Transcendental sound (CC and other books)

Expressions researched:
"transcendental Vedic sounds" |"transcendental sound" |"transcendental sounds" |"transcendental vibration, sound" |"transcendental, eternal sound"

CC Preface and Introduction

According to the Vedic method, śabda, or transcendental sound, is regarded as evidence.

CC Introduction:

In Śrīmad-Bhāgavatam there is a great deal of information given about the Vaikuṇṭha planetary systems, which are beyond the material universe. Similarly, a great deal of inconceivable information is given in the Caitanya-caritāmṛta. Any attempt to arrive at this information through experimental knowledge will fail. The knowledge simply has to be accepted. According to the Vedic method, śabda, or transcendental sound, is regarded as evidence. Sound is very important in Vedic understanding, for, if it is pure, it is accepted as authoritative. Even in the material world we accept a great deal of information sent thousands of miles by telephone or radio. In this way we also accept sound as evidence in our daily lives. Although we cannot see the informant, we accept his information as valid on the basis of sound. Sound vibration, then, is very important in the transmission of Vedic knowledge.

CC Adi-lila

Even the most erudite mundane scholar cannot approach the transcendental plane unless he submits himself to transcendental sound with a receptive mood, for in that mood only can one realize the message of Śrī Caitanya Mahāprabhu.

CC Adi 1 Summary:

Since we belong to this chain of disciplic succession from Śrī Caitanya Mahāprabhu, this edition of Śrī Caitanya-caritāmṛta will contain nothing newly manufactured by our tiny brains, but only remnants of food originally eaten by the Lord Himself. Lord Śrī Caitanya Mahāprabhu does not belong to the mundane plane of the three qualitative modes. He belongs to the transcendental plane beyond the reach of the imperfect sense perception of a living being. Even the most erudite mundane scholar cannot approach the transcendental plane unless he submits himself to transcendental sound with a receptive mood, for in that mood only can one realize the message of Śrī Caitanya Mahāprabhu.

The Gauḍīya Vaiṣṇavas who follow strictly in the line of Śrī Caitanya Mahāprabhu worship the Divinity by chanting transcendental sounds meant to develop a sense of one's transcendental relationship with the Supreme Lord.

CC Adi 1.19, Purport:

The author of Śrī Caitanya-caritāmṛta offers his respectful obeisances unto the three Deities of Vṛndāvana named Śrī Rādhā-Madana-mohana, Śrī Rādhā-Govindadeva and Śrī Rādhā-Gopīnāthajī. These three Deities are the life and soul of the Bengali Vaiṣṇavas, or Gauḍīya Vaiṣṇavas, who have a natural aptitude for residing in Vṛndāvana. The Gauḍīya Vaiṣṇavas who follow strictly in the line of Śrī Caitanya Mahāprabhu worship the Divinity by chanting transcendental sounds meant to develop a sense of one's transcendental relationship with the Supreme Lord, a reciprocation of mellows (rasas) of mutual affection, and, ultimately, the achievement of the desired success in loving service. These three Deities are worshiped in three different stages of one's development. The followers of Śrī Caitanya Mahāprabhu scrupulously follow these principles of approach.

A pure devotee knows that when he chants the transcendental name "Kṛṣṇa," Śrī Kṛṣṇa is present as transcendental sound.

CC Adi 2.11, Purport:

Devotees of the Personality of Godhead know that Śrī Kṛṣṇa, the son of the King of Vraja, is the Absolute Truth. They do not discriminate between Śrī Kṛṣṇa's name, form, qualities and pastimes. One who wants to separate the Lord's absolute name, form and qualities from the Lord Himself must be understood to be lacking in absolute knowledge. A pure devotee knows that when he chants the transcendental name "Kṛṣṇa," Śrī Kṛṣṇa is present as transcendental sound. He therefore chants with full respect and veneration. When he sees the forms of Śrī Kṛṣṇa, he does not see anything different from the Lord.

The Sanskrit statements of Śrīmad-Bhāgavatam are all transcendental sounds.

