Sometimes all the transcendental ecstatic symptoms were manifest in Him. One night, Govinda and Svarūpa Dāmodara noticed that although the three doors to the Lord's room were closed and locked, the Lord was not present inside. Seeing this, Svarūpa Dāmodara and the other devotees went outside and saw the Lord lying unconscious by the gate known as Siṁha-dvāra. His body had become unusually long, and the joints of His bones were loose. The devotees gradually brought Śrī Caitanya Mahāprabhu back to His senses by chanting the Hare Kṛṣṇa mantra, and then they took Him back to His residence. Once Śrī Caitanya Mahāprabhu mistook a sand dune known as Caṭaka-parvata for Govardhana Hill. As He ran toward it, He became stunned, and then the eight ecstatic transformations appeared in His body due to great love for Kṛṣṇa. At that time all the devotees chanted the Hare Kṛṣṇa mantra to pacify Him.
Stunned
Srimad-Bhagavatam
SB Canto 3
The damsels of Vraja, after pastimes of laughter, humor and exchanges of glances, were anguished when Kṛṣṇa left them. They used to follow Him with their eyes, and thus they sat down with stunned intelligence and could not finish their household duties.
In His boyhood at Vṛndāvana, Lord Kṛṣṇa was notorious as a teasing friend in transcendental love to all the girls His age. His love for them was so intense that there is no comparison to that ecstasy, and the damsels of Vraja were so much attached to Him that their affection excelled that of the great demigods like Brahmā and Śiva. Lord Kṛṣṇa finally admitted His defeat before the transcendental affection of the gopīs and declared that He was unable to repay them for their unalloyed affection. Although the gopīs were seemingly anguished by the Lord's teasing behavior, when Kṛṣṇa would leave them they could not tolerate the separation and used to follow Him with their eyes and minds. They were so stunned by the situation that they could not finish their household duties. No one could excel Him even in the dealing of love exchanged between boys and girls. It is said in the revealed scriptures that Lord Kṛṣṇa personally never goes beyond the boundary of Vṛndāvana. He remains there eternally because of the transcendental love of the inhabitants. Thus even though He is not visible at present, He is not away from Vṛndāvana for a moment.
SB Canto 4
If one is factually engaged in the service of the Lord, bhakti-yoga, he will automatically control his senses, his tongue and so many other things. Once engaged in the bhakti-yoga process with all sincerity, one will have no chance of falling down. Even if one falls down, there is no loss. One's devotional activities may be stunned or choked for the time being, but as soon as there is another chance, the practitioner begins from the point where he left off.
SB Canto 5
Therefore the beautiful bodily features of the women there are also thousands and thousands of times more attractive than the features of the women on earth. The creator has constructed women in such a way that their beautiful voices and movements and the beautiful features of their hips, their breasts, and the other parts of their bodies attract the members of the opposite sex, both on earth and on other planets, and awaken their lusty desires. When one is controlled by Cupid or the beauty of women, he becomes stunned like matter such as stone. Captivated by the material movements of women, he wants to remain in this material world. Thus one's promotion to the spiritual world is checked simply by seeing the beautiful bodily structure and movements of women. Śrī Caitanya Mahāprabhu has therefore warned all devotees to beware of the attraction of beautiful women and materialistic civilization. Śrī Caitanya Mahāprabhu even refused to see Pratāparudra Mahārāja because he was a very opulent person in the material world. Lord Caitanya said in this connection, niṣkiñcanasya bhagavad-bhajanonmukhasya: those who are engaged in the devotional service of the Lord because they are very serious about going back home, back to Godhead, should be very careful to avoid seeing the beautiful gestures of women and should also avoid seeing persons who are very rich.
SB Canto 8
The materialistic way of life is nothing but the repeated chewing of that which has already been chewed. Although there is no profit in such a life, people are enamored of it because of uncontrolled senses. Nūnaṁ pramattaḥ kurute vikarma (SB 5.5.4). Because of uncontrolled senses, people fully engage in sinful activities by which they get a body full of suffering. Bali Mahārāja appreciated how the Lord had saved him from such a bewildered life of ignorance. He therefore said that his intelligence had been stunned. Stabdha-matir na budhyate. He could not understand how the Supreme Personality of Godhead favors His devotees by forcibly stopping their materialistic activities.
SB Canto 10.1 to 10.13
Then, by the power of the effulgence of those viṣṇu-mūrtis, Lord Brahmā, his eleven senses jolted by astonishment and stunned by transcendental bliss, became silent, just like a child's clay doll in the presence of the village deity.
Brahmā was stunned because of transcendental bliss (muhyanti yat sūrayaḥ). In his astonishment, all his senses were stunned, and he was unable to say or do anything. Brahmā had considered himself absolute, thinking himself the only powerful deity, but now his pride was subdued, and he again became merely one of the demigods—an important demigod, of course, but a demigod nonetheless. Brahmā, therefore, cannot be compared to God—Kṛṣṇa, or Nārāyaṇa. It is forbidden to compare Nārāyaṇa even to demigods like Brahmā and Śiva, what to speak of others.
