While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.
Musician
Srimad-Bhagavatam
SB Canto 3
The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās.
SB 3.20.38, Purport: The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.
SB 3.22.33, Translation:
Emperor Svāyambhuva Manu enjoyed life with his wife and subjects and fulfilled his desires without being disturbed by unwanted principles contrary to the process of religion. Celestial musicians and their wives sang in chorus about the pure reputation of the Emperor, and early in the morning, every day, he used to listen to the pastimes of the Supreme Personality of Godhead with a loving heart.
Professional musicians sing with śahnāīs, and the sleeping members of the house gradually get up from their beds in a pleasing atmosphere.
SB 3.22.33, Purport: It is understood that Emperor Svāyambhuva Manu enjoyed his household life by following these principles. It is stated here that early in the morning there were musicians who used to sing with musical instruments about the glories of the Lord, and the Emperor, with his family, personally used to hear about the pastimes of the Supreme Person. This custom is still prevalent in India in some of the royal families and temples. Professional musicians sing with śahnāīs, and the sleeping members of the house gradually get up from their beds in a pleasing atmosphere. During bedtime also the singers sing songs in relationship with the pastimes of the Lord, with śahnāī accompaniment, and the householders gradually fall asleep remembering the glories of the Lord.
SB 3.24.7, Translation:
At the time of His descent on earth, demigods in the form of raining clouds sounded musical instruments in the sky. The celestial musicians, the Gandharvas, sang the glories of the Lord, while celestial dancing girls known as Apsarās danced in joyful ecstasy.
SB Canto 4
SB 4.24.24-25, Translation:
The Pracetās were fortunate to see Lord Śiva, the chief of the demigods, emerging from the water with his associates. His bodily luster was just like molten gold, his throat was bluish, and he had three eyes, which looked very mercifully upon his devotees. He was accompanied by many musicians, who were glorifying him. As soon as the Pracetās saw Lord Śiva, they immediately offered their obeisances in great amazement and fell down at the lotus feet of the lord.
SB Canto 9
SB 9.10.35-38, Translation:
When Lord Bharata understood that Lord Rāmacandra was returning to the capital, Ayodhyā, He immediately took upon His own head Lord Rāmacandra's wooden shoes and came out from His camp at Nandigrāma. Lord Bharata was accompanied by ministers, priests and other respectable citizens, by professional musicians vibrating pleasing musical sounds, and by learned brāhmaṇas loudly chanting Vedic hymns. Following in the procession were chariots drawn by beautiful horses with harnesses of golden rope. These chariots were decorated by flags with golden embroidery and by other flags of various sizes and patterns. There were soldiers bedecked with golden armor, servants bearing betel nut, and many well-known and beautiful prostitutes. Many servants followed on foot, bearing an umbrella, whisks, different grades of precious jewels, and other paraphernalia befitting a royal reception. Accompanied in this way, Lord Bharata, His heart softened in ecstasy and His eyes full of tears, approached Lord Rāmacandra and fell at His lotus feet with great ecstatic love.
SB Canto 10.1 to 10.13
SB 10.7.4, Translation:
Śukadeva Gosvāmī said: When mother Yaśodā's baby was slanting His body to attempt to rise and turn around, this attempt was observed by a Vedic ceremony. In such a ceremony, called utthāna, which is performed when a child is due to leave the house for the first time, the child is properly bathed. Just after Kṛṣṇa turned three months old, mother Yaśodā celebrated this ceremony with other women of the neighborhood. On that day, there was a conjunction of the moon with the constellation Rohiṇī. As the brāhmaṇas joined by chanting Vedic hymns and professional musicians also took part, this great ceremony was observed by mother Yaśodā.
If you are a musician, glorify the Supreme Lord by playing musical instruments.
SB 10.12.34, Purport: Everyone has some particular duty. The śāstra has concluded (nirūpitaḥ) that everyone should glorify the Supreme Personality of Godhead by his own qualifications. If you are a singer, always glorify the Supreme Lord by singing very nicely. If you are a musician, glorify the Supreme Lord by playing musical instruments. Svanuṣṭhitasya dharmasya saṁsiddhir hari-toṣaṇam (SB 1.2.13). The perfection of life is to satisfy the Personality of Godhead. Therefore, beginning from this earth up to the celestial kingdom, everyone engaged in glorifying the Supreme Personality of Godhead. The decision of all great saintly persons is that whatever qualifications one has acquired should be utilized to glorify the Supreme Lord.
