Unscrupulous persons go at once to the Tenth Canto, especially to the five chapters in which Śrīla Vyāsadeva has kindly described the Lord's rāsa dance. However, this portion of Śrīmad-Bhāgavatam is the most confidential part of that great literature. Unless one is thoroughly accomplished in the transcendental knowledge of the Lord, one is sure to misunderstand the Lord's worshipable transcendental pastimes in the rāsa dance and His loving dealings with the gopīs. This subject matter is highly spiritual and technical, and only liberated personalities who have gradually attained the stage of paramahaṁsa can transcendentally relish the worshipable rāsa dance.
Therefore Śrīla Vyāsadeva gives the reader a chance to gradually develop in spiritual realization before actually relishing the essence of the pastimes of the Lord. Thus at the beginning Vyāsadeva purposefully invokes the Gāyatrīmantra with the word dhīmahi. The Gāyatrīmantra is especially meant for spiritually advanced people. When one attains success in chanting the Gāyatrī mantra, he can enter into the transcendental position of the Lord. But in order to chant the Gāyatrīmantra successfully, one must first acquire the brahminical qualities and become perfectly situated in the mode of goodness. From that point one can begin to transcendentally realize the Lord—His name, His fame, His qualities, etc.
Śrīmad-Bhāgavatam is a narration dealing with the svarūpa (form) of the Lord, which is manifested by His internal potency. This potency is distinguished from the external potency, which has manifested the cosmic world within our experience. Śrīla Vyāsadeva makes a clear distinction between the internal and external potencies in the very first verse of the First Chapter of Śrīmad-Bhāgavatam. In that verse he says that the internal potency is factual reality whereas the external manifested energy in the form of material existence is temporary and illusory, no more real than a mirage in the desert. Water may appear present in a mirage, but real water is somewhere else. Similarly, the manifested cosmic creation appears to be reality, but it is simply a reflection of the true reality, which exists in the spiritual world. In the spiritual world there are no mirages. Absolute Truth is there; it is not here in the material world. Here everything is relative truth, with one apparent truth depending upon another. This cosmic creation results from an interaction of the three modes of material nature. The temporary manifestations are so created as to present an illusion of reality to the bewildered mind of the conditioned soul, who appears in so many species of life, including higher demigods like Brahmā, Indra, Candra, and so on. In fact there is no reality in the manifested world, but there appears to be reality because of the true reality in the spiritual world, where the Personality of Godhead eternally resides with His transcendental paraphernalia.