SB Cantos 10.14 to 12 (Translations Only)
O friend, Vṛndāvana is spreading the glory of the earth, having obtained the treasure of the lotus feet of Kṛṣṇa, the son of Devakī. The peacocks dance madly when they hear Govinda's flute, and when other creatures see them from the hilltops, they all become stunned.
My dear friends, as Kṛṣṇa and Balarāma pass through the forest with Their cowherd friends, leading Their cows, They carry ropes to bind the cows' rear legs at the time of milking. When Lord Kṛṣṇa plays on His flute, the sweet music causes the moving living entities to become stunned and the nonmoving trees to tremble with ecstasy. These things are certainly very wonderful.
The gopīs became stunned when they heard that song. Forgetting themselves, O King, they did not notice that their fine garments were becoming loose and their hair and garlands disheveled.
O girls! This son of Nanda, who gives joy to the distressed, bears steady lightning on His chest and has a smile like a jeweled necklace. Now please hear something wonderful. When He vibrates His flute, Vraja's bulls, deer and cows, standing in groups at a great distance, are all captivated by the sound, and they stop chewing the food in their mouths and cock their ears. Stunned, they appear as if asleep, or like figures in a painting.
My dear gopī, sometimes Mukunda imitates the appearance of a wrestler by decorating Himself with leaves, peacock feathers and colored minerals. Then, in the company of Balarāma and the cowherd boys, He plays His flute to call the cows. At that time the rivers stop flowing, their water stunned by the ecstasy they feel as they eagerly wait for the wind to bring them the dust of His lotus feet. But like us, the rivers are not very pious, and thus they merely wait with their arms trembling out of love.
The queens would become stunned in ecstatic trance, their minds absorbed in Kṛṣṇa alone. Then, thinking of their lotus-eyed Lord, they would speak as if insane. Please hear these words from me as I relate them.
Dāruka delivered the account of the total destruction of the Vṛṣṇis, and upon hearing this, O Parīkṣit, the people became deeply distraught in their hearts and stunned with sorrow. Feeling the overwhelming pain of separation from Kṛṣṇa, they struck their own faces while hurrying to the place where their relatives lay dead.
Sri Caitanya-caritamrta
CC Adi-lila
"Śrī Dāruka did not relish his ecstatic feelings of love, for they caused his limbs to become stunned and thus obstructed his service of fanning Lord Kṛṣṇa."
Sometimes there were eruptions of ecstasy like kadamba flowers on some parts of his body, and sometimes one limb would be stunned while another would be trembling.
After hearing the explanation of Lord Caitanya Mahāprabhu, the champion poet was struck with wonder. His cleverness stunned, he could not say anything.
After hearing these statements by Śrī Caitanya Mahāprabhu, the Kazi, his arguments stunned, could not put forward any more words. Thus, after due consideration, the Kazi accepted defeat and spoke as follows.
CC Madhya-lila
This unmāda (madness) is not ordinary madness. When Śrī Caitanya Mahāprabhu talked inconsistently, almost like a crazy fellow, He was in the transcendental ecstasy of love. In the highest transcendental ecstasy there is a feeling of being enchanted in the presence of the enchanter. When the enchanter and the enchanted become separated, mohana, or bewilderment, occurs. When so bewildered due to separation, one becomes stunned, and at that time all the bodily symptoms of transcendental ecstasy are manifested. When they are manifest, one appears inconceivably crazy. This is called transcendental madness. In this state, there is imaginative discourse, and one experiences emotions like those of a madman. The madness of Śrīmatī Rādhārāṇī was explained to Kṛṣṇa by Uddhava, who said, "My dear Kṛṣṇa, because of extreme feelings of separation from You, Śrīmatī Rādhārāṇī is sometimes making Her bed in the groves of the forest, sometimes rebuking a bluish cloud, and sometimes wandering about in the dense darkness of the forest. Thus She has become like a crazy woman."
There were different transformations of the body of Lord Caitanya Mahāprabhu: being stunned, trembling, perspiring, fading away of color, weeping, and choking of the voice. In this way His whole body was pervaded by transcendental joy. As a result, sometimes Caitanya Mahāprabhu would laugh, sometimes cry, sometimes dance and sometimes sing. Sometimes He would get up and run here and there, and sometimes fall on the ground and lose consciousness.
In the Bhakti-rasāmṛta-sindhu, eight kinds of transcendental changes taking place in the body are described. Stambha, being stunned, refers to the mind's becoming transcendentally absorbed. In that state, the peaceful mind is placed on the life air, and different bodily transformations are manifest. These symptoms are visible in the body of an advanced devotee. When life becomes almost inactive, it is called "stunned." The emotions resulting from this condition are joy, fear, astonishment, moroseness and anger. In this condition, the power of speech is lost and there is no movement in the hands and legs. Otherwise, being stunned is a mental condition. Many other symptoms are visible on the entire body in the beginning. These are very subtle, but gradually they become very apparent. When one cannot speak, naturally one's active senses are arrested, and the knowledge-acquiring senses are rendered inoperative. Kampa, trembling of the body, is mentioned in the Bhakti-rasāmṛta-sindhu as a result of a special kind of fear, anger and joy. This is called vepathu, or kampa.