SB Cantos 10.14 to 12 (Translations Only)
SB 10.53.42-43, Translation:
Behind the bride followed thousands of prominent courtesans bearing various offerings and presents, along with well-adorned brāhmaṇas' wives singing and reciting prayers and bearing gifts of garlands, scents, clothing and jewelry. There were also professional singers, musicians, bards, chroniclers and heralds.
SB 11.2.23, Translation:
The nine Yogendras are liberated souls who travel freely to the planets of the demigods, the perfected mystics, the Sādhyas, the heavenly musicians, the Yakṣas, the human beings, and the minor demigods such as the Kinnaras and the serpents. No mundane force can check their free movement, and exactly as they wish they can travel as well to the worlds of the sages, the angels, the ghostly followers of Lord Śiva, the Vidyādharas, the brāhmaṇas and the cows.
Sri Caitanya-caritamrta
CC Adi-lila
CC Adi 13.106, Translation:
In outer space all the demigods, including the inhabitants of Gandharvaloka, Siddhaloka and Cāraṇaloka, offered their prayers and danced to the accompaniment of music, songs and the beating of drums. Similarly, in Navadvīpa city all the professional dancers, musicians and blessers gathered together, dancing in great jubilation.
CC Madhya-lila
CC Madhya 10.116, Translation:
Svarūpa Dāmodara was as expert a musician as the Gandharvas, and in scriptural discussion he was just like Bṛhaspati, the priest of the heavenly gods. Therefore it is to be concluded that there was no great personality quite like Svarūpa Dāmodara.
CC Madhya 10.149, Translation:
Both Haridāsa senior and Haridāsa junior, who were musicians, as well as Rāmāi and Nandāi, used to stay with Govinda.
CC Madhya 14.129, Translation:
The palanquin was also surrounded by people carrying umbrellas, cāmara whisks and flags, and it was preceded by musicians and dancing girls.
Other Books by Srila Prabhupada
Nectar of Instruction
One of our friends, a famous English musician, has become attracted to chanting the holy names of Kṛṣṇa, and even in his records he has several times mentioned the holy name of Kṛṣṇa.
Nectar of Instruction 5, Purport: "If one hears a person say even once the word 'Kṛṣṇa,' that person should be accepted as the best man out of the common group." (CC Madhya 15.106) Lord Caitanya Mahāprabhu continued:
- "ataeva yāṅra mukhe eka kṛṣṇa-nāma
- sei ta 'vaiṣṇava, kariha tāṅhāra sammāna"
"One who is interested in chanting the holy name of Kṛṣṇa or who by practice likes to chant Kṛṣṇa's names should be accepted as a Vaiṣṇava and offered respects as such, at least within one's mind." (CC Madhya 15.111) One of our friends, a famous English musician, has become attracted to chanting the holy names of Kṛṣṇa, and even in his records he has several times mentioned the holy name of Kṛṣṇa. At his home he offers respect to pictures of Kṛṣṇa and also to the preachers of Kṛṣṇa consciousness. In all regards, he has a very high estimation for Kṛṣṇa's name and Kṛṣṇa's activities; therefore we offer respects to him without reservation, for we are actually seeing that this gentleman is advancing gradually in Kṛṣṇa consciousness. Such a person should always be shown respect.
Krsna, The Supreme Personality of Godhead
In the assembly house were professional jokers, dancers, musicians and ballet girls.
Krsna Book 70: In the midst of all the great heroes of the Yadu dynasty, Kṛṣṇa resembled the full moon in the sky surrounded by multiluminaries. In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood.
When Lord Kṛṣṇa was engaged in such enjoyment, the Gandharvas and professional musicians would glorify Him with melodious musical concerts, accompanied by kettledrums, mṛdaṅgas and other drums.
Krsna Book 90: The impersonalists would not dare believe that in the spiritual world there are such varieties of enjoyment, but in order to demonstrate the factual, ever-blissful enjoyment in the spiritual world, Lord Kṛṣṇa descended to this planet and showed that the spiritual world is not devoid of such pleasurable facilities of life. The only difference is that in the spiritual world such facilities are eternal, never-ending occurrences, whereas in the material world they are simply impermanent perverted reflections. When Lord Kṛṣṇa was engaged in such enjoyment, the Gandharvas and professional musicians would glorify Him with melodious musical concerts, accompanied by kettledrums, mṛdaṅgas and other drums, along with stringed instruments and brass bugles, and the whole atmosphere would change into a greatly festive celebration.
Lectures
Bhagavad-gita As It Is Lectures
Just like a musician. Because one has got a good attachment for music, he tries to perform it very perfectly. So love is the basis.
