow any song that has not been approved or sung by bona fide devotees. We cannot allow cinema songs to be sung in the temple
- In our temple, strictly Hare Krishna chanting should be given more importance. This is no harm in this mantra you have heard, but it is not very important. There are many such common songs composed by common devotees out of sentiment
- In outer space all the demigods, including the inhabitants of Gandharvaloka, Siddhaloka and Caranaloka, offered their prayers and danced to the accompaniment of music, songs and the beating of drums
- In the family of Purusottama Cakravarti there are famous persons like Kunjavihari Cakravarti and Radhavallabha Cakravarti, who now live in the district of Birbhum. They professionally recite songs from Caitanya-mangala
- In this chapter I have spoken about three topics: Jagadananda Pandita's visit to Vrndavana, Caitanya’s listening to the song of the deva-dasi at the temple of Jagannatha, & how Raghunatha Bhatta achieved ecstatic love of Krsna by the mercy of Caitanya
- In this way they worshiped the deity before killing the man-animal, and they vibrated songs and prayers and played drums and bugles. Jada Bharata was then made to sit down before the deity
- In your song book, poet Jayadeva's high madhurya rasa songs may be avoided because they are meant for highly advanced devotees
- Indian classical songs are appreciated here and in foreign countries also. This program of presenting the Bhagavatam in classical song is a good idea
- It (hari-nama-sankirtana) is not ordinary song. It is just the treasure of love of Godhead
- It is calculated that he (Vidyapati) composed his songs during the reign of King Sivasimha and Queen Lachimadevi, in the beginning of the fourteenth century of the Saka Era, almost one hundred years before the appearance of Lord Caitanya Mahaprabhu
J
- Jarasandha returned to his kingdom, and Mathura City was saved from the danger of imminent attack. The citizens of Mathura organized the combined services of professional singers like sutas and magadhas, along with poets who could compose nice songs
- Junior Haridasa went to the confluence of the Ganges and Yamuna and committed suicide. In his spiritual body, however, he continued to sing devotional songs, and Sri Caitanya Mahaprabhu heard them
L
- Lord Caitanya and Nityananda are singing one very nice song in which they are requesting everyone to please chant Hare Krishna, and come along with Them. So that is our request to everyone
- Lord Caitanya Mahaprabhu used to sing this song (seita parana-natha) especially during the latter part of the day, and He would think, "Let Me take Krsna and go back to Vrndavana." This ecstasy was always filling His heart
- Lord Caitanya never even heard the prayers of the deva-dasis offered in the temple of Jagannatha because a sannyasi is forbidden to hear songs sung by the fair sex
- Loving service unto the Personality of Godhead, who is praised with transcendental songs, is established as an irrevocable fact
M
- Mad emotional talks include ten divisions, called prajalpa and other names. An example of this is the ten verses spoken by Srimati Radharani called The Song to the Bumblebee
- Manufacturing many ways of chanting will never be effective. However, chanting the song or the narration left by the previous acaryas extremely effective, and this process is very easy. Therefore here (SB 7.9.48) Prahlada uses the word anjah "easily"
- Material affairs have been compared to an ocean of poison. They have been described in a similar way by Srila Narottama dasa Thakura in one of his songs
- Mundane reviewers of these songs (the songs of Candidasa, Vidyapati and Jayadeva) simply help people in general become debauchees, and this leads only to social scandals and atheism in the world
N
- Narottama dasa Thakura was one of our predecessor acarya, teacher, and his songs are accepted in our Vaisnava society as Vedic truth. He has written in simple language, but it contains the Vedic truth
- Narottama dasa Thakura's songs are very appropriate just to the conclusion of Vedic injunctions. So he sings this song (Gauranga Bolite Habe), how one can rise up to transcendental plane for associating directly with Radha & Krsna, what is that process
- Nondevotees are strictly prohibited from participating in songs celebrating the loving affairs of Radha and Krsna
- Now He loudly sings all kinds of songs, claps, and plays drums and hand cymbals, making a tumultuous sound that deafens our ears
- Now you just apply yourself for becoming qualified to see Krishna face-to-face, then you will be able to actually write songs about Krishna
O
- O moon, Have you become mad after hearing the songs of Krsna? Is that why you are silent? Seeing your suffering, we feel that you are one of us
- O My dear messenger, I am just like a foolish bird that hears the sweet songs of a hunter, believes in them due to simplicity, and is then pierced in the heart and made to suffer all kinds of miseries
- One should chant the bona fide songs received from the disciplic succession. In Bhagavad-gita it is said that the chanting is powerful when one follows the disciplic succession (evam parampara-praptam imam rajarsayo viduh) - BG 4.2
