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Subcategories Pages in category
This category has the following 24 subcategories, out of 24 total.
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K
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N
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Pages in category "Dancing"
The following 435 pages are in this category, out of 435 total.
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A
- A dance in the midst of many girls is called a rasa dance. So Krsna began to dance among the most beautiful and fortunate girls within the three worlds. The gopis of Vrndavana, who were so attracted to Him, danced with Krsna, hand in hand
- A dog will dance, a cat will dance, a child will dance. There is no necessity of preliminary qualification for understanding this process, because it is from the spiritual platform. It is from the spiritual platform
- A mild breeze was blowing, carrying the fragrance of aromatic flowers. The breeze had become a guru and was teaching all the trees and creepers how to dance
- A part of the spiritual pleasure experienced in the Vaikunthas is the pleasure of dancing. There are also young girls and young boys there. Indeed, there is no such thing as old age, or disease, or death, or the pains of birth
- A person in Krsna consciousness knows that Krsna is the supreme master and everyone else is His servant. One has to dance to please Krsna, not to imitate or attempt to become equal to the Supreme Personality of Godhead
- A person who is in a jubilant spirit, who feels profound devotional ecstasy while dancing before Me, who manifests different features of bodily expression, can burn away all the accumulated sinful reactions he has stocked up for many thousands of years
- A wooden doll chants and dances according to the direction of a magician but does not know how he is dancing and singing
- Accompanied by the stringed instrument (Narada Muni's vina), the singing seems like a shower of nectar, and all the devotees dance in ecstasy to the fullest extent of their satisfaction
- According to the principles of the Mayavadi sannyasis, singing, dancing and playing musical instruments are strictly prohibited, for they are considered to be sinful activities. The Mayavadi sannyasi is simply supposed to engage in the study of Vedanta
- Actual blissful life, manifested in genuine spiritual laughing, crying & dancing, is the symptom of real advancement in Krsna consciousness, which can be achieved by a person who always voluntarily engages in the transcendental loving service of the Lord
- Actually human civilization begins when this institution of varnasrama is accepted. Otherwise it is animal civilization - eating, sleeping, mating, and dancing, that's all
- Advaita Acarya Prabhu was ordered to dance in the first group. The Lord then formed another group with Srivasa Thakura as the chief man
- After dancing for a long time, Sri Caitanya Mahaprabhu became still and ordered four great personalities to begin to dance
- After hearing Sri Caitanya Mahaprabhu and being touched by Him, Amogha, who was on his deathbed, immediately stood up and began to chant the holy name of Krsna. Thus he became mad with ecstatic love and began to dance emotionally
- After offering his guests (Krsna, Narada, Vamadeva, Atri, Vyasadeva, Parasurama, Asita, Aruni, Sukadeva and others) nice sitting places, the brahmana (Srutadeva) began to dance, waving around his wrap
- After saying this, he danced and sang to his heart's content, but the brahmana did not become angry, for he was then serving Lord Krsna
- After this manifestation of Lord Visnu, Brahma saw that many other Brahmas and Sivas and demigods and even insignificant living entities down to the ants and very small straws - movable & immovable living entities - were dancing, surrounding Lord Visnu
- After this, they (the hunter and his wife) began to feel ecstasy and began to dance and sing Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/Hare Rama, Hare Rama, Rama Rama, Hare Hare. They raised their hands and danced with their clothes flying
- After understanding the Bhagavata philosophy, or bhagavata-dharma, they (those who are Krsna conscious) become fully spiritually conscious or Krsna conscious, and therefore their chanting and dancing is not material but is on the spiritual platform
- All around the body, the devotees performed congregational chanting, and Vakresvara Pandita danced in jubilation
- All of Lord Caitanya's followers used to dance with raised hands. If someone dances with ecstasy, that is all right, but it is better to dance with raised hands
- All of them, including the great sage Narada and devotees like Prahlada, came here in the guise of human beings, chanting the holy names of Lord Krsna together and dancing and floating in the inundation of love of Godhead
- All the birds within the forests began to sing with sweet voices, & the peacocks began to dance with their consorts. The wind blew very pleasantly, carrying the aroma of different flowers, and the sensation of bodily touch was very pleasing
- All the birds within the forests began to sing with sweet voices, and the peacocks began to dance along with their consorts. The wind blew very pleasantly, carrying the aroma of different flowers, and the sensation of bodily touch was very pleasing
- All the devotees engaged in the cleansing ceremony of the Gundica temple and danced in front of the Ratha-yatra chariot, just as they had done in the past
- All the inhabitants of Benares were struck with wonder upon seeing the ecstatic dancing of Lord Caitanya. However, Lord Caitanya checked His continuous ecstasy and stopped dancing when He saw the Mayavadi sannyasis
- All the inhabitants of Kasi (Varanasi) began chanting the Hare Krsna maha-mantra in ecstatic love. Sometimes they laughed, sometimes they cried, sometimes they chanted, and sometimes they danced
- All these people become like madmen. They simply chant the holy name of Krsna and dance. Sometimes they even cry and roll on the ground
- All these symptoms (of subordinate ecstatic expressions of love) are divided into two divisions - sita and ksepana. Singing, yawning and so on are called sita. Dancing and bodily contortions are called ksepana
- An artist onstage, being covered by attractive dresses and dancing with different movements, is not understood by his audience; similarly, the activities and features of the supreme artist cannot be understood even by the demigods or great sages
- Another party was formed by the people of Khanda. These people were singing in a different place. In that group, Narahari Prabhu and Raghunandana were dancing
- Anubhava can be divided into thirteen categories: dancing, rolling on the ground, singing, yelling, jumping, making loud noises, yawning, heavy breathing, not caring for public opinion, discharging saliva, roaring laughter, unsteadiness and hiccuping
- Artificial movement of the body . . . must always be rejected. One should wait for the natural sequence within devotional service, and at that time, when one cries or dances or sings, it is approved
- As a puppet has no independent power to dance but dances according to the direction of the puppet master, so the demigods and living entities are all subordinate to the Supreme Personality of Godhead
- As a wooden doll dances to the will of a puppeteer, everything is accomplished by the will of the Lord. Who can understand the characteristics of the Supreme Personality of Godhead?