Lecture on BG 2.39 -- London, September 12, 1973: Kṛṣṇa says, teṣāṁ satata-yuktānām: "Persons who are twenty-four hours engaged," satata... Satata means always. Engaged. What kind of engagement? Bhajatāṁ prīti-pūrvakam. This engagement means always trying to render some service to the Lord. How? Prīti-pūrvakam: "with love and faith." Not that "Oh, I have to do it? All right, let me do." No. "Oh, I have to do it? Let me do it nicely." Unless there is love, you cannot do it nicely, any matter. In the material world also, unless you have got some attachment for something, you cannot act it very nicely. Just like a musician. Because one has got a good attachment for music, he tries to perform it very perfectly. So love is the basis. Similarly, when you serve Kṛṣṇa, if you have no love for Kṛṣṇa, you cannot serve Him very nicely. And Kṛṣṇa also does not accept your service if it is not done in great love and affection. That is the basic principle. Kṛṣṇa does not require your service. He is self-sufficient. He has got many servants anywhere and everywhere. So Kṛṣṇa does not require our service. It is our interest. If we render service to Kṛṣṇa, then we become happy. That is the profit. Teṣāṁ satata-yuktānāṁ bhajatāṁ prīti-pūrvakam (BG 10.10).
The fighting man did not change into artist, or a musician. No. You need not change. You are fighting man; you remain a fighting man. If you are musician, you remain a musician.
Lecture on BG 2.55-56 -- New York, April 19, 1966: He (Arjuna) was a fighting man. But after, after getting instruction of Bhagavad-gītā, he changed his attitude, oh, that he shall not, he should, he would not fight. He said, "Yes, I shall fight." Now this is dovetailing. He, the fighting man, remained. The fighting man did not change into artist, or a musician. No. You need not change. You are fighting man; you remain a fighting man. If you are musician, you remain a musician. If you are a medical man, remain a medical man. Whatever you are, you remain, but dovetail it. Dovetail it.
In the material world also, suppose if I want to learn the art of music. Then I have to find out somebody who is a musician. Without having the association of a musician, nobody can learn the art of music.
Lecture on BG 4.34 -- New York, August 14, 1966: In the material world also, suppose if I want to learn the art of music. Then I have to find out somebody who is a musician. Without having the association of a musician, nobody can learn the art of music. Or any art. Suppose if you want to become an engineer. So you have to enter yourself in an engineering college or technical college and learn there. Nobody can become a medical practitioner simply by purchasing book from the market and reading at home. That is not possible. You have to admit yourself in a medical college and undergo training and practical examination, so many things. Simply by purchasing book, it is not possible.
Srimad-Bhagavatam Lectures
Nicely does not mean that we have to become a very nice musician or very artistic singer.
Lecture on SB 7.9.12 -- Montreal, August 19, 1968: So this process of chanting Hare Kṛṣṇa, if we do it very nicely... Nicely does not mean that we have to become a very nice musician or very artistic singer. No. Very nicely means sincerely and with great attention. The process is the highest yoga system. This transcendental vibration, if you simply concentrate your mind on the vibration "Hare Kṛṣṇa..." Other kinds of yoga system is not possible in this age. You cannot meditate on a particular subject matter because mind is so agitating and changing that you try to fix up your mind on a particular subject matter, but mind flickers from one subject to another, another, to another. Then it becomes something else. But this vibration is so nice that even if your mind is flickering, the sound will force you to, I mean to say, draw your attention. "Hare Kṛṣṇa."
Conversations and Morning Walks
1972 Conversations and Morning Walks
Just like Kṛṣṇa was taking bath with His friends, and there were some professional musicians. They were playing music.
Room Conversation with Dai Nippon -- April 22, 1972, Tokyo: Where there is no tree, that tree is big tree. So when the world is finished of all intelligent men, George Harrison is big man, that Ginsberg is big man, John Lennon is big man. According to Vedic civilization they are fourth-class men. This dramatic art was being done by a professional fourth-class man. Nāṭaka, māgadha. Just like Kṛṣṇa was taking bath with His friends, and there were some professional musicians. They were playing music. And after taking bath, all the clothes were given to them.
It is not difficult. You are musician. Just play on meter: one, two, three-one, two, three.
Room Conversation -- June 14, 1972, Los Angeles: Prabhupāda: You can give him loan, he's anxious. You can give him these small ones. You take this.
John Fahey: Thank you. (sound of karatālas) (laughter)
Prabhupāda: I'll show you how to do it. Like this. (loud playing of karatālas) One, two, three-one, two, three. (showing how to play karatālas) It is not difficult. You are musician. Just play on meter: one, two, three-one, two, three.
