Poet (Lectures)

Expressions researched:
"poet" |"poets"

Bhagavad-gita As It Is Lectures

Lecture on BG 1.21-22 -- London, July 18, 1973:

Clear conception. The śāstra, Brahma-saṁhitā, clear description of God, veṇuṁ kvaṇantam. He is playing on flute. It is not that the Muralīdhara, Śyāmasundara, Kṛṣṇa, has been imagined by some poet. No, it is described in the śāstra, the form of the Lord. He is busy in playing flute, veṇuṁ kvaṇantam. Aravinda dalāyatākṣaṁ (Bs. 5.30), His eyes are just like petals of the lotus flower. Veṇuṁ kvaṇantam aravinda, barhāvataṁsa, there is a peacock feather on His head. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ, and He is so beautiful that His beauty can cut down thousands of Cupids. Cupid is supposed to be the most beautiful in this material world. Kandarpa-koti-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30). Clear conception.

Lecture on BG 2.12 -- Hyderabad, November 17, 1972:

So one who is in the transcendental position, he's dhīra. One poet, poet Kālidāsa, he has described, dhīra means: "Even in the presence of provocation, one who is not disturbed, he's called dhīra." He has described about Lord Śiva. When Lord Śiva was being worshiped by Pārvatī, Lord Śiva was naked and Pārvatī was worshiping the śiva-liṅga, but he did not become agitated. Therefore Kālidāsa has described: dhīra. Dhīra. One who is not... The first disturbance is sexual disturbance. So anyone, although he is completely potent with all the potencies, but still, he is not disturbed with sex impulses, he's called dhīra. Actually, that is called brahmacārī. Brahmacārī is not he is impotent. He can marry. He can beget children. But self-restrained. He's so self-restrained, that he's not disturbed. Unless he desires that "I shall have sex and for begetting children," he's not disturbed. That is called dhīra.

Lecture on BG 2.13 -- Manila, October 12, 1972:

So this dead body, when a man dies, dhīras tatra na muhyati. Those who are dhīra—dhīra means sober—they are not bewildered. There are two classes of men: dhīra and adhīra. Dhīra means those who are not agitated, they know things as they are. So adhīra means those who are uncontrolled. The poet Kalidāsa has described dhīra and adhīra with reference to Lord Śiva in his book Kumāra-sambhava. So dhīra means a person who is not agitated in spite of the cause of agitation being present. There are so many causes of agitation, but a person, in spite of being persuaded by the cause of agitation... Just like a young man and young woman, when they are present, naturally they become agitated. In the śāstras it is said just like fire and butter. If you put butter before the fire, automatically it melts. Similarly, a woman is considered as fire and the man is considered as butter. So this is natural. But a person who is not agitated, he is called dhīra.

Lecture on BG 2.13-17 -- Los Angeles, November 29, 1968:

Dhīra. Dhīra means sober, is not disturbed. A person who is not disturbed by paltry causes, he's called dhīra. Another example of dhīra is given by poet Kālidāsa. He was a great poet, mundane poet. So he said that dhīra is one who is not disturbed even in the presence of disturbance. When there is no disturbance, one may not be disturbed, but in the presence of disturbance, one who is not disturbed, he is called dhīra. The cause of disturbance. Just like a person trained in restriction of sex life, so when he's perfect, even there is cause of sex impetus, he'll not be disturbed. That is the, called dhīra. So he is describing that "These persons are highly elevated. You are also My friend. Why you are disturbed in this way? That does not look well."

Lecture on BG 2.55-58 -- New York, April 15, 1966:

The general stage of our life is the activities of the senses. Those who are ordinary persons, without any knowledge, they are acting, whole day and night to satisfy the senses. That's all. This is ordinary life. Mostly people are working for that purpose, mostly. And above them, above them, if somebody is intelligent, he's working on the mind—philosophy, poetry, nice idea in novel, nice idea in drama, some psychological..., all these things. So they are little better than those who are working day and night hard for sense gratification. They are little... These philosophers, the poets and the thinkers, they're little more better. So indriyāṇi parāṇy āhur indriyebhyaḥ paraṁ manaḥ (BG 3.42). So manasas tu parā buddhiḥ. And above them, those who are acting very intelligent, intelligently, on the laws of the nature, say, for the scientist or like that... Manasas tu parā buddhiḥ. And that stage, that scientific stage, that scientific calculation, is the stage of this appreciation of consciousness. The perfection of scientific life... Science, science, scientists are making research "What is the truth beyond this? Beyond this? Beyond this?" When they come to the point of this pure consciousness, that is the highest grade of scientific knowledge. Highest grade of scientific knowledge is that, when we come to understand that "I am not this body; I am this consciousness."

Lecture on BG 3.17-20 -- New York, May 27, 1966:

I think there is a line in Shakespeare's literature, "The lunatic, mad, and the poet" or something like that, "all compact in thought." (The actual reference is A Midsummer Night's Dream, Act V, Scene I: "The lunatic, the lover, and the poet, are of imagination all compact."). So a madman and a ātma-rati person, self-satisfied man, outwardly, you will find there is no difference, but inwardly, oh, there is vast difference.