Vibration (CC and Other Books)

Expressions researched:
"vibration" |"vibrations"

Notes from the compiler: VedaBase query: vibration* not "transcendental vibration*" not "sound vibration*"

CC Adi-lila

CC Adi 2.4, Translation:

Let me describe the meaning of the third verse (of the first fourteen). It is an auspicious vibration that describes the Absolute Truth.

CC Adi 4.244, Translation:

“The vibration of My transcendental flute attracts the three worlds, but My ears are enchanted by the sweet words of Śrīmatī Rādhārāṇī.

CC Adi 4.259, Translation:

“"My dear auspicious Rādhārāṇī, Your body is the source of all beauty. Your red lips are softer than the sense of immortal sweetness, Your face bears the aroma of a lotus flower, Your sweet words defeat the vibrations of the cuckoo, and Your limbs are cooler than the pulp of sandalwood. All My transcendental senses are overwhelmed in ecstatic pleasure by tasting You, who are completely decorated by beautiful qualities."

CC Adi 5.132, Purport:

If someone calls Lord Rāmacandra by the vibration Hare Rāma, understanding it to mean "O Lord Rāmacandra!" he is quite right. Similarly, if one says that Hare Rāma means "O Śrī Balarāma!" he is also right. Those who are aware of the viṣṇu-tattva do not fight over all these details.

In the Laghu-bhāgavatāmṛta Śrīla Rūpa Gosvāmī has explained Kṛṣṇa's being both Kṣīrodakaśāyī Viṣṇu and Nārāyaṇa in the spiritual sky and expanding in the quadruple forms known as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. He has refuted the idea that Kṛṣṇa is an incarnation of Nārāyaṇa. Some devotees think that Nārāyaṇa is the original Personality of Godhead and that Kṛṣṇa is an incarnation. Even Śaṅkarācārya, in his commentary on the Bhagavad-gītā, has accepted Nārāyaṇa as the transcendental Personality of Godhead who appeared as Kṛṣṇa, the son of Devakī and Vasudeva. Therefore this matter may be difficult to understand. But the Gauḍīya Vaiṣṇava-sampradāya, headed by Rūpa Gosvāmī, has established the principle of the Bhagavad-gītā that everything emanates from Kṛṣṇa, who says in the Bhagavad-gītā, ahaṁ sarvasya prabhavaḥ: (BG 10.8) "I am the original source of everything." "Everything" includes Nārāyaṇa. Therefore Rūpa Gosvāmī, in his Laghu-bhāgavatāmṛta, has established that Kṛṣṇa, not Nārāyaṇa, is the original Personality of Godhead.

CC Adi 6.113, Translation:

The glories of Śrī Advaita Ācārya are boundless, for His sincere vibrations brought about Lord Caitanya's descent upon this earth.

CC Adi 7.95-96, Purport:

It is to be understood that when Śrī Caitanya Mahāprabhu chanted and danced, He did so by the influence of the pleasure potency of the spiritual world. Śrī Caitanya Mahāprabhu never considered the holy name of the Lord to be a material vibration, nor does any pure devotee mistake the chanting of the Hare Kṛṣṇa mantra to be a material musical manifestation. Lord Caitanya never tried to be the master of the holy name; rather He taught us how to be servants of the holy name. If one chants the holy name of the Lord just to make a show, not knowing the secret of success, he may increase his bile secretion, but he will never attain perfection in chanting the holy name. Śrī Caitanya Mahāprabhu presented himself in this way: “I am a great fool and do not have knowledge of right and wrong. In order to understand the real meaning of the Vedānta-sūtra, I never followed the explanation of the Śaṅkara-sampradāya or Māyāvādī sannyāsīs. I’m very much afraid of the illogical arguments of the Māyāvādī philosophers. Therefore I think I have no authority regarding their explanations of the Vedānta-sūtra. I firmly believe that simply chanting the holy name of the Lord can remove all misconceptions of the material world. I believe that simply by chanting the holy name of the Lord one can attain the shelter of the lotus feet of the Lord. In this age of quarrel and disagreement, the chanting of the holy names is the only way to liberation from the material clutches.

CC Adi 7.128, Purport:

All potencies are invested in the holy vibration of the holy name of the Lord. There is no doubt that the holy name of the Lord, or oṁkāra, is the Supreme Personality of Godhead Himself. In other words, anyone who chants oṁkāra and the holy name of the Lord, Hare Kṛṣṇa, immediately meets the Supreme Lord directly in His sound form. In the Nārada Pañcarātra it is clearly said that the Supreme Personality of Godhead Nārāyaṇa personally appears before the chanter who engages in chanting the aṣṭākṣara, or eight-syllable mantra, oṁ namo nārāyaṇāya. A similar statement in the Māṇḍūkya Upaniṣad declares that whatever one sees in the spiritual world is all an expansion of the spiritual potency of oṁkāra.

On the basis of all the Upaniṣads, Śrīla Jīva Gosvāmī says that oṁkāra is the Supreme Absolute Truth and is accepted as such by all the ācāryas and authorities. Oṁkāra is beginningless, changeless, supreme and free from deterioration and external contamination. Oṁkāra is the origin, middle and end of everything, and any living entity who thus understands oṁkāra attains the perfection of spiritual identity in oṁkāra. Oṁkāra, being situated in everyone's heart, is īśvara, the Supreme Personality of Godhead, as confirmed in the Bhagavad-gītā (18.61): īśvaraḥ sarva-bhūtānāṁ hṛd-deśe ’rjuna tiṣṭhati. Oṁkāra is as good as Viṣṇu because oṁkāra is as all-pervasive as Viṣṇu. One who knows oṁkāra and Lord Viṣṇu to be identical no longer has to lament or hanker. One who chants oṁkāra no longer remains a śūdra but immediately comes to the position of a brāhmaṇa. Simply by chanting oṁkāra one can understand the whole creation to be one unit, or an expansion of the energy of the Supreme Lord: idaṁ hi viśvaṁ bhagavān ivetaro yato jagat-sthāna-nirodha-sambhavāḥ.