CC Adi 2.86, Purport:

Had Kṛṣṇa been a plenary expansion of Nārāyaṇa, the original verse would have been differently composed; indeed, its order would have been reversed. But there cannot be mistakes, illusion, cheating or imperfect perception in the words of liberated sages. Therefore there is no mistake in this statement that Lord Kṛṣṇa is the Supreme Personality of Godhead. The Sanskrit statements of Śrīmad-Bhāgavatam are all transcendental sounds.

Following in the footsteps of such liberated souls, who are able to vibrate real transcendental sound, can lead one to the highest stage of devotion, and thus one can become a mahā-bhāgavata.

CC Adi 2.117, Purport:

When Brahmā described the situation of pure devotees freed from the culture of empiric philosophy and fruitive actions, he recommended the process of hearing from persons who are on the path of devotion. Following in the footsteps of such liberated souls, who are able to vibrate real transcendental sound, can lead one to the highest stage of devotion, and thus one can become a mahā-bhāgavata.

Similarly, the transcendental sound oṁ is further explained in the Bhagavad-gītā, Chapter Seventeen, verse twenty-three.

CC Adi 7.128, Purport:

"I am the father of this universe, the mother, the support and the grandsire. I am the object of knowledge, the purifier and the syllable oṁ. I am also the Ṛg, the Sāma and the Yajur Vedas."

Similarly, the transcendental sound oṁ is further explained in the Bhagavad-gītā, Chapter Seventeen, verse twenty-three:

oṁ tat sad iti nirdeśo brahmaṇas tri-vidhaḥ smṛtaḥ

brāhmaṇās tena vedāś ca yajñāś ca vihitāḥ purā

"From the beginning of creation, the three syllables oṁ tat sat have been used to indicate the Supreme Absolute Truth (Brahman). They were uttered by brāhmaṇas while chanting Vedic hymns and during sacrifices for the satisfaction of the Supreme."

Throughout all the Vedic literatures the glories of oṁkāra are specifically mentioned. Śrīla Jīva Gosvāmī, in his thesis Bhagavat-sandarbha, says that in the Vedic literature oṁkāra is considered to be the sound vibration of the holy name of the Supreme Personality of Godhead. Only this vibration of transcendental sound can deliver a conditioned soul from the clutches of māyā. Sometimes oṁkāra is also called the deliverer (tāra). Śrīmad-Bhāgavatam begins with the oṁkāra vibration: oṁ namo bhagavate vāsudevāya. Therefore oṁkāra has been described by the great commentator Śrīdhara Svāmī as tārāṅkura, the seed of deliverance from the material world.

Factually the transcendental sound oṁkāra, although a combination of the three letters a, u and m, has transcendental potency, and one who chants oṁkāra will very soon realize oṁkāra and Lord Viṣṇu to be nondifferent.

CC Adi 7.128, Purport:

One should not, however, foolishly conclude that because the Supreme Personality of Godhead is omnipotent, we have manufactured a combination of letters—a, u and m—to represent Him. Factually the transcendental sound oṁkāra, although a combination of the three letters a, u and m, has transcendental potency, and one who chants oṁkāra will very soon realize oṁkāra and Lord Viṣṇu to be nondifferent. Kṛṣṇa declares, praṇavaḥ sarva-vedeṣu: "I am the syllable oṁ in the Vedic mantras." (BG 7.8) One should therefore conclude that among the many incarnations of the Supreme Personality of Godhead, oṁkāra is the sound incarnation.

Therefore the transcendental sound that includes all Vedic knowledge is oṁkāra (praṇava).

CC Adi 7.128, Purport:

Only oṁkāra is the mahā-vākya. All these other mantras that the Māyāvādīs accept as the mahā-vākya are only incidental. They cannot be taken as the mahā-vākya, or mahā-mantra. The mantra tat tvam asi indicates only a partial understanding of the Vedas, unlike oṁkāra, which represents the full understanding of the Vedas. Therefore the transcendental sound that includes all Vedic knowledge is oṁkāra (praṇava).

CC Madhya-lila

Tat tvam asi is accepted as the primary vibration by one who does not accept praṇava, the transcendental sound incarnation of the holy name of the Lord, as the chief principle in the Vedic literature.