When the Lord performed kīrtana, He manifested all kinds of transcendental symptoms. He appeared stunned and trembling, His hair stood on end, and His voice faltered. There were tears and devastation.
Sārvabhauma Bhaṭṭācārya became very much astonished upon hearing this. He became stunned and said nothing.
Out of ecstatic love of God, the Bhaṭṭācārya shed tears, and his body was stunned. He exhibited an ecstatic mood, and he perspired, shook and trembled. He sometimes danced, sometimes chanted, sometimes cried and sometimes fell down to touch the lotus feet of the Lord.
“Her beauty is more and more enhanced, being decorated with the red kuṅkuma of beauty itself and the blackish musk of conjugal love. Thus Her body is decorated with different colors. Her ornaments embody the natural symptoms of ecstasy—trembling, tears, jubilation, stunning, perspiration, faltering of the voice, bodily redness, madness and dullness. In this way Her entire body is bedecked with these nine different jewels. Over and above this, the beauty of Her body is enhanced by Her transcendental qualities, which constitute the flower garland hanging on Her body. The ecstasy of love for Kṛṣṇa is known as dhīrā and adhīrā, sober and restless.
As soon as the prince was touched by Lord Śrī Caitanya Mahāprabhu, symptoms of ecstatic love immediately manifested themselves in his body. These symptoms included perspiration, trembling, tears, being stunned and jubilation.
When Caitanya Mahāprabhu danced, He displayed various blissful transcendental changes in His body. Sometimes He appeared as though stunned. Sometimes the hairs of His body stood on end. Sometimes He perspired, cried, trembled and changed color, and sometimes He exhibited symptoms of helplessness, pride, exuberance and humility.
Sometimes He appeared stunned, and sometimes He rolled on the ground. Indeed, sometimes His legs and hands became as hard as dry wood, and He did not move.
Seeing the herds approach Him, the Lord was stunned with ecstatic love. The cows then began to lick His body out of great affection.
Whatever arguments he put forward, the Lord refuted them all. Finally the person became stunned and could not speak.
The subordinate ecstasies are smiling, dancing and singing, as well as different manifestations in the body. The natural ecstasies, such as being stunned, are considered among the subordinate ecstasies (anubhāva).
"My dear Lord Kṛṣṇa, where is that woman within the three worlds who would not be captivated by the rhythms of the sweet songs coming from Your wonderful flute? Who would not fall down from the path of chastity in this way? Your beauty is the most sublime within the three worlds. Upon seeing Your beauty, even cows, birds, animals and trees in the forest become stunned in jubilation."
"My dear friend, Kṛṣṇa and Balarāma are passing through the forest leading Their cows with Their cowherd boyfriends. They both carry ropes with which, at the time of milking, They bind the rear legs of the cows. When They play on Their flutes, all moving living entities are stunned, and nonmoving living entities experience ecstatic jubilation by Their sweet music. All these things are certainly very wonderful."
CC Antya-lila
He continuously exhibited bodily transformations of transcendental love. Thus he cried, trembled, became stunned, perspired, danced in love of Godhead and made sounds like those of a cloud.
Śrī Caitanya Mahāprabhu was running with the speed of the wind, but He suddenly became stunned in ecstasy and lost all strength to proceed further.
The eight ecstatic symptoms are the state of being stunned, perspiration, standing of the bodily hairs on end, faltering of the voice, trembling, fading of the body's color, tears and devastation.
(The gopīs said:) ‘My dear Lord Kṛṣṇa, where is that woman within the three worlds who would not be captivated by the rhythms of the sweet songs coming from Your wonderful flute? Who would not fall down from the path of chastity in this way? Your beauty is the most sublime within the three worlds. Upon seeing Your beauty, even cows, birds, animals and trees in the forest are stunned in jubilation.
Other Books by Srila Prabhupada
Nectar of Devotion
As an example of the running down of saliva from the mouth, it is stated that sometimes when Nārada Muni was chanting the Hare Kṛṣṇa mantra, he remained stunned for a while, and saliva oozed from his mouth.
There are eight symptoms of existential ecstatic love: becoming stunned, perspiring, standing of the hairs on the body, faltering of the voice, trembling of the body, changing of bodily colors, shedding of tears and devastation.
The scientific explanation of these eight symptoms is given by Rūpa Gosvāmī as follows. When the vital force of life is in contact with the earth, one is stunned. When the same force comes into contact with water, there is the shedding of tears. When the same force comes into contact with fire, there is perspiration. When the force comes into contact with the sky, there is complete devastation. And when that force comes into contact with the air, there is trembling, failing of the voice and standing of the hairs on the body.
The symptom of being stunned is caused by ecstatic tribulation, fearfulness, astonishment, lamentation and anger. This symptom is exhibited by a stoppage of talking, a stoppage of movement, a feeling of voidness and an extreme feeling of separation.
When Uddhava was describing Kṛṣṇa's pastimes to Vidura, he said, "One day the gopīs became stunned when Kṛṣṇa, in the dress of a gardening maid, entered the greenhouse and enlivened them with joking and laughter. Then when Kṛṣṇa left the greenhouse, the gopīs were seeing Kṛṣṇa so ecstatically that it was as though both their minds and eyes were following Him." These symptoms signify that although the gopīs' business was not finished, they had become stunned with ecstatic love.
