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Voice (CC and other books)

Sri Caitanya-caritamrta

CC Adi-lila

CC Adi 3.30, Translation:

Thus the lionlike Lord Caitanya has appeared in Navadvīpa. He has the shoulders of a lion, the powers of a lion, and the loud voice of a lion.

CC Adi 3.41, Translation:

The luster of His expansive body resembles molten gold. The deep sound of His voice conquers the thundering of newly assembled clouds.

CC Adi 4.148, Translation:

All minds are attracted by hearing His sweet voice and flute, or by seeing His beauty. Even Lord Kṛṣṇa Himself makes efforts to taste that sweetness.

CC Adi 4.260, Translation:

“"Her eyes are enchanted by the beauty of Lord Kṛṣṇa, the enemy of Kaṁsa. Her body thrills in pleasure at His touch. Her ears are always attracted to His sweet voice, Her nostrils are enchanted by His fragrance, and Her tongue hankers for the nectar of His soft lips. She hangs down her lotuslike face, exercising self-control only by pretense, but She cannot help showing the external signs of Her spontaneous love for Lord Kṛṣṇa."

CC Adi 5.189, Translation:

His body moved to and fro, right and left, for He was absorbed in ecstasy. He chanted "Kṛṣṇa, Kṛṣṇa" in a deep voice.

CC Adi 6.34, Translation:

He worshiped Kṛṣṇa with tulasī leaves and water of the Ganges and called for Him in a loud voice. Thus Lord Caitanya Mahāprabhu appeared on earth, accompanied by His personal associates.

CC Adi 7.81, Purport:

"O Govinda! Feeling Your separation, I am considering a moment to be like twelve years or more. Tears are flowing from my eyes like torrents of rain, and I am feeling all vacant in the world in Your absence." It is the aspiration of a devotee that while he chants the Hare Kṛṣṇa mahā-mantra his eyes will fill with tears, his voice falter and his heart throb. These are good signs in chanting the holy name of the Lord. In ecstasy, one should feel the entire world to be vacant without the presence of Govinda. This is a sign of separation from Govinda. In material life we are all separated from Govinda and are absorbed in material sense gratification. Therefore, when one comes to his senses on the spiritual platform he becomes so eager to meet Govinda that without Govinda the entire world becomes a vacant place.

CC Adi 7.89-90, Translation:

“"Perspiration, trembling, standing on end of one"s bodily hairs, tears, faltering voice, fading complexion, madness, melancholy, patience, pride, joy and humility—these are various natural symptoms of ecstatic love of Godhead, which causes a devotee to dance and float in an ocean of transcendental bliss while chanting the Hare Kṛṣṇa mantra.

CC Adi 8.27, Translation:

When one's transcendental loving service to the Lord is actually awakened, it generates transformations in the body such as perspiration, trembling, throbbing of the heart, faltering of the voice and tears in the eyes.

CC Adi 10.135-136, Purport:

In the Gaura-gaṇoddeśa-dīpikā (189) it is said that Śikhi Māhiti was formerly an assistant of Śrīmatī Rādhārāṇī named Rāgalekhā. His sister Mādhavī was also an assistant of Śrīmatī Rādhārāṇī and was named Kalākelī. Śikhi Māhiti, Mādhavī and their brother Murāri Māhiti were all unalloyed devotees of Śrī Caitanya Mahāprabhu who could not forget Him for a moment of their lives. There is a book in the Oriyā language called Caitanya-carita-mahākāvya, in which there are many narrations about Śikhi Māhiti. One narration concerns his seeing an ecstatic dream. Śikhi Māhiti always engaged in serving the Lord in his mind. One night, while he was rendering such service, he fell asleep, and while he was asleep his brother and sister came to awaken him. At that time he was in full ecstasy because he was having a wonderful dream that Lord Caitanya, while visiting the temple of Jagannātha, was entering and again coming out of the body of Jagannātha and looking at the Jagannātha Deity. Thus as soon as he awakened he embraced his brother and sister and informed them, "My dear brother and sister, I have had a wonderful dream that I shall now explain to you. The activities of Lord Caitanya Mahāprabhu, the son of Mother Śacī, are certainly most wonderful. I saw that Lord Caitanya Mahāprabhu, while visiting the temple of Jagannātha, was entering the body of Jagannātha and again coming out of His body. I am still seeing the same dream. Do you think I have become deranged? I am still seeing the same dream! And the most wonderful thing is that as soon as I came near Caitanya Mahāprabhu, He embraced me with His long arms." As Śikhi Māhiti spoke to his brother and sister in this way, his voice faltered and there were tears in his eyes. Thus the brothers and sister went to the temple of Jagannātha, and there they saw Lord Caitanya in the Jagamohana kīrtana hall, looking at the beauty of the Śrī Jagannātha Deity just as in Śikhi Māhiti's dream. The Lord was so magnanimous that He immediately embraced Śikhi Māhiti, exclaiming, "You are the elder brother of Murāri!" Being thus embraced, Śikhi Māhiti felt ecstatic transcendental bliss. Thus he and his brother and sister always engaged in rendering service to the Lord. Murāri Māhiti, the younger brother of Śikhi Māhiti, is described in the Madhya-līlā, Chapter Ten, verse 44.

CC Adi 14.15, Purport:

The five large parts are the nose, arms, chin, eyes and knees. The five fine parts are the skin, fingertips, teeth, hair on the body and hair on the head. The seven reddish parts are the eyes, soles, palms, palate, nails and upper and lower lips. The six raised parts are the chest, shoulders, nails, nose, waist and mouth. The three small parts are the neck, thighs and male organ. The three broad parts are the waist, forehead and chest. The three grave parts are the navel, voice and existence. Altogether these are the thirty-two symptoms of a great personality. This is a quotation from the Sāmudrika.

CC Adi 17.181, Translation:

“Placing its nails on my chest, the lion said in a grave voice, ‘I shall immediately bifurcate your chest as you broke the mṛdaṅga drum!

