There are three stages of devotional service: The first is the beginning stage of cultivation, the second is the realization of service, and the third, the supreme stage, is the attainment of love of Godhead. There are nine different methods of cultivating devotional service—such as hearing, chanting, remembering, etc.—and all these processes are employed in the first stage. If one is engaged in chanting and hearing with devotion and faith, his material misgivings gradually become vanquished. As his faith in devotional service gradually increases, he becomes assured of a higher perfectional position. In this way one can become firmly fixed in devotion, increase his taste for it, become attached and feel ecstasy. This ecstasy occurs in the preliminary stage of love of Godhead. Attainment of ecstasy is produced by execution of devotional service. When one continues the process of hearing and chanting, attachment grows and assumes the name of love of Godhead.
When one attains the third stage of transcendental love of God, there occur further developments known as transcendental affection, emotion, ecstasy, and extreme and intense attachment. These are technically known by the terms rāga, anurāga, bhāva and mahābhāva. The progress from one stage to another can be compared to the thickening of sugar candy juice. In the first stage sugar candy juice is like a thin liquid. When, by evaporation, it becomes thicker and thicker, it turns into molasses. Finally it turns into granules and becomes sugar, rock candy and so on. Just as liquid sugar juice progresses from one stage to another, similarly transcendental love for the Supreme Lord develops by stages.
When one actually becomes situated on the transcendental platform, he becomes steady. Unless one is so situated, his position may not be steady and he may fall down. When one is actually situated transcendentally, there is no fear of falling down. This stage of understanding is technically called sthāyi-bhāva. There are even stages beyond this position, and they are known as vibhāva, anubhava, sāttvika and vyabhicārī. After one attains these, there is actually an exchange of rasa, or transcendental activity with the Supreme Lord. This exchange in loving reciprocation between the lover and the beloved is generally called kṛṣṇa-bhakti-rasa. It should be noted that the transcendental loving exchanges stand on the steadfast position of sthāyi-bhāva, as explained before. The basic principle of vibhāva is sthāyi-bhāva, and all other activities are auxiliary for the development of transcendental love.
The ecstasy of transcendental love has two components—the context and the cause of the excitement. The context is also divided into two parts—the subject and the object. The exchange of devotional service is the subject, and Kṛṣṇa is the object. The transcendental qualities are the causes of excitement. This means that the transcendental qualities of Kṛṣṇa excite the devotee to serve Him. The impersonal (Māyāvādī) philosophers say that the Absolute Truth has no specific qualities, but the Vaiṣṇava philosophers say that the Absolute Truth is described as nirguṇa (without qualities) because He has no material qualities. This is not to say that He does not have spiritual qualities. Indeed, the Lord's spiritual qualities are so great and so enchanting that they can even attract a liberated person. This is explained in the ātmārāma verse of the Śrīmad-Bhāgavatam where it is said that those who are already situated on the platform of self-realization are attracted by the transcendental qualities of Kṛṣṇa. This means that Kṛṣṇa's qualities are not material but pure and transcendental.
The higher stage of ecstasy can be characterized by the following thirteen transcendental activities: (1) dancing, (2) rolling on the floor, (3) singing, (4) clapping, (5) bristling of the hairs of the body, (6) thundering, (7) yawning, (8) breathing heavily, (9) forgetting social conventions, (10) salivating, (11) laughing, (12) aching, (13) coughing. All these symptoms are not awakened simultaneously; they act according to the exchange of transcendental relationships. Sometimes one symptom is prominent, and at another time another is prominent.
The transcendental rasas, or relationships, can be divided into five. The initial stage is called śānta-rati, wherein one who is liberated from material contamination appreciates the greatness of the Supreme Personality of Godhead. One who attains this stage does not exactly engage in the transcendental loving service of the Lord, for this is a neutral stage. In the second stage, which is called dāsya-rati, a person appreciates his position as being everlastingly subordinate to the Supreme Lord, and he understands that he is eternally dependent on the causeless mercy of the Supreme Person. At that same time there is an awakening of natural affection, such as is felt by a son who grows up and begins to appreciate his father's benedictions. At this stage the living entity wants to serve the Supreme Lord instead of serving māyā, illusion. In the third stage, called sakhya-rati, transcendental love is developed, and one associates with the Supreme on an equal level of love and respect. As this stage is further developed, there is joking and such relaxed exchanges as laughing and so on. On this level there are fraternal exchanges with the Supreme Person, and one is free from all bondage. At this stage one practically forgets his inferior position as a living entity, but at the same time he has the greatest respect for the Supreme Person.
In the fourth stage, called vātsalya-rati, the fraternal affection evinced in the preceding stage develops into paternal affection. At this time the living entity tries to be the parent of God. Instead of worshiping the Lord, the living entity, as a parent of the Supreme, becomes an object of worship for the Supreme Person. At this stage the Lord depends on the mercy of His pure devotee and puts Himself under the control of the devotee to be raised. The devotee in this stage attains the position wherein he can embrace the Supreme Lord and even kiss His head. In the fifth stage, called madhura-rati, there is an actual transcendental exchange of conjugal love between the lover and the beloved. It is at this stage that Kṛṣṇa and the damsels of Vraja glanced at one another, for on this platform there is an exchange of loving glances, motions of the eyes, pleasant words, attractive smiles, etc.
Besides these five primary rasas, or relationships, there are seven secondary rasas which consist of laughing, having wonderful visions, entering into a chivalrous relationship, experiencing pity, feeling anger and experiencing ghastliness and devastation. For example, Bhīṣma related to Kṛṣṇa as a warrior in the chivalrous rasa. Hiraṇyakaśipu, however, experienced an exchange of the ghastly and devastating rasa. The five primary rasas constantly remain within the heart of the pure devotee, and the seven secondary rasas sometimes appear and disappear to enrich the flavors and tastes of the primary ones. After enriching the primary rasas, they disappear.
Examples of śānta-bhaktas, or devotees in the neutral stage, are the nine yogīs named Kavi, Havi, Antarīkṣa, Prabuddha, Pippalāyana, Avirhotra, Draviḍa or Drumila, Camasa and Karabhājana. The four Kumāras (Sanaka, Sanandana, Sanatkumāra and Sanātana) are also examples of this stage. Examples of devotees in the second stage, the dāsya stage of servitorship, are Raktaka, Citraka and Patraka in the Gokula rasa. These all function as servants of Kṛṣṇa. In Dvārakā there is Dāruka, and in the Vaikuṇṭha planets there are Hanumān and others. Devotees in the third stage, the stage of friendship, are Śrīdāmā in Vṛndāvana and Bhīma and Arjuna in Dvārakā and on the Battlefield of Kurukṣetra. There are many others also. As far as those relating to Kṛṣṇa in paternal love, they include devotees like Yaśodā and Mahārāja Nanda—that is, Kṛṣṇa's mother, father, uncle and similar relatives. In conjugal love there are the damsels of Vraja, Vṛndāvana, and the queens and goddesses of fortune in Dvārakā. No one can count the vast number of devotees in this rasa.