CC Adi 7.159, Translation:

Whenever the crowds were too great, Śrī Caitanya Mahāprabhu stood up, raised His hands and chanted, "Hari! Hari!" to which all the people responded, filling both the land and sky with the vibration.

CC Adi 8.6, Purport:

The croaking of the frogs in the rainy season resounds very loudly in the forest, with the result that snakes, hearing the croaking in the darkness, approach the frogs and swallow them. Similarly, the so-called educational vibrations of the tongues of university professors who do not have spiritual knowledge is like the croaking of frogs.

CC Adi 13.92, Translation:

Considering this, Rāhu, the black planet, covered the full moon, and immediately vibrations of "Kṛṣṇa! Kṛṣṇa! Hari!" inundated the three worlds.

CC Adi 17.123, Purport:

The International Society for Krishna Consciousness now has its world center in Navadvīpa, Māyāpur. The managers of this center should see that twenty-four hours a day there is chanting of the holy names of the Hare Kṛṣṇa mahā-mantra, with the addition of haraye namaḥ, kṛṣṇa yādavāya namaḥ, for this song was a favorite of Śrī Caitanya Mahāprabhu's. But all such saṅkīrtana must be preceded by the chanting of the holy names of the five tattvas—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda. We are already accustomed to chant these two mantras—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda and Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. Now, after these, the other two lines—namely haraye namaḥ, kṛṣṇa yādavāya namaḥ/ gopāla govinda rāma śrī-madhusūdana—should be added, especially in Māyāpur. Chanting of these six lines should go on so perfectly well that no one there hears any vibration other than the chanting of the holy names of the Lord. That will make the center spiritually all-perfect.

CC Adi 17.124, Translation:

Hearing the resounding vibration of the Hare Kṛṣṇa mantra, the local Muslims, greatly angry, submitted a complaint to the Kazi.

CC Adi 17.193, Translation:

“"The religion of the Hindus has increased unlimitedly. There are always vibrations of "Hari! Hari!" We do not hear anything but this."

CC Adi 17.223, Translation:

Hearing this, the Lord got up, chanting "Hari! Hari!" Following Him, all the other Vaiṣṇavas also got up, chanting the vibration of the holy name.

CC Adi 17.237, Translation:

Śrīvāsa Ṭhākura extensively explained how the gopīs were attracted to the forests of Vṛndāvana by the vibration of Kṛṣṇa's flute and how they wandered together in the forest.

CC Madhya-lila

CC Madhya 1.76, Translation:

(This is a verse spoken by Śrīmatī Rādhārāṇī.) "My dear friend, now I have met My very old and dear friend Kṛṣṇa on this field of Kurukṣetra. I am the same Rādhārāṇī, and now We are meeting together. It is very pleasant, but still I would like to go to the bank of the Yamunā beneath the trees of the forest there. I wish to hear the vibration of His sweet flute playing the fifth note within that forest of Vṛndāvana."

CC Madhya 1.276, Translation:

Raising His arms, the Lord asked everyone to chant loudly the vibration of the holy name of Lord Hari. There immediately arose a great stir, and the vibration of "Hari!" filled all directions.

CC Madhya 5.146, Translation:

Śrī Caitanya Mahāprabhu laughed, cried, danced and made many ecstatic vibrations and sounds. Although the temple was only six miles away, to Him the distance seemed thousands of miles.

CC Madhya 6.175, Translation:

"The subsidiary vibration tat tvam asi ("you are the same") is meant for the understanding of the living entity, but the principal vibration is oṁkāra. Not caring for oṁkāra, Śaṅkarācārya has stressed the vibration tat tvam asi."

CC Madhya 6.175, Purport:

Tat tvam asi is accepted as the primary vibration by one who does not accept praṇava, the transcendental sound incarnation of the holy name of the Lord, as the chief principle in the Vedic literature. By word jugglery, Śaṅkarācārya tried to create an illusory presentation of the Supreme Personality of Godhead in His relationship with the living entities and the cosmic manifestation. Tat tvam asi is a warning to the living entity not to mistake the body for the self. Therefore tat tvam asi is especially meant for the conditioned soul. The chanting of oṁkāra or the Hare Kṛṣṇa mantra is meant for the liberated soul. Śrīla Rūpa Gosvāmī has said, ayi mukta-kulair upāsyamānam (Nāmāṣṭaka 1). Thus the holy name of the Lord is chanted by the liberated souls. Similarly, Parīkṣit Mahārāja says, nivṛtta-tarṣair upagīyamānāt (SB 10.1.4). The holy name of the Lord can be chanted by those who have fully satisfied their material desires or who are fully situated on the transcendental platform and devoid of material desire. The name of the Lord can be chanted by one who is completely freed from material contamination (anyābhilāṣitā-śūnyaṁ jñāna-karmādy-anāvṛtam (Bhakti-rasāmṛta-sindhu 1.1.11)). Śaṅkarācārya has indirectly minimized the value of the principal Vedic mantra (oṁkāra) by accepting a subordinate vibration (tat tvam asi) as the most important Vedic mantra.