CC Madhya-lila

CC Madhya 1.272, Translation:

When Śrī Caitanya Mahāprabhu was apparently in an angry mood and chastising His devotees, many thousands of people outside loudly cried in a tumultuous voice, "All glories to Śrī Caitanya Mahāprabhu!"

CC Madhya 2.72, Translation:

There were different transformations of the body of Lord Caitanya Mahāprabhu: being stunned, trembling, perspiring, fading away of color, weeping, and choking of the voice. In this way His whole body was pervaded by transcendental joy. As a result, sometimes Caitanya Mahāprabhu would laugh, sometimes cry, sometimes dance and sometimes sing. Sometimes He would get up and run here and there, and sometimes fall on the ground and lose consciousness.

CC Madhya 2.72, Purport:

In the Bhakti-rasāmṛta-sindhu, eight kinds of transcendental changes taking place in the body are described. Stambha, being stunned, refers to the mind's becoming transcendentally absorbed. In that state, the peaceful mind is placed on the life air, and different bodily transformations are manifest. These symptoms are visible in the body of an advanced devotee. When life becomes almost inactive, it is called "stunned." The emotions resulting from this condition are joy, fear, astonishment, moroseness and anger. In this condition, the power of speech is lost and there is no movement in the hands and legs. Otherwise, being stunned is a mental condition. Many other symptoms are visible on the entire body in the beginning. These are very subtle, but gradually they become very apparent. When one cannot speak, naturally one's active senses are arrested, and the knowledge-acquiring senses are rendered inoperative. Kampa, trembling of the body, is mentioned in the Bhakti-rasāmṛta-sindhu as a result of a special kind of fear, anger and joy. This is called vepathu, or kampa. When the body begins to perspire because of joy, fear and anger combined, this is called sveda. Vaivarṇya is described as a change in the bodily color. It is caused by a combination of moroseness, anger and fear. When these emotions are experienced, the complexion turns pale and the body becomes lean and thin. Aśru is explained in the Bhakti-rasāmṛta-sindhu as a combination of joy, anger and moroseness that causes water to flow from the eyes without effort. When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of aśru. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice. This choking is called gadgada. Śrī Caitanya Mahāprabhu refers to gadgada-ruddhayā girā, or "a faltering voice." In the Bhakti-rasāmṛta-sindhu, pulaka is described as joy, encouragement and fear. When these combine, the hairs on the body stand on end, and this bodily state is called pulaka.

CC Madhya 3.126, Translation:

This stanza was sung by Mukunda in a very sweet voice, but as soon as Caitanya Mahāprabhu heard this stanza, His mind went to pieces.

CC Madhya 3.162, Translation:

When the Lord performed kīrtana, He manifested all kinds of transcendental symptoms. He appeared stunned and trembling, His hair stood on end, and His voice faltered. There were tears and devastation.

CC Madhya 8.76, Purport:

The stage of loving service to the Lord in parental affection is an advanced stage of love in fraternity. In the fraternal relationship there is a sense of equality, but when that sense of equality is advanced in affection, one attains the platform of parental love. In this connection, the following verse is cited from Śrīmad-Bhāgavatam (10.8.46), wherein Mahārāja Parīkṣit voices his appreciation of Nanda Mahārāja's and mother Yaśodā’s intense love for Kṛṣṇa.

CC Madhya 8.166, Purport:

“Her beauty is more and more enhanced, being decorated with the red kuṅkuma of beauty itself and the blackish musk of conjugal love. Thus Her body is decorated with different colors. Her ornaments embody the natural symptoms of ecstasy—trembling, tears, jubilation, stunning, perspiration, faltering of the voice, bodily redness, madness and dullness. In this way Her entire body is bedecked with these nine different jewels.

CC Madhya 8.258, Purport:

The speculative process of empiric philosophy is as bitter as the fruit of the nimba tree. Tasting this fruit is the business of crows. In other words, the philosophical process of realizing the Absolute Truth is a process taken up by crowlike men. But the cuckoolike devotees have very sweet voices with which to chant the holy name of the Lord and taste the sweet fruit of the mango tree of love of Godhead. Such devotees relish sweet mellows with the Lord.

CC Madhya 12.149, Translation:

As soon as Gopāla heard the voice of Śrī Caitanya Mahāprabhu, he immediately came to his senses. All the devotees then began to dance, chanting the holy name of Hari.

CC Madhya 13.104, Translation:

Śrī Caitanya Mahāprabhu's whole body flowed with perspiration and at the same time oozed blood. He made the sounds "jaja gaga, jaja gaga" in a voice choked with ecstasy.

CC Madhya 13.120, Translation:

While Śrī Caitanya Mahāprabhu was dancing, His ecstasy changed. Raising His two arms, He began to recite the following verse in a loud voice.

CC Madhya 15.164, Translation:

When Śrī Caitanya Mahāprabhu heard Vāsudeva Datta's statement, His heart became very soft. Tears flowed from His eyes, and He began to tremble. In a faltering voice He spoke as follows.

CC Madhya 15.279, Translation:

While Amogha danced in ecstatic love, he manifested all the ecstatic symptoms—trembling, tears, jubilation, trance, perspiration and a faltering voice. Seeing these waves of ecstatic emotion, Śrī Caitanya Mahāprabhu began to laugh.

CC Madhya 15.299, Purport:

"I offer my obeisances unto Amogha Paṇḍita, who was accepted by Lord Śrī Caitanya Mahāprabhu. As a result of this acceptance, he was always merged in ecstatic love, and he manifested ecstatic symptoms such as choking of the voice and standing of the hairs on his body."

CC Madhya 17.34, Translation:

Sometimes Śrī Caitanya Mahāprabhu chanted very loudly while passing through the jungle. Hearing His sweet voice, all the does came near Him.

CC Madhya 17.197, Translation:

It was only with great difficulty that the cowherd men were able to keep the cows back. Then when the Lord chanted, all the deer heard His sweet voice and approached Him.

