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| {{total|1}} | | {{total|1}} |
| {{toc right}} | | {{toc right}} |
| [[Category:Narada Muni]] | | [[Category:Narada's Describing]] |
| [[Category:Sound Vibration]] | | [[Category:Sound Vibration]] |
| [[Category:Describe]] | | [[Category:Described by a Spiritual Master]] |
| [[Category:Pastimes of The Lord]] | | [[Category:Described in the Srimad-Bhagavatam]] |
| [[Category:Such]] | | [[Category:Describing God]] |
| | [[Category:God's Pastimes]] |
| [[Category:Transcendental Vibration]] | | [[Category:Transcendental Vibration]] |
| [[Category:Hare Krsna Mantra]] | | [[Category:Hare Krsna Mantra]] |
| [[Category:Fix the Mind]] | | [[Category:Fix the Mind]] |
| [[Category:Lotus Feet of the Lord]] | | [[Category:God's Lotus Feet]] |
| [[Category:Bhagavatam Verses Spoken by Sukadeva Gosvami - Vaniquotes]] | | [[Category:Bhagavatam Verses Spoken by Sukadeva Gosvami - Vaniquotes]] |
| [[Category:Srimad-Bhagavatam, Canto 06 Chapter 05 - Narada Muni Cursed by Prajapati Daksa]] | | [[Category:Srimad-Bhagavatam, Canto 06 Chapter 05 - Narada Muni Cursed by Prajapati Daksa]] |
| | [[Category:Srimad Bhagavatam, Cantos 01 to 09 - All Verse Translations]] |
| </div> | | </div> |
| <div id="section"> | | <div id="section"> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :nārada-muni, bājāya vīṇā,</dd><dd>'rādhikā-ramaṇa'-nāme | | :nārada-muni, bājāya vīṇā, |
| | :'rādhikā-ramaṇa'-nāme |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :nāma amani, udita haya,</dd><dd>bhakata-gīta-sāme | | :nāma amani, udita haya, |
| | :bhakata-gīta-sāme |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :amiya-dhārā, variṣe ghana,</dd><dd>śravaṇa-yugale giyā | | :amiya-dhārā, variṣe ghana, |
| | :śravaṇa-yugale giyā |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :bhakata-jana, saghane nāce,</dd><dd>bhariyā āpana hiyā | | :bhakata-jana, saghane nāce, |
| | :bhariyā āpana hiyā |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :mādhurī-pūra, āsaba paśi',</dd><dd>mātāya jagata-jane | | :mādhurī-pūra, āsaba paśi', |
| | :mātāya jagata-jane |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :keha vā kāṅde, keha vā nāce,</dd><dd>keha māte mane mane | | :keha vā kāṅde, keha vā nāce, |
| | :keha māte mane mane |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :pañca-vadana, nārade dhari',</dd><dd>premera saghana rola | | :pañca-vadana, nārade dhari', |
| | :premera saghana rola |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :kamalāsana, nāciyā bale,</dd><dd>'bola bola hari bola' | | :kamalāsana, nāciyā bale, |
| | :'bola bola hari bola' |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :sahasrānana, parama-sukhe,</dd><dd>'hari hari' bali' gāya | | :sahasrānana, parama-sukhe, |
| | :'hari hari' bali' gāya |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :nāma-prabhāve, mātila viśva,</dd><dd>nāma-rasa sabe pāya | | :nāma-prabhāve, mātila viśva, |
| | :nāma-rasa sabe pāya |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :śrī-kṛṣṇa-nāma, rasane sphuri',</dd><dd>purā'la āmāra āśa | | :śrī-kṛṣṇa-nāma, rasane sphuri', |
| | :purā'la āmāra āśa |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :śrī-rūpa-pade, yācaye ihā,</dd><dd>bhakativinoda dāsa | | :śrī-rūpa-pade, yācaye ihā, |
| | :bhakativinoda dāsa |
| </div> | | </div> |
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| The purport of this song is that Nārada Muni, the great soul, plays a stringed instrument called a vīṇā, vibrating the sound rādhikā-ramaṇa, which is another name for Kṛṣṇa. As soon as he strokes the strings, all the devotees begin responding, making a very beautiful vibration. Accompanied by the stringed instrument, the singing seems like a shower of nectar, and all the devotees dance in ecstasy to the fullest extent of their satisfaction. While dancing, they appear madly intoxicated with ecstasy, as if drinking the beverage called mādhurī-pūra. Some of them cry, some of them dance, and some of them, although unable to dance publicly, dance within their hearts. Lord Śiva embraces Nārada Muni and begins talking in an ecstatic voice, and seeing Lord Śiva dancing with Nārada, Lord Brahmā also joins, saying, "All of you kindly chant 'Hari bol! Hari bol!' " The King of heaven, Indra, also gradually joins with great satisfaction and begins dancing and chanting "Hari bol! Hari bol!" In this way, by the influence of the transcendental vibration of the holy name of God, the whole universe becomes ecstatic. Bhaktivinoda Ṭhākura says, "When the universe becomes ecstatic, my desire is satisfied. I therefore pray unto the lotus feet of Rūpa Gosvāmī that this chanting of