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The technical inquiries by Srila Ramananda Raya and the replies of Srila Rupa Gosvami indicate that both of them were expert and fully conversant with the techniques of writing drama: Difference between revisions

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<div id="Sri_Caitanya-caritamrta" class="section" sec_index="2" parent="compilation" text="Sri Caitanya-caritamrta"><h2>Sri Caitanya-caritamrta</h2>
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Latest revision as of 05:22, 31 March 2024

Expressions researched:
"The technical inquiries by Srila Ramananda Raya and the replies of Srila Rupa Gosvami indicate that both of them were expert and fully conversant with the techniques of writing drama"

Sri Caitanya-caritamrta

CC Antya-lila

Any literature presented in Sanskrit must follow the rules and regulations mentioned in the authoritative reference books. The technical inquiries by Śrīla Rāmānanda Rāya and the replies of Śrīla Rūpa Gosvāmī indicate that both of them were expert and fully conversant with the techniques of writing drama.
CC Antya 1.137, Translation and Purport:

Rāmānanda Rāya said, "Please recite the prarocanā portion so that I may hear and examine it."

Śrī Rūpa replied, “I think that Śrī Caitanya Mahāprabhu's desire to hear is prarocanā.

The method of inducing the audience to become more and more eager to hear by praising the time and place, the hero and the audience is called prarocanā. This is the statement regarding prarocanā in the Nāṭaka-candrikā:

deśa-kāla-kathā-vastu-sabhyādīnāṁ praśaṁsayā
śrotṟṇām unmukhī-kāraḥ kathiteyaṁ prarocanā

Similarly, the Sāhitya-darpaṇa (6.286) says:

tasyāḥ prarocanā vīthī tathā prahasanā-mukhe
aṅgānyatronmukhī-kāraḥ praśaṁsātaḥ prarocanā

Any literature presented in Sanskrit must follow the rules and regulations mentioned in the authoritative reference books. The technical inquiries by Śrīla Rāmānanda Rāya and the replies of Śrīla Rūpa Gosvāmī indicate that both of them were expert and fully conversant with the techniques of writing drama.