CC Madhya 8.138, Purport:

The spiritual realm of Vṛndāvana is always spiritual. The goddess of fortune and the gopīs are always present there. They are Kṛṣṇa's beloveds, and all of them are as spiritual as Kṛṣṇa. In Vṛndāvana, Kṛṣṇa is the Supreme Person and is the husband of all the gopīs and the goddess of fortune. The trees in Vṛndāvana are wish-fulfilling trees. The land is made of touchstone, and the water is nectar. Words are musical vibrations, and all movements are dancing. The flute is the Lord's constant companion. The planet Goloka Vṛndāvana is self-luminous like the sun and is full of spiritual bliss. The perfection of life lies in tasting that spiritual existence; therefore everyone should cultivate its knowledge. In Vṛndāvana, spiritual cows are always supplying spiritual milk. Not a single moment is wasted there—in other words, there is no past, present or future. Not a single particle of time is wasted. Within this material universe, the devotees worship that transcendental abode as Goloka Vṛndāvana. Lord Brahmā himself said, "Let me worship that spiritual land where Kṛṣṇa is present." This transcendental Vṛndāvana is not appreciated by those who are not devotees or self-realized souls because this Vṛndāvana-dhāma is all spiritual. The pastimes of the Lord there are also spiritual. None are material. According to a prayer by Śrīla Narottama dāsa Ṭhākura (Prārthanā 1):

CC Madhya 9.144, Purport:

Lord Nārāyaṇa has sixty transcendental qualities. Over and above these, Kṛṣṇa has four extraordinary transcendental qualities absent in Lord Nārāyaṇa. These four qualities are (1) His wonderful pastimes, which are compared to an ocean, (2) His association in the circle of the supreme devotees in conjugal love (the gopīs), (3) His playing on the flute, whose vibration attracts the three worlds, and (4) His extraordinary beauty, which surpasses the beauty of the three worlds. Lord Kṛṣṇa's beauty is unequaled and unsurpassed.

CC Madhya 11.96, Translation:

"I have never before seen such ecstatic love, nor heard the vibration of the holy name of the Lord chanted in such a way, nor seen such dancing during saṅkīrtana."

CC Madhya 11.218, Translation:

When the tumultuous vibration of saṅkīrtana resounded, all good fortune immediately awakened, and the sound penetrated the whole universe through the fourteen planetary systems.

CC Madhya 14.59, Translation:

The crowd made a tumultuous vibration, chanting "Jaya Gauracandra! Jaya Śrī Kṛṣṇa Caitanya!" Then the people began to chant, "Wonderful! Wonderful!"

CC Madhya 15.108, Purport:

In other words, the chanting of the Hare Kṛṣṇa mahā-mantra is so powerful that it does not depend on official initiation, but if one is initiated and engages in pañcarātra-vidhi (Deity worship), his Kṛṣṇa consciousness will awaken very soon, and his identification with the material world will be vanquished. The more one is freed from material identification, the more one can realize that the spirit soul is qualitatively as good as the Supreme Soul. At such a time, when one is situated on the absolute platform, one can understand that the holy name of the Lord and the Lord Himself are identical. At that stage of realization, the holy name of the Lord, the Hare Kṛṣṇa mantra, cannot be identified with any material sound. If one accepts the Hare Kṛṣṇa mahā-mantra as a material vibration, he falls down. One should worship and chant the holy name of the Lord by accepting it as the Lord Himself. One should therefore be initiated properly according to revealed scriptures under the direction of a bona fide spiritual master. Although chanting the holy name is good for both the conditioned and liberated soul, it is especially beneficial to the conditioned soul because by chanting it one is liberated. When a person who chants the holy name is liberated, he attains the ultimate perfection by returning home, back to Godhead. In the words of Śrī Caitanya-caritāmṛta (CC Adi 7.73):

CC Madhya 15.277, Purport:

The Absolute Truth is realized in three phases—impersonal Brahman, Paramātmā and the Supreme Personality of Godhead, Bhagavān. All of these are one and the same truth, but Brahman, Paramātmā and Bhagavān constitute three different features. Whoever understands Brahman is called a brāhmaṇa, and when a brāhmaṇa engages in the Lord's devotional service, he is called a Vaiṣṇava. Unless one comes to understand the Supreme Personality of Godhead, his realization of impersonal Brahman is imperfect. A brāhmaṇa can chant the Hare Kṛṣṇa mantra on the platform of nāmābhāsa, but not on the platform of pure vibration. When a brāhmaṇa engages in the Lord's service, fully understanding his eternal relationship, his devotional service is called abhidheya. When one attains that stage, he is called a bhāgavata, or Vaiṣṇava. This indicates that he is free from contamination and material attachment. Lord Kṛṣṇa confirms this in the Bhagavad-gītā (7.28):

CC Madhya 17.35, Translation:

Hearing the Lord's great vibration, all the does followed Him left and right. While reciting a verse with great curiosity, the Lord patted them.

CC Madhya 17.48-49, Purport:

The transcendental potency of the Hare Kṛṣṇa mahā-mantra is herein explained. First, the holy name is vibrated by Śrī Caitanya Mahāprabhu. When someone hears from Him directly, he is purified. When another person hears from that person, he also is purified. In this way the purification process is advanced among pure devotees. Śrī Caitanya Mahāprabhu is the Supreme Personality of Godhead, and no one can claim His potency. Nonetheless, if one is a pure devotee, hundreds and thousands of men can be purified by his vibration. This potency is within every living being, provided he chants the Hare Kṛṣṇa mahā-mantra offenselessly and without material motives. When a pure devotee chants offenselessly, another person will become a Vaiṣṇava, and from him another Vaiṣṇava will emerge. This is the paramparā system.