- As a wooden doll is made to dance by a magician, I write as Madana-gopala orders me to do so
- As a wooden doll that looks like a woman or as an animal made of grass and leaves cannot move or dance independently, but depends fully on the person who handles it, all of us dance according to the desire of the SC, the PG. No one is independent
- As explained before, the particles of Brahman are like sparks blissfully dancing within a fire, but there is a chance of their falling from the fire to smoke, although smoke is another condition of fire
- As soon as he (a person) enters the city, he sees various paths, gardens, lakes, and marketplaces with shops, and persons buying. He sees varieties of cinema houses, and he sees dancing and jubilation
- As soon as he (Indra) would see a saint undergoing severe austerities, he would send dancing girls to distract him. Even the great saint Visvamitra Muni fell victim to his plan
- As soon as this (sankirtana) movement is taken up through spiritual singing, dancing, and feasting, the people will automatically become obedient and honest
- At that time Sri Advaita Acarya Prabhu, in His own house at Santipura, was dancing in a pleasing mood. Taking Haridasa Thakura with Him, He danced and loudly chanted Hare Krsna. But why they were dancing, no one could understand
B
- Balabhadra Bhattacarya then explained the relationship between Madhavendra Puri and Sri Caitanya Mahaprabhu. After hearing this, the brahmana became very pleased and began to dance
- Balabhadra reported that Mahaprabhu had shown a good many miracles on His way to Puri, such as making tigers and elephants dance on hearing the name of Krsna
- Beautifying these waters are the lotus flowers of singing, dancing and loud chanting of Krsna's holy name, which are the pleasure abodes of unalloyed devotees
- Being agitated by the ecstasy, Sri Caitanya Mahaprabhu suddenly fell to the ground. Seeing this, Advaita Acarya stopped dancing
- Being very pleased, the celestial dancing girls (Apsaras) danced in jubilation, the best of the Gandharvas sang songs, and the great sages, demigods, Manus, Pitas and fire - gods offered prayers to satisfy the Lord
- Bhagavan api signifies that this dance is not like the ordinary dancing of young boys and young girls
- Bhaktisiddhanta Sarasvati Gosvami says that sometimes persons who have no love of Godhead at all display ecstatic bodily symptoms. Artificially they sometimes laugh, cry and dance just like madmen, but this cannot help one progress in Krsna consciousness
- Both parrots then flew onto a tree branch, and Sri Caitanya Mahaprabhu began to watch the dancing of the peacocks with curiosity
- Bumblebees and birds like the parrot and cuckoo all began to sing loudly on the fifth note, and the peacocks began to dance in front of the Lord
- By dancing dancing, we shall develop our dormant Krsna consciousness, love for Krsna. This is a nice process. Krsnot-kirtana-gana-nartana-parau premamrtambho-nidhi. Then you will merge into the ocean of love for Krsna
- By His causeless mercy He ate the chipped rice and milk. Then, after seeing the dancing of the devotees at night, He took His supper
C
- Caitanya-caritamrta (CC Adi 5.142): "Lord Krsna alone is the supreme controller, and all others are His servants. They dance as He makes them do so." We are all servants of Krsna; we have no independence
- Chanting, dancing, and taking prasadam are universal formula, and we have experienced everywhere in the world. In Europe, America, Australia, Africa, Canada, in Japan
- Children very easily adopt it. So this is the perfect yoga system. No artificial education. Spontaneous response: dancing, Hare Krsna. That's all. This is the easiest method. So the greatest contribution to the human society. Do it
- Collect all kinds of small and large flags and ringing bells. Then decorate the carrier and have various musical and dancing parties accompany it. In this way decorate the carrier attractively
- Crazy fellow, they're trancing, dancing and beating some drum
D
- Dancing and shouting with a loud voice, he made the entire surface of the earth tremble as if from an earthquake. As he yawned again and again, he seemed to be trying to swallow the whole sky with his mouth, which was as deep as a cave
- Dancing girl, when she was on the stage, she saw that her relatives are there as visitors. So she began to draw the veil. So this is not required. You are a dancing girl. Now you have to dance. You cannot be shy. You must freely dance. That is your duty
- Dancing in a theater hall, a dancing hall. The same energy spent for dancing for Krsna, the same hall, you become liberated. By one dancing hall you go to hell, and by another dancing hall you become liberated. This is the secret
- Dancing is very good. The more you dance, the more you become light; means the burden of material contamination becomes reduced. Dancing is so nice. Even if you don't feel ecstasy, if you dance by force, that will also help us
- Don't you find, when there is a kirtana performance, that the more innocent a person is, the sooner he begins? Immediately, the child begins to clap, begins to dance. This is within him; and it is very simple, this Krsna consciousness
- Dressing themselves as the wives of brahmanas, all the celestial ladies, including the wives of Lord Brahma, Lord Siva, Lord Nrsimha-deva, King Indra and Vasistha Rsi, along with Rambha, a dancing girl of heaven, came there with varieties of gifts
- During the festival at the installation ceremony, some people sang and some danced. All the milk, yogurt and clarified butter in the village were brought to the festival
E
- Each of these empowered persons would return to his own village, always chanting the holy name of Krsna and sometimes laughing, crying and dancing
- Each servant is dancing according to the order of the Supreme. That's all. Nobody is master. So this false conception of becoming master is called maya, illusion. Nobody is master
- Even by sentiment, without understanding Krsna, simply by sentiment, "All right, these . . . all these boys and girls are dancing in 'Krsna, Krsna.' So let me also join this Krsna Movement and dance," he will derive the greatest benefit
- Every day from pratipat to trayodasi, one should continue the ceremony, to the accompaniment of dancing, singing, the beating of a drum, the chanting of prayers and all-auspicious mantras, and recitation of Srimad-Bhagavatam
- Every day he trained the two deva-dasis how to dance. Who among the small living entities, their minds always absorbed in material sense gratification, could understand the mentality of Sri Ramananda Raya
- Everyone is dancing as maya is impelling. Now we have to dance as Krsna is impelling. That's all. The dancing will continue. Somebody is dancing in the ballroom and somebody is dancing in this temple
- Everyone is under the control of the Supreme Personality of Godhead, exactly like dancing dolls controlled by a puppeteer or a woman controlled by her husband
- Everyone should be given a chance to take prasadam and thus be induced to chant the holy names Hare Krsna and also dance in ecstasy. By these three processes, although performed without knowledge or education, even an animal went back to Godhead
- Everyone wants to dance, to sing, to eat and to hear the truth. This process is truly susukham - very happy
- Everyone wants to eat, sing and dance, Through this formula - dancing, singing and eating Krsna prasada and hearing philosophical discussion, transcendental topics from Bhagavad-gita - so don't you think it is very happy?
- Everyone was chanting the holy names of Hari and dancing. In this way the domicile of Advaita Acarya was converted into Sri Vaikuntha Puri
- Everything is there in Krsna consciousness. We want music, there is music. We want dancing, there is dancing
- Everything takes practice. For example, if one wants to dance on the stage, one has to perform many rehearsals to practice how to dance. Then if one becomes an expert dancer, when one dances on stage one will receive acclaim - Ah, a very good dancer
- Examples of anubhava as follows: dancing, rolling on the ground, singing very loudly, stretching the body, crying loudly, yawning, breathing very heavily, neglecting the presence of others, drooling, laughing like a madman, wheeling the head and belching
F
- False ego is the demarcation between spiritual & material existence, just as the moving cloud is the demarcation between moonlight and darkness. In the rainy season, when the clouds appear for the first time, the peacocks dance with joy upon seeing them
- Fatigue is felt after walking a long distance, after dancing and after sex activity. In this kind of fatigue there is dizziness, perspiration, inactivity of the limbs, yawning and very heavy breathing
- First of all, you have to die. You may manufacture some so-called ananda, but you'll die. Now, suppose we are dancing here, and if we understand that immediately death will take place, then we shall not be able to enjoy the dancing
- For those two (Caitra & Vaishaka) months He kept Himself among the gopis & He passed every night with them in the forest of Vrndavana to satisfy their desire for conjugal love. Thus Balarama also enjoyed the rasa dance with the gopis
- Formerly the kings (rajas) were great saintly persons. They were not ordinary people engaged in drinking and dancing. They were all rsis (sages), up to the time of Maharaja Pariksit
- Fourteen mrdangas resounded with the loud congregational chanting, and in each group was a dancer whose dance of ecstatic love inundated the entire world
- From the body of any person who claps and dances before the Deity, showing manifestations of ecstasy, all the birds of sinful activities fly away upwards
- From the Vedic literature it appears that when a theatrical actor dances among many dancing girls, the group dance is called a rasa dance
G
- God is everywhere, but He has got a special planet, which is called Goloka Vrndavana. You can enter there directly and see God and live with Him, dance with Him, play with Him, eat with Him. That is the perfection of life
- Gopinatha Pattanayaka is in charge of collecting money on behalf of the government, but he misappropriates it. Not fearing the King, he squanders it to see dancing girls