CC Madhya 6.175, Purport:

Tat tvam asi is accepted as the primary vibration by one who does not accept praṇava, the transcendental sound incarnation of the holy name of the Lord, as the chief principle in the Vedic literature. By word jugglery, Śaṅkarācārya tried to create an illusory presentation of the Supreme Personality of Godhead in His relationship with the living entities and the cosmic manifestation. Tat tvam asi is a warning to the living entity not to mistake the body for the self. Therefore tat tvam asi is especially meant for the conditioned soul. The chanting of oṁkāra or the Hare Kṛṣṇa mantra is meant for the liberated soul.

CC Madhya 11.97, Translation:

Sārvabhauma Bhaṭṭācārya replied, "This sweet transcendental sound is a special creation of the Lord known as prema-saṅkīrtana, congregational chanting in love of Godhead."

CC Madhya 11.216, Translation:

In the four groups there were eight mṛdaṅgas and thirty-two cymbals. All together they began to vibrate the transcendental sound, and everyone said, "Very good! Very good!"

CC Madhya 17.189, Translation:

When the people assembled, Śrī Caitanya Mahāprabhu raised His arms and said very loudly, "Haribol!" The people responded to the Lord and became ecstatic. As if mad, they began to dance and to vibrate the transcendental sound "Hari!"

CC Madhya 17.206, Translation:

All moving and nonmoving creatures then began to vibrate the transcendental sound of Hare Kṛṣṇa, as if they were echoing the deep sound of Caitanya Mahāprabhu.

CC Antya-lila

Such negligent utterance for the sense gratification of materialistic persons is not a vibration of transcendental sound.

CC Antya 3.59, Purport:

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura states that the word vyavahita ("improperly uttered") is not used here to refer to the mundane vibration of the letters of the alphabet. Such negligent utterance for the sense gratification of materialistic persons is not a vibration of transcendental sound. Utterance of the holy name while one engages in sense gratification is an impediment on the path toward achieving ecstatic love for Kṛṣṇa.

CC Antya 17.42, Translation:

"My dear friend, please tell Me what to do. My ears have been plundered by the qualities of Kṛṣṇa's sound. Now, however, I cannot hear His transcendental sound, and I am almost dead for want of it."

Teachings of Lord Caitanya

According to the Vedic method, śabda, or transcendental sound, is regarded as evidence.

Teachings of Lord Caitanya, Chapter Intoduction:

In Śrīmad-Bhāgavatam there is a great deal of information given about the Vaikuṇṭha planetary systems which are beyond the material universe. Similarly, a great deal of inconceivable information is given in Caitanya-caritāmṛta. Any attempt to arrive at this information through experimental knowledge is not possible. The knowledge simply has to be accepted. According to the Vedic method, śabda, or transcendental sound, is regarded as evidence. Sound is very important in Vedic understanding, for, if it is pure, it is accepted as authoritative. Even in the material world we accept a great deal of information which is sent thousands of miles by telephone or radio. In this way we also accept sound as evidence in our daily lives.

When the transcendental sound of Kṛṣṇa's flute is heard, the devotee's anxiety to continue to hear that flute enables him to penetrate the covering of the material world.

Teachings of Lord Caitanya, Chapter 10:

The devotee increasingly feels the absence of Kṛṣṇa, for without Him one cannot drink the nectar of His beauty. When the transcendental sound of Kṛṣṇa's flute is heard, the devotee's anxiety to continue to hear that flute enables him to penetrate the covering of the material world and enter into the spiritual sky, where the transcendental sound of the flute enters into the ears of the followers of the gopīs. The sound of Kṛṣṇa's flute always resides within the ears of the gopīs and increases their ecstasy.

The transcendental sound vibration enters into the ear of the disciple, and if a disciple follows in the footsteps of his spiritual master and chants the holy name with similar respect, he actually comes to worship the transcendental name.

Teachings of Lord Caitanya, Chapter 18:

Generally a human being is interested in religion, economic development, sense gratification and liberation, but love of God is above all these. A bona fide spiritual master chants the holy names—Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare—and the transcendental sound vibration enters into the ear of the disciple, and if a disciple follows in the footsteps of his spiritual master and chants the holy name with similar respect, he actually comes to worship the transcendental name.

Because such vibrations of transcendental sound can deliver a conditioned soul, they are known as tāra, or deliverers.