CC Madhya 17.82, Purport:

Kāśī is another name for Vārāṇasī (Benares). It has been a place of pilgrimage since time immemorial. Two rivers named Asiḥ and Varuṇā merge there. Maṇikarṇikā is famous because, according to the opinion of great personalities, a bejeweled earring fell there from the ear of Lord Viṣṇu. According to some, it fell from the ear of Lord Śiva. The word maṇi means "jewel," and karṇikā means "from the ear." According to some, Lord Viśvanātha is the great physician who cures the disease of material existence by delivering a person through the ear, which receives the vibration of the holy name of Lord Rāma. Because of this, this holy place is called Maṇikarṇikā. It is said that there is no better place than where the river Ganges flows, and the bathing ghat known as Maṇikarṇikā is especially sanctified because it is very dear to Lord Viśvanātha. In the Kāśī-khaṇḍa it is said:

CC Madhya 17.132, Purport:

When an incarnation of God or God Himself comes, they think He is covered by māyā. In other words, Māyāvādī impersonalists think that the Lord's form is also a product of this material world. Due to a poor fund of knowledge, they cannot understand that Kṛṣṇa has no body separate from Himself. His body and Himself are both the same Absolute Truth. Not having perfect knowledge of Kṛṣṇa, such impersonalists certainly commit offenses at His lotus feet. Therefore they do not utter "Kṛṣṇa, " the original name of the Absolute Truth. In their impersonal way, they utter the name of impersonal Brahman, spirit soul. In other words, they indulge in indirect indications of the Absolute Truth. Even if they happen to utter the names "Govinda," "Kṛṣṇa" or "Mādhava," they still cannot understand that these names are as good as Govinda, Kṛṣṇa or Mādhava the person. Because they are ultimately impersonalists, their uttering of the personal name has no potency. Actually they do not believe in Kṛṣṇa but consider all these names to be material vibrations. Not being able to appreciate the holy name of the Lord, they simply utter indirect names like Brahman, ātmā and caitanya.

CC Madhya 17.157, Translation:

When Śrī Caitanya Mahāprabhu chanted, danced and made loud vibrations, all the people were astonished to see His ecstatic love.

CC Madhya 20.217, Purport:

No one should consider the Deity in the temple to be made of stone or wood, nor should one consider the spiritual master an ordinary human being. No one should consider a Vaiṣṇava to belong to a particular caste or creed, and no one should consider caraṇāmṛta or Ganges water to be like ordinary water. Nor should anyone consider the Hare Kṛṣṇa mahā-mantra to be a material vibration. All these expansions of Kṛṣṇa in the material world are simply demonstrations of the Lord's mercy and willingness to give facility to His devotees who are engaged in His devotional service within the material world.

CC Madhya 21.113, Translation:

“The bodily beauty of Śrī Kṛṣṇa is like a wave in the ocean of eternal youth. In that great ocean is the whirlpool of the awakening of ecstatic love. The vibration of Kṛṣṇa's flute is like a whirlwind, and the flickering minds of the gopīs are like straws and dry leaves. After they fall down in the whirlwind, they never rise again but remain eternally at the lotus feet of Kṛṣṇa.

CC Madhya 21.140, Translation:

“His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of His lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute.

CC Madhya 21.141, Translation:

“The sound of Kṛṣṇa's flute spreads in the four directions. Even though Kṛṣṇa vibrates His flute within this universe, its sound pierces the universal covering and goes to the spiritual sky. Thus the vibration enters the ears of all inhabitants. It especially enters Goloka Vṛndāvana-dhāma and attracts the minds of the young damsels of Vrajabhūmi, bringing them forcibly to where Kṛṣṇa is present.

CC Madhya 21.142, Translation:

“The vibration of Kṛṣṇa's flute is very aggressive, and it breaks the vows of all chaste women. Indeed, its vibration takes them forcibly from the laps of their husbands. The vibration of His flute attracts even the goddesses of fortune in the Vaikuṇṭha planets, to say nothing of the poor damsels of Vṛndāvana.

CC Madhya 21.143, Translation:

“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.

CC Madhya 21.144, Translation:

"The vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord Kṛṣṇa's flute."

CC Madhya 23.50, Translation:

“There are two kinds of particular ecstasies (vibhāva). One is called the support, and the other is called the awakening. The vibration of Kṛṣṇa's flute is an example of the awakening, and Lord Kṛṣṇa Himself is an example of the support.

CC Madhya 23.51, Purport:

"The many external ecstatic symptoms, or bodily transformations which indicate ecstatic emotions in the mind and which are also called udbhāsvara, are the anubhāvas, or subordinate ecstatic expressions of love." Some of these symptoms are dancing, falling down and rolling on the ground, singing and crying very loudly, bodily contortions, loud vibrations, yawning, deep breathing, disregard for others, the frothing of saliva, mad laughter, spitting, hiccups and other, similar symptoms. All these symptoms are divided into two divisions—śīta and kṣepaṇa. Singing, yawning and so on are called śīta. Dancing and bodily contortions are called kṣepaṇa.

In his Anubhāṣya, Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following verse from the Vedic literature describing udbhāsvara:

CC Madhya 23.82-83, Translation:

“‘Apart from these sixty transcendental qualities, Kṛṣṇa has an additional four transcendental qualities, which are not manifested even in the personality of Nārāyaṇa. These are: (1) Kṛṣṇa is like an ocean filled with waves of pastimes that evoke wonder within everyone in the three worlds. (2) In His activities of conjugal love, He is always surrounded by His dear devotees who possess unequaled love for Him. (3) He attracts the minds of all three worlds with the melodious vibration of His flute. (4) His personal beauty and opulence are beyond compare. No one is equal to Him, and no one is greater than Him. Thus the Personality of Godhead astonishes all living entities, both moving and nonmoving, within the three worlds. He is so beautiful that He is called Kṛṣṇa.

CC Madhya 23.84-85, Translation:

“"Above Nārāyaṇa, Kṛṣṇa has four specific transcendental qualities—His wonderful pastimes, an abundance of wonderful associates who are very dear to Him (like the gopīs), His wonderful beauty and the wonderful vibration of His flute. Lord Kṛṣṇa is more exalted than ordinary living beings and demigods like Lord Śiva. He is even more exalted than His personal expansion Nārāyaṇa. In all, the Supreme Personality of Godhead has sixty-four transcendental qualities in full."