H
- He (a spiritual master) sometimes cries, sometimes laughs, sometimes dances and sometimes chants. These symptoms are very prominently manifest in the body of a pure devotee
- He (a young boy in Krsna consciousness) saves his valuable time from being extravagantly spent in the way of smoking, drinking, attending the theater and dancing
- He (Lord) is just like the unlimited sky; as the sparks of a fire dance in the fire, similarly, all living entities are like birds flying in the unlimited sky of the Supreme Lord
- He continuously exhibited bodily transformations of transcendental love. Thus he cried, trembled, became stunned, perspired, danced in love of Godhead and made sounds like those of a cloud
- Her (Radharani's) glance is so enchanting that it is like a dancing bumblebee moving unsteadily due to intoxication. That bee has bitten the whorl of My (Krsna's) heart
- Here if we enjoy in the hotel some dancing, and next morning I'll have to go into the garbage for bringing money for that dancing. I'll work, go underground to dig out garbage. It is not like that, that Krsna has to go next morning to garbage
I
- I (King Priyavrata) am not going to enjoy any more. Just see how I have become like a dancing monkey in the hands of my wife. Because of this, I am condemned
- I always narrate the story of your daughter when she was dancing on the platform of the law college and she obliged all other law students to imitate her dancing. Anyway, just raise this girl in full KC and she will be a great preacher when she is young
- I am not elegible for these honors. Whatever is being done, it is Lord Krishna's mercy. He is unlimited and His mercy is also unlimited, so by His mercy even a crow can dance like a peacock
- I do not know how much nectar the two syllables 'Krs-na' have produced. When the holy name of Krsna is chanted, it appears to dance within the mouth
- I have never before seen such ecstatic love, nor heard the vibration of the holy name of the Lord chanted in such a way, nor seen such dancing during sankirtana
- I have seen the boys and girls dancing together, embracing, in the school, that ruins the career. Both of them are ruined. That is very regrettable
- I shall personally inaugurate the religion of the age - nama-sankirtana, the congregational chanting of the holy name. I shall make the world dance in ecstasy, realizing the four mellows of loving devotional service
- I worship Lord Kesava. Coming back from the forest of Vraja, He is worshiped by the gopis, who mount the roofs of their palaces and meet Him on the path with a hundred manners of dancing glances and gentle smiles
- If a person does not become meek and humble, all his studies of the Vedas and Puranas and his vast knowledge of the sastras are simply outward dress, like the costume of a theatrical artist dancing on the stage
- If one is not liberated and listens to a relation of the rasa dance, he may remember his own mundane activities and illicit connections with some woman whose name may also be Radha
- If one performs kirtana, chanting, one will be able to think of Krsna. One may think, "I danced for two hours and chanted Hare Krsna. What is the meaning of this?" This is smarana, thinking of Krsna
- If one who is not yet developed imitates such symptoms (laughing, crying and dancing) artificially, he creates chaos in the spiritual life of human society
- If they see You just once, even women, children, old men, meat-eaters and members of the lowest caste immediately chant the holy name of Krsna, dance like madmen and become spiritual masters capable of delivering the whole world
- If you are not liking this saffron dress and dancing, why don't you read the books
- If you go on dancing in the club and eating in the club, then gradually you become diseased materially. And the same dancing and same eating here, you become spiritually advanced. So nothing has to be stopped
- If You want to make a lame man like me dance, kindly bestow Your transcendental blessings by placing Your lotus feet on my head
- If you want to take pleasure in the company of Krsna and dance rasa dance, then you have to become pure, purified. That is sarvopadhi vinirmuktam, to free from all designation. Narayana parayana. Narayana society or Krsna society, the same thing
- If you want to understand this philosophy by your learning, by your academic career, we have got sufficient stock to supply you. Sufficient stock. Don't think that we are all sentimentalists, simply dancing. No. There is a background
- Impersonalists also sometimes chant the Hare Krsna mantra and dance, but their aim is not to serve the Lord. It is to become one with the Lord and merge into His existence
- In marking such tilaka, sometimes one may write Hare Krsna on the body. 3) One should accept flowers and garlands that have been offered to the Deity and the spiritual master and put them on his body. 4) One should learn to dance before the Deity
- In other words, one should not try to understand the topics of the Tenth Canto, such as the rasa-lila (love dance), unless he has spontaneous attraction for Srimad-Bhagavatam
- In outer space all the demigods, including the inhabitants of Gandharvaloka, Siddhaloka and Caranaloka, offered their prayers and danced to the accompaniment of music, songs and the beating of drums
- In some places there were nice beddings in the bushes of the Vrndavana gardens, and in some places there were piles of dust due to the group-dancing of Govinda and the gopis
- In the 8th vilasa (of Hari-bhakti-vilasa), there is a description of the Deity and instructions on how to set up incense, light lamps, make offerings, dance, play music, beat drums, garland the Deity, offer prayers and obeisances and counteract offenses
- In the accounts of Lord Caitanya Mahaprabhu's dancing in front of the car during the Ratha-yatra festival, Acyutananda's name is to be found many times. It is stated that in the party of Advaita Acarya from Santipura, Acyutananda was dancing
- In the attitude of anubhava, one dances and sometimes falls down, sometimes sings loudly, shows convulsions, yawns, and sometimes breathes very heavily - all without concern for circumstances
- In the company of His two friends, Svarupa Damodara Gosvami and Ramananda Raya, He sometimes danced, sometimes sang and sometimes became unconscious in ecstatic love. Sri Caitanya Mahaprabhu passed His days and nights in this way
- In the course of the introduction, all the seeds of the play are planted. This introduction is called udghatyaka because the player dances on the stage
- In the Dvaraka-mahatmya the importance of dancing before the Deity is stated
- In the Dvaraka-mahatmya the importance of dancing before the Deity is stated by Lord Krsna
- In the evening people go to restaurants and cinemas and waste time and money at clubs and dances. They are not aware of the fearful situation of birth, old age, disease and death
- In the front party danced Thakura Haridasa, and in the middle party danced Advaita Acarya with great jubilation
- In the Hare Krsna movement, the chanting of the Hare Krsna maha-mantra, the dancing in ecstasy and the eating of the remnants of food offered to the Lord are very, very important
- In the heavenly kingdom, Indra always sees the dancing of the society girls
- In the Padma Purana there is the story of a neophyte devotee who, in order to raise himself to the ecstatic platform, danced all night to invoke the Lord's grace upon him
- In the Visnu Purana it is said: worshiping the most powerful demigod Surya, the Gandharvas sing in front of him, the Apsaras dance before the chariot, the Nisacaras follow the chariot, the Pannagas decorate the chariot
- In this age (of Kali-yuga) the Lord is yellow (Caitanya Mahaprabhu), and He teaches people love of God by chanting the names of Krsna. This teaching is carried out personally by Krsna, and He exhibits love of Godhead by chanting, singing and dancing
- In this way all the devotees, wherever they were situated, in every city and every country, danced, performed sankirtana and gave charity by mental strength on the plea of the lunar eclipse, their minds overwhelmed with joy
- In this way they danced continuously for twelve hours, and in the evening they all took a bath in the Ganges and then returned to their homes
- In Vrndavana, the natural speech of the people sounds like music, and their natural motion resembles a dance
- In your city there is always congregational chanting of the holy name. A tumultuous uproar of music, singing and dancing is always going on
- Introduce this dancing as health exercise dancing
- It (Krsna consciousness) is science. It is not sentiment. Whatever we are doing here, the dancing, singing and everything, that is all scientific
J
- Just as a pet monkey dances according to the desires of its master, the King (Puranjana) danced according to the desires of the Queen
- Just as in this world the man-eaters drank their victims' blood, dancing and singing in jubilation, their victims now enjoy drinking the blood of the sacrificers and celebrating in the same way
- Just like you are dancing here. Actually, bodily, there is some trouble because you are perspiring, but you are not feeling the trouble; you are feeling pleasure. Otherwise how you can dance? This is the transcendental platform
K
- Krsna embraced Srimati Radharani in such an expert manner that He appeared to be celebrating the dancing ceremony of the peacocks
- Krsna is within yourself, and Krsna is without. But we do not see Krsna. The example is, nato natyadharo yatha (SB 1.8.19). Nata, a dramatic player, is dancing on the stage, and his son or relative seeing, he cannot understand
- Krsna said, "My dear brother, You are the supreme worshipable Godhead. Just see how the peacocks are dancing before You in great ecstasy. The deer, whose behavior is just like that of the gopis, are welcoming You with the same affection"
- Krsna's rasa dance should never be compared to any kind of material dance, such as a ball dance or a society dance. The rasa dance is a completely spiritual performance
L
- Last Monday we were at a law college and at least one hundred law students were up and chanting and dancing along with us
