Anurasa, or imitation mellows

Expressions researched:
"anurasa"

CC Antya-lila

"A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow's necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows)."

CC Antya 5.97, Purport:

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1–3, 33, 38 and 41):

pūrvam evānuśiṣṭena vikalā rasa-lakṣaṇā

rasā eva rasābhāsā rasajñair anukīrtitāḥ

syus tridhoparasāś cānurasāś cāparasāś ca te

uttamā madhyamāḥ proktāḥ kaniṣṭhāś cety amī kramāt

prāptaiḥ sthāyi-vibhāvānubhāvādyais tu virūpatām

śāntādayo rasā eva dvādaśoparasā matāḥ

bhaktādibhir vibhāvādyaiḥ kṛṣṇa-sambandha-varjitaiḥ

rasā hāsyādayaḥ sapta śāntaś cānurasā matāḥ

kṛṣṇa-tat-pratipakṣaś ced viṣayāśrayatāṁ gatāḥ

hāsādīnāṁ tadā te ‘tra prājñair aparasā matāḥ

bhāvāḥ sarve tadābhāsā rasābhāsāś ca kecana

amī prokta-rasābhijñaiḥ sarve ‘pi rasanād rasāḥ

"A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow's necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows—such as neutrality, servitorship and friendship—are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried-up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful." Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: "When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows."

Nectar of Devotion

Rasābhāsa, or incompatible mixtures of mellows, may be classified as uparasa (false expression), anurasa (imitation) and aparasa (perverted or misrepresented mellows).

Nectar of Devotion 51:

Rasābhāsa, or incompatible mixtures of mellows, may be classified as uparasa (false expression), anurasa (imitation) and aparasa (perverted or misrepresented mellows).

This is an example of anurasa, or imitation.

Nectar of Devotion 51:

When Nārada Muni was passing through Vṛndāvana, he came to the Bhāṇḍīravana forest and saw in one of the trees the famous parrot couple that always accompanies Lord Kṛṣṇa. The couple was imitating some discussion they had heard upon the Vedānta philosophy, and thus were seemingly arguing upon various philosophical points. Upon seeing this, Nārada Muni was struck with wonder, and he began to stare without moving his eyelids. This is an example of anurasa, or imitation.