Another example of being stunned took place when Kṛṣṇa was surrounded by various wrestlers in the sacrificial arena of Kaṁsa. His mother, Devakī, then became stunned, and her eyes dried up when she saw Kṛṣṇa among the wrestlers.
There is also an example of the astonishment of Lord Brahmā. It is explained in the Tenth Canto, Thirteenth Chapter, verse 56, of Śrīmad-Bhāgavatam, that when Brahmā understood that this cowherd boy was the Supreme Personality of Godhead Himself, he became stunned. All of his sensory activities stopped when he saw all the cowherd boys again, along with Kṛṣṇa. Lord Brahmā was so stunned that he appeared to be a golden statue with four heads. Also, when the residents of Vraja found that Kṛṣṇa had lifted Govardhana Hill with His left hand, they became stunned.
Astonishment caused by lamentation was exemplified when Kṛṣṇa was entering into the belly of the Bakāsura demon and all the demigods from higher planets became stunned with lamentation. A similar example of becoming stunned was visible in Arjuna when he saw that Aśvatthāmā was attempting to release his brahmāstra at Kṛṣṇa.
When a person is confused by simultaneous happiness and tribulation and does not know what to do, this state of confusion is called pralaya, or devastation. In this condition of pralaya one sometimes falls down on the ground, and all the symptoms of ecstatic love become manifest. When the gopīs were searching after Kṛṣṇa and all of a sudden He came out from the bushes and creepers, all of them became stunned and almost senseless. In this state the gopīs appeared very beautiful. This is an example of pralaya, or devastation, in happiness.
Out of the many ecstatic symptoms of the body, the symptom of being stunned is especially significant. According to the degree of being stunned, the vital force within the body becomes agitated, and due to such a state, the other ecstatic loving symptoms sometimes become altered. These transcendental ecstatic symptoms gradually develop, and in the course of such development they are sometimes called smoky, sometimes called blazing, and sometimes called shining. These three degrees are experienced for many, many years, and they extend to different parts of the body. Unlike the shedding of tears and faltering of the voice, the condition of being stunned is spread all over the body. The shedding of tears and faltering of the voice are simply localized symptoms.
When several such ecstatic symptoms are visible, the condition is called blazing. For example, one of Kṛṣṇa's friends told Him, "My dear friend, as soon as I heard the sound of Your flute from within the forest, my hands became almost motionless, and my eyes became full of tears—so much so, in fact, that I could not recognize Your peacock feather. My thighs became almost completely stunned so that I could not move even an inch. Therefore, my dear friend, I must acknowledge the wonderful vibration of Your transcendental flute."
When the ecstatic symptoms cannot be checked and they simultaneously appear in four or five different categories, this stage of ecstatic love is called shining. The example is cited, in this connection, that when the sage Nārada saw Lord Kṛṣṇa standing before him, his body became so stunned that he stopped playing on his vīṇā. Because of his faltering voice, he could not offer any prayers to Kṛṣṇa, and his eyes filled with tears. Thus, Nārada's ability to see Kṛṣṇa was also obstructed.
When similar symptoms were manifest in the body of Śrīmatī Rādhārāṇī, some of Her friends criticized Her: "Dear friend, You are blaming the aroma of the flowers for the tears in Your eyes. You are rebuking the air for the standing of the hairs on Your body. And You are cursing Your walking in the forest for Your thighs' being stunned. But Your faltering voice reveals the cause to be different: it is just Your attachment for Kṛṣṇa!"
When a person becomes disturbed in his heart by seeing lightning in the sky, by seeing a ferocious animal or by hearing a tumultuous sound, his state of mind is called apprehensive. In such a state of apprehension, one tries to take shelter of something which provides safety. There may be standing of the hairs on the body, trembling of the body and sometimes the committing of mistakes. And sometimes the body may become stunned.
There is another statement in Śrīmad-Bhāgavatam telling of the damsels of Vraja meeting Kṛṣṇa at the sacred place of Kurukṣetra, many years after their childhood pastimes. When they met in that sacred place, all the gopīs became stunned by the occurrence of a solar eclipse. Their breathing, blinking of the eyes and all similar activities stopped, and they stood before Kṛṣṇa just like statues. This is another instance of a diseased condition resulting from exuberant transcendental pleasure.
In the Tenth Canto, Twenty-first Chapter, verse 13, of Śrīmad-Bhāgavatam, there is an appreciation by the gopīs of the inertia of the cows in Vṛndāvana. The gopīs saw that the cows were hearing the sweet songs vibrated by Kṛṣṇa's flute and were appearing to be drinking the nectar of these transcendental sounds. The calves were stunned, and they forgot to drink the milk from the milk bags. Their eyes seemed to be embracing Kṛṣṇa, and there were tears in their eyes. This is an instance of inertia resulting from hearing the transcendental vibrations of Kṛṣṇa's flute.
There is another instance in the Tenth Canto, Thirty-ninth Chapter, verse 36, of Śrīmad-Bhāgavatam. When Kṛṣṇa was going to Mathurā, all of the gopīs were standing behind Kṛṣṇa, and upon seeing the chariot leaving, they stood there stunned and did not move. They remained like that until the flag of the chariot and the dust thrown up by its wheels became invisible.