harer nāma ([[Vanisource:CC Adi 17.21|CC Adi 17.21]]) may go on nicely like this." | | The purport of this song is that Nārada Muni, the great soul, plays a stringed instrument called a vīṇā, vibrating the sound rādhikā-ramaṇa, which is another name for Kṛṣṇa. As soon as he strokes the strings, all the devotees begin responding, making a very beautiful vibration. Accompanied by the stringed instrument, the singing seems like a shower of nectar, and all the devotees dance in ecstasy to the fullest extent of their satisfaction. While dancing, they appear madly intoxicated with ecstasy, as if drinking the beverage called mādhurī-pūra. Some of them cry, some of them dance, and some of them, although unable to dance publicly, dance within their hearts. Lord Śiva embraces Nārada Muni and begins talking in an ecstatic voice, and seeing Lord Śiva dancing with Nārada, Lord Brahmā also joins, saying, "All of you kindly chant 'Hari bol! Hari bol!' " The King of heaven, Indra, also gradually joins with great satisfaction and begins dancing and chanting "Hari bol! Hari bol!" In this way, by the influence of the transcendental vibration of the holy name of God, the whole universe becomes ecstatic. Bhaktivinoda Ṭhākura says, "When the universe becomes ecstatic, my desire is satisfied. I therefore pray unto the lotus feet of Rūpa Gosvāmī that this chanting of harer nāma ([[Vanisource:CC Adi 17.21|CC Adi 17.21]]) may go on nicely like this." |
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| Lord Brahmā is the guru of Nārada Muni, who is the guru of Vyāsadeva, and Vyāsadeva is the guru of Madhvācārya. Thus the Gauḍīya-Mādhva-sampradāya is in the disciplic succession from Nārada Muni. The members of this disciplic succession—in other words, the members of the Kṛṣṇa consciousness movement—should follow in the footsteps of Nārada Muni by chanting the transcendental vibration Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. They should go everywhere to deliver the fallen souls by vibrating the Hare Kṛṣṇa mantra and the instructions of Bhagavad-gītā, Śrīmad-Bhāgavatam and Caitanya-caritāmṛta. That will please the Supreme Personality of Godhead. One can spiritually advance if one actually follows the instructions of Nārada Muni. If one pleases Nārada Muni, then the Supreme Personality of Godhead, Hṛṣīkeśa, is also pleased (yasya prasādād bhagavat-prasādaḥ). The immediate spiritual master is the representative of Nārada Muni; there is no difference between the instructions of Nārada Muni and those of the present spiritual master. Both Nārada Muni and the present spiritual master speak the same teachings of Kṛṣṇa, who says in Bhagavad-gītā ([[Vanisource:BG 18.65|18.65-66]]): | | Lord Brahmā is the guru of Nārada Muni, who is the guru of Vyāsadeva, and Vyāsadeva is the guru of Madhvācārya. Thus the Gauḍīya-Mādhva-sampradāya is in the disciplic succession from Nārada Muni. The members of this disciplic succession—in other words, the members of the Kṛṣṇa consciousness movement—should follow in the footsteps of Nārada Muni by chanting the transcendental vibration Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. They should go everywhere to deliver the fallen souls by vibrating the Hare Kṛṣṇa mantra and the instructions of Bhagavad-gītā, Śrīmad-Bhāgavatam and Caitanya-caritāmṛta. That will please the Supreme Personality of Godhead. One can spiritually advance if one actually follows the instructions of Nārada Muni. If one pleases Nārada Muni, then the Supreme Personality of Godhead, Hṛṣīkeśa, is also pleased (yasya prasādād bhagavat-prasādaḥ). The immediate spiritual master is the representative of Nārada Muni; there is no difference between the instructions of Nārada Muni and those of the present spiritual master. Both Nārada Muni and the present spiritual master speak the same teachings of Kṛṣṇa, who says in Bhagavad-gītā ([[Vanisource:BG 18.65 (1972)|18.65-66]]): |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :man-manā bhava mad-bhakto</dd><dd>mad-yājī māṁ namaskuru</dd><dd>mām evaiṣyasi satyaṁ te</dd><dd>pratijāne priyo 'si me | | :man-manā bhava mad-bhakto |
| | :mad-yājī māṁ namaskuru |
| | :mām evaiṣyasi satyaṁ te |
| | :pratijāne priyo 'si me |
| </div> | | </div> |
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| <div class="quote_verse"> | | <div class="quote_verse"> |
| :sarva-dharmān parityajya</dd><dd>mām ekaṁ śaraṇaṁ vraja</dd><dd>ahaṁ tvāṁ sarva-pāpebhyo</dd><dd>mokṣayiṣyāmi mā śucaḥ | | :sarva-dharmān parityajya |
| | :mām ekaṁ śaraṇaṁ vraja |
| | :ahaṁ tvāṁ sarva-pāpebhyo |
| | :mokṣayiṣyāmi mā śucaḥ |
| </div> | | </div> |
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