CC Madhya 19.105, Translation:

Śrī Caitanya Mahāprabhu then said, "You have certainly given first-class conclusions." After saying this, He began to recite the full verse in a faltering voice.

CC Madhya 20.52, Translation:

As soon as Śrī Caitanya Mahāprabhu touched Sanātana Gosvāmī, Sanātana was also overwhelmed with ecstatic love. In a faltering voice, he said, "O my Lord, do not touch me."

CC Madhya 23.33, Translation:

“"O Govinda, this youthful girl named Rādhikā is today constantly pouring forth tears like nectar falling from flowers as She sings Your holy names in a sweet voice."

CC Madhya 25.68, Translation:

Ecstatic spiritual transformations began to take place in the Lord's body. His body trembled, and His voice faltered. He perspired, turned pale and wept a constant flow of tears, which wet all the people standing there. The eruptions on the Lord's body appeared like kadamba flowers.

CC Antya-lila

CC Antya 1.185, Purport:

The vīthī beginning of a drama consists of only one scene. In that scene, one of the heroes enters the stage, and by means of opposing statements uttered by a voice from the sky (offstage), he introduces the abundant conjugal mellow and other mellows to some degree. In the course of the introduction, all the seeds of the play are planted. This introduction is called udghātyaka because the player dances on the stage. This term also indicates that the full moon enters the stage. In this case, when the word naṭatā ("dancing on the stage") is linked with the moon, its meaning is obscure, but because the meaning becomes very clear when the word naṭatā is linked with Kṛṣṇa, this type of introduction is called udghātyaka.

CC Antya 2.153-154, Translation:

One day Jagadānanda, Svarūpa, Govinda, Kāśīśvara, Śaṅkara, Dāmodara and Mukunda all went to bathe in the :sea. They could hear Haridāsa singing from a distant place as if calling them in his original voice.

CC Antya 2.155, Translation:

No one could see him, but they could hear him singing in a sweet voice. Therefore all the devotees, headed by Govinda, made this guess.

CC Antya 3.204, Translation:

With all the members of the assembly, the two Majumadāras fell at the lotus feet of Haridāsa Ṭhākura. Haridāsa Ṭhākura was smiling, however, and he spoke in a sweet voice.

CC Antya 3.235, Translation:

With folded hands she offered obeisances at the lotus feet of Haridāsa Ṭhākura. Sitting at the door, she then spoke in a very sweet voice.

CC Antya 6.29, Translation:

When the Muslim heard Raghunātha dāsa's appealing voice, his heart softened. He began to cry, and tears glided down his beard.

CC Antya 10.73, Translation:

He bled and perspired from every pore of His body. His voice faltered. Unable to say the line properly, He uttered only "jaja gaga pari mumu."

CC Antya 13.79, Translation:

She sang a gujjarī tune in a very sweet voice, and because the subject was Jayadeva Gosvāmī’s Gīta-govinda, the song attracted the attention of the entire world.

CC Antya 13.127, Translation:

By the mercy of Śrī Caitanya Mahāprabhu, he experienced the symptoms of ecstatic love—tears, trembling and faltering of the voice. His eyes filled with tears and his throat became choked, and thus he could not recite Śrīmad-Bhāgavatam.

CC Antya 13.128, Translation:

His voice was as sweet as a cuckoo's, and he would recite each verse of Śrīmad-Bhāgavatam in three or four tunes. Thus his recitations were very sweet to hear.

CC Antya 14.73, Translation:

"In the house of Kāśī Miśra, Śrī Caitanya Mahāprabhu would sometimes be greatly aggrieved, feeling separation from Kṛṣṇa. The joints of His transcendental body would slacken, and His arms and legs would become elongated. Rolling on the ground, the Lord would cry out in distress in a faltering voice and weep very sorrowfully. The appearance of Śrī Caitanya Mahāprabhu, awakening in my heart, maddens me."

CC Antya 14.99, Translation and Purport:

All eight kinds of transcendental transformations were visible in the Lord's body. All the devotees were struck with wonder to see such a sight.

The eight ecstatic symptoms are the state of being stunned, perspiration, standing of the bodily hairs on end, faltering of the voice, trembling, fading of the body's color, tears and devastation.

CC Antya 15.14, Translation:

Śrī Caitanya Mahāprabhu said, “"Though the hearts of the gopīs are like high-standing hills, they are inundated by the waves of the nectarean ocean of Kṛṣṇa"s beauty. His sweet voice enters their ears and gives them transcendental bliss, the touch of His body is cooler than millions and millions of moons together, and the nectar of His bodily fragrance overfloods the entire world. O My dear friend, that Kṛṣṇa, who is the son of Nanda Mahārāja and whose lips are exactly like nectar, is attracting My five senses by force.’

CC Antya 15.69, Translation:

In a faltering voice, Śrī Caitanya Mahāprabhu again said, "Alas, go on reciting, Rāma Rāya." Thus Rāmānanda Rāya began to recite a verse. While listening to this verse, the Lord was sometimes very jubilant and sometimes overcome by lamentation. Afterwards the Lord personally explained the verse.

CC Antya 17.28, Translation:

"Because you brought Me back here, I could no longer hear the nectarean voices of Kṛṣṇa and the gopīs, nor could I hear the sounds of their ornaments or the flute."

CC Antya 17.29, Translation:

In great ecstasy, Śrī Caitanya Mahāprabhu said to Svarūpa Dāmodara in a faltering voice, "My ears are dying of thirst. Please recite something to quench this thirst. Let Me hear it."

CC Antya 17.30, Translation:

Understanding the ecstatic emotions of Śrī Caitanya Mahāprabhu, Svarūpa Dāmodara, in a sweet voice, recited the following verse from Śrīmad-Bhāgavatam.