John Fahey: Thank you.
Prabhupāda: For everything you have to learn from a guru. (laughter) Even for how to play. (more laughing) Yes: one, two, three. (more playing of karatālas)
John Fahey: Hey, those are nice bells, I mean cymbals. Oh, boy.
Prabhupāda: So sit down together whenever you find time, one, two, three play, and Hare Kṛṣṇa chant.
John Fahey: Okay. (plays more)
1973 Conversations and Morning Walks
He may be a musician, he may be artist, he may be physicist, he may be chemist, he may be scientist—whatever he may be, if he writes article on the subject matter and concludes that Kṛṣṇa is the Supreme, then preach, then he is successful.
Morning Walk -- December 15, 1973, Los Angeles: The conclusion should be Kṛṣṇa. That's it. Whatever he may be. He may be a musician, he may be artist, he may be physicist, he may be chemist, he may be scientist—whatever he may be, if he writes article on the subject matter and concludes that Kṛṣṇa is the Supreme, then preach, then he is successful. That's all. Just like you are theologian. You write theology and prove, "Kṛṣṇa is the Supreme Lord." Then your attempt is successful. (break) We are trying to understand the Supreme, so therefore, as soon as you come to the Supreme, you are successful. (break) ...uttama-śloka-guṇānuvarṇanam. This is success. With your talent, you simply come to the conclusion that Kṛṣṇa is the Supreme. That's all. So our business is, because we are neither scientist nor musician, nothing of the sort, layman, we have simply said, "Kṛṣṇa Supreme." That's all. Never mind what I am.
1974 Conversations and Morning Walks
Prabhupāda: No, all the musicians, they're attracted to me. Big, big musicians.
Room Conversation -- February 9, 1974, Vrndavana: Prabhupāda: No, all the musicians, they're attracted to me. Big, big musicians. Another is, what is his, Dylan?
Guru dāsa: Bob Dylan.
Prabhupāda: Bob Dylan. He is as good as, or more than. He has asked one of my students, "Ask Prabhupāda, what can I do for him." He is reading my books. There is another Indian, Ravi Shankar, he also came. He also attracted.
Guest (1): He's also attracted.
Prabhupāda: A kṣatriya, a brāhmaṇa. Just like if you want to learn music, you have to go to a musician.
Morning Walk -- April 20, 1974, Hyderabad: Pañcadraviḍa: How do you teach a varṇāśrama college? In varṇāśrama college if somebody comes in... They say, "I want to be kṣatriya" or "I want to be vaiśya." Is it like that?
Prabhupāda: No, that will be tested by the teachers, what for he is fit. He will be test by the guru.
Pañcadraviḍa: Who will teach him to be a kṣatriya or who will teach him to be a vaiśya?
Prabhupāda: A kṣatriya, a brāhmaṇa. Just like if you want to learn music, you have to go to a musician.
Pañcadraviḍa: So where will we get kṣatriyas and...?
Prabhupāda: That is in the śāstra. Anyone can learn it. Just like if you want to be doctor, so you must have this qualification. Similarly, these things are stated in the Bhagavad-gītā. Kṣatriya means if there is fight, he must go forward first of all, risking his life. That is kṣatriya.
One big musician, George Harrison, he has donated that temple, fifty-five lakhs.
Interview with Minister -- April 26, 1974, Tirupati: Prabhupāda: That, they are raising funds for millions of years. (laughs) I know that. Birla about... Yes, about fifty years ago there was contemplation of, that Birla would construct a very big temple in London. But there was no temple at all. Now since I have gone, I have established two temples, not very big, but still one of the temple is on the seventeen acre of land. A little outside London. One big musician, George Harrison, he has donated that temple, fifty-five lakhs. And we have got one temple in rented house...
1976 Conversations and Morning Walks
Among the musicians, there are artists, they'll put vials and make the different tunes by filling it with water.
Room Conversation with Life Member, Mr. Malhotra -- December 22, 1976, Poona: Prabhupāda: This is called musical science, Jala-taraṅga. Jala, taraṅga means vibration, different vibrations. Still there are, among the musicians, there are artists, they'll put vials and make the different tunes by filling it with water. (SP makes sound dn dn dn dn dn)
Correspondence
1967 Correspondence
Any sitar player or tabla player or any other musician invited in the temple cannot play anything except Hare Krishna.
Letter to Mukunda -- New York 13 May, 1967: Any sitar player or tabla player or any other musician invited in the temple cannot play anything except Hare Krishna. Neither any one can utilize the temple for some musical demonstration. Such things are items for sense gratification. If somebody comes in the temple to chant Hare Krishna by his musical talents he is welcome otherwise not. Please follow this principle.