- Life is this enjoyment, dancing. That is life, not meditation, "For fifteen minutes' meditation I become God." That's all. These are all rascaldom
- Living entities are dancing under the direction of Krsna's maya & are thinking that they are equal to Krsna. This is not a fact. In KC, this misconception is absent, for a person in KC knows that Krsna is the supreme master & everyone else is servant
- Lord Caitanya Mahaprabhu replied, "I know that there is no fault in the goddess of fortune, but still she could not enter into the rasa dance. We hear this from revealed scriptures"
- Lord Caitanya's movement of Krsna consciousness is full of dancing and singing about the pastimes of Lord Krsna
- Lord Jagannatha mounted His car, and Lord Sri Caitanya Mahaprabhu inspired all His devotees to dance in front of it
- Lord Jagannatha was astonished to see the transcendental dancing and chanting of Sri Caitanya Mahaprabhu, and He stopped His car just to see the dancing. Lord Caitanya Mahaprabhu then danced in such a mystical way that He pleased Lord Jagannatha
- Lord Nityananda began to walk with Caitanya Mahaprabhu to see that He would not fall, and Advaita Acarya and Haridasa Thakura followed Them, dancing
- Lord Sri Caitanya Mahaprabhu performed His pastimes for some time in this way. He personally sang and induced His personal associates to dance
M
- Madhvacarya brought this dancing Gopala Deity to Udupi and installed Him in the temple. To date, the followers of Madhvacarya, known as Tattvavadis, worship this Deity
- Maharaja Priyavrata acted very wonderfully in the material field of activities, but because he was dealing in sense gratification - ruling his kingdom and dancing to the indications of his beautiful wife - he personally condemned himself
- Mahesa Pandita, the seventh of the twelve gopalas, was very liberal. In great love of Krsna he danced to the beating of a kettledrum like a madman
- Many Indians strive to imitate the materialistic life of the West, but when they see Americans dancing in Krsna consciousness, then they realize that this is what is actually worthy of being followed
- Maya, the material nature, is causing us to dance, telling us, "You are a member of this family and a member of this nation." Thus we are dancing like monkeys
- Mayavadi philosophers, they cannot understand. They are thinking that "Why these people are taking so much trouble, dancing, jumping?" They cannot under . . . therefore they feel displeasure. They feel disturbance, because they are not purified
- Mayavadi sannyasis do not approve of chanting and dancing
- Merry peacocks danced just like actors and actresses, and merry cuckoos called their mates very nicely
- Music and dance and distribution of prasadam are the main items of my Krishna Consciousness propagation, and they are acting so nicely
- Music and dancing employed in sense gratification are demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kirtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment
- Music and dancing employed in sense gratification are to be accepted as demoniac
- Music and dancing, when employed in glorifying the Supreme Lord as kirtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment
- Music, dance and decorations enjoyed by the Lord are certainly not anything mundane, because the Lord is addressed in the very beginning as para, or transcendental
- My dear Lord, as You cause one to dance, he dances accordingly, but how he dances and who is causing him to dance he does not know
- My dear Lord, by Your mercy You have made me dance in many ways. For example, I was offered the sraddha-patra, which should have been offered to first-class brahmanas. I ate from it even though I was born in a family of meat-eaters
- My dear Lord, just as a puppeteer controls his dancing dolls and a husband controls his wife, Your Lordship controls all the living entities in the universe, such as the brahmanas, ksatriyas, vaisyas and sudras
- My dear Lord, You are the fully independent Personality of Godhead. You act by Your own free will. You cause the whole world to dance and act as You like
- My inexperienced words do not know how to dance by themselves. The mercy of the guru made them dance as much as possible, and now, after dancing, they have taken rest
- My Lord, You are the omniscient, merciful, independent Supreme Lord. Exactly like an instrument of wood, I dance as You make me do so
- My students here raised fund by one scheme of dancing a fund of $4000.00 since I have come here and they have spent in different items almost all the fund. But they cannot take up the matter seriously unless there is fact
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- Nakula Brahmacari became exactly like a man haunted by a ghost. Thus he sometimes laughed, sometimes cried, sometimes danced and sometimes chanted like a madman
- Nama-gane sada rucih: such a devotee is never tired of chanting, singing, or dancing. The word sada means "always," and ruci means - taste
- No one could understand who was coming and who was going, who was dancing and who was singing. Nor could they understand one another's language
- No one will disagree to partake in a function where good singing, dancing and refreshment are administered. Everyone will attend such a function, and everyone is sure to feel individually the transcendental presence of the Lord
- Not like to dance like cats and dogs with a nice dress. That is not human life. This is the subject matter of Bhagavad-gita, our whole Vedic instruction
- Not that I collect tax and I engage it in my sense gratification; I employ three hundred prostitutes for dancing before me. This is the cause of falling down of monarchy system. Therefore people are in democracy
- Not that we are simply sentimentalists, simply dancing. Dancing is not sentimental; it is spiritual ecstasy. It is not ordinary dancing. This dancing is not ordinary dancing
- Not understanding properly the philosophy of Krsna consciousness, even by sentiment - "Let me also dance and chant like these people, the saffron-colored, shaved-head people are doing. Let me do that" - so once dancing with them will never go in vain
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- O Candramukha! Please give me ten thousand Gandharvas. Let them sing as I dance, and then I will be greatly happy
- O Lord Pundarikaksa, while chanting Your holy name with tears in my eyes, when shall I dance in ecstasy on the bank of the Yamuna
- On another day a great devotee of Lord Siva, chanting of Lord Siva's qualities, came to Lord Caitanya's house, where he began dancing in the courtyard and playing his damaru (a musical instrument)
- On His way to Vrndavana, Lord Sri Caitanya Mahaprabhu passed through the forest of Jharikhanda and made all the tigers, elephants, deer and birds chant the Hare Krsna maha-mantra and dance. Thus all these animals were overwhelmed by ecstatic love
- On the mahamaya platform, dances take place on the basis of sense gratification. But when Krsna called the gopis by sounding His flute, they very hurriedly rushed toward the spot of the rasa dance with the transcendental desire to satisfy Krsna
- Once during the rasa dance, when Radharani left the arena, and Krsna went to seek Her out, one of the dear friends of Radharani began to address Krsna thusly
- One brahmana fell at the lotus feet of Sri Caitanya Mahaprabhu and then began to dance with Him in ecstatic love
- One feels fatigue after walking a long distance, after dancing and after sexual activity. In this kind of fatigue there is dizziness, perspiration, inactivity of the limbs, yawning and very heavy breathing
- One instance of Vasudeva's attraction to Krsna occurred when Vasudeva saw the Gandharva dance at Mathura. Another instance occurred in Dvaraka when Vasudeva was surprised to see a picture of Krsna
- One meat-eater said, 'The Hindus say, "Krsna, Krsna," and they laugh, cry, dance, chant and fall on the ground, smearing their bodies with dirt
- One must taste the nectar of devotion by reason, argument and knowledge, and then he must pass it on to others. One should not think that Krsna consciousness is mere sentimentality. The dancing and singing are all scientific
- One or two of the girls may learn this Indian dance technique, but we cannot take too much endeavor for such things
- One who becomes affected by the pleasure potency of the Supreme Lord manifests various symptoms of ecstasy, such as slackening of the heart, laughing, crying, shivering, and dancing. These symptoms are not material
- One who is actually deriving benefit from hearing the rasa-lila dance surely achieves the transcendental position. He surely loses all traces of lust in his heart
- Opposing princes continued, "As puppets dance in the hands of a magician, we are all dancing by the will of the Supreme, and according to His plan alone we suffer distress or enjoy happiness. We should therefore be equipoised in all circumstances"
- Our kirtana is simple and can be practiced even by the small children, and we have practically seen how small boys and girls do take part in it by chanting dancing with us, and what to speak of eating the delicious Krishna Prasadam
- Our Krishna Consciousness movement is practically based upon music and dancing. If by your exceptional qualities you can help in this movement, I think you have been sent by Krishna Himself to help me in this connection
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- Passing along the beach, they saw a fisherman approaching with his net over his shoulder. Laughing, crying, dancing and singing, he kept repeating the holy name "Hari, Hari"
- Persons who had formerly criticized Lord Caitanya Mahaprabhu, calling Him a drunkard, also ate the fruit and began to dance, saying, "Very good! Very good!"
- Practically, our Krishna Consciousness movement is based on transcendental pleasure. Music, dancing and feasts are the chief items for pleasure, and this pleasure is originally on the transcendental realm
- Prakasananda Sarasvati continued, These (chanting and dancing and playing music) are the activities of emotional and sentimental people but You (Caitanya) are a qualified sannyasi. Why not engage in the study of Vedanta?