CC Madhya 24.176, Translation:

“"My dear mother, in this forest, all the birds, after rising on the beautiful branches of the trees, are closing their eyes and, not being attracted by any other sound, are simply listening to the vibration of Kṛṣṇa"s flute. Such birds must be on the same level as great saints.’

CC Antya-lila

CC Antya 1.79, Translation:

"My dear friend, now I have met My very old and dear friend Kṛṣṇa on this field of Kurukṣetra. I am the same Rādhārāṇī, and now We are meeting together. It is very pleasant, but I would still like to go to the bank of the Yamunā beneath the trees of the forest there. I wish to hear the vibration of His sweet flute playing the fifth note within that forest of Vṛndāvana."

CC Antya 1.100, Translation:

When Śrī Caitanya Mahāprabhu chanted this verse, Haridāsa Ṭhākura, upon hearing the vibration, became jubilant and began to dance while praising its meaning.

CC Antya 1.114, Translation:

""My dear friend, now I have met My very old and dear friend Kṛṣṇa on this field of Kurukṣetra. I am the same Rādhārāṇī, and now We are meeting together. It is very pleasant, but I would still like to go to the bank of the Yamunā beneath the trees of the forest there. I wish to hear the vibration of His sweet flute playing the fifth note within that forest of Vṛndāvana.""

CC Antya 1.142, Translation:

“(Experiencing previous attachment to Kṛṣṇa (pūrva-rāga), Śrīmatī Rādhārāṇī thought:) "Since I have heard the name of a person called Kṛṣṇa, I have practically lost My good sense. Then, there is another person who plays His flute in such a way that after I hear the vibration, intense madness arises in My heart. And again there is still another person to whom My mind becomes attached when I see His beautiful lightninglike effulgence in His picture. Therefore I think that I am greatly condemned, for I have become simultaneously attached to three persons. It would be better for Me to die because of this."

CC Antya 1.156, Translation:

Śrīla Rāmānanda Rāya further inquired, “How have you described Vṛndāvana, the vibration of the transcendental flute, and the relationship between Kṛṣṇa and Rādhikā?

CC Antya 1.168, Translation:

“"My dear friend, this newly youthful Lord Śrī Kṛṣṇa, the moon in the family of Nanda Mahārāja, is so beautiful that He defies the beauty of clusters of valuable jewels. All glories to the vibration of His flute, for it is cunningly breaking the patience of chaste ladies by loosening their belts and tight dresses."

CC Antya 3.59, Purport:

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura states that the word vyavahita ("improperly uttered") is not used here to refer to the mundane vibration of the letters of the alphabet. Such negligent utterance for the sense gratification of materialistic persons is not a vibration of transcendental sound. Utterance of the holy name while one engages in sense gratification is an impediment on the path toward achieving ecstatic love for Kṛṣṇa. On the other hand, if one who is eager for devotional service utters the holy name even partially or improperly, the holy name, which is identical with the Supreme Personality of Godhead, exhibits its spiritual potency because of that person's offenseless utterance. Thus one is relieved from all unwanted practices, and one gradually awakens his dormant love for Kṛṣṇa.

CC Antya 3.60, Translation:

“If a devotee once utters the holy name of the Lord, or if it penetrates his mind or enters his ear, which is the channel of aural reception, that holy name will certainly deliver him from material bondage, whether vibrated properly or improperly, with correct or incorrect grammar, or properly joined or vibrated in separate parts. O brāhmaṇa, the potency of the holy name is therefore certainly great. However, if one uses the vibration of the holy name for the benefit of the material body, for material wealth and followers, or under the influence of greed or atheism—in other words, if one utters the name with offenses—such chanting will not produce the desired result very soon. Therefore one should diligently avoid offenses in chanting the holy name of the Lord.’”

CC Antya 4.64, Purport:

This verse (SB 10.29.35) was spoken by the gopīs when they were attracted by the vibration of Kṛṣṇa's flute in the moonlight of autumn. All of them, being maddened, came to Kṛṣṇa, but to increase their ecstatic love, Kṛṣṇa gave them moral instructions to return home. The gopīs did not care for these instructions. They wanted to be kissed by Kṛṣṇa, for they had come there with lusty desires to dance with Him.

CC Antya 6.23, Translation and Purport:

Indeed, the caudhurī was afraid of Raghunātha dāsa because Raghunātha dāsa belonged to the kāyastha community. Although the caudhurī would chastise him with oral vibrations, he was afraid to beat him.

Raghunātha dāsa belonged to a very aristocratic family of the kāyastha community. He had substantial influence with the local people, and therefore the caudhurī, or minister, was afraid to beat him. Superficially he would chastise Raghunātha dāsa with threatening vibrations, but he did not beat him. The members of the kāyastha community in India are generally very intelligent and expert in business management. Formerly they were mostly government officers. They were mentioned even by Yājñavalkya, as quoted by Śrīla Bhaktivinoda Ṭhākura in his Amṛta-pravāha-bhāṣya:

CC Antya 7.70, Translation:

Accepting the prasādam, all the Vaiṣṇavas chanted the holy names "Hari! Hari!" The rising vibration of the holy name of Hari filled the entire universe.

CC Antya 10.64, Translation:

Due to the forceful vibration of kīrtana, the entire world began trembling. When everyone chanted the holy name, they made a tumultuous sound.

CC Antya 11.70, Translation:

Śrī Caitanya Mahāprabhu danced and chanted all around the platform, and as the holy name of Hari roared tumultuously, the whole universe became filled with the vibration.

CC Antya 14.108, Translation:

“Hearing the vibration of Kṛṣṇa's flute, Śrīmatī Rādhārāṇī and all Her gopī friends came there to meet Him. They were all very nicely dressed.