Teachings of Lord Caitanya, Chapter 20:

In his Bhagavat-sandarbha, Śrīla Jīva Gosvāmī says: "Oṁkāra is the most confidential sound representation of the Supreme Lord." The sound representation or name of the Supreme Lord is as good as the Supreme Lord Himself. By vibrating the sound of oṁkāra, or of Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, one can be delivered from the contamination of this material world. Because such vibrations of transcendental sound can deliver a conditioned soul, they are known as tāra, or deliverers.

That the sound vibration of the Supreme Lord is identical with the Supreme Lord is a fact. This is confirmed in the Nārada-pañcarātra:

vyaktaṁ hi bhagavān eva

sākṣān-nārāyaṇaḥ svayam

aṣṭākṣara-svarūpena

mukheṣu parivartate

"When the transcendental sound vibration is practiced by a conditioned soul, the Supreme Lord is present on his tongue." In the Māṇḍūkya Upaniṣad it is said that when oṁkāra is chanted, whatever is seen as material is seen perfectly as spiritual. In the spiritual world or in spiritual vision there is nothing but oṁkāra, or the one alternate, om.

Gopīnātha Ācārya, his brother-in-law, was so pleased to see Bhaṭṭācārya's condition that he began to dance in ecstasy and vibrate the transcendental sound Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare.

Teachings of Lord Caitanya, Chapter 26:

After this incident, Lord Caitanya returned to His place, and Bhaṭṭācārya became a pure and faultless devotee. Since he was formerly a great academic scholar, Bhaṭṭācārya could only have been converted by the causeless mercy of Caitanya Mahāprabhu. From that day forward Bhaṭṭācārya never explained any Vedic literature without explaining devotional service. Gopīnātha Ācārya, his brother-in-law, was so pleased to see Bhaṭṭācārya's condition that he began to dance in ecstasy and vibrate the transcendental sound Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare.

Nectar of Devotion

A brāhmaṇa, who is born out of the head of the Lord, has as his business to preach the transcendental Vedic sounds, or śabda-brahma.

Nectar of Devotion 2:

For example a brāhmaṇa, who is born out of the head of the Lord, has as his business to preach the transcendental Vedic sounds, or śabda-brahma. Because the brāhmaṇa is the head, he has to preach the transcendental sound, and he also has to eat on behalf of the Supreme Lord. According to Vedic injunctions, when a brāhmaṇa eats it is to be understood that the Personality of Godhead is eating through him.

If someone eagerly continues to hear such transcendental sounds, then certainly he will become freed from all material hunger, thirst, fear and lamentation, as well as all illusions of material existence.

Nectar of Devotion 10:

In the Fourth Canto of Śrīmad-Bhāgavatam, Twenty-ninth Chapter, verse 40, the importance of hearing of the pastimes of the Lord is stated by Śukadeva Gosvāmī to Mahārāja Parīkṣit: "My dear King, one should stay at a place where the great ācāryas (holy teachers) speak about the transcendental activities of the Lord, and one should give aural reception to the nectarean river flowing from the moonlike faces of such great personalities. If someone eagerly continues to hear such transcendental sounds, then certainly he will become freed from all material hunger, thirst, fear and lamentation, as well as all illusions of material existence."

A person who desires unalloyed devotional service to Lord Kṛṣṇa, who is praised by transcendental sound vibrations, should always hear about His glorification and transcendental qualities.

Nectar of Devotion 10:

In the Twelfth Canto of Śrīmad-Bhāgavatam, Third Chapter, verse 15, it is stated, "A person who desires unalloyed devotional service to Lord Kṛṣṇa, who is praised by transcendental sound vibrations, should always hear about His glorification and transcendental qualities. This will surely kill all kinds of inauspiciousness in the heart."

The gopīs saw that the cows were hearing the sweet songs vibrated by Kṛṣṇa's flute and were appearing to be drinking the nectar of these transcendental sounds.

Nectar of Devotion 30:

In the Tenth Canto, Twenty-first Chapter, verse 13, of Śrīmad-Bhāgavatam, there is an appreciation by the gopīs of the inertia of the cows in Vṛndāvana. The gopīs saw that the cows were hearing the sweet songs vibrated by Kṛṣṇa's flute and were appearing to be drinking the nectar of these transcendental sounds. The calves were stunned, and they forgot to drink the milk from the milk bags. Their eyes seemed to be embracing Kṛṣṇa, and there were tears in their eyes. This is an instance of inertia resulting from hearing the transcendental vibrations of Kṛṣṇa's flute.