- Prasannatma means jubilant. You'll find all our boys and girls, they're always jubilant. Unless they are jubilant, they cannot dance in this way. It is not dancing dogs
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- Radharani is a pleasure potency, and these gopis are expansion of Radharani, pleasure potency. So they are not ordinary girls, neither Krsna is enjoying like us, that in the hotel at dance
- Radharani, "My dear friend, who is this boy whose eyelids, dancing constantly, have increased the beauty of His face and attracted My desire for conjugal love"
- Ramananda Raya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances
- Ramananda Raya humbly submitted himself as a puppet before Lord Caitanya, the puppet master. He only wanted to dance according to the will of Caitanya Mahaprabhu
- Ramananda Raya humbly submitted himself as a puppet before Lord Caitanya, the puppet master. He only wanted to dance according to the will of Caitanya Mahaprabhu. He compared his tongue to a stringed instrument
- Ramananda Raya paid great respect to Pradyumna Misra and bade him farewell. Pradyumna Misra said, "I have become very satisfied." He then began to dance
- Ramananda Raya was personally giving instructions on how to sing and dance for the drama
- Real sannyasa is when you can induce other people to become Krsna conscious and they dance in Krsna consciousness
- Regarding dancing, our dancing is ecstatic. We need not waste time 5 hours daily instead of chanting, for practicing. We are not professional dancers, neither we require it
- Regarding your business, I have seen many merchants who will supply us incense, frankincense, saris, musical instruments, dancing ghungru (jingle bells for feet) etc
- Rupa Gosvami said, "The servants danced, and the restless eyes of all the young girls glanced about"
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- Sanatana Gosvami said to Caitanya: if You want me, who am nothing but a lame man, to dance, then please give me Your benediction by placing Your feet on my head
- Saying "I have seen! I have seen!" and dancing in ecstatic love as though mad, he became a first-class Vaisnava
- Saying this, Advaita Prabhu dances and loudly sings. Then at the next moment He quietly sits down
- Seeing that Sarvabhauma Bhattacarya was firmly fixed in the cult of Vaisnavism, Gopinatha Acarya, his brother-in-law, began to dance, clap his hands and chant, "Hari! Hari"
- Seeing the face of Advaita Acarya, Lord Sri Caitanya Mahaprabhu smiled. Understanding that the Lord had accepted the proposal, Advaita Acarya started to dance
- Seeing the fatigue of the disciples, the spiritual master has stopped making them dance, and because that mercy no longer makes them dance, my words now sit silently
- Seeing this fun, Narada also began to dance, and his shoulders trembled, and his eyes moved. Due to his smiling, his teeth also became visible, and on account of the glaring effulgence from his teeth, the clouds in the skies turned silver
- Similarly, in Navadvipa city all the professional dancers, musicians and blessers gathered together, dancing in great jubilation
- So speaking, Advaita Acarya performed congregational chanting with great pleasure for three hours that night and danced all the time
- So we are inviting everyone to become punya-sloka simply by hearing Srimad-Bhagavata. There is no... Come here. Take prasadam. Chant Hare Krsna. Dance in jubilation
- Some of them (the cowherd boys) went to the monkeys & silently sat down by them, & some of them imitated the dancing of the peacocks. Some of them caught monkeys by the tail and played with them, & when the monkeys jumped into a tree, the boys followed
- Some of them played horns and flutes, and others danced and sang. Some of them offered betel nuts, and others waved camara fans about Him
- Some of these symptoms (of subordinate ecstatic expressions of love) are dancing, falling down and rolling on the ground, singing and crying very loudly, bodily contortions, loud vibrations and yawning
- Some of these symptoms are dancing, falling down and rolling on the ground, singing and crying very loudly, bodily contortions, loud vibrations, yawning, deep breathing, disregard for others, the frothing of saliva, mad laughter, spitting and hiccups
- Sometimes, upon seeing the SPG, Prahlada would loudly call in full anxiety. He sometimes lost his shyness in jubilation & began dancing in ecstasy & sometimes, being fully absorbed in thoughts of Krsna, he felt oneness & imitated the pastimes of the Lord
- Spiritual culture is not dogmatic faith but it is based on philosophy, reason and culture. This can be introduced very easily through convenient methods of music, dance and refreshment which are acceptable by all grades of human being
- Spontaneous response: dancing, Hare Krsna. That's all. This is the easiest method. So the greatest contribution to the human society. Do it
- Sri Caitanya Mahaprabhu is the fully independent Personality of Godhead and makes everyone dance as He likes. Leaving His company, therefore, all the devotees returned to their homes in different parts of the country
- Sri Caitanya Mahaprabhu personally sang while Vakresvara Pandita danced, and thus Vakresvara Pandita fell at the lotus feet of the Lord and spoke as follows
- Sri Caitanya Mahaprabhu requested Srivasa Thakura, "Perform congregational chanting daily, and be assured that I shall also dance in your presence. You will be able to see this dancing, but not others"
- Sri Caitanya Mahaprabhu then embraced Raghupati Upadhyaya in ecstatic love. Raghupati Upadhyaya also was overwhelmed by love, and he began to dance
- Sri Caitanya Mahaprabhu then ordered Sri Gopala, the son of Advaita Acarya, to dance
- Sri Caitanya Mahaprabhu then ordered Vakresvara Pandita to dance, and as he began to dance, the Lord began to sing
- Sri Panca-tattva themselves danced again and again and thus made it easier to drink nectarean love of Godhead. They danced, cried, laughed and chanted like madmen, and in this way they distributed love of Godhead
- Sri Ramananda Raya said, "I am just a dancing puppet, and You pull the strings. Whichever way You make me dance, I will dance"
- Srila Bhaktisiddhanta Sarasvati Prabhupada says, Persons without attainment of the highest perfectional stage of loving service cannot achieve any auspiciousness simply by artificially laughing, crying, or dancing without any spiritual understanding
- Srila Ramananda Raya has taken these two girls to a solitary place in his garden, where he is teaching and directing them to dance according to the songs he has composed for his drama
- Srila Ramananda Raya replied to Sri Caitanya Mahaprabhu, "My Lord, You are the Supreme Personality of Godhead. If You like, You can cause even a wooden doll to dance"
- Srivasa Thakura then began to dance in ecstatic love. He vibrated sounds by slapping his armpits with the palms of his hands, and he laughed very loudly
- Suppose we are dancing here, and if we understand that immediately death will take place, then we shall not be able to enjoy the dancing. Immediately the anxiety will come. So here, ananda, there is no ananda
- Surrounding him were the Vidyadharas, Apsaras, Kinnaras, Patagas (birds) and Uragas (snakes). All of them were offering Indra their respects and services, and the Apsaras and Gandharvas were dancing and singing with very sweet musical instruments
- Symptoms of unmada are laughing like a madman, dancing, singing, performing ineffectual activities, talking nonsense, running, shouting and sometimes working in contradictory ways
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- That is samadhi, trance, transcendental situation. You can eat, you can enjoy, you can dance, you can see, you can work - all things for Krsna consciousness
- The angelic dancers approached (the Lord), as did the Gandharvas, the Caranas, the Yaksas, the inhabitants of Kinnaraloka, the Vetalas, the inhabitants of Kimpurusa-loka, and the personal servants of Visnu like Sunanda and Kumuda
- The angelic dancers approached, as did the Gandharvas, the Caranas, the Yaksas, the inhabitants of Kinnaraloka, the Vetalas, the inhabitants of Kimpurusa-loka, and the personal servants of Visnu like Sunanda and Kumuda
- The Apsaras pleased everyone (on the birth ceremony of Arjuna) by their heavenly dances and songs
- The Apsaras pleased everyone by their heavenly dances and songs
- The Apsaras, denizens of the heavenly planets, are generally known as dancing girls. The girls in the heavenly planets are exquisitely beautiful, and if a woman on earth is found to be very beautiful, she is compared to the Apsaras
- The area resounded with the notes of overjoyed birds. Intoxicated bees wandered there, intoxicated peacocks proudly danced, and merry cuckoos called one another
- The Bhagavata cult is preached also through the art of music and dance as it was done by Lord Caitanya. I am just thinking of introducing the very same system
- The citizens of Ayodhya, upon seeing their King return after a long absence, offered Him flower garlands, waved their upper cloths, and danced in great jubilation
- The city (Indrapuri) was filled with the sounds of mrdangas, conchshells, kettledrums, flutes and well-tuned stringed instruments all playing in concert. There was constant dancing and the Gandharvas sang
- The conditioned soul should hear the rasa-lila dance from an authorized spiritual master and be trained by him so that he can understand the whole situation
- The dancing and tennis playing of girls in the material world are perverted reflections of the original pastimes of the original Personality of Godhead, Krsna, and His wives
- The dancing features of His face surpass all other full moons and expand the marketplace of full moons. Although priceless, the nectar of Krsna's face is distributed to everyone
- The dancing has got great value; that, if you dance with us, you'll feel. It is not that some crazy fellows are dancing. No. The most intelligent persons, they are dancing
- The demigods began beating drums and kettledrums, and upon hearing them the angelic women began to dance, while the chiefs of the Gandharvas sang sweetly
- The drama being rehearsed by Ramananda Raya and the two young girls was the well-known Jagannatha-vallabha-nataka. The songs and dances were meant for the pleasure of Lord Jagannatha
- The dramatic actors would then play their parts, and the dancing ballet girls would separately display their artistic movements
- The earrings dancing on Krsna's cheeks are shaped like sharks, and they shine very brightly. These dancing earrings attract the minds of all women. Over and above this, Krsna pierces the hearts of women with the arrows of His sweetly smiling glances