- One should know that the only worshipable object is the Supreme Personality of Godhead, and one should learn the various mantras and sacred songs
- Only attention engaged in the service of the Lord, especially in dressing & decorating the temple, accompanied by musical kirtana and spiritual instructions from scriptures, can save the common man from the hellish cinema attractions & rubbish sex-songs
- Overjoyed to know of his arrival, his subjects came forth from Brahmavarta to greet their returning lord with songs, prayers and musical instruments
R
- Ramananda Raya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances
- Ramananda Raya was expert in understanding these highly elevated dealings between Radha and Krsna, and he composed a nice song which he narrated to the Lord
- Regarding authorized songs, you may inform George that authorized songs means the songs which were sung or composed by self-realized Acaryas
- Regarding the songs by Jayadev, "Srita Kamala" is not approved. Sometimes our Krsnadas Babaji sings, but it is not approved by Prabhupad. Those songs are for siddha bhaktas, not for us who are sadhak
- Regarding your request to sing prayers in English, this is nice suggestion, and you may do it. So far as the songs that you have written, you may send me a copy of them and I shall see them
S
- Saying this, Ramananda Raya began to sing a song he had composed, but Sri Caitanya Mahaprabhu, out of the ecstasy of love of Godhead, immediately covered Ramananda's mouth with His own hand
- She (a female singer in the Jagannatha temple) sang a gujjari tune in a very sweet voice, and because the subject was Jayadeva Gosvami's Gita-govinda, the song attracted the attention of the entire world
- So you know this song Jaya Radha-Madhava?
- Some actress, some cinema artist, singing, and people are so fond of hearing that singing that the artist is paid fifteen thousand rupees for one song. There are many in Bombay. So just see how much attraction we have got for the material sound vibration
- Some singers were reciting great verses from the Upanisads and Puranas, some were glorifying the family ancestors, and some were singing very sweet songs
- Spiritual instructions from scriptures can save the common man from the hellish cinema attractions and rubbish sex-songs broadcast everywhere by radios
- Sri Svarupa Damodara used to read the poems of Vidyapati and Candidasa and Jayadeva Gosvami's Sri Gita-govinda. He used to make Sri Caitanya Mahaprabhu very happy by singing these songs
- Sri-Sri-Gurv-astakam, 1969 - This song is offering obeisances particularly to the spiritual master, and the symptoms of the spiritual master are described in this prayer
- Srila Bhaktivinoda Thakura therefore says in a song, miche mayara vase, yaccha bhese', khaccha habudubu, bhai: "Why are you suffering? Why are you sometimes being drowned in the waves of material nature and sometimes coming to the surface?"
- Srila Bhaktivinoda Thakura writes in a song (Saranagati 31.3): May I visit all the holy places associated with the lilas of Lord Caitanya and His devotees
- Srila Narottama dasa Thakura has sung in a celebrated song, visaya chadiya kabe suddha habe mana: "When my mind will be purified after leaving the contamination of material sense enjoyment, I shall be able to visit Vrndavana"
- Srila Ramananda Raya has taken these two girls to a solitary place in his garden, where he is teaching and directing them to dance according to the songs he has composed for his drama
- Srila Rupa Gosvami, the great devotee acarya of the Gaudiya-Vaisnava-sampradaya, has sung a song about this lotus honey, comparing himself to the bee
- Suddenly Sri Caitanya Mahaprabhu returned to external consciousness and said to Svarupa Damodara Gosvami, "My dear Svarupa, please sing some sweet songs"
- Svarupa Damodara and Ramananda Raya then devised various means to pacify the Lord. They sang songs of meeting that transformed His heart and made His mind peaceful
T
- Thank you very much for your nice translation of Markine Bhagavata-dharma. It is well appreciated. I think it can be included in the front of the new printing of the song book, and it can be sung in kirtana like the other songs of Bhaktivinode Thakura
- The Apsaras pleased everyone (on the birth ceremony of Arjuna) by their heavenly dances and songs
- The Apsaras pleased everyone by their heavenly dances and songs
- The belly, although filled, still wants to eat more & the ear, not attempting to hear about You, is generally attracted to cinema songs. The sense of smell is attracted to yet another side, the restless eyes are attracted to scenes of sense gratification
- The bhakti-yoga system is that if you stick to the hearing of Hare Krsna and the music, melodious music of karatala, then naturally you become detestful for hearing other songs
- The city (of Indra) always resounded with the vibrations of peacocks, pigeons and bees, and above the city flew airplanes full of beautiful women who constantly chanted auspicious songs that were very pleasing to the ear