CC Antya 17.40, Translation:

Śrī Caitanya Mahāprabhu continued, “"My dear friend, the Supreme Personality of Godhead, Kṛṣṇa, has a voice as deep as a cloud resounding in the sky. With the tinkling of His ornaments He attracts the ears of the gopīs, and with the sound of His flute He attracts even the goddess of fortune and other beautiful women. That Personality of Godhead, known as Madana-mohana, whose joking words carry many indications and deep meanings, is increasing the lusty desires of My ears."

CC Antya 17.41, Translation:

“Kṛṣṇa's deep voice is more resonant than newly arrived clouds, and His sweet song defeats even the sweet voice of the cuckoo. Indeed, His song is so sweet that even one particle of its sound can inundate the entire world. If such a particle enters one's ear, one is immediately bereft of all other types of hearing.

CC Antya 17.48, Translation:

“Only the most fortunate can hear these four nectarean sounds—Kṛṣṇa's words, the tinkling of His ankle bells and bangles, His voice and the vibration of His flute. If one does not hear these sounds, his ears are as useless as small conchshells with holes.”

CC Antya 18.50, Translation:

“I shivered in fear and shed tears. My voice faltered, and all the hairs on my body stood up.

CC Antya 19.108, Purport:

"Dear cuckoo, you possess a very sweet voice, and you are very expert in imitating others. You could excite even a dead body with your voice. Therefore, tell the queens that good behavior is their proper duty."

CC Antya 20.36, Translation:

“"My dear Lord, when will My eyes be beautified by filling with tears that constantly glide down as I chant Your holy name? When will My voice falter and all the hairs on My body stand erect in transcendental happiness as I chant Your holy name?"

Other Books by Srila Prabhupada

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter Mission:

O my Lord, when will my eyes be decorated with tears of love flowing constantly when I chant Your holy name? When will my voice choke up, and when will the hairs of my body stand on end at the recitation of Your name?

Teachings of Lord Caitanya, Chapter 13:

"O Govinda! This young girl with tears in her eyes is crying in a sweet voice, chanting Your glories." Such pure devotees are always anxious to describe the glories of Kṛṣṇa and to live in a place where He exhibited His pastimes. A similar verse appears again in kṛṣṇa-karṇāmṛta (92): "The body of Kṛṣṇa is so nice, and His face is so beautiful. Everything about Him is sweet and fragrant." And in Bhakti-rasāmṛta-sindhu (1.2.156): "O lotus-eyed one, when will I be able to always chant Your holy name, and being inspired by that chanting, when will I be able to dance on the banks of the Yamunā?"

Nectar of Devotion

Nectar of Devotion 21:

He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities."

Nectar of Devotion 27:

A gopī once said to Kṛṣṇa, "My dear son of Nanda Mahārāja, by the sound of Your flute Śrīmatī Rādhārāṇī has become full of lamentation and fear, and thus, with a faltering voice, She is crying like a kurarī bird."

Nectar of Devotion 28:

There are eight symptoms of existential ecstatic love: becoming stunned, perspiring, standing of the hairs on the body, faltering of the voice, trembling of the body, changing of bodily colors, shedding of tears and devastation.

The scientific explanation of these eight symptoms is given by Rūpa Gosvāmī as follows. When the vital force of life is in contact with the earth, one is stunned. When the same force comes into contact with water, there is the shedding of tears. When the same force comes into contact with fire, there is perspiration. When the force comes into contact with the sky, there is complete devastation. And when that force comes into contact with the air, there is trembling, failing of the voice and standing of the hairs on the body.

Nectar of Devotion 28:

When Kṛṣṇa was going to Mathurā on the chariot driven by Akrūra, Yaśodā and all the gopīs came to try to forbid Him to pass and to block His way. At that time Rādhārāṇī was so perturbed that in a faltering voice She requested mother Yaśodā to please stop Akrūra.

Faltering of the voice resulting from wonder was exhibited by Brahmā. It is said in Śrīmad-Bhāgavatam, Tenth Canto, Thirteenth Chapter, verse 64, that after bowing down before Lord Kṛṣṇa, when Brahmā began to rise he prayed to the Lord in a faltering voice.

In the Tenth Canto, Twenty-ninth Chapter, verse 30, another example of faltering of the voice was exhibited by the gopīs when they came to Kṛṣṇa, desiring to dance with Him. Kṛṣṇa asked them to go back to their husbands and homes. The gopīs apparently became very angry and began to talk to Kṛṣṇa with faltering voices.

In the Tenth Canto, Thirty-ninth Chapter, verses 56 and 57, of Śrīmad-Bhāgavatam, a faltering voice due to jubilation was exhibited by Akrūra when he was shown all of the Vaikuṇṭha planets resting within the River Yamunā. When Akrūra understood that Kṛṣṇa was the Supreme Personality of Godhead, he bowed his head to Kṛṣṇa's lotus feet and with folded hands began to pray in a faltering voice.

There are also examples of faltering of the voice caused by fearfulness. One of Kṛṣṇa's friends praised Him thus: "My dear friend, Your flute was given to Your servant Patrī, and when I asked him to return it he began speaking in a faltering voice, and his complexion became yellow."

Nectar of Devotion 28:

In the Tenth Canto of Śrīmad-Bhāgavatam, Sixtieth Chapter, verse 23, there is a nice example of Rukmiṇī's shedding tears of lamentation. When Kṛṣṇa and Rukmiṇī were talking, Rukmiṇī became frightened of separation from Kṛṣṇa, and therefore she began scratching the earth with her red, lotuslike nails. Because she was shedding tears, the black ointment from her eyes was dripping, along with the tears, onto her breasts, which were covered with kuṁkum powder. Rukmiṇī was so aggrieved that her voice was choked up.