- The first night we did a very nice program, kirtana, and everyone was joining in dancing with us. We were dancing and they were all joining. And the second night they cancelled our program
- The gopis became completely relieved of the great suffering of separation, not only by hearing the words of the Supreme Personality of Godhead but also by touching His hands and legs. After this, the Supreme Personality of Godhead began His rasa dance
- The gopis continued, "In the congenial atmosphere of that wonderful land, You may enjoy Your pastimes, with Your flute dancing on Your lips, and surrounded by us, the gopis, whose hearts are always enchanted by unpredictable ecstatic emotions"
- The gopis were dancing in a circle, and in the middle of that circle, Krsna, the son of Maharaja Nanda, danced with Radharani
- The great sages performed the bathing ceremony of the goddess of fortune as directed in the authorized scriptures, the Gandharvas chanted all-auspicious Vedic mantras, and the professional women dancers very nicely danced
- The head is shaved, but they are so practiced to keep the balance that the pot does not fall down. It remains exactly. This is an art - they will dance, and the pot on the head will never fall down, keeping the balance. So by practice it is possible
- The inhabitants of Gandharvaloka and Caranaloka then took the opportunity to play their musical instruments, such as conchshells, bugles and drums. They began dancing and singing along with their wives
- The inhabitants of Kulina-grama delivered silken ropes to Lord Jagannatha, and, as previously, they all danced before the Lord's car
- The Kinnaras and Gandharvas began to sing auspicious songs, the Siddhas and Caranas offered auspicious prayers, and the Vidyadharis, along with the Apsaras, began to dance in jubilation - SB 10.3.6
- The Krsna consciousness is there in everyone's heart. Just like we see the child, three years old child, she is dancing in ecstasy. We have got many children like that, they are chanting
- The land (of Vrndavana) is made of touchstone and the water of nectar. In that land all speech is song, and all walking is dancing, and one's constant companion is the flute. Everything is self-luminous, just like the sun in this material world
- The Lord performed kirtana for some time and, through His own endeavor, inspired all the devotees to dance
- The Mayavadi philosopher, they see that there is no more any pleasure in this dancing: "Make it zero. Forget it." No. We don't say that. We say that this dancing is there in the original conception in the Absolute Truth
- The Mayavadis' accusation that devotees do not study Vedanta is false. The Mayavadis do not know that chanting, dancing and preaching the principles of Srimad-Bhagavatam, called bhagavata-dharma, are the same as studying Vedanta
- The mercy of their lotus feet is my spiritual master, and my words are my disciples, whom I have made dance in various ways
- The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsaras
- The pacified sages chanted Vedic prayers, the denizens of heaven sang, the beautiful damsels of the heavenly planets danced, and in this way, at the time of the appearance of Nara-Narayana, all signs of good fortune were visible
- The palanquin was also surrounded by people carrying umbrellas, camara whisks and flags, and it was preceded by musicians and dancing girls
- The peacocks can be compared to persons who are very much harassed in the materialistic way of life. If they can find the association of a person engaged in the loving devotional service of the Lord, they become enlightened and dance just like peacocks
- The peacocks sitting on the steps (of the palace) became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly
- The person who is taking very much pleasure, dancing in the sea like fish, so he is contaminating that modes of nature so that in next life he will become a fish. He'll be very free to dance with the ocean
- The personified Vedas continued, "Just as sparks dance in a blazing fire, all living entities are dancing on Your support. You are providing them with everything they desire, and yet You are not responsible for their position of enjoyment or suffering"
- The pleasure in a hotel dancing, that is also pleasure. And here also, Hare Krsna dancing, there is also pleasure. But the standard of pleasure is different. Standard of pleasure is different
- The rasa dance is arranged by Krsna’s internal potency yogamaya, and it is beyond the grasp of the materially affected person
- The rasa-lila dance cannot be imitated by anyone. Sukadeva Gosvami warns that one should not even think of imitating it. He specifically mentions that if, out of foolishness, one tries to imitate Krsna’s rasa dance, he will be killed
- The real aim of life, how to get out of this bhavarnava, nescience, that is the aim of life. If we remain again like the monkeys and cats and dogs, eating, sleeping, mating and dancing, that is not very responsible life
- The real purpose of life is to go back home, back to Godhead, and live with the Supreme Personality of Godhead, play with the Supreme Personality of Godhead, dance with the Supreme Personality of Godhead and eat with the Supreme Personality of Godhead
- The same gopi spoke, "When all the animals and trees and plants, either on the top of Govardhana Hill or in the valley, see the dancing of the peacocks, they all stand still and listen to the transcendental sound of the flute with great attention"
- The small child, is dancing. Now, that child will get the body of a young man like you. Everyone knows it. This body will change. Where is the difficulty?
- The specific words used in Srimad-Bhagavatam are yogamayam upasritah, which mean that this dancing with the gopis is on the platform of yogamaya, not mahamaya
- The standing up of hair on the body resulting from jubilation is described in the Tenth Canto, 30th Chapter, 9th verse of Srimad-Bhagavatam in connection with the gopis engaged in the rasa dance
- The subordinate ecstasies are smiling, dancing and singing, as well as different manifestations in the body. The natural ecstasies, such as being stunned, are considered among the subordinate ecstasies (anubhava)
- The temple is meant for giving chances to the nondevotees. Some way or other, if he comes in the temple, bows down, dances with us, takes the prasadam, takes caranamrta, that means he is becoming spiritually advanced
- The Thirteenth Chapter tells how Jagadananda Pandita went to Mathura and returned and how Sri Caitanya Mahaprabhu by chance heard a song sung by a deva-dasi dancing girl
- The tigers, the elephants, the deer and all other wild animals joined Him and were participating, in their own ways, by dancing and chanting Hare Krsna
- The trees in Vrndavana are wish-fulfilling trees. The land is made of touchstone, and the water is nectar. Words are musical vibrations, and all movements are dancing. The flute is the Lord's constant companion
- The two professional dancing girls are beautiful and youthful, yet Sri Ramananda Raya personally massages their entire bodies with oil
- The yogi then meditates upon the beautiful face of the Lord, which is adorned with curly hair and decorated by lotuslike eyes and dancing eyebrows. A lotus surrounded by swarming bees and a pair of swimming fish would be put to shame by its elegance
- Their dancing (of many other Brahmas and Sivas and demigods) was accompanied by various kinds of music, and all of Them were worshiping Lord Visnu
- There (at Raivataka Mountain) he (Dvivida) saw Lord Balarama in the midst of many beautiful young girls, enjoying their company while singing and dancing
- There are two dancing girls who are extremely beautiful. They are very youthful, and they are expert in dancing and singing
- There are various ecstatic symptoms evinced: crying, changing bodily color, madness, bereavement, silence, pride, ecstasy and gentleness. Frequently the person in love with God dances, & such dancing places him in the ocean of the nectar of love of Krsna
- There are various means of worship (of visnu-murtis), such as dancing and singing - SB 10.13.51
- There is a distinction between Lord Krsna's dancing with the gopis and the ordinary dancing of living entities within the material world
- There is a Sanskrit proverb that says that there is not any better knowledge than to become a musician. Our Krishna Consciousness movement is practically based upon music and dancing
- There is another statement as follows, "Please look at this devotee of the Lord who is dancing just from remembering the lotus feet of Krsna. Simply by observing his dance you will lose all interest in even the most beautiful women"
- There is no doubt that chanting for a while takes one immediately to the spiritual platform, and one shows the first symptom of this (transcendental ecstasy) in the urge to dance along with the chanting of the mantra
- There is similar dance, just like ball dance in your country. But the specific significance of this dance was that Krsna bifurcated Himself in so many boys as many girls there were, and they began to dance in pair
- There may be big fire, but the birds are dancing in the street. They have no problem, because they are living under condition as they have been offered by God
- There was a beating of kettledrums in the heavenly planets, the inhabitants of Gandharvaloka began to dance and sing, while great sages and the inhabitants of Caranaloka and Siddhaloka offered prayers to the Supreme Personality of Godhead, Purusottama
- There was constant dancing (in the city of Indra) and the Gandharvas sang. The combined beauty of Indrapuri defeated beauty personified
- There were beating of drums and showering of flowers from the heavenly planets, and the wives of the demigods danced in ecstasy
- Thereafter (after Krsna killed Aghasura), everyone being pleased, the demigods began to shower flowers from Nandana-kanana, the celestial dancing girls began to dance, and the Gandharvas, who are famous for singing, offered songs of prayer - SB 10.12.34
- Thereafter, Amogha became an unalloyed devotee of Sri Caitanya Mahaprabhu. He danced in ecstasy and peacefully chanted the holy name of Lord Krsna
- These are different items of ananda (living, playing, dancing and eating with the Supreme Personality of Godhead), spiritual happiness in spiritual variegatedness
- These boys and girls, they're getting some pleasure, transcendental pleasure. Therefore they're dancing. It is not that the dog-dance. It is really spiritual dance, the soul's dance. Therefore, He's called rasa-vigraha, reservoir of all pleasure.