- The demigods who always travel in outer space gave King Prthu the arts to perform dramas, sing songs, play musical instruments and disappear at his will. The great sages also offered him infallible blessings. The ocean offered him a conchshell
- The denizens of the upper planets showered flowers, beat drums, played different types of flutes and sang various prayers and songs. In this way, all the denizens of heaven, such as the Gandharvas, Siddhas and demigods, became very much pleased
- The devotee said, "Even great sages who are accustomed to live in solitary places are also attracted by the songs of Your glory"
- The drama being rehearsed by Ramananda Raya and the two young girls was the well-known Jagannatha-vallabha-nataka. The songs and dances were meant for the pleasure of Lord Jagannatha
- The evidence of the truth of these talks is found in Srimad-Bhagavatam. There, in the section of the Tenth Canto known as the Bhramara-gita, "The Song to the Bumblebee," Srimati Radharani speaks insanely in ecstatic love for Krsna
- The face of the Lord is the embodiment of beauty. What they call beautiful nature is but His smile, and what they call the sweet songs of the birds are but specimens of the whispering voice of the Lord
- The gopis' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopis and Krsna fully engaged in dancing
- The Kinnaras and Gandharvas began to sing auspicious songs, the Siddhas and Caranas offered auspicious prayers, and the Vidyadharis, along with the Apsaras, began to dance in jubilation - SB 10.3.6
- The land (of Vrndavana) is made of touchstone and the water of nectar. In that land all speech is song, and all walking is dancing, and one's constant companion is the flute. Everything is self-luminous, just like the sun in this material world
- The Lord (Caitanya) used to read the books of Vidyapati, Jayadeva and Candidasa, relishing their songs with His confidential associates like Sri Ramananda Raya and Svarupa Damodara Gosvami
- The Lord's ears were satisfied when He heard Svarupa Damodara sing songs from the Gita-govinda and those by the poet Vidyapati
- The method of His (Caitanya's) demonstration was also very suitable. He inaugurated the sankirtana movement accompanied with melodious song which method has been found practically very effective amongst the masses
- The purport of the song is that the lover and the beloved, before meeting, generate a kind of emotion by the exchange of their transcendental activities. That emotion is called raga, or attraction
- The purport of this song (from Gitavali by Bhaktivinoda Thakura) is that Narada Muni, the great soul, plays a stringed instrument called a vina, vibrating the sound radhika-ramana, which is another name for Krsna
- The Sama-veda is rich with beautiful songs played by the various demigods. One of these songs is the Brhat-sama, which has an exquisite melody and is sung at midnight. BG 1972 purports
- The son of Devavrdha was Babhru. Concerning Devavrdha and Babhru there are two famous songs of prayer, which were sung by our predecessors and which we have heard from a distance. Even now I hear the same prayers about their qualities
- The songs of Candidasa, Vidyapati and Jayadeva describe the transcendental activities of the Supreme Personality of Godhead
- The songs of the queens at Dvaraka, which are mentioned at the end of the Tenth Canto of Srimad-Bhagavatam, have a very special meaning. They are not understood even by the most learned scholars
- The songs which I have recorded there I have heard today on the record, and they are very nice, especially the Prayers to the Six Goswamis. It has come out very successful on the whole. I hope the German people will like the Bengali tunes
- The SPG is the dearmost objective of all auspicious benedictions. A human being who sings this song sung by me can please the SPG. Such a devotee, being fixed in the Lord's devotional service, can acquire whatever he wants from the Supreme Lord
- The Thirteenth Chapter tells how Jagadananda Pandita went to Mathura and returned and how Sri Caitanya Mahaprabhu by chance heard a song sung by a deva-dasi dancing girl
- The tinkling of Krsna's ankle bells surpasses the songs of even the swan and crane, and the sound of His bangles puts the singing of the cataka bird to shame
- The whole process we are trying to learn from the Bhagavad-gita (The Song of God) is how to bring ourselves to this level of consciousness
- The words or songs of a person not fixed in Vaisnava behavior, not strictly following the rules and regulations and chanting the Hare Krsna mantra should not be accepted by pure devotees
- The younger generation is very pleased to see a beautiful form, to hear radio messages of material news & sense gratificatory songs, to smell nice scents, nice flowers & to touch the soft body or breasts of a young woman & gradually touch the sex organs
- There are also nondevotees who compose unauthorized songs, who establish different temples for money, who worship the Deity as priests for salaries, who accept caste brahmanism as all in all, and who do not know the value of a pure Vaisnava
