When Mahārāja Priyavrata, following the instruction of Lord Brahmā. accepted the royal throne, his father, Manu, left home for the forest. Mahārāja Priyavrata then married Barhiṣmatī, the daughter of Viśvakarmā. In the womb of Barhiṣmatī he begot ten sons, named Āgnīdhra, Idhmajihva, Yajñabāhu, Mahāvīra, Hiraṇyaretā, Ghṛtapṛṣṭha, Savana, Medhātithi, Vītihotra and Kavi. He also begot one daughter, whose name was Ūrjasvatī. Mahārāja Priyavrata lived with his wife and family for many thousands of years. The impressions from the rims of Mahārāja Priyavrata's chariot wheels created seven oceans and seven islands. Of the ten sons of Priyavrata, three sons named Kavi, Mahāvīra and Savana accepted sannyāsa, the fourth order of life, and the remaining seven sons became the rulers of the seven islands. Mahārāja Priyavrata also had a second wife, in whom he begot three sons named Uttama, Raivata and Tāmasa. All of them were elevated to the post of Manu. Śukadeva Gosvāmī thus described how Mahārāja Priyavrata achieved liberation.
Visvakarma
Srimad-Bhagavatam
SB Canto 4
Lord Śiva presented him with a sword within a sheath marked with ten moons, and his wife, the goddess Durgā, presented him with a shield marked with one hundred moons. The moon-demigod presented him with horses made of nectar, and the demigod Viśvakarmā presented him with a very beautiful chariot.
SB Canto 5
Thereafter, Mahārāja Priyavrata married Barhiṣmatī, the daughter of the prajāpati named Viśvakarmā. In her he begot ten sons equal to him in beauty, character, magnanimity and other qualities. He also begot a daughter, the youngest of all, named Ūrjasvatī.
Mahārāja Priyavrata not only carried out the order of Lord Brahmā by accepting the duties of government, but also married Barhiṣmatī, the daughter of Viśvakarmā, one of the prajāpatis. Since Mahārāja Priyavrata was fully trained in transcendental knowledge, he could have returned home and conducted the business of government as a brahmacārī. Instead, however, when he returned to household life, he accepted a wife also. The principle is that when one becomes a gṛhastha, he must live perfectly in that order, which means he must live peacefully with a wife and children. When Caitanya Mahāprabhu's first wife died, His mother requested Him to marry for a second time. He was twenty years old and was going to take sannyāsa at the age of twenty-four, yet by the request of His mother, He married. "As long as I am in household life," He told His mother, "I must have a wife, for household life does not mean staying in a house. Real household life means living in a house with a wife."
SB Canto 6
From Āṅgirasī, the wife of the Vasu named Vāstu, was born the great architect Viśvakarmā. Viśvakarmā became the husband of Ākṛtī, from whom the Manu named Cākṣuṣa was born. The sons of Manu were known as the Viśvadevas and Sādhyas.
When the Aśvinī-kumāras beg for Dadhyañca's body on your behalf, he will surely give it because of affection. Do not doubt this, for Dadhyañca is very experienced in religious understanding. When Dadhyañca awards you his body, Viśvakarmā will prepare a thunderbolt from his bones. This thunderbolt will certainly kill Vṛtrāsura because it will be invested with My power.
Following the order of the Supreme Personality of Godhead, the demigods approached Dadhīci Muni and begged for his body. Dadhīci Muni, just to hear from the demigods about the principles of religion, jokingly refused to relinquish his body, but for higher purposes he thereafter agreed to give it up, for after death the body is usually eaten by low animals like dogs and jackals. Dadhīci Muni first merged his gross body made of five elements into the original stock of five elements and then engaged his soul at the lotus feet of the Supreme Personality of Godhead. Thus he gave up his gross body. With the help of Viśvakarmā, the demigods then prepared a thunderbolt from Dadhīci's bones. Armed with the thunderbolt weapon, they prepared themselves to fight and got up on the backs of elephants.
Thereafter, King Indra very firmly took up the thunderbolt manufactured by Viśvakarmā from the bones of Dadhīci. Charged with the exalted power of Dadhīci Muni and enlightened by the power of the Supreme Personality of Godhead, Indra rode on the back of his carrier, Airāvata, surrounded by all the demigods, while all the great sages offered him praise. Thus he shone very beautifully, pleasing the three worlds as he rode off to kill Vṛtrāsura.
