Once while Kṛṣṇa was out walking, one of the associates of Rādhārāṇī told Her: "My dear friend, do You think that this walking personality is a tāmala tree?* If He is a tāmala tree, then how is it possible for Him to walk and be so beautiful? Then, this personality might be a cloud. But if He's a cloud, then where is the beautiful moon within? Under the circumstances, I think it may be granted that this person is the same enchanting Personality of Godhead by whose flute vibration the three worlds are captivated. He must be the same Mukunda who is standing before Govardhan Hill." This is another instance of an argumentative presentation of ecstatic love.
- The tamāla tree is always described as being the same color as Kṛṣṇa.
In the Tenth Canto, 29th Chapter, 26th verse of Śrīmad-Bhāgavatam, when Kṛṣṇa asked all the gopīs to go back to their homes, they did not like it. Because of their grief at this, they were sighing heavily, and their beautiful faces appeared to be drying up. In this condition they remained, without making a sound. They began to draw lines on the ground with their toes, and with their tears they washed the black ointment from their eyes onto their breasts, which were covered with red kuṅkuma powder. This is an instance of anxiety in ecstatic love.
One of the friends of Kṛṣṇa once informed Him, "My dear killer of the demon Mura, Your kind and gentle mother is very anxious because You have not returned home, and with great difficulty she has passed the evening constantly sitting on the corridor platform of Your home. It is certainly astonishing how You could forget Your mother while You are off somewhere engaged in Your playful activities!" This is another instance of deep anxiety in ecstatic love.