- There are motorcars with dazzling polish, and a radio set receiving and broadcasting colorful news and melodious songs. All these captivate their proprietor as though he (the rich man) were in a dreamland of his own creation
- There are songs of Thakura Narottama dasa, one of the acaryas in the Gaudiya-sampradaya, composed in simple Bengali language
- There is a nice song in this connection: "Because of a great desire to have all happiness in life, I built this house. But unfortunately the whole scheme has turned to ashes because the house was unexpectedly set on fire." The law of nature is like that
- There is a song in the Bengali language which states, "I constructed this home for happiness, but unfortunately there was a fire, and everything has now been burnt to ashes." This illustrates the nature of material happiness
- There is a very nice song sung by Sri Narottama dasa Thakura, a great devotee and acarya in the disciplic succession from Lord Caitanya
- There is no need for any other devotional songs or chants for Lord Caitanya's Advent Day; simply chant Hare Krishna, with Kirtana or beads, & sing the prayer "Sri Krishna Caitanya, Prabhu Nityananda, Sri Advaita, Gadadhara, SriVasadi, Gaura Bhaktavrinda"
- There were also bilva, kapittha, jambira and bhallataka trees. Intoxicated bumblebees drank honey and hummed with the chirping of the birds, whose songs were very melodious
- Thereafter (after Krsna killed Aghasura), everyone being pleased, the demigods began to shower flowers from Nandana-kanana, the celestial dancing girls began to dance, and the Gandharvas, who are famous for singing, offered songs of prayer - SB 10.12.34
- These songs (from CC Antya 19.108) of Srimad-Bhagavatam are verses 15-24 of the Ninetieth Chapter of the Tenth Canto
- They (Krsna and Balarama) learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, from simple village arts up to the highest perfectional stage
- They (Krsna and Balarama) were given palatable dishes by Their mothers (Yasoda and Rohini), and They pleasantly ate everything. After eating, They were seated nicely on clean bedding, and the mothers began to sing various songs of Their activities
- They are self-realized souls, therefore if they write something song about Krishna that will be perfectly from the transcendental platform, without any tinge of mundane influence or nonsense imagination
- This (CC Madhya 3.114) is a song composed by Vidyapati. Sometimes the word madhava is misunderstood to refer to Madhavendra Puri
- This Narada Muni song is in your country tune & I think it will attract many more men to join the Kirtana so you should practice this standard Kirtana more conveniently so that during your Rathayatra festival you can have this singing with the procession
- This song ('gauranga' bolite habe) was sung by Narottama dasa Thakura, a great devotee-acarya in the disciplic succession of Gaudiya Vaisnava sampradaya
- This song (CC Madhya 3.114) was composed to commemorate the separation of Krsna from Radharani during Krsna’s absence in Mathura. It is thought that this song was sung by Srimati Radharani when Krsna returned. It is technically called Mathura-viraha
- This song refers to Srimati Radharani’s meeting with Krsna at the holy place of Kuruksetra, where Lord Sri Krsna and His brother and sister came to visit when there was a solar eclipse. It is a song of separation from Krsna
- This verse (of CC Adi-lila 4.180) from Srimad-Bhagavatam (SB 10.32.22) was spoken by Sri Krsna Himself when He returned to the gopis upon hearing their songs of separation
- Those liberated souls (the inhabitants of the Vaikuntha planets) are engaged incessantly in singing songs mentioned in the Sama Veda. All of them are personifications of the five Upanisads
- Those songs are for siddha bhaktas, not for us who are sadha bhaktas or learning bhaktas. Lord Caitanya never divulged in public, he enjoyed them in the company of his selected three or four devotees
- Thus Sri Caitanya Mahaprabhu's ecstatic love was awakened by hearing the songs of Vrndavana. In this way He inundated Purusottama, Jagannatha Puri, with love of Godhead
- To enhance the ecstatic mood of the Lord, Svarupa Damodara Gosvami would sing appropriate songs and Ramananda Raya would recite suitable verses. In this way they were able to pacify Him
- Two people - Ramananda Raya and Svarupa Damodara Gosvami - stayed with the Lord to pacify Him by reciting various verses about Krsna’s pastimes and by singing appropriate songs for His satisfaction
U
- Uddhava Gita: 17 - The Song of the Avanti Brahmana
- Unless his writing of songs can be accepted as gospel, like Vedas, then such writing is simply disturbance and is diverting the attention from the subject matter only
- Uttamasloka means the Supreme Personality of Godhead who is prayed by selected poems. Uttama, transcendental poetry, transcendental songs. He's worshiped by transcendental vibration of sound
V
- Vidura inquired from Maitreya: O brahmana, you formerly spoke about the sons of Pracinabarhi and informed me that they satisfied the Supreme Personality of Godhead by chanting a song composed by Lord Siva. What did they achieve in this way?