When Kṛṣṇa was playing on His flute, Baladeva very anxiously declared, 'Just see how, after hearing the transcendental sound of Kṛṣṇa's flute, Indra, the King of heaven, is crying in his heavenly kingdom!'

Nectar of Devotion 37:

In the Vidagdha-mādhava there is the following statement: "When Kṛṣṇa was playing on His flute, Baladeva very anxiously declared, 'Just see how, after hearing the transcendental sound of Kṛṣṇa's flute, Indra, the King of heaven, is crying in his heavenly kingdom! And from his teardrops falling on the ground, Vṛndāvana appears to have become a celestial residence for the demigods.' "

Krsna, The Supreme Personality of Godhead

When all the animals and trees and plants, either on the top of Govardhana Hill or in the valley, see the dancing of the peacocks, they all stand still and listen to the transcendental sound of the flute with great attention.

Krsna Book 21:

Another gopī spoke thus to her friends about Kṛṣṇa: "Dear friend, our Vṛndāvana is proclaiming the glories of this entire earth because this planet is glorified by the lotus footprints of the son of Devakī. Besides that, when Govinda plays His flute, the peacocks immediately become mad, as if they had heard the rumbling of a new cloud. When all the animals and trees and plants, either on the top of Govardhana Hill or in the valley, see the dancing of the peacocks, they all stand still and listen to the transcendental sound of the flute with great attention. We think that this boon is not possible or available on any other planet." Although the gopīs were village cowherd women and girls, they had extensive Vedic knowledge.

Even the wives of the denizens of heaven become attracted after hearing the transcendental sound of His flute.

Krsna Book 21:

Another gopī said, “My dear friends, Kṛṣṇa is so nicely dressed that He appears to be the impetus to various kinds of ceremonies held by the womenfolk. Even the wives of the denizens of heaven become attracted after hearing the transcendental sound of His flute. Although they are traveling in the air in their airplanes, enjoying the company of their husbands, on hearing the sound of Kṛṣṇa's flute, they immediately become perturbed. Their hair is loosened, and their tight belts are slackened.” This means that the transcendental sound of the flute of Kṛṣṇa extended to all corners of the universe. Also, it is significant that the gopīs knew about the different kinds of airplanes flying in the sky. Another gopī said to her friends, "My dear friends, the cows are also charmed as soon as they hear the transcendental sound of the flute of Kṛṣṇa. It sounds to them like the pouring of nectar, and they immediately spread their long ears just to catch the liquid nectar of the flute. As for the calves, they are seen with the nipples of their mothers pressed in their mouths, but they cannot suck the milk. They remain struck with devotion, and tears glide down from their eyes, illustrating vividly how they are embracing Kṛṣṇa heart to heart." These phenomena indicate that even the cows and calves in Vṛndāvana knew how to cry for Kṛṣṇa and embrace Him heart to heart. Actually, the perfection of Kṛṣṇa consciousness can be culminated in the shedding of tears from the eyes.

Sri Isopanisad

In other words, the transcendental sound bhagavān represents infinite knowledge, potency, energy, opulence, strength and influence—all without a tinge of material inebriety.

Sri Isopanisad 16, Purport:

In his Bhagavat-sandarbha, Śrīla Jīva Gosvāmī states: "The complete conception of the Absolute Truth is realized in the Personality of Godhead because He is almighty and possesses full transcendental potencies. The full potency of the Absolute Truth is not realized in the brahmajyoti; therefore Brahman realization is only partial realization of the Personality of Godhead. O learned sages, the first syllable of the word bhagavān (bha) has two meanings: the first is 'one who fully maintains,' and the second is 'guardian.' The second syllable (ga) means 'guide,' 'leader' or 'creator.' The syllable vān indicates that every being lives in Him and that He also lives in every being. In other words, the transcendental sound bhagavān represents infinite knowledge, potency, energy, opulence, strength and influence—all without a tinge of material inebriety."