Nectar of Devotion 28:

Out of the many ecstatic symptoms of the body, the symptom of being stunned is especially significant. According to the degree of being stunned, the vital force within the body becomes agitated, and due to such a state, the other ecstatic loving symptoms sometimes become altered. These transcendental ecstatic symptoms gradually develop, and in the course of such development they are sometimes called smoky, sometimes called blazing, and sometimes called shining. These three degrees are experienced for many, many years, and they extend to different parts of the body. Unlike the shedding of tears and faltering of the voice, the condition of being stunned is spread all over the body. The shedding of tears and faltering of the voice are simply localized symptoms.

The shedding of tears, however, sometimes makes the eyes become swollen and whitish, and sometimes the lenses of the eyes become differently focused. Faltering of the voice may sometimes cause choking in the throat and extreme anxiety. As the different symptoms of these ecstatic manifestations are localized, they are accompanied by different local reactions; e.g., when the throat is choked up because of a faltering voice, there may be a sound like "ghura." Such sounds choke the voice, and with extreme mental anxiety they may be manifest in different ways. All these symptoms are listed under the dried-up existential condition known as smoky, and they are exhibited in different ways.

Nectar of Devotion 28:

When the ecstatic symptoms cannot be checked and they simultaneously appear in four or five different categories, this stage of ecstatic love is called shining. The example is cited, in this connection, that when the sage Nārada saw Lord Kṛṣṇa standing before him, his body became so stunned that he stopped playing on his vīṇā. Because of his faltering voice, he could not offer any prayers to Kṛṣṇa, and his eyes filled with tears. Thus, Nārada's ability to see Kṛṣṇa was also obstructed.

When similar symptoms were manifest in the body of Śrīmatī Rādhārāṇī, some of Her friends criticized Her: "Dear friend, You are blaming the aroma of the flowers for the tears in Your eyes. You are rebuking the air for the standing of the hairs on Your body. And You are cursing Your walking in the forest for Your thighs' being stunned. But Your faltering voice reveals the cause to be different: it is just Your attachment for Kṛṣṇa!"

Nectar of Devotion 29:

One aged devotee of Kṛṣṇa addressed Him in this way: "My dear Kṛṣṇa, O killer of the demon Agha, my body is now invalid due to old age. I cannot speak very fluently, my voice is faltering, my mind is not strong, and I am often attacked by forgetfulness. But, my dear Lord, You are just like the moonlight, and my only real regret is that for want of any taste for Your pleasant shining I did not advance myself in Kṛṣṇa consciousness." This statement is an instance of lamentation due to one's being unable to achieve his desired goal.

Nectar of Devotion 29:

When one becomes arrogant with false prestige due to drinking intoxicants or being too lustful, the voice becomes faulty, the eyes become swollen, and there are symptoms of redness on the body.

Nectar of Devotion 29:

In the Tenth Canto, Twelfth Chapter, verse 44, of Śrīmad-Bhāgavatam, Mahārāja Parīkṣit asked about Lord Ananta, and upon hearing this question, Śukadeva Gosvāmī began to show symptoms of collapsing. Yet he checked himself and answered King Parīkṣit's question in a mild voice. This collapsing condition is described as a feverish state resulting from ecstatic pleasure.

Nectar of Devotion 30:

When Kṛṣṇa was fighting with the Kāliya snake by dancing on his heads, Kāliya bit Kṛṣṇa on the leg. At that time Garuḍa became infuriated and began to murmur, "Kṛṣṇa is so powerful that simply by His thundering voice the wives of Kāliya have had miscarriages. Because my Lord has been insulted by this snake, I wish to devour him immediately, but I cannot do so in the presence of my Lord, because He may become angry with me." This is an instance of eagerness to act in ecstatic love as a result of dishonor to Kṛṣṇa.

Nectar of Devotion 37:

In Śrīmad-Bhāgavatam, Tenth Canto, Eighty-fifth Chapter, verse 38, Śukadeva Gosvāmī tells Mahārāja Parīkṣit that after surrendering everything unto the lotus feet of Vāmanadeva, Bali Mahārāja immediately caught hold of the lotus feet of the Lord and pressed them to his heart. Being overwhelmed with joy, he manifested all the symptoms of ecstatic love, with tears in his eyes and a faltering voice.

Nectar of Devotion 39:

Similarly, in the Seventh Canto of Śrīmad-Bhāgavatam, Chapter Seven, verse 34, Prahlāda Mahārāja says to his friends, "My dear friends, as soon as pure devotees of Lord Kṛṣṇa hear of the transcendental pastimes of the Lord, who is the eternal reservoir of pastimes, or hear about His transcendental qualities, they become overpowered with jubilation. Ecstatic symptoms are manifested in their bodies. They shed tears, talk falteringly, glorify the Lord in a loud voice and chant and dance in ecstasy. These ecstasies are always there, but sometimes they overcome all limits, and the symptoms become manifest to all."

Nectar of Devotion 40:

To regard Kṛṣṇa as one's superior is called reverential feeling, and when, in addition to this, a devotee feels that Kṛṣṇa is his protector, his transcendental love for Kṛṣṇa is increased, and his combined feelings are called reverential devotion. When this steady reverential devotion increases further, it is called love of Godhead in reverential devotion. Attraction and affection are two prominent symptoms of this stage. In this reverential devotional attitude, Pradyumna never talked to his father in a loud voice. In fact, he never so much as unlocked the lips of his mouth, nor did he ever show his face filled with tears. He would always glance only at the lotus feet of his father.

Nectar of Devotion 40:

The affection that Kṛṣṇa has for His devotees was expressed by Him when He asked Pradyumna not to feel so bashful before Him. He addressed Pradyumna thus: "My dear boy, just give up your feeling of inferiority, and do not hang your neck. Just talk with Me in a clear voice, and do not shed tears. You may look straight at Me, and you may place your hands on My body without any hesitation. There is no need of exhibiting so much reverence before your father."

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Nectar of Devotion 41:

The behavior of these confidential friends is described by a friend of Rādhārāṇī who told Rādhārāṇī, "My dear graceful Rādhārāṇī, Your intimate friend Kṛṣṇa is also served by His intimate boyfriends. Some of them cut jokes with Him in mild voices and please Him very much by this."