1969 Correspondence
There is a Sanskrit proverb that says that there is not any better knowledge than to become a musician.
Letter to Mr. Levine -- Los Angeles 25 January, 1969: There is a Sanskrit proverb that says that there is not any better knowledge than to become a musician. Our Krishna Consciousness movement is practically based upon music and dancing. If by your exceptional qualities you can help in this movement, I think you have been sent by Krishna Himself to help me in this connection. I have one nice disciple, Michael Grant (Mukunda das Adhikari) who is a very good composer of Western music. He was earning lots of money in New York as a professional music teacher, but since he has become my disciple he has dedicated his life for propagating this movement along with his wife.
He (Candanacharya) is a very enthusiastic musician and appears to be very nice boy.
Letter to Dayananda -- Allston, Mass 1 May, 1969: One boy whom I have initiated last night, named Candanacharya, is enthusiastic to go to Florida for opening a center there. For the time being he has come from Montreal along with Hamsaduta. He proposes to begin a temple in Palm Beach. He is a very enthusiastic musician and appears to be very nice boy.
Regarding your request for a kirtana musician, we don't require anyone who is very musically talented.
Letter to Brahmananda -- New Vrindaban 26 May, 1969: Regarding your request for a kirtana musician, we don't require anyone who is very musically talented. Here in New Vrindaban Hayagriva has organized very nice kirtana party, and they are singing and chanting thrice daily very, very nicely. So I think you are the best mrdanga player, and similarly you have Rsi Kumar, Madhusudana, Uddhava, as well as others, so if you think all of you are deficient, I can send you a tape recording teaching playing techniques, and you will learn from this. You have got another devotee, Mohini Mohan, Purusottama's friend, and Purusottama says he is a musical master, so utilize the talent you have got and surely your propaganda will be successful and more men will come. It is in the same way that I came here with only one pair of cymbals, and now there are hundreds of cymbals going on. So Krishna will send us men; gradually as we qualify ourselves everything will come.
I know you are a musician, and naturally you have got a tendency for musical entertainment, but at the present moment our main business is to push the Sankirtana Movement.
Letter to Mukunda -- Los Angeles 1 July, 1969: Please accept my blessings. I have seen your letter to Dinesh, dated 26th June, 1969, and I am little bit disturbed in my mind. This recording business is not our line, so you should not divert your attention for the time being for such things. After a great struggle, you have got now a nice place for the London temple, and if you leave now, your other co-workers, Godbrothers and Godsisters, will be discouraged. So I request you not to leave London at the present moment at any cost. I have already sent you a note for the Archibishop of Canterbury as per your letter of June 19th, and you have so many things to do now. So I request you not to divert your attention to this musical side. I know you are a musician, and naturally you have got a tendency for musical entertainment, but at the present moment our main business is to push the Sankirtana Movement. So, as you are doing, take the Sankirtana Party to various places, and this will be the most appreciated. If you adulterate our Sankirtana Movement with some business motive, then it will be spoiled immediately. Be careful in that way.
Music is one of our items for chanting, but we are not musicians.
Letter to Mukunda -- Los Angeles 2 July, 1969: Regarding the Beatles, if they chant the Hare Krishna Mantra, give them all facilities. Because if they make some Hare Krishna record, that will be widespread, and we want simply that the Hare Krishna Mantra may be very popular all over the world. We do not care for any profit out of it. We should not try to make a profit out of the Hare Krishna Mantra; then our spiritual enlightenment will be hampered. Our principle should be to beg contributions from others, and as far as possible not to try for any big bargains.
As I have already written to you, we should not try to become a very popular musical party. Music is one of our items for chanting, but we are not musicians. We should always remember this fact. The best example is that we take advantage of the typewriting machine, but that does not mean we are professional typists.
I am enclosing herewith back the letters of Bina Musician Stores and Indo Crafter.
Letter to Gargamuni -- Hamburg 29 August, 1969: You have ordered through Acyutananda for supply of wooden mrdangas. This is all right, and we shall see which quality is better. I have also asked Mr. Dhadial to send me samples of Hare Krishna chaddars and kurtas. On receipt of these samples I shall advise you further. I am enclosing herewith back the letters of Bina Musician Stores and Indo Crafter. Keep them carefully in your files.
As you are qualified, you can work as a musician; but you must maintain her (your wife) nicely and help her to progress in Krishna Consciousness.