When Śrīmatī Rādhārāṇī first saw Kṛṣṇa, She suddenly became conscious of all transcendental happiness, and the functions of Her different limbs were stunned. When Lalitā, Her constant companion, whispered into Her ear the holy name of Kṛṣṇa, Rādhārāṇī immediately opened Her eyes wide. This is an instance of alertness caused by hearing the sound of Kṛṣṇa's name.
One night, after the Pūtanā demon had been killed, baby Kṛṣṇa could be seen playing upon her breast. Upon seeing this, Yaśodā became stunned for some time. This is an example of a conjunction of various symptoms of ecstatic love. The conjunction can be auspicious or inauspicious. That the Pūtanā demon had been killed was auspicious, but that Kṛṣṇa was playing on her breast in the dead of night, with no one to help Him in case of trouble, was inauspicious. Yaśodā was caught between auspiciousness and inauspiciousness.
In this mellow of devotional service in ghastliness, the subecstatic symptoms are spitting upon the consideration of one's past life, contorting the face, covering the nose and washing the hands. There is also trembling of the body, forcible twisting of the body, and perspiration. Other symptoms which may be present are shame, exhaustion, madness, illusion, frustration, humility, self-pity, restlessness, eagerness and stunning of the body.
In the Bhakti-rasāmṛta-sindhu it is said that when Lord Kṛṣṇa was blowing His conchshell known as Pāñcajanya, many great sages who were living in the caves of the mountains immediately reacted, being awakened from their trance of meditation. They immediately saw that the hairs of their bodies were standing. Sometimes devotees in śānta-rasa become stunned, peaceful, jubilant, deliberate, reflective, anxious, dexterous and argumentative. These symptoms indicate continuous ecstasy, or established emotion.
Once a great realized sage was lamenting that the Supreme Lord Kṛṣṇa was living in Dvārakā but that he was unable to take advantage of seeing Him. After thinking this, the sage immediately became stunned. He was thinking that he was simply wasting his time. In other words, the sage lamented because the Supreme Personality of Godhead was personally present but he still could not take advantage of this because of his meditation.
One devotee told Dāruka, the servant of Kṛṣṇa, "My dear Dāruka, when you become like wood because of your separation from Kṛṣṇa, it is not so wonderful. Whenever any devotee sees Kṛṣṇa, his eyes become filled with water, and in separation any devotee like you would become stunned, standing just like a wooden doll. That is not a very wonderful thing."
In Śrīmad-Bhāgavatam, Seventh Canto, Fourth Chapter, verse 40, Prahlāda Mahārāja says that even in his childhood, when he was loudly speaking the glories of the Lord, he used to dance just like a shameless madman. And sometimes, being fully absorbed in thought on the pastimes of the Lord, he used to imitate such pastimes. This is an instance of a devotee's being almost like a madman. Similarly, it is said that the great sage Nārada was so ecstatically in love with Kṛṣṇa that he would sometimes dance naked, and sometimes his whole body would become stunned. Sometimes he would laugh very loudly, sometimes he would cry very loudly, sometimes he would remain silent, and sometimes he would appear to be suffering from some disease, although he had no disease. This is another instance of becoming like a madman in the ecstasy of devotion.
When Lord Kṛṣṇa went to the city of Śoṇitapura to fight with Bali's son Bāṇa and to cut off all his hands, Uddhava, being separated from Kṛṣṇa and thinking of His fight, was almost completely stunned into unconsciousness.
When Lord Kṛṣṇa went to the capital of King Yudhiṣṭhira, Uddhava was so afflicted by the fire of separation from Śrī Kṛṣṇa that the perspiration from his inflamed body and the tears from his eyes poured from him, and in this way he became completely stunned.
Sometimes there are examples of mother Yaśodā's becoming stunned in ecstasy. This was exhibited when she saw her son lifting Govardhana Hill. When Kṛṣṇa was standing, raising the hill, mother Yaśodā hesitated to embrace Him and became stunned. The dangerous position that Kṛṣṇa had accepted by lifting the hill brought tears to her eyes. With her eyes filled with tears she could not see Kṛṣṇa anymore, and because her throat was choked up by anxiety she could not even instruct Kṛṣṇa as to what He should do in that position. This is a symptom of becoming stunned in ecstatic love.
Another incident demonstrating Yaśodā's extreme love for Kṛṣṇa occurred when Kṛṣṇa went to Mathurā, the kingdom of Kaṁsa. In separation from Kṛṣṇa, mother Yaśodā was looking at Kṛṣṇa's makeup utensils, and she fell down on the ground almost unconscious, with a great sound. When she was rolling over on the ground, there were many scratches on her body, and in that piteous condition she began to cry, "O my dear son! My dear son!" And she slapped her breasts with her two hands. This activity of mother Yaśodā is explained by expert devotees as ecstatic love in separation. Sometimes there are many other symptoms, such as great anxiety, lamentation, frustration, being stunned, humility, restlessness, madness and illusion.