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Easy Journey to Other Planets

Easy Journey to Other Planets 1:

These are nine standard modes of devotional service to the Lord, and a candidate can choose to adopt any one, two, three, four or all, however he likes. All the services rendered to the Absolute are in themselves absolute, with none of the quantitative or qualitative differences found on the material platform. On the spiritual platform everything is identical with everything else, although there is transcendental variegatedness. Emperor Ambarīṣa adopted all the above nine items, and he attained perfect success. It was he who engaged his mind on the lotus feet of the Lord, his voice in describing the spiritual world, his hands in cleansing the temple of the Lord, his ears in submissively hearing the words of Lord Śrī Kṛṣṇa, his eyes in viewing the Deities of the Lord, his body in touching the bodies of the devotees, his nostrils in smelling the flowers offered to the Lord, his tongue in tasting the food offered to the Lord, his legs in visiting the temple of the Lord, and all the energy of his life in executing the services of the Lord without in the least desiring his own sense gratification. All these activities helped him attain the perfect stage of life which defeats all dexterities of material science.

Krsna, The Supreme Personality of Godhead

Krsna Book 1:

Vasudeva, after deliberating on how to save his wife, began to speak to Kaṁsa with great respect, although Kaṁsa was the most sinful man. Sometimes it happens that a most virtuous person like Vasudeva has to flatter a person like Kaṁsa, a most vicious person. That is the way of all diplomatic transactions. Although Vasudeva was deeply aggrieved, he smiled outwardly. He addressed the shameless Kaṁsa in that way because he was so atrocious. Vasudeva said to Kaṁsa, "My dear brother-in-law, please consider that you have no danger from your sister. You are awaiting some danger because you have heard a prophetic voice in the sky. But the danger is to come from the sons of your sister, who are not present now. And who knows? There may or may not be sons in the future. Considering all this, you are safe for the present. Nor is there cause of fear from your sister. If there are any sons born of her, I promise that I shall present all of them to you for necessary action."

Krsna Book 3:

At that time, in all directions—east, west, south, north, everywhere—there was an atmosphere of peace and prosperity. There were auspicious stars visible in the sky, and on the surface in all towns and villages and pasturing grounds and within the minds of everyone there were signs of good fortune. The rivers were flowing full of waters, and lakes were beautifully decorated with lotus flowers. The forests were full with beautiful birds and peacocks. All the birds within the forests began to sing with sweet voices, and the peacocks began to dance along with their consorts.

Krsna Book 15:

When Kṛṣṇa would feel tired and fatigued, He would sometimes take shelter of the root of a big tree or the lap of a cowherd boy and lie down. When He would lie down with a boy or a root as His pillow, some of the boys would come and massage His legs, and some would fan His body with a fan made from leaves. Some of the more talented boys would sing in very sweet voices to please Him. Thus very soon His fatigue would go away. The Supreme Personality of Godhead, Kṛṣṇa, whose legs are tended by the goddess of fortune, shared Himself with the cowherd boys as one of them, expanding His internal potency to appear exactly like a village boy.

Krsna Book 19:

The Personality of Godhead heard the appealing voices of His friends, and casting a pleasing glance over them, He began to answer. By speaking through His eyes, He impressed upon His friends that there was no cause for fear, and He assured them, “Don’t worry.”

Krsna Book 27:

Thus praised by Indra, Lord Kṛṣṇa, the Supreme Personality of Godhead, smiled beautifully and then replied in a grave voice like a rumbling cloud: “My dear Indra, I stopped your sacrifice just to show you My causeless mercy and to remind you that I am your eternal master.

Krsna Book 29:

The gopīs were not ordinary women. In essence they were on an equal level with Kṛṣṇa. They are His eternal associates. As it is confirmed in the Brahma-saṁhitā, they are expansions of the pleasure potency of Kṛṣṇa, and as His potency they are nondifferent from Him. Although they were depressed by the words of Kṛṣṇa, they did not like to use harsh words against Him. Yet they wanted to rebuke Kṛṣṇa for His unkind words, and therefore they began to speak in faltering voices. They did not like to use harsh words against Kṛṣṇa because He was their dearmost, their heart and soul. The gopīs had only Kṛṣṇa within their hearts. They were completely surrendered and dedicated souls. Naturally, when they heard such unkind words, they tried to reply, but in the attempt torrents of tears fell from their eyes. Finally they managed to speak.

Krsna Book 38:

As stated in the Brahma-saṁhitā, Kṛṣṇa is the original Personality of Godhead and the cause of all causes. Akrūra could understand that the Supreme Personality of Godhead had appeared personally for the welfare of His creation, to reestablish the principles of religion and to annihilate the demons. With Their bodily effulgence the brothers were dissipating all the darkness of the world, as if They were mountains of sapphire and silver. Without hesitating, Akrūra immediately got down from his chariot and fell flat, just like a rod, before Kṛṣṇa and Balarāma. Upon touching the lotus feet of the Supreme Personality of Godhead, he became overwhelmed with transcendental bliss; his voice choked up, and he could not speak.

Krsna Book 39:

After seeing the transcendental Personality of Godhead, Akrūra immediately became overwhelmed with joy and great devotion, and all over his body there was transcendental shivering. Although for the moment he was bewildered, he retained his clear consciousness and bowed down his head before the Lord. With folded hands and faltering voice, he began to offer prayers to the Lord.

Krsna Book 43:

After taking Their baths and finishing all other morning duties, Kṛṣṇa and Balarāma could hear the beating of the kettledrums in the wrestling arena. They immediately prepared Themselves to proceed to the spot to see the fun. When Kṛṣṇa and Balarāma reached the gate of the wrestling arena, They saw a big elephant of the name Kuvalayāpīḍa being tended by a caretaker riding on its head. The caretaker was deliberately blocking Their entrance by keeping the elephant in front of the gateway. Kṛṣṇa could understand the purpose of the caretaker, and He prepared Himself by tightening His clothes before combating the elephant. He addressed the caretaker in a very grave voice, as resounding as a cloud: "You miscreant caretaker, give way and let Me pass through the gate. If you block My way, I shall send you and your elephant to the house of death personified."