Letter to Bharadraja -- Tittenhurst 21 October, 1969: You have got good ideas, you are intelligent and have got qualifications, but you must learn to be more responsible. I was not very happy when I saw your wife last. She is so nice girl. You are married; you must be responsible for the maintenance of your wife. As you are qualified, you can work as a musician; but you must maintain her nicely and help her to progress in Krishna Consciousness. So far as the musical group you have described in your letter, you may consult with Tamala Krishna and see what his idea is in this connection. I cannot advise in this matter.
Krishna can be served and approached by businessmen, by lawyers, by scientists, by artists, by musicians, by philosophers, even by thieves and rogues; everyone.
Letter to Gargamuni -- London 11 November, 1969: We want to show the world that Krishna's service is not stereotyped, one-sided. Krishna can be served from any position, provided one is willing to serve Him. Krishna can be served and approached by businessmen, by lawyers, by scientists, by artists, by musicians, by philosophers, even by thieves and rogues; everyone. He is so kind. One has simply to accept the prescribed method how to approach Him.
1970 Correspondence
From London the "Hare Krishna Mantra" record has worldwide sales. This is managed by Mr. George Harrison, the famous English musician, who is my uninitiated devotee.
Letter to Hanuman Prasad Poddar -- Los Angeles 5 February, 1970: So our centers are managed financially by selling the books and magazines and by accepting some voluntary contributions from the public. Sometimes we manufacture incense and the visitors gladly purchase it. In this way we manage the financial affairs of our society. In London, however, we get some income by sales of "Hare Krishna Mantra" record and similarly in the U.S.A. we get some income by selling "Govinda" records and other similar records. From London the "Hare Krishna Mantra" record has worldwide sales. This is managed by Mr. George Harrison, the famous English musician, who is my uninitiated devotee. This boy has paid me recently $19,000 for publishing my Krishna book. The whole amount will be required for publishing the book in Japan.
He (George Harrison) has a reputation as a first class musician and he is considered to be rich or as they say one of the richest men in the world. Still he was not at all puffed up, but was humble, meek, polite, and devout.
Letter to Bhagavan -- Los Angeles 8 February, 1970: Sriman George Harrison has certainly done an unique service by contributing $19,000 for publishing my Krsna book. When I was in London, he saw me four times and he was very submissive and devout and he was not at all proud of his very well-to-do material position. He has a reputation as a first class musician and he is considered to be rich or as they say one of the richest men in the world. Still he was not at all puffed up, but was humble, meek, polite, and devout. So all these qualities and his service to Krishna will certainly help him in his advancement of Krishna Consciousness. Thus I see that although he is not an initiated disciple, still he has been trying to help us in so many ways.
But one thing we must remember that we are not professional musicians or concert party. Our main business is to vibrate the Holy Name of Krishna everywhere.
Letter to Tamala Krsna -- Los Angeles 8 February, 1970: Regarding the six months contract for L250 per week from engagements in halls, colleges, clubs, etc., it is very good news. But one thing we must remember that we are not professional musicians or concert party. Our main business is to vibrate the Holy Name of Krishna everywhere so that the people will be benefited by hearing the transcendental sound. The musical training is not so important as it is to keep ourselves spiritually fit in spiritual strength, that we should not forget. If we are in spiritual strength, there will be no scarcity of money; and the spiritual strength is that each and every one of us must chant the sixteen rounds of beads and follow the rules and regulations with great adherence.
They say that the Kirtana tune is the specific gift of Bengal, and that is a fact. So why not utilize this tune in the Western countries under the able guidance of such expert musician as George?
Letter to Syamasundara -- Los Angeles 25 February, 1970: Regarding the presentation of "Govindam" as well as other mantras, the vibration is always pure. I will give the theme and if the sound is Westernized that does not matter. But another point is that this specific sound of Kirtana as I sing is also another introduction of art that can be intermingled with Western art, and such combination will certainly be appreciated. But so far I know that the Kirtana tune is a specific representation of Gaudiya Vaisnavas and this tune is appreciated all over India as unique. They say that the Kirtana tune is the specific gift of Bengal, and that is a fact. So why not utilize this tune in the Western countries under the able guidance of such expert musician as George?
Perhaps you have heard the name of George Harrison, the celebrated musician of England. He has contributed nearly about two lakhs of rupees, the entire cost of publishing the first part of my book, KRSNA.
Letter to Aranya Maharaja -- Los Angeles 27 February, 1970: Outside our Society, people are appreciating our movement gradually, and you will be pleased to know that they are also contributing for various activities of the Society. Perhaps you have heard the name of George Harrison, the celebrated musician of England. He has contributed nearly about two lakhs of rupees, the entire cost of publishing the first part of my book, KRSNA.