One friend of Kṛṣṇa's addressed Him thus: "My dear lotus-eyed one, when You were living in Gokula You were always bearing a stick in Your hand. That stick is now lying idle in the house of mother Yaśodā, and whenever she sees it she becomes motionless just like the stick." This is a sign of becoming stunned in separation from Kṛṣṇa. In separation from Kṛṣṇa, mother Yaśodā became so humble that she prayed to the creator of the universe, Lord Brahmā, with tears in her eyes, "My dear creator, won't you kindly bring my dear son Kṛṣṇa back to me so that I can see Him at least for a moment?" Sometimes, in restlessness like a madwoman, mother Yaśodā used to accuse Nanda Mahārāja, "What are you doing in the palace? You shameless man! Why do people call you the King of Vraja? It is very astonishing that while being separated from your dear son Kṛṣṇa, you are still living within Vṛndāvana as a hardhearted father!"
Krsna, The Supreme Personality of Godhead
Seeing the incredible way in which Kṛṣṇa was enveloped in the coils of the serpent, the affectionate cowherd boys and other inhabitants of Vṛndāvana immediately became stunned out of fear. They had dedicated everything to Kṛṣṇa: their lives, property, affection, activities—everything was for Kṛṣṇa—and when they saw Him in that condition, they became overwhelmed with fear and fell down on the ground. All the cows, bulls and small calves became overwhelmed with grief, and they began to look at Him with great anxiety. Out of fear they could only cry in agony and stand erect on the bank, unable to help their beloved Kṛṣṇa.
Another gopī said, "Everything appears wonderful when Kṛṣṇa and Balarāma travel in the forest of Vṛndāvana playing Their flutes and making intimate friendship with all kinds of moving and nonmoving living creatures. When Kṛṣṇa and Balarāma play on Their transcendental flutes, the moving creatures become stunned and stop their activities, and the nonmoving living creatures, like trees and plants, begin to shiver with ecstasy. These are the wonderful reactions to the vibration of the transcendental flutes of Kṛṣṇa and Balarāma."
“Dear Kṛṣṇa, as women, we are certainly satisfied when our hearts are engaged in the activities of family affairs, but our hearts have already been stolen by You. We can no longer engage them in family affairs. Besides that, although You have repeatedly asked us to return home, and that is a very appropriate instruction, unfortunately we have been stunned here. Our legs have no power to move a step from Your lotus feet. Therefore, if even at Your request we return home, what shall we do there? We have lost all our ability to act without You. Instead of engaging our hearts in family affairs as women, we have now developed a different type of lust which is continually blazing in our hearts. Now we request You, dear Kṛṣṇa, to extinguish that fire with Your beautiful smile and the transcendental vibration emanating from Your lips.
While Kṛṣṇa was enjoying the company of the gopīs in the rāsa dance, the astonished demigods and their wives gathered in the sky. The moon, being afflicted with a sort of lust, began to watch the dance and became stunned with wonder. The gopīs had prayed to the goddess Kātyāyanī to have Kṛṣṇa as their husband. Now Kṛṣṇa was fulfilling their desire by expanding Himself in as many forms as there were gopīs and enjoying them exactly like a husband.
The gopīs used to discuss Kṛṣṇa amongst themselves, and their talks were as follows. "My dear friends," one gopī said, "do you know that when Kṛṣṇa lies on the ground He rests on His left elbow, and His head rests on His left hand? He moves His attractive eyebrows while playing His flute with His delicate fingers, and the sound He produces creates such a nice atmosphere that the denizens of the heavenly planets, who travel in space with their wives and beloveds, stop their airplanes, for they are stunned by the vibration of the flute. The wives of the demigods who are seated in the planes then become very much ashamed of their singing and musical qualifications. Not only that, but they become afflicted with conjugal love, and their hair and tight clothes immediately loosen."
Another gopī said, “My dear friends, Kṛṣṇa is so beautiful that the goddess of fortune always remains on His chest, and He is always adorned with a golden necklace. Beautiful Kṛṣṇa plays His flute in order to enliven the hearts of many devotees. He is the only friend of the suffering living entities. When He plays His flute, all the cows and other animals of Vṛndāvana, although engaged in eating, simply take a morsel of food in their mouths and stop chewing. Their ears raise up and they become stunned. They do not appear alive but like painted animals. Kṛṣṇa's flute-playing is so attractive that even the animals become enchanted, and what to speak of ourselves.”
Another gopī said, “My dear friends, not only living animals but even inanimate objects like the rivers and lakes of Vṛndāvana also become stunned when Kṛṣṇa passes with peacock feathers on His head and His body smeared with the minerals of Vṛndāvana. With leaves and flowers decorating His body, He looks like some hero. When He plays on His flute and calls the cows with Balarāma, the river Yamunā stops flowing and waits for the air to carry dust from His lotus feet. But the river Yamunā is unfortunate like us; it does not get Kṛṣṇa's mercy. The river simply remains stunned, stopping its waves, just as we also stop crying for Kṛṣṇa in expectation.” In the absence of Kṛṣṇa the gopīs were constantly shedding tears, but sometimes, when they expected that Kṛṣṇa was coming, they would stop crying. But when they saw that Kṛṣṇa was not coming, then again they would become frustrated and begin to cry.