Krsna Book 54:

To show his prestige, Rukmī promised all the returning kings, "You could not help Śiśupāla marry my sister, Rukmiṇī, but I cannot allow Rukmiṇī to be taken away by Kṛṣṇa. I shall teach Him a lesson. Now I am going to follow Him." He presented himself as a big commander and vowed before all the princes, "Unless I kill Kṛṣṇa in the fight and bring back my sister from His clutches, I shall not return to my capital city, Kuṇḍina. I make this vow before you all, and you will see that I shall fulfill it." After thus vibrating all these boasting words, Rukmī immediately got on his chariot and told his chariot driver to pursue Kṛṣṇa. He said, "I want to fight with Him immediately. This cowherd boy has become proud of His tricky way of fighting with kṣatriyas, but today I shall teach Him a good lesson. Because He had the impudence to kidnap my sister, I, with my sharp arrows, shall teach Him very good lessons indeed." Thus this unintelligent man, Rukmī, ignorant of the extent of the strength and activities of the Supreme Personality of Godhead, voiced his impudent threats.

Krsna Book 58:

After meeting with the five brothers, Lord Kṛṣṇa personally went to visit Śrīmatī Kuntīdevī, the mother of the Pāṇḍavas, who was also Kṛṣṇa's paternal aunt. In offering His respects to His aunt, Kṛṣṇa also touched her feet. Kuntīdevī’s eyes became wet, and, in great love, she feelingly embraced Lord Kṛṣṇa. She then inquired from Him about the well-being of her paternal family members—her brother Vasudeva, his wife and other members of the family. Similarly, Kṛṣṇa also inquired from His aunt about the welfare of the Pāṇḍava family. Although Kuntīdevī was related to Kṛṣṇa by family ties, she knew immediately after meeting Him that He is the Supreme Personality of Godhead. She remembered the past calamities of her life and how by the grace of Kṛṣṇa she and her sons, the Pāṇḍavas, had been saved. She knew perfectly well that without Kṛṣṇa's grace no one could have saved them from the fire "accident" designed by the sons of Dhṛtarāṣṭra. In a choked-up voice, she began to narrate before Kṛṣṇa the history of their life.

Krsna Book 58:

Kṛṣṇa is the Supersoul of all living creatures, so He could understand the mind of Satyā. He was also very much pleased with the respectful worship of the King in offering Him a sitting place, eatables, a residence and so on. He was appreciative, therefore, that both the girl and her father were eager to have Him as their intimate relative. He smiled and in a grave voice said, “My dear King Nagnajit, you know very well that anyone in the princely order who is regular in his position will never ask anything from anyone, however exalted he may be.

Krsna Book 61:

Again Balarāma was the winner according to the rules of chess, but Rukmī again cunningly claimed that he had won. Rukmī appealed to the princes present, and he especially mentioned the name of the King of Kaliṅga. During the dispute there was a voice from the sky, and it announced that for all honest purposes Balarāma was the actual winner of this game, that He was being abused, and that the statement of Rukmī that he had won was absolutely false.

In spite of this divine voice, Rukmī insisted that Balarāma had lost, and by his persistence it appeared that he had death upon his head. Falsely puffed up by the ill advice of his friend, he did not give much importance to the oracle, and he began to criticize Balarāmajī.

Krsna Book 65:

After being received by the cowherd men and boys, the gopīs, and King Nanda and Yaśodā, Lord Balarāma sat down, feeling satisfied, and they all surrounded Him. First Lord Balarāma inquired from them about their welfare, and then, since they had not seen Him for such a long time, they began to ask Him different questions. The inhabitants of Vṛndāvana had sacrificed everything for Kṛṣṇa, simply being captivated by the lotus eyes of the Lord. Because of their great desire to love Kṛṣṇa, they never desired anything like elevation to the heavenly planets or merging into the effulgence of Brahman to become one with the Absolute Truth. They were not even interested in enjoying a life of opulence, but were satisfied in living a simple life in the village as cowherds. They were always absorbed in thoughts of Kṛṣṇa and did not desire any personal benefits, and they were all so much in love with Him that in His absence their voices faltered when they began to inquire from Balarāmajī.

Krsna Book 68:

The leaders of the Kuru dynasty, especially Dhṛtarāṣṭra and Duryodhana, were joyful because they knew very well that Lord Balarāma was a great well-wisher of their family. There were no bounds to their joy on hearing the news, and so they immediately welcomed Uddhava. In order to properly receive Lord Balarāma, they all took in their hands auspicious paraphernalia for His reception and went to see Him outside the city gate. According to their respective positions, they welcomed Lord Balarāma by giving Him in charity nice cows and arghya (a mixture of ārati water and an assortment of items such as honey, butter, flowers and sandalwood pulp). Because all of them knew the exalted position of Lord Balarāma as the Supreme Personality of Godhead, they bowed their heads before the Lord with great respect. They all exchanged words of reception by asking one another about their welfare, and when such formalities were finished, Lord Balarāma, in a great voice and very patiently, submitted before them the following words for their consideration: “My dear friends, this time I have come to you as a messenger with the order of the all-powerful King Ugrasena.

Krsna Book 69:

When Nārada arrived in Dvārakā, he saw gardens and parks full of various flowers of different colors, and also orchards overloaded with a variety of fruits. Beautiful birds were chirping, and peacocks crowed delightfully. There were ponds full of blue and red lotus flowers, and some of these tanks were filled with varieties of lilies. The lakes were full of nice swans and cranes, and the voices of these birds resounded everywhere.

Krsna Book 70:

While trying to satisfy Nāradajī, Lord Kṛṣṇa spoke the following words in His sweet and natural voice.