CC Antya 15.8, Purport:

Śrī Kṛṣṇa's beauty attracted the eyes of Lord Caitanya Mahāprabhu, Kṛṣṇa's singing and the vibration of His flute attracted the Lord's ears, the transcendental fragrance of Kṛṣṇa's lotus feet attracted His nostrils, Kṛṣṇa's transcendental sweetness attracted His tongue, and Kṛṣṇa's bodily touch attracted the Lord's sensation of touch. Thus each of Śrī Caitanya Mahāprabhu's five senses was attracted by one of the five attributes of Lord Kṛṣṇa.

CC Antya 15.15, Translation:

“Lord Śrī Kṛṣṇa's beauty, the sound of His words and the vibration of His flute, His touch, His fragrance and the taste of His lips are full of an indescribable sweetness. When all these features attract My five senses at once, My senses all ride together on the single horse of My mind but want to go in five different directions.

CC Antya 15.67, Translation:

“The luster of Kṛṣṇa's body is as beautiful as the glow of a spotless full moon that has just risen, and the vibration of His flute sounds exactly like the sweet thundering of a newly formed cloud. When the peacocks in Vṛndāvana hear that vibration, they all begin to dance.

CC Antya 16.127, Translation:

“The nectar of Kṛṣṇa's lips, combined with the vibration of His flute, attracts all the people of the three worlds. But if we gopīs remain patient out of respect for religious principles, the flute then criticizes us.

CC Antya 16.128, Translation:

“The nectar of Your lips and the vibration of Your flute join together to loosen our belts and induce us to give up shame and religion, even before our superiors. As if catching us by our hair, they forcibly take us away and deliver us unto You to become Your maidservants. Hearing of these incidents, people laugh at us. We have thus become completely subordinate to the flute.

CC Antya 16.133, Translation:

"Therefore, My dear Kṛṣṇa, please give up all the tricks You have set up so expertly. Do not try to kill the life of the gopīs with the vibration of Your flute. Because of Your joking and laughing, You are becoming responsible for the killing of women. It would be better for You to satisfy us by giving us the charity of the nectar of Your lips."

CC Antya 17.10, Translation:

Suddenly, Śrī Caitanya Mahāprabhu heard the vibration of Kṛṣṇa's flute. Then, in ecstasy, He began to depart to see Lord Kṛṣṇa.

CC Antya 17.23, Translation:

“After hearing the vibration of a flute, I went to Vṛndāvana, and there I saw that Kṛṣṇa, the son of Mahārāja Nanda, was playing on His flute in the pasturing grounds.

CC Antya 17.35, Translation:

“‘When You play Your flute, the vibration acts like a messenger in the form of a yoginī perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You. Then she increases their great anxiety and induces them to give up the regulative principle of obeying superiors. Finally, she forcibly brings them to You to surrender in amorous love.

CC Antya 17.36, Translation:

“‘The vibration of Your flute, accompanied by Your glance, which pierces us forcibly with the arrows of lust, induces us to ignore the regulative principles of religious life. Thus we become excited by lusty desires and come to You, giving up all shame and fear. But now You are angry with us. You are finding fault with our violating religious principles and leaving our homes and husbands. And as You instruct us about religious principles, we become helpless.

CC Antya 17.38, Translation:

“"The nectarean buttermilk of Your flute"s vibration, the nectar of Your sweet words and the nectarean sound of Your ornaments mix together to attract our ears, minds and lives. In this way You are killing us.’”

CC Antya 17.47, Translation:

“When she hears the vibration of Kṛṣṇa's flute, even the goddess of fortune comes to Him, greatly hoping for His association, but nevertheless she does not get it. When the waves of thirst for His association increase, she performs austerities, but still she cannot meet Him.

CC Antya 17.48, Translation:

"Only the most fortunate can hear these four nectarean sounds—Kṛṣṇa's words, the tinkling of His ankle bells and bangles, His voice and the vibration of His flute. If one does not hear these sounds, his ears are as useless as small conchshells with holes."

CC Antya 19.42, Translation:

“The deep vibration of Kṛṣṇa's flute surpasses the thundering of new clouds and attracts the aural reception of the entire world. Thus the inhabitants of Vṛndāvana rise and pursue that sound, drinking the showering nectar of Kṛṣṇa's bodily luster like thirsty cātaka birds.

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 20:

Thus this cosmic manifestation is not false, as Śaṅkarācārya maintains. Actually, there is nothing false here. It is because of ignorance that the Māyāvādīs say this world is false. The conclusion of the Vaiṣṇava philosophy is that this cosmic manifestation is a by-product of the inconceivable energies of the Supreme Lord.

The principal word in the Vedas—praṇava, or oṁkāra—is the sound representation of the Supreme Lord. Therefore oṁkāra should be considered the supreme sound. But Śaṅkarācārya has falsely preached that the phrase tat tvam asi is the supreme vibration. Oṁkāra is the reservoir of all the energies of the Supreme Lord. Śaṅkara is wrong in maintaining that tat tvam asi is the supreme vibration of the Vedas, for tat tvam asi is only a secondary vibration. Tat tvam asi suggests only a partial representation of the Vedas. In several verses of the Bhagavad-gītā (8.13, 9.17, 17.24) the Lord has given importance to oṁkāra. Similarly, oṁkāra is given importance in the Atharva Veda and the Māṇḍūkya Upaniṣad. In his Bhagavat-sandarbha, Śrīla Jīva Gosvāmīhas given great importance to oṁkāra: "Oṁkāra is the most confidential sound representation of the Supreme Lord." The sound representation or name of the Supreme Lord is as good as the Supreme Lord Himself. By vibrating such sounds as oṁkāra or Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, one can be delivered from the contamination of this material world. Because such vibrations of transcendental sound can deliver a conditioned soul, they are known as tāraka-mantras.