When Kṛṣṇa walked on the bank of the Yamunā, He was seen nicely decorated with tilaka on His face. He was garlanded with different kinds of forest flowers, and His body was smeared with the pulp of sandalwood and tulasī leaves. The bumblebees became mad after the fragrance and sweetness of the atmosphere and began to hum. Being pleased by the humming sound of the bees, Kṛṣṇa would play His flute, and together the sounds became so sweet to hear that aquatic birds like cranes, swans and ducks were charmed. Instead of swimming or flying, they became stunned. They closed their eyes and entered a trance of meditation in worship of Kṛṣṇa.
Upon touching the lotus feet of the Supreme Personality of Godhead, he became overwhelmed with transcendental bliss; his voice choked up, and he could not speak. Due to his transcendental pleasure, incessant torrents of tears fell from his eyes. He remained stunned in ecstasy, as if devoid of all powers to see and speak. Lord Kṛṣṇa, who is very kind to His devotees, raised Akrūra with His hand and embraced him. It appeared that Lord Kṛṣṇa was very much pleased with Akrūra. Balarāma also embraced Akrūra. Then the two Lords took him by the hand and brought him to Their sitting room, where They offered him a very nice sitting place and water for washing his feet. They also worshiped him with a suitable presentation of honey mixed with other ingredients. When Akrūra was thus comfortably seated, Kṛṣṇa and Balarāma offered Him a cow in charity and then brought very palatable dishes, and Akrūra accepted them. When Akrūra finished eating, Balarāma gave him betel nut and spices, as well as pulp of sandalwood, just to make him more pleased and comfortable.
The citizens of Indraprastha felt their hearts become joyful simply by hearing the vibration of Kṛṣṇa's conchshell because they could understand that Jarāsandha had been killed. Now the performance of the Rājasūya sacrifice by King Yudhiṣṭhira was almost certain. Bhīmasena, Arjuna and Kṛṣṇa, the Supreme Personality of Godhead, arrived before King Yudhiṣṭhira and offered their respects to the King. King Yudhiṣṭhira attentively heard the narration of the killing of Jarāsandha and the setting free of the kings. He also heard of the tactics adopted by Kṛṣṇa to kill Jarāsandha. The King was naturally affectionate toward Kṛṣṇa, but after hearing the story he became even more bound to Him in love; tears of ecstasy glided from his eyes, and he was so stunned that he was almost unable to speak.
“Our dear Lord, by Your own energy You create, maintain and annihilate the whole cosmic manifestation of different names and forms, in the same way that the earth creates many forms of stone, trees and other varieties of names and forms and yet remains the same. Although You create varieties of manifestations through Your energy, You are unaffected by all those actions. Our dear Lord, we are simply stunned to see Your wonderful acts. Although You are transcendental to this entire material creation and are the Supreme Lord and the Supersoul of all living entities, You appear on this earth by Your internal potency to protect Your devotees and destroy the miscreants. By such an appearance You reestablish the principles of eternal religion, which human society forgets by long association with the material energy. Our dear Lord, You are the creator of the social orders and spiritual statuses of human society according to quality and work, and when these orders are misguided by unscrupulous persons, You appear and set them right.
After they departed, Devakī was stunned with wonder that her dead children had come back and had again been transferred to their respective planets. She could adjust the events only by thinking that Lord Kṛṣṇa can perform anything wonderful in His pastimes because His potencies are all inconceivable. Without accepting the inconceivable, unlimited potencies of the Lord, one cannot understand that Lord Kṛṣṇa is the Supreme Soul. By His unlimited potencies He performs unlimited pastimes, and no one can describe them in full, nor can anyone know them all. Sūta Gosvāmī, speaking Śrīmad-Bhāgavatam before the sages of Naimiṣāraṇya, headed by Śaunaka Ṛṣi, gave his verdict in this connection as follows.
“Dear moon-god, we think you have been attacked by a severe type of tuberculosis. For this reason, you are becoming thinner and thinner day by day. O lord, you are now so weak that your thin rays cannot dissipate the darkness of night. Or is it a fact that, just like us, you have been stunned by the mysteriously sweet words of our Lord Śyāmasundara? Is it a fact that it is because of this severe anxiety that you are so grave?
Narada-bhakti-sutra (sutras 1 to 8 only)
One who understands perfectly the process of devotional service in love of Godhead becomes intoxicated in its discharge. Sometimes he becomes stunned in ecstasy and thus enjoys his whole self, being engaged in the service of the Supreme Self.
Lectures
Srimad-Bhagavatam Lectures
Similarly, the bhakti-latā-bīja is given by the spiritual master in cooperation with Kṛṣṇa. That is initiation. This initiation arrangement means sowing the seed of devotional service. Now, if you get, if you think that after getting initiation, "I have become perfect. Now again, whatever nonsense I was doing, I shall go on doing it," then it will be useless. It will be useless. Suppose if you get a seed. If you don't take proper care, water it nicely, then it will not grow; it will be stunned there. You have to take, mālī haya sei bīja kar āropaṇa śravaṇa-kīrtana-jale karaye secana (CC Madhya 19.152).