“My dear great sage among the demigods, I think that now everything is well within the three worlds. You are perfectly eligible to travel everywhere in space—in the upper, middle and lower planetary systems of this universe.

Krsna Book 72:

While Lord Kṛṣṇa was speaking in the garb of a brāhmaṇa along with Arjuna and Bhīma, Jarāsandha marked that the three of them did not appear to be actual brāhmaṇas. There were signs on their bodies by which Jarāsandha could understand that they were kṣatriyas. Their shoulders were marked with impressions due to carrying bows, they had beautiful bodily structure, and their voices were grave and commanding.

Krsna Book 72:

When Lord Kṛṣṇa disclosed their disguise, King Jarāsandha laughed very loudly, and then in great anger and in a grave voice he exclaimed, “You fools! If you want to fight with me, I immediately grant your request. But, Kṛṣṇa, I know that You are a coward. I refuse to fight with You because You become very confused when You face me in fighting.

Krsna Book 73:

After hearing the prayers of the kings released from the prison of Jarāsandha, Lord Kṛṣṇa, who is always the protector of surrendered souls and the ocean of mercy for the devotees, replied to them as follows in His sweet, transcendental voice, which was grave and full of meaning. "My dear kings," He said, “I bestow upon you My blessings. From this day forth you will be attached to My devotional service without fail.

Krsna Book 73:

Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses. After seeing that each was taken care of, Lord Kṛṣṇa, in a sweet voice, asked them to return to their respective kingdoms. By His liberal behavior, unparalleled in the history of the world, Lord Kṛṣṇa released all the kings who had been in the clutches of Jarāsandha, and the kings, being fully satisfied, began to chant His holy name, think of His holy form, and glorify His transcendental pastimes as the Supreme Personality of Godhead.

Krsna Book 81:

While the learned brāhmaṇa was considering this, a group of beautiful men and women with features resembling those of the demigods, accompanied by musical chanters, approached to welcome him. All were singing auspicious songs. The wife of the brāhmaṇa was very glad on hearing the tidings of her husband's arrival, and with great haste she came out of the palace. The brāhmaṇa's wife appeared so beautiful that it seemed as if the goddess of fortune herself had come to receive him. As soon as she saw her husband present before her, tears of joy fell from her eyes, and her voice became so choked up that she could not even address her husband.

Krsna Book 84:

When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs.

Krsna Book 85:

After this, Bali Mahārāja brought valuable garments, ornaments, sandalwood pulp, betel nuts, lamps and various nectarean foods, and along with his family members he worshiped the Lords according to the regulative principles and offered his riches and body unto Their lotus feet. King Bali was feeling such transcendental pleasure that he repeatedly grasped the Lords' lotus feet and kept them on his chest, and sometimes he put them on the top of his head. In this way he felt transcendental bliss. Tears of love and affection began to flow from his eyes, and all his bodily hairs stood on end. He began to offer prayers to the Lords in a voice which choked up intermittently.

Krsna Book 86:

Feeling very much obliged and wanting to receive his guests to the best of his ability, he called for nice chairs and cushions, and Lord Kṛṣṇa, along with all the sages, sat down very comfortably. At that time, King Bahulāśva's mind was very restless, not because of any problems but because of great ecstasy of love and devotion. His heart was filled with love and affection for the Lord and His associates, and his eyes were filled with tears of ecstasy. He washed the feet of his divine guests, and afterward he and his family members sprinkled the water on their own heads. After this, he offered the guests nice flower garlands, sandalwood pulp, incense, new garments, ornaments, lamps, cows and bulls. In a manner just befitting his royal position, he worshiped each one of them in this way. When all had been fed sumptuously and were sitting very comfortably, Bahulāśva came before Lord Kṛṣṇa and caught His lotus feet. He placed them on his lap and, while massaging the feet with his hands, began to speak about the glories of the Lord in a sweet voice.

Krsna Book 89:

Because Lakṣmī is famous as Cañcalā, Lord Nārāyaṇa indicated that she might not have been living perpetually by His chest, but because His chest had been touched by the feet of Bhṛgu Muni, it was now sanctified, and there was no chance that the goddess of fortune would leave. Bhṛgu Muni, however, could understand his position and that of the Lord, and he was struck with wonder at the behavior of the Supreme Personality of Godhead. Because of his gratitude, his voice choked up, and he was unable to reply to the words of the Lord. Tears glided from his eyes, and he could not say anything. He simply stood silently before the Lord.

Krsna Book 90:

Generally the cuckoo sounds its cooing vibration at the end of night or early in the morning. When the queens heard the cooing of the cuckoo at the end of night, they said, "Dear cuckoo, your voice is very sweet. As soon as you vibrate your sweet voice, we immediately remember Śyāmasundara because your voice exactly resembles His. We must frankly admit that your voice is imbued with nectar, and it is so invigorating that it is competent to bring back life to those who are almost dead in separation from their dearmost friend. So we are very much obliged to you. Please let us know how we can welcome you or how we can do something for you."

Renunciation Through Wisdom

Renunciation Through Wisdom 5.1:

In recent times we have heard two words being loudly voiced: Māyāvāda (impersonalist) and Advaita-vāda (monist). I deem it proper to write a few words about them. Śrīpāda Śaṅkarācārya was a brāhmaṇa who propagated the impersonalist philosophy. But if he were to hear the pathetic version of his theory being espoused today, complete with nonbrahminical Western logic and mundane concepts, he would surely be struck dumb.

Mukunda-mala-stotra (mantras 1 to 6 only)

Mukunda-mala-stotra mantra 2, Purport:

The present verse of the Mukunda-mālā-stotra states that the color of the Lord's body is blackish, like that of a new cloud. Also, His body is very soft. Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.

Page Title:Voice (CC and other books)
Compiler:MadhuGopaldas
Created:29 of Jun, 2010
Totals by Section:BG=0, SB=0, CC=55, OB=50, Lec=0, Con=0, Let=0
No. of Quotes:105