Teachings of Lord Caitanya, Chapter 20:

"When the transcendental sound is vibrated by a conditioned soul, the Supreme Lord is present on his tongue." In the Māṇḍūkya Upaniṣad it is said that when oṁkāra is chanted, one attains perfect spiritual vision. In other words, in spiritual vision, or the spiritual world, there is nothing but oṁkāra. Unfortunately, Śaṅkara has abandoned this chief word, oṁkāra, and has whimsically accepted tat tvam asi as the supreme vibration of the Vedas. By accepting such a secondary vibration and leaving aside the principal vibration, he has given up the direct interpretation of the scripture in favor of his own indirect interpretation.

Śrīpāda Śaṅkarācārya has unceremoniously obscured the Kṛṣṇa consciousness described in the puruṣa Vedānta-sūtra by manufacturing an indirect interpretation and abandoning the direct interpretation. Unless we take all the statements of the Vedānta-sūtra as self-evident, there is no point in studying the Vedānta-sūtra. Interpreting the verses of the Vedānta-sūtra according to one's own whim is the greatest disservice to the self-evident Vedas.

As far as the oṁkāra (praṇava) is concerned, it is considered to be the sound incarnation of the Supreme Personality of Godhead. As such, oṁkāra is eternal, unlimited, transcendental, supreme and indestructible. He (oṁkāra) is the beginning, middle and end, and He is beginningless as well. When one understands oṁkāra as such, he becomes immortal. One should thus know oṁkāra as a representation of the Supreme situated in everyone's heart. One who understands oṁkāra and Viṣṇu as being one and the same and all-pervading never laments in the material world, nor does he remain a śūdra.

Teachings of Lord Caitanya, Chapter 20:

One should not foolishly interpret an Upaniṣadic description and say that it is because the Supreme Personality of Godhead cannot appear Himself in this material world in His own form that He sends His sound representation (oṁkāra) instead. Due to such a false interpretation, oṁkāra has come to be considered something material, and consequently oṁkāra is misunderstood and eulogized as being simply an exhibition or symbol of the Lord. Actually oṁkāra is as good as any other incarnation of the Supreme Lord.

The Lord has innumerable incarnations, and oṁkāra is one of them, in the form of a transcendental syllable. As Kṛṣṇa states in the Bhagavad-gītā (9.17): "Among vibrations, I am the syllable om." This means that oṁkāra is nondifferent from Kṛṣṇa. Impersonalists, however, give more importance to oṁkāra than to the Personality of Godhead, Kṛṣṇa. But the fact is that any representational incarnation of the Supreme Lord is nondifferent from Him. Such an incarnation or representation is as good spiritually as the Supreme Lord. Oṁkāra is therefore the ultimate representation of all the Vedas. Indeed, the Vedic mantras or hymns have transcendental value because they are prefixed by the syllable om. The Vaiṣṇavas interpret oṁkāra, a combination of the letters a, u and m, as follows: By the letter a, Kṛṣṇa, the Supreme Personality of Godhead, is indicated; by the letter u, Kṛṣṇa's eternal consort, Śrīmatī Rādhārāṇī, is indicated; and by the letter m, the living entity, the eternal servitor of the Supreme Lord, is indicated. Śaṅkara has not given such importance to oṁkāra. But such importance is given in the Vedas, the Rāmāyaṇa, the Purāṇas and the Mahābhārata, from beginning to end. Thus the glories of the Supreme Lord, the Supreme Personality of Godhead, are declared.

Teachings of Lord Caitanya, Chapter 22:

When the Lord sang in this way, chanting and dancing, thousands of people gathered around Him, and when the Lord chanted, they roared. The vibration was so tumultuous that Prakāśānanda Sarasvatī, who was sitting nearby, immediately joined the crowd with his disciples. As soon as he saw the beautiful body of Lord Caitanya and saw how He was dancing with His associates, Prakāśānanda Sarasvatī joined and began to sing: "Hari! Hari!" All the inhabitants of Benares were struck with wonder upon seeing the ecstatic dancing of Lord Caitanya. But Lord Caitanya checked His continuous ecstasy and stopped dancing when He saw the Māyāvādī sannyāsīs. As soon as the Lord stopped chanting and dancing, Prakāśānanda Sarasvatī fell at His feet. Trying to stop him, Lord Caitanya said, "Oh, you are the spiritual master of the whole world, jagad-guru, and I am not even equal to your disciples. You should therefore not worship an inferior like Me, for actually I am not even equal to the disciple of your disciple. You are exactly like the Supreme Brahman, and if I allow you to fall down at My feet, I will commit a very great offense. Although you have no vision of duality, for the sake of teaching the people in general you should not do this."

Nectar of Devotion

Nectar of Devotion Preface:

In the primary stage a child loves his parents, then his brothers and sisters, and as he daily grows up he begins to love his family, society, community, country, nation, or even the whole human society. But the loving propensity is not satisfied even by loving all human society; that loving propensity remains imperfectly fulfilled until we know who is the supreme beloved. Our love can be fully satisfied only when it is reposed in Kṛṣṇa. This theme is the sum and substance of The Nectar of Devotion, which teaches us how to love Kṛṣṇa in five different transcendental mellows.

Our loving propensity expands just as a vibration of light or air expands, but we do not know where it ends. The Nectar of Devotion teaches us the science of loving every one of the living entities perfectly by the easy method of loving Kṛṣṇa. We have failed to create peace and harmony in human society, even by such great attempts as the United Nations, because we do not know the right method. The method is very simple, but one has to understand it with a cool head. The Nectar of Devotion teaches all men how to perform the simple and natural method of loving Kṛṣṇa, the Supreme Personality of Godhead. If we learn how to love Kṛṣṇa, then it is very easy to immediately and simultaneously love every living being. It is like pouring water on the root of a tree or supplying food to one's stomach. The method of pouring water on the root of a tree or supplying foodstuffs to the stomach is universally scientific and practical, as every one of us has experienced. Everyone knows well that when we eat something, or in other words, when we put foodstuffs in the stomach, the energy created by such action is immediately distributed throughout the whole body. Similarly, when we pour water on the root, the energy thus created is immediately distributed throughout the entirety of even the largest tree.