SB Canto 7
Hiraṇyakaśipu, who possessed all opulence, began residing in heaven, with its famous Nandana garden, which is enjoyed by the demigods. In fact, he resided in the most opulent palace of Indra, the King of heaven. The palace had been directly constructed by the demigod architect Viśvakarmā and was as beautifully made as if the goddess of fortune of the entire universe resided there.
From this description it appears that all the heavenly planets of the upper planetary system are thousands upon thousands of times more opulent than the lower planetary system in which we live. Viśvakarmā, the famous heavenly architect, is known as the constructor of many wonderful buildings in the upper planets, where there are not only beautiful buildings, but also many opulent gardens and parks, which are described as nandana-devodyāna, gardens quite fit to be enjoyed by the demigods. This description of the upper planetary system and its opulences is to be understood from authoritative scriptures like the Vedic literatures. Telescopes and the other imperfect instruments of scientists are inadequate for evaluating the upper planetary system. Although such instruments are needed because the vision of the so-called scientists is imperfect, the instruments themselves are also imperfect. Therefore the upper planets cannot be appraised by imperfect men using imperfect man-made instruments. Direct information received from the Vedic literature, however, is perfect, We therefore cannot accept the statement that there are no opulent residences on planets other than this earth.
SB Canto 8
Viśvakarmā, one of the prajāpatis, supplied varieties of decorated ornaments. The goddess of learning, Sarasvatī, supplied a necklace, Lord Brahmā supplied a lotus flower, and the inhabitants of Nāgaloka supplied earrings.
Yamarāja fought with Kālanābha, Viśvakarmā with Maya Dānava, Tvaṣṭā with Śambara, and the sun-god with Virocana.
O King, I have previously described (in the Sixth Canto) the two daughters of Viśvakarmā, named Saṁjñā and Chāyā, who were the first two wives of Vivasvān.
The doors were made of solid gold plates, and the gates were of excellent marble. These were linked by various public roads. The entire city had been constructed by Viśvakarmā.
Until Bali Mahārāja achieves the position of King of heaven, he shall live on the planet Sutala, which was made by Viśvakarmā according to My order. Because it is especially protected by Me, it is free from mental and bodily miseries, fatigue, dizziness, defeat and all other disturbances. Bali Mahārāja, you may now go live there peacefully.
Viśvakarmā is the engineer or architect for the palatial buildings in the heavenly planets. Therefore, since he was engaged to construct the residential quarters of Bali Mahārāja, the buildings and palaces on the planet Sutala must at least equal those on the heavenly planets. A further advantage of this place designed for Bali Mahārāja was that he would not be disturbed by any outward calamity. Moreover, he would not be disturbed by mental or bodily miseries. These are all extraordinary features of the planet Sutala, where Bali Mahārāja would live.
SB Cantos 10.14 to 12 (Translations Only)
In the construction of that city could be seen the full scientific knowledge and architectural skill of Viśvakarmā. There were wide avenues, commercial roads and courtyards laid out on ample plots of land; there were splendid parks, and also gardens stocked with trees and creepers from the heavenly planets. The gateway towers were topped with golden turrets touching the sky, and their upper levels were fashioned of crystal quartz. The gold-covered houses were adorned in front with golden pots and on top with jeweled roofs, and their floors were inlaid with precious emeralds. Beside the houses stood treasury buildings, warehouses, and stables for fine horses, all built of silver and brass. Each residence had a watchtower, and also a temple for its household deity. Filled with citizens of all four social orders, the city was especially beautified by the palaces of Śrī Kṛṣṇa, the Lord of the Yadus.
(Describing a previous incident, Śukadeva Gosvāmī said:) Upon the request of the Pāṇḍavas, Lord Kṛṣṇa had Viśvakarmā build them a most wonderful and amazing city.
In the city of Dvārakā was a beautiful private quarter worshiped by the planetary rulers. This district, where the demigod Viśvakarmā had shown all his divine skill, was the residential area of Lord Hari, and thus it was gorgeously decorated by the sixteen thousand palaces of Lord Kṛṣṇa's queens. Nārada Muni entered one of these immense palaces.