Our Radha Krsna Temple has become very popular because of two record albums published by Mr. George Harrison who is a world known musician.
Letter to Turya Shramy Maharaja -- Los Angeles 8 April, 1970: Last December I have established our London temple at 7 Bury Place in a five story building, and it has become a great attraction because people from distant places come to see this temple. Our Radha Krsna Temple has become very popular because of two record albums published by Mr. George Harrison who is a world known musician. This young boy is very much sympathetic with our movement and he has very kindly contributed 2 lakhs of rupees for publishing my book, KRSNA.
If you want to learn music, then you have to approach an expert musician. So how he can learn about God from persons like Vivekananda who had no preliminary knowledge of the soul, even?
Letter to Syamasundara -- Los Angeles 24 April, 1970: So George's question that there is something beyond Krishna is answered by Krishna in the Bhagavad-gita that there is nothing superior beyond Himself. Krishna is the original Cause of all causes. This is the fact. If He wants to know the subject matter clearly, then he should be prepared to receive the knowledge from the right source, and if he wants to consult such persons who have no knowledge of the soul or God, then how can he learn about the transcendental subject matter? If he is serious to know about these things, then he must know it from the proper channel. You cannot learn music from a carpenter. If you want to learn music, then you have to approach an expert musician. So how he can learn about God from persons like Vivekananda who had no preliminary knowledge of the soul, even? So best thing is if he is serious to know about God, tell him to begin reading Vedic literatures, and we have published our Isopanisad. Let him seriously read this book and whenever he has to question, he can ask from us, but he should always remember that he should try to know about God from a person who is in touch with God, not from a speculator.
I dreamt that John took me in a place at Calcutta and he was showing me a house, a big palatial building, which formerly belonged to a very rich man, and he was a famous musician also.
Letter to Syamasundara -- Los Angeles 24 April, 1970: You have asked me to disclose my dream about John, so I beg to state the incident as follows. I dreamt that John took me in a place at Calcutta and he was showing me a house, a big palatial building, which formerly belonged to a very rich man, and he was a famous musician also. I think therefore that John was previously that man to whom that house belonged, and now he has taken birth in England. It is quite possible that he has inherited his past musical talent, and because that man was very liberal and charitable, so he has acquired some wealth also, and now in this life if he properly utilizes his talent and wealth for Krishna, then surely he will achieve the highest perfection of his life.
Some (records) produced by one renowned musician of London, George Harrison, have become very popular.
Letter to Nevatiaji -- Los Angeles 16 July, 1970: We have got many records and record albums out of which some produced by one renowned musician of London, George Harrison, has become very popular and many people from all parts of Europe are coming to see our temple in London. Recently we have opened two branches, one in Amsterdam and one in Copenhagen and another in Edinburgh.
1971 Correspondence
We talked with one big professor Mr. Kotovsky and Syamasundara talked with many great writers and musicians.
Letter to Tamala Krsna -- Moscow 25 June, 1971: We have come to Moscow on the 20th instant evening and I'm staying at the above hotel. The place is centrally situated amongst important buildings of Moscow. Yesterday afternoon we had a tour for three hours to see respective important places. The city is well-planned. There are big big houses and roads and at day time the streets are busy with buses, cars, and underground trains which are far better than American or English. The underground streets are very neat and clean. The surface streets are also daily washed. But there is some difficulty in collecting vegetarian foodstuffs; still we are cooking our meals by the cooker, which has saved our lives. We talked with one big professor Mr. Kotovsky and Syamasundara. talked with many great writers and musicians. Two boys are working with us; one Indian and one Russian. So there is good prospect for opening a center, although the atmosphere is not very good. The Embassy was no help. So our visit to Moscow was not so successful, but for the future, it is hopeful.
1972 Correspondence
Don't try to be ugly before Krishna. Krishna does not like ugly gopis. We are transcendental artists, musicians, writers, so everything should be beautiful for Krishna.
Letter to Himavati -- Los Angeles 15 June, 1972: I don't know who has given you this idea of shaving your head and wearing white garments. In India only the widows are allowed to shave head. I have never suggested your husband to take to Sannyas, but we can discuss this matter further when we shall meet again in London for Rathayatra.
You remain the beautiful maid servant of Krishna. That is your business, and you should dress yourself always very nicely so that Krishna by seeing you will be pleased. Don't try to be ugly before Krishna. Krishna does not like ugly gopis. We are transcendental artists, musicians, writers, so everything should be beautiful for Krishna. After all we are members of Krishna's family, just like Krishna had 16,000 wives and each wife has thousands of servants and maid-servants and all of them are very beautiful for serving Krishna and His Queens. So the servants of the gopis and queens cannot be ugly, they are as beautiful as the queens.