- These boys, they are playing mrdangas, they are playing cymbals, dancing, every item is taken into account. Every item. Not that it is going futile. No. That is Krsna consciousness, that is bhakti-marga
- These children, they are dancing, they are offering obeisances, they are offering a flower. They do not know what they are doing, but it will not go in vain. This is Krsna consciousness. These things are becoming assets, one after another
- These dances, they are not artificial. They feel some transcendental bliss, therefore they dance. It is not they are dancing dog. No. They dance from the spiritual platform
- These symptoms are divided into two parts: one is called sita, and the other is called ksepana. When there is yawning, it is called sita, and when there is dancing it is called ksepana
- They (Bhima and Jarasandha) were both expert fighters with clubs, and their techniques of striking each other were so beautiful that they appeared to be two dramatic artists dancing on a stage
- They (Krsna and Balarama) also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets
- They (Krsna's consorts) learn the finer arts of music, dance, dressing, decorations and all such things which are relished by the Lord
- They (the grhamedhi) are wasting time in two ways at night: either by sleeping or by sex indulgence, going to the club, going to dancing, going to this or going to that or sleeping. This is the business at night
- They always engaged them in chanting Hare Krsna maha-mantra. Utkirtana, very loudly. Krsnotkirtana-gana-nartanau-parau, dancing also. Just like here the boys, they are chanting and dancing. This is very good, following the footsteps of the Gosvamis
- They carry only waterpots, and they wear torn quilts. They always chant the holy names of Krsna and discuss His pastimes. In great jubilation, they also dance
- They usually plunge into the subject matter of the rasa dance, which is misunderstood by the foolish class of men. Some of them take this to be immoral, while others try to cover it up by their own stupid interpretations
- This art (how to manipulate thin threads for dancing puppets) includes how to string wires on musical instruments, such as the vina, sitar, esaraja and tamboura, to produce melodious sounds
- This child who was dancing before me, he's not ordinary child. Otherwise how he could dance symmetrically? He had his practice in his previous life, and he has got the chance to get Vaisnava father and mother
- This dancing is not ordinary dancing. So anyway, if you think that this dancing is a sentimental caricature - you may think like that, but if you want to understand through philosophy and science, we can supply you immense literature
- This information (nature makes a living entity dance according to the quality he associates with) provided in Bhagavad-gita is the basic principle of understanding, and it will give one freedom
- This is an example of fatigue caused by laboring in the rasa dance
- This is the highest stage of ecstasy for Krsna consciousness, always chanting Krsna's name, dancing in ecstasy, and to be merged in the ocean of love for Krsna. These are the perfection
- This transcendental knowledge (the arts of music, dance, dressing, decorations relished by god) is unknown to the forgotten conditioned souls
- This verse (BG 3.27) indicates that because the living entity has associated with a certain quality of nature, nature is making him dance according to that quality, and thus one is thinking, "I am this" or - I am that
- This verse (CC Madhya 8.81) is from SB 10.32.2. When the rasa dance was going on, Krsna suddenly disappeared, and the gopis became so overwhelmed, due to His separation and their intense love for Him, that Krsna was obliged to appear again
- This will save everyone from such unwanted activities as going to clubs, cinemas, dancing parties, smoking, drinking, etc. All such nonsense will be forgotten if one stresses the worship of the Deities at home
- Through the feminine poses and dances they were taught by Ramananda Raya, the two girls precisely exhibited all these expressions of ecstasy before Lord Jagannatha
- Thus I (Krsnadasa Kaviraja Gosvami) have described the great performance of congregational chanting by Lord Sri Caitanya Mahaprabhu as He danced in front of Lord Jagannatha
- Thus I have briefly described Sri Caitanya Mahaprabhu's dancing in the hall of the Jagannatha temple. The servants of Sri Caitanya Mahaprabhu sing about this dancing even now
- Thus they dance, sing and laugh like madmen, and they instruct everyone, "Just be loving servants of Lord Caitanya"
- To dance with the wives of others at the dead of night is immoral, at least according to the Vedic civilization. Even today in India, a young woman will never be allowed to go to a young man at the dead of night to dance with him
- To perform this activity, it doesn't require much energy, much austerity. Simply you join the sankirtana movement, and ecstasy you dance, take prasadam. By this process you are guaranteed you will never go to the hellish planet
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- Understanding King Agnidhra's desire, the first and most powerful created being of this universe, Lord Brahma, selected the best of the dancing girls in his assembly, whose name was Purvacitti, and sent her to the King
- Upon seeing the great dancing, great love and great sankirtana, all the people of Jagannatha Puri floated in an ecstatic ocean of love
- Upon the birth of Sri Caitanya Mahaprabhu both of them (Advaita Prabhu and Haridasa Thakura) immediately began to dance. But no one in Santipura could understand why those two saintly persons were dancing
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- Vakresvara Pandita began to dance in another group, and in yet another group Srivasa Thakura began to dance
- Vakresvara Pandita, the fifth branch of the tree, was a very dear servant of Lord Caitanya's. He could dance with constant ecstasy for seventy-two hours
- Vanamali Acarya saw a golden plow in the hand of Balarama, and the devotees all assembled together and danced, overwhelmed by ecstasy
- Various natural symptoms of ecstatic love of Godhead causes a devotee to dance and float in an ocean of transcendental bliss while chanting the Hare Krsna mantra
- Visvavasu and Paravasu, the two chiefs of the Gandharvas, sang in great happiness. The kettledrums of the demigods sounded, and the Apsaras danced in jubilation
- Vrndavana is such a nice place. Flowers are always blooming, and there are even various kinds of decorated deer. Birds are chirping, peacocks are crowing and dancing, and bees are humming
W
- Wanting to see the dancing of the four great personalities, Sri Caitanya Mahaprabhu exhibited this miracle of seeing everyone simultaneously
- We also take, imitate that enjoyment. We also want to mix, young boys and girls, dance together. Because we imitate Krsna. The same thing is there
- We are dancing according to the desire of the Supreme Personality of Godhead (Krsna), but out of ignorance and illusion we think we are independent of the supreme will
- We are not powerful enough to enchant the lower animals such as tigers, snakes, cats and dogs or entice them to dance, but by chanting the holy names of the Lord we can actually convert many people throughout the world to Krsna consciousness
- We are not sentimentalists, that we are simply dancing. The dancing has got great value; that, if you dance with us, you'll feel. It is not that some crazy fellows are dancing
- We dance, we cry, we chant, we laugh not artificially. But Krsna consciousness is so nice. As you begin to chant, naturally you feel for dancing. So it is not taught artificially. It comes simultaneously with development of Krsna consciousness
- We don't ask you to dance, but the chanter automatically dances. These are the spiritual significance of this movement, and anyone is invited. There is no restriction for any caste, creed and color
- We give immediately alternative. You dance. You don't dance in the naked club; dance in the Krsna's temple
- We have got many sporting club, dancing club, because we want to do that. But we want to do in this material world. That is our defect
- We invite everyone to come here to listen to our philosophy, take prasadam and sing and dance with us. This program is very nice. We do not make distinctions in human society
- We prosecute these Krsna consciousness activities through singing, dancing, eating and talking philosophy received through authorized disciplic succession, and therefore it gives us everything we want, without any artificial change