Other Books by Srila Prabhupada
Krsna, The Supreme Personality of Godhead
Kṛṣṇa first of all constructed a very strong wall covering ninety-six square miles, and the wall itself was within the sea. It was certainly wonderful and was planned and constructed by Viśvakarmā. No ordinary architect could construct such a fort within the sea, but an architect like Viśvakarmā, who is considered to be the engineer among the demigods, can execute such wonderful craftsmanship anywhere in the universe. If huge planets can float in weightlessness in outer space by the arrangement of the Supreme Personality of Godhead, surely the architectural construction of a fort covering ninety-six square miles within the sea was not very wonderful.
After this, Kṛṣṇa was asked by King Yudhiṣṭhira to help in constructing a suitable house to be planned by the great architect Viśvakarmā, the celestial engineer in the heavenly kingdom. Kṛṣṇa immediately called for Viśvakarmā and made him construct a wonderful city according to the desire of King Yudhiṣṭhira. When this city was constructed, Mahārāja Yudhiṣṭhira requested Kṛṣṇa to live with them a few days more to give them the pleasure of His association. Lord Kṛṣṇa accepted the request of Mahārāja Yudhiṣṭhira and remained there for many days more.
In the meantime, Kṛṣṇa engaged in the pastime of offering the Khāṇḍava forest, which belonged to King Indra. Kṛṣṇa wanted to give it to Agni, the fire-god. The Khāṇḍava forest contained many varieties of drugs, and Agni required to eat them for rejuvenation. Agni, however, did not touch the Khāṇḍava forest directly but requested Kṛṣṇa to help him. Agni knew that Kṛṣṇa was very much pleased with him because he had formerly given Him the Sudarśana disc. So in order to satisfy Agni, Kṛṣṇa became the chariot driver of Arjuna, and both went to the Khāṇḍava forest. After Agni had eaten up the Khāṇḍava forest, he was very much pleased. At this time he offered Arjuna a specific bow known as Gāṇḍīva, four white horses, one chariot and an invincible quiver with two specific arrows considered to be talismans, which had so much power that no warrior could counteract them. When the Khāṇḍava forest was being devoured by the fire-god, Agni, there was a demon of the name Maya who was saved by Arjuna from the devastating fire. For this reason, that former demon became a great friend of Arjuna, and in order to please Arjuna he constructed a nice assembly house within the city constructed by Viśvakarmā. This assembly house had some corners so puzzling that when Duryodhana came to visit this house he was misdirected, accepting water as land and land as water. Duryodhana was thus insulted by the opulence of the Pāṇḍavas, and he became their determined enemy.
In this greatly beautiful city of Dvārakā, Lord Kṛṣṇa, the Supreme Personality of Godhead, had many residential quarters. The great kings and princes of the world used to visit these palaces just to worship Him. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity. These residential quarters numbered more than sixteen thousand, and a different queen of Lord Kṛṣṇa resided in each of them. The great sage Nārada entered one of these houses and saw that the pillars were made of coral and the ceilings were bedecked with jewels. The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.
Lectures
Festival Lectures
Lord Caitanya, when He appeared, He took sannyāsa at the age of twenty-four years, and by His mother's request He was living at Jagannātha Purī. So every year He was taking part in this car festival of Jagannātha. This Jagannātha Deity was established by one King Indradyumna about more than three thousand years ago. This temple is very old. Even in some literatures of your Christian religion I find that Lord Jesus Christ also went to this Jagannātha temple and lived there for sometimes. Of course, how far it is true, that is to be judged by you, but I have read this information in a Christian book, Aquarian Gospel. So if we take this incidence that Lord Jesus Christ also went to Jagannātha temple, then from historical point of view it is two thousand years old. But it is, according to our calculation, it is more than three thousand years old. So this Indradyumna king, he asked Viśvakarma to carve the deity of Kṛṣṇa, Balarāma and Subhadra. And there was a time limit. Viśvakarma made an agreement that "Unless I finish the deity's carving very nicely, you cannot see me." So door was closed, and the king was very much anxious to see the temple is established very soon. So he forcibly opened the door, and he saw that the deities were half finished. The Deity Jagannātha as you see, it appears half finished. The king decided, "Never mind it is half finished. I shall install these deities in the temple." Since then, the three deities Jagannātha, Balarāma and Subhadra are being worshiped in India, Jagannātha Purī. Perhaps you know. And the car festival takes place every year, and millions of people go there to participate in that cart, car festival.