So dṛṣṭvā tāṁ kāma-liptena bāhunā parirambhitām. Kāma-liptena, engaged in such lusty affairs, embracing one another by the arms, jagāma hṛc-chaya-vaśaṁ sahasaiva vimohitaḥ, all his education and training become bewildered, and he become attracted and stunned by the scene. Stambhayann ātmanātmānaṁ yāvat sattvaṁ yathā-śrutam.
- stambhayann ātmanātmānaṁ
- yāvat sattvaṁ yathā-śrutam
- na śaśāka samādhātuṁ
- mano madana-vepitam
- (SB 6.1.62)
Madana-vepitam. Madana, this Cupid. When Cupid attacks somebody or one who... When one becomes, I mean to say, too much attracted by lust, all his education, all his culture, all his knowledge, becomes stunned. That is the... Therefore one has to avoid this society. Tyaja durjana-saṁsargam. The Cāṇakya Paṇḍita, he advises us, tyaja durjana-saṁsargam: "Always avoid durjana-saṁsargam, association with durjana." Durjana means sense gratifying persons, those who are engaged only in sense gratification, durjana. And sujana means those who are engaged for spiritual enlightenment. They are called sujana.
Now, Kṛṣṇa says that kāmais tais tair hṛta-jñānāḥ prapadyante anya-devatāḥ: (BG 7.20) "Those who are worshipers of the demigods, they are bewildered by their lusty desires." And here Yamarāja says that deva-siddha-parigīta-pavitra-gāthāḥ: "A devotee is worshiped by the devāḥ, demigods." Just try to understand the opposite direction, that those who are ordinarily enthused by lust and greed, they go to worship demigods. But if one becomes a devotee of the Lord, the demigods worship him. That is the prerogative of devotees. Siddha... Bhāva-yogam. There the bhāva... This word is bhāva-yogam. Bhāva means ecstasy. Ecstatic yoga, the yoga principle by which one comes to the ecstasy. Just like sometimes while you are chanting Hare Kṛṣṇa you come to the ecstatic point. You forget yourself and dance, forget everything. That is called bhāva-yogam. To the devotee it appears sometimes. So bhāva-yogam. There are aṣṭa-sāttvika-bhāva—sometimes crying, some stunned, sometimes perspiring. These things come to the devotee. That is not to be practiced artificially. When actually one advances in devotional service this bhāva-yoga, aṣṭa-sāttvika-bhāva, vikāra, comes into existence. Therefore the devotional service is known also, bhāva-yogam.
Philosophy Discussions
Prabhupāda: That is psychoanalysis?
Śyāmasundara: Yes. Psychoanalysis, psychotherapy.
Devotee: Actually the idea is that a child is sometimes unable to adjust to certain very extremes. It is called trauma, very shocking, and the child can't understand; he is simply very much stunned. So through his life he is affected by that. He can't remember exactly what it is, because he wants to forget it, it is so painful, but it manifests in some aberrant symptom later on, as he is afraid when the windows are closed. But by finding out what is the root of his fear,... (indistinct)
Prabhupāda: (indistinct) ...I become afraid. Just like in that hospital, it was so nice, everything was so nice, but because I was thinking, "Oh, I cannot go out, I cannot walk," it was giving me too much trouble—that very thought that I cannot go out.
Conversations and Morning Walks
1975 Conversations and Morning Walks
Prabhupāda: The students were smoking.
Brahmānanda: You were the first one to say, "Please stop smoking. Otherwise I will not speak." They were shocked. They were stunned at such a request.
Prabhupāda: So what is the psychology of this? They cannot stop smoking. And smoking is admitted, "It is injurious." So how you will do benefit? If you cannot stop the stop the student from smoking, then how you will do him benefit? You know that smoking is bad. So even if you study from psychological point of view and if you cannot rectify the wrong thing, then what is the use of studying? You cannot stop it. So find out the means how to stop it, and that means is Kṛṣṇa consciousness.
1976 Conversations and Morning Walks
Prabhupāda: Hm. Thrice... At least thrice, four times I remember.
Tamāla Kṛṣṇa: You wanted them to take it? You were offering...
Prabhupāda: No, suppose a big monkey comes and takes. You are stunned. (laughter) You have to give him. No other way.
Tamāla Kṛṣṇa: They will attack otherwise.
Prabhupāda: In Rādhā-Dāmodara temple I was cooking the other room. So although the door was closed, he knew, he opened the door and took away my prasādam. Sometimes they would take away... (door opens) Come on. The, what is called, dough? For...?
Tamāla Kṛṣṇa: Cāpāṭis?
Prabhupāda: Cāpāṭi. So they will eat that.
Tamāla Kṛṣṇa: Raw dough.
Prabhupāda: You gave him some book, this Surendra?
Jayapatākā: That was a long time ago I gave one book. Since then you wrote that don't give any books, but that was a long time ago I gave.
| Page Title: | Stunned |
| Compiler: | Visnu Murti, Mayapur |
| Created: | 23 of Mar, 2012 |
| Totals by Section: | BG=0, SB=13, CC=24, OB=40, Lec=4, Con=2, Let=0 |
| No. of Quotes: | 83 |