Supposing I have got some education, I am business student, or I have got some skill or talent, I am typist or musician or something like that, so I will like to utilize these things for Krishna only if I am encouraged in a certain way.
Letter to Sukadeva -- Ahmedabad 13 December, 1972: Overall there is shortage of first-class, experienced men to manage things just to the highest standard, as you are doing. Therefore I am calling upon you the big leaders to push this idea forward, namely, to attract some educated men to join us. The idea is that they will only agree to join us if we ourselves conduct ourselves intelligently by the preaching approach. The secret will be to engage them as they like to be engaged, that is, supposing I have got some education, I am business student, or I have got some skill or talent, I am typist or musician or something like that, so I will like to utilize these things for Krishna only if I am encouraged in a certain way, very tactfully, and I must not be discouraged by too much forcing me at first to accept everything of shaving the head, rising very early, going for street sankirtana, like that. No, let me come gradually, let me study also Krishna Consciousness and see how it is practical and sublime. Gradually I may get some taste for these other things and agree to do them voluntarily and intelligently.
1973 Correspondence
Great soul does not mean politician, or scholar, or so-called yogi, or any other so-called big, big man, famous musician, or scientist, or anything like that.
Letter to George -- Bombay 4 January, 1973: Mahatma means great soul, and such great soul is sudurlabhah, very rare. Great soul does not mean politician, or scholar, or so-called yogi, or any other so-called big, big man, famous musician, or scientist, or anything like that. No, great soul is one who understands that Vasudevah, Krishna, is the cause of all causes and all that is, and then surrenders unto Him. You are doing that, therefore I say that you are great soul, not because you have got some material name, fame or wealth. But that will vanish at the time of your death, so what good it is? But because you are serving Krishna in devotional loving mood, therefore I say great soul. There is one Bengali proverb that the person who is actually famous is the Devotee who is known by all other Devotees to be great.
So far the concert of Indian musicians and dancers for raising funds for the new temple, yes you may do that, I have no objection. But the concert should be their own concert, not that we are holding our program and they are appearing on the same program, either as our guests or as our co-performers.
Letter to Jagadisa -- Bombay 5 January, 1973: So far the concert of Indian musicians and dancers for raising funds for the new temple, yes you may do that, I have no objection. But the concert should be their own concert, not that we are holding our program and they are appearing on the same program, either as our guests or as our co-performers. No, we shall not appear to the public like performers, we are not performers or musicians or dancers. But if the concert is held as a benefit concert, just like in Bombay we have held one benefit concert, of the Zaveri Sisters, Manipuri Dancing Group and nearly Rs. 100,000 was raised for our Juhu scheme. That will be the proper arrangement. So if you hold the concert in the auditorium and advertise these singers and dancers, that it will be their program, and also that it will be a "Hare Krsna Benefit Show" or something like that, that will be best. Of course, we may also appear and perform kirtana at the opening of the concert, and we will sell our books there, and if there is some opportunity to give also short lecture, that will be nice. But if you do all these other performances of aratrika, a drama, like that, perhaps it will appear like it is our program and not the program of the musicians. If there is confusion, if the public is thinking that we are something show or commercial performers, that will not be proper idea. But if the musicians and dancers want to give one concert and donate the proceeds to us, we shall gladly thank them.
1974 Correspondence
We are using mrdanga, karatala, that is enough. We are not musicians. We are Krsna bhaktas.
Letter to Jagadisa Pandita -- Bombay 28 December, 1974: My opinion is that it is not necessary for us to utilize these different musical talents for spreading Krsna Consciousness. I would rather see people follow strictly the path of Lord Caitanya and His Sankirtana devotees. We are using mrdanga, karatala, that is enough. We are not musicians. We are Krsna bhaktas. Therefore we do not stress so much importance on these different musical talents. Sri Caitanya Mahaprabhu is God Himself. Had He thought it would have been better to spread Krsna Consciousness by another way He would have done so. But no, simply with mrdanga and karatala, traveling and chanting Hare Krsna, asking everyone to chant Hare Krsna, preaching simply Srimad-Bhagavatam philosophy, this is the process. There is no need for us to try and add anything to this simple method. It will only be a distraction.
| Page Title: | Musician |
| Compiler: | Visnu Murti, Madri |
| Created: | 24 of Jun, 2010 |
| Totals by Section: | BG=0, SB=10, CC=4, OB=4, Lec=4, Con=8, Let=24 |
| No. of Quotes: | 54 |