Initiation Lectures
Then, next. Where is...? No neck bead? How is that? Where is neck bead? Huh? Oh, these things are not good. It must be well equipped. Otherwise, what is the meaning of initiation? Give... No neck bead? Go on. First of all get neck beads. Who is next? You have got neck beads? That's all right. Viśvakarmā. Viśvakarmā is the engineer of this universe. Hare Kṛṣṇa. Jaya. You know what are the rules and regulations? That's right.
Conversations and Morning Walks
1976 Conversations and Morning Walks
Devotee (5): Do they have any temples of Lord Jagannātha there? They have any temples of Lord Jagannātha in Kurukṣetra?
Prabhupāda: No. Jagannātha, that is another history. King Indradyumna, he wanted to establish a temple of that incidence, and that the Deities while being carved would remain unfinished. So, he was very impatient to establish, so he established the unfinished Deity. That is Jagannātha.
Devotee (7): The nondevotees cannot understand...
Prabhupāda: They are being carved, Kṛṣṇa's wood form, but he was so impatient, he said "Whatever is done now, establish." It is said that Viśvakarmā was enquiring. So the term was, Viśvakarmā said that "Unless I finish, don't open the door." So this king, he went impatiently, and calling out whether he is finished. Then he forced, forcibly opened the door, and it was unfinished. So he said "Never mind, (indistinct)." Unfinished Kṛṣṇa (indistinct). So Kṛṣṇa, finished or unfinished, is Kṛṣṇa. That is omnipotency. That is Jagannātha form, (indistinct) doesn't matter finished or unfinished. (end)
1977 Conversations and Morning Walks
Prabhupāda: (break) (long pause) So... Jāniyā śuniyā biṣa khāinu. Because they are missing the aim of life, they are committing suicide. And this varṇāśrama-dharma was planned in such a way that everyone would be spiritually advanced. The weaver will get, the potter will get, the blacksmith will get, the brāhmaṇa is already there, kṣatriya will get—everyone. For them, lower-class men, demigod worship. At least they are accepting there is some higher authority. Among the blacksmith there is viśvakarma-pūjā. One day they will wash all the instruments of blacksmith. Somehow or other, all are cleaned. And with the fruit, with flower, candana, they'll worship.
Tamāla Kṛṣṇa: They worship the instruments? What is that called?
Prabhupāda: Viśvakarma-pūjā.
Tamāla Kṛṣṇa: Viśvakarma-pūjā, oh, yeah.
Prabhupāda: So the brāhmaṇas will regularly come, worship Viśvakarmā or demigods. Viśvakarmā is the engineer of the demigods. Some demigod also they will worship. Even the butcher will worship goddess Kālī, then he will apply the knife to the throat of the animal. Even the butcher. Recognition of higher authority.
Tamāla Kṛṣṇa: Would the blacksmiths do the pūjā to Viśvakarmā, or brāhmaṇas?
Prabhupāda: No, brāhmaṇa will do. Similarly, the spice merchants, they'll worship Gaṅgeśvarī. The gold merchant worships Lakṣmī-Nārāyaṇa.
Tamāla Kṛṣṇa: Who would do that?
Prabhupāda: Gold merchant. The student will worship Sarasvatī. The merchant will worship Gaṇeśa, Lakṣmī.
Tamāla Kṛṣṇa: Gaṇeśa, hm.
Prabhupāda: Some sort of worship is there and instruction, many narratives. Women were advised to worship the Yamarāja, Sāvitrī, Satyavān. Then there was saṁskāras, purificatory method, out of which the higher class will be sacred thread ceremony.
Correspondence
1972 Correspondence
So far your Jagannatha deities which have become badly cracked, it is better to replace them, but if that is not possible then you may repair. The story of Lord Jagannatha is like this: Once King Indradyumna wanted to establish the picture in the temple of Krishna, Subhadra, & Balarama coming in a car or chariot during solar eclipse to Kuruksetra so he employed Visvakarma to carve them from wood, and actually the carving was going on behind closed doors, but the King was very impatient to see, so Visvanatha (Visvakarma) stopped, but the King was satisfied with them half-finished.
| Page Title: | Visvakarma |
| Compiler: | MadhuGopaldas |
| Created: | 21 of Oct, 2010 |
| Totals by Section: | BG=0, SB=16, CC=0, OB=3, Lec=2, Con=2, Let=1 |
| No. of Quotes: | 24 |