- Vidyapati was a famous composer of songs about the pastimes of Radha-Krsna. He was an inhabitant of Mithila, born in a brahmana family
- Vidyapati's songs about the pastimes of Lord Krsna express intense feelings of separation from Krsna, and Sri Caitanya Mahaprabhu relished all those songs in His ecstasy of separation from Krsna
W
- We (gopis) know Him very well, and therefore we are not interested in hearing any more songs about Him. It would be better for you (bumblebee) to go sing to those who are now very dear to Krsna
- We cannot follow an upstart, manufacturing some song, manufacturing some ideas. We cannot follow that. What is authorized song, we shall sing. What is authorized method, we shall follow
- We cannot follow asadhu-marga. We must follow sadhu-marga. Mahajano yena gatah sa panthah. We cannot follow an upstart, manufacturing some song, manufacturing some ideas. We cannot follow that
- We shall not produce something artificial by writing and playing our own songs as we like
- We should always remember this song of Narottama dasa Thakura. He is acarya. He's guru. Acaryopasanam. Acarya upasana is one of the process of making progress
- When Caitanya was dramatically enacting the song, He would sometimes fall behind in the procession. At such times, Lord Jagannatha would come to a standstill. When Caitanya Mahaprabhu again went forward, Lord Jagannatha's car would slowly start again
- When Lord Brahma heard the wonderful ceremony going on near his planet, accompanied by music and songs and sounds of "Jaya! Jaya!" he immediately came down to see the function - SB 10.12.35
- When Mukunda saw that Caitanya Mahaprabhu was feeling ecstatic pain and manifesting ecstatic bodily symptoms, all due to feelings of separation from Krsna, he sang songs about Srimati Radharani’s meeting with Krsna. Advaita Acarya also stopped dancing
- When Svarupa Damodara Gosvami sang this special song, Sri Caitanya Mahaprabhu immediately got up and began to dance in ecstatic love
- When the Lord acutely felt pangs of separation from Krsna, only Sri Ramananda Raya' talks about Krsna and the sweet songs of Svarupa Damodara kept Him alive
- When the Lord was engaged in His pastimes of the rasa dance in the forest of Vrndavana, enlivening the sexual desires of the wives of the inhabitants of Vrndavana by sweet and melodious songs, a demon of the name Sankhacuda, kidnapped the damsels
- When the same man (who is rich) was as dry as fallow land and had none of these opulences (motorcars with dazzling polish, and a radio set receiving and broadcasting colorful news and melodious songs), he was plain in behavior
- Whenever a particular sentiment arose in His heart, Svarupa Damodara satisfied Him by singing songs or reciting verses of the same nature
- Women of Mathura have now achieved the opportunity of being embraced by Him (Krsna). They are His beloveds & therefore He has relieved the burning in their breasts. If you (bumblebee) go there & sing your songs to those women, they will be very pleased
Y
- You can add to the Songbook the poem I wrote before arriving at the Boston Port when I first came to America
- You can call sermon, because there is prayer song and there is, I mean to say, recitation from scriptures
- You should just go on chanting Hare Krishna Mahamantra and the Pancatattva mantra and don't divert your attention. You cannot understand the meaning of the Indian songs and simply parrot like chanting of these songs has no value