- Whatever riches Jagannatha Misra collected in the form of gifts and presentations, & whatever he had in his house, he distributed among the brahmanas, professional singers, dancers, bhatas & the poor. He honored them all by giving them riches in charity
- When a person chants constantly, he exhibits transcendental ecstasies and sometimes laughs, sometimes cries, sings and dances - not exactly in an artistic way, but just like a madman
- When all the tigers and does danced and jumped, Balabhadra Bhattacarya saw them and was struck with wonder
- When Caitanya Mahaprabhu observed the dancing, everyone saw that Caitanya Mahaprabhu was facing him
- When kirtana goes on, even small children, they also take part. It is so nice movement. And by taking part in this movement, automatically you feel some ecstasy, spiritual ecstasy. Then you begin to dance
- When Krsna disappeared from the scene of the rasa dance, all the gopis began to repent, saying, "You are so cunning that in the dead of night You have left girls and women like us! This is not very good for You"
- When Krsna disappeared from the scene of the rasa dance, all the gopis began to repent, saying, "You best know the reason for our coming here. You know that we have come because we are captivated by the sweet sound of Your flute"
- When Lord Caitanya personally cleansed the Gundica-mandira in Jagannatha Puri, Gopala danced in front of the Lord with great love and happiness
- When loud chanting of the Hare Krsna mantra is performed all over the world by those who follow in Your footsteps, all living entities, moving and nonmoving, dance in ecstatic devotional love
- When Madhavendra Puri was overwhelmed in the ecstasy of love of Godhead, he sometimes stood up and sometimes fell to the ground. Sometimes he laughed, danced and sang. In this way he enjoyed transcendental bliss by seeing the Jagannatha Deity
- When Madhumangala, an intimate friend of Krsna, was dancing before Krsna in a joking manner, no one was paying attention to him
- When Sri Caitanya Mahaprabhu chanted this verse, Haridasa Thakura, upon hearing the vibration, became jubilant and began to dance while praising its meaning
- When Sri Caitanya Mahaprabhu said "Chant Krsna! Krsna!" the tigers and deer began to chant "Krsna!" and dance
- When Srimati Radharani smiles, waves of joy flow over Her cheeks, and Her arched eyebrows dance like the bow of Cupid
- When Srimati Radharani stands before Krsna, She stands bent in three places - Her neck, waist and legs - and Her eyebrows dance
- When the demigods from the heavenly planets failed to shower rain, Rsyasrnga was appointed the priest for performing a sacrifice, after being brought from the forest by the allurement of prostitutes, who danced, staged theatrical performances
- When the hunter chanted the Hare Krsna maha-mantra before his spiritual master, his body trembled and tears welled up in his eyes. Filled with ecstatic love, he raised his hands and began to dance, waving his garments up and down
- When the peacocks in Vrndavana hear that vibration, they all begin to dance
- When the people assembled, Sri Caitanya Mahaprabhu raised His arms and said very loudly, "Haribol!" The people responded to the Lord and became ecstatic. As if mad, they began to dance and to vibrate the transcendental sound "Hari"
- When the word natata (“dancing on the stage”) is linked with the moon, its meaning is obscure, but because the meaning becomes very clear when the word natata is linked with Krsna, this type of introduction is called udghatyaka
- When they (the sruti-ganas) could not enter the dance simply by thinking of Krsna in the ecstasy of the gopis, they actually accepted bodies like those of the gopis
- When they received the remnants of Sri Caitanya Mahaprabhu’s prasadam through Govinda, they respected it, and then they both began to dance in ecstasy
- When two or four pieces of the thrown rice touched His body, Advaita Acarya began to dance in various ways with the rice still stuck to His body
- When we keep a night-long vigil to observe religious performances for the worship of Mangalacandi and Visahari, playing on musical instruments, dancing and chanting are certainly fitting customs
- Whenever there is Kirtana, either morning or evening, immediately there is a different atmosphere by the Grace of Lord Krishna. And all people, both devotees and outsiders, begin to dance in ecstasy
- Wherever the Lord stopped to rest on the way to Mathura, He delivered the holy name of Krsna and ecstatic love of Krsna. Thus He made the people dance
- While all of them danced, Gopala, dancing and dancing, fainted and fell to the ground unconscious
- While all the ladies vibrated the holy name of Hari on earth, in the heavenly planets dancing and music were going on, for the demigods were very curious
- While Amogha danced in ecstatic love, he manifested all the ecstatic symptoms - trembling, tears, jubilation, trance, perspiration and a faltering voice. Seeing these waves of ecstatic emotion, Sri Caitanya Mahaprabhu began to laugh
- While at the Udupi monastery, Sri Caitanya Mahaprabhu saw "dancing Gopala," a most beautiful Deity. This Deity appeared to Madhvacarya in a dream
- While attempting to do so they (Bhimasena and Duryodhana) appeared to be dancing, but nonetheless it was clear that both of them were very angry
- While dancing in ecstatic love, Sri Gopala fainted and fell to the ground unconscious
- While dancing, Advaita Acarya would sometimes turn around and around and catch the lotus feet of Sri Caitanya Mahaprabhu. Advaita Acarya would then speak to Him as follows
- While performing chanting of the holy name of the Lord, he sometimes cries, sometimes talks wildly, sometimes sings, and sometimes - without caring for any outsider - dances like a madman
- While rehearsing the Jagannatha-vallabha-nataka he (Ramananda Raya) personally directed extremely beautiful young girls in dancing, but he was never affected by their youthful beauty
- While Sarvabhauma Bhattacarya was in this ecstasy, Gopinatha Acarya was very pleased. The associates of Sri Caitanya Mahaprabhu all laughed to see the Bhattacarya dance so
- While so doing, they offered prayers indicating the glorious activities of the Lord and shouted "Jaya! Jaya!" They also danced, played instruments, sang, sounded conchshells and beat kettledrums, in this way worshiping the Lord
- While the King (Yudhisthira) was taking the avabhrtha bath, different musical instruments vibrated, such as mrdangas, conchshells, panava drums, kettledrums and bugles, and the ankle bells of the dancing girls jingled
- While the King beheld the dancing, Srivasa Thakura, standing in front of him, became ecstatic as he saw the dancing of Sri Caitanya Mahaprabhu
- While this dancing was going on, Sri Caitanya Mahaprabhu watched them and performed a miracle
- While walking, the (cowherd) boys sometimes imitated the quacking sound of the swans in the lakes, or when they saw the peacocks dancing, they imitated them before Krsna. Krsna also moved His neck, imitating the dancing and making His friends laugh
- Why are your people not agreeable to such austerity? Chanting, dancing and eating nicely
- With gopis Krsna is dancing. Here also we are dancing, in nightclub, and this club, that club. But that will not give you satisfaction, because it is imitation. If you want real dancing, come to Krsna. That is wanted
- With great pleasure Tapana Misra brought Sri Caitanya Mahaprabhu to his home and rendered service unto Him. Indeed, he began to dance, waving his cloth
- Without taking to the devotional service, life is very, very risky. Risky means now we can dance and laugh because we have got this human form of life. But after death we do not know. We do not know unless we are very much cautious
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- Yes, it is respectful to circumambulate the temple, keeping your right side to the Deities if possible. You may dance around the temple in this way if you like
- You have seen that our process, chanting, this process is accepted even by a small child. He also dancing, he's also chanting. Don't think that these things will go in vain
- You'll be happy, you'll eat nicely, dance nicely, live nicely and go back home, back to Godhead. Enjoy this life and the next life. That is our request
- Your dancing and distributing charity are very pleasing to me. I can understand that there is some special purpose in these actions