Nectar of Devotion 10:

As stated in Bhagavad-gītā, "A materialistic person can give up his material hankerings only by becoming situated in Kṛṣṇa consciousness." Unless one finds a superior engagement, he will not be able to give up his inferior engagement. In the material world everyone is engaged in the illusory activities of the inferior energy, but when one is given the opportunity to relish the activities of the superior energy performed by Kṛṣṇa, then he forgets all his lesser pleasures. When Kṛṣṇa speaks on the Battlefield of Kurukṣetra, to the materialistic person it appears that this is simply talk between two friends, but actually it is a river of nectar flowing down from the mouth of Śrī Kṛṣṇa. Arjuna gave aural reception to such vibrations, and thus he became freed from all the illusions of material problems.

In the Twelfth Canto of Śrīmad-Bhāgavatam, Third Chapter, verse 15, it is stated, "A person who desires unalloyed devotional service to Lord Kṛṣṇa, who is praised by transcendental sound vibrations, should always hear about His glorification and transcendental qualities. This will surely kill all kinds of inauspiciousness in the heart."

Nectar of Devotion 26:

His rising chest was trying to come to peace talks with doors of jewels, and His two arms were minimizing the value of the bolts found on doors. Who can describe the wonderful beauty of these features of Kṛṣṇa? The special beauty of Kṛṣṇa's body was His mild smiling, His restless eyes and His world enchanting songs. These are the special features of this age.

There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.

At this age Kṛṣṇa enjoyed the rāsa-līlā, exhibiting His power of joking with the cowherd girls and enjoying their company in the bushes of the gardens by the bank of the Yamunā.

In this connection there is the following statement: "Throughout the whole tract of land known as Vṛndāvana there were the footprints of Kṛṣṇa and the gopīs, and in some places peacock feathers were strewn about. In some places there were nice beddings in the bushes of the Vṛndāvana gardens, and in some places there were piles of dust due to the group-dancing of Govinda and the gopīs." These are some of the features which are due to the different pastimes invented by Śrī Kṛṣṇa in the place known as Vṛndāvana.

Nectar of Devotion 26:

Somewhere He was picking quarrels with the young girls, somewhere He was scratching them with the nails of parrots, somewhere He was busy going to visit the gopīs, and somewhere He was negotiating through cowherd friends to take shelter of the gopīs.

Some of the gopīs addressed Him thus: "Dear Kṛṣṇa, because of Your adolescent age, You have just become the spiritual master of these young girls, and You are teaching them to whisper among themselves. You are teaching them to offer solemn prayers, as well as training them to cheat their husbands and to join You in the gardens at night, without caring for the instructions of their superiors. You are enthusing them by the vibration of Your enchanting flute; and, as their teacher, You are teaching them all the intricacies of loving affairs."

It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age. Kṛṣṇa was beautiful because every part of His body was perfectly arranged without any defect. Such perfect bodily features of Kṛṣṇa are described as follows: "My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl." The ornaments on the body of Kṛṣṇa were not actually enhancing His beauty, but just the reverse—the ornaments were beautified by Kṛṣṇa.

Nectar of Devotion 26:

As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages. Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

Nectar of Devotion 27:

A gopī once said to Kṛṣṇa, "My dear son of Nanda Mahārāja, by the sound of Your flute Śrīmatī Rādhārāṇī has become full of lamentation and fear, and thus, with a faltering voice, She is crying like a kurarī bird."

It is described that by hearing the vibration of Kṛṣṇa's flute, Lord Śiva becomes very puzzled and begins to cry so loudly into space that the demons become vanquished and the devotees become overwhelmed with joy.

Nectar of Devotion 28:

When a devotee is always intensely affected by love for Kṛṣṇa in a direct relationship with Him—or even a little apart from Him—his status is called existential ecstatic love. The symptoms originating from such existential ecstatic love are divided into three headings—namely moist, burnt and dried-up.

Moist existential ecstatic love aroused in connection with Kṛṣṇa is divided into two: direct and indirect. Rādhārāṇī was weaving a garland of kunda flowers, and upon hearing the vibration of Kṛṣṇa's flute, She immediately stopped Her work. This is an example of direct moistened existential ecstatic love. Indirect moistened existential ecstatic love is described in the following statement: Kṛṣṇa, who is also called Puruṣottama, is to the eyes of mother Yaśodā just like the cloud is to the eyes of the cātakī bird. When Kṛṣṇa had been brought to Mathurā, mother Yaśodā, being very anxious and angry, began to rebuke the King of Mathurā.

Burnt existential ecstatic love is divided into three, and one example is as follows: One day, mother Yaśodā was dreaming that the gigantic demon Pūtanā was lying on the courtyard of her house, and she immediately became anxious to seek out Kṛṣṇa.

When there are manifestations of ecstatic symptoms in the body of a nondevotee, these are called dried-up symptoms of ecstatic love. The nondevotees are actually materialistic, but in contact with some pure devotee, they sometimes may manifest some symptoms of ecstasy. Devotional scholars call these dried-up symptoms.

There are eight symptoms of existential ecstatic love: becoming stunned, perspiring, standing of the hairs on the body, faltering of the voice, trembling of the body, changing of bodily colors, shedding of tears and devastation.

Nectar of Devotion 28:

When several such ecstatic symptoms are visible, the condition is called blazing. For example, one of Kṛṣṇa's friends told Him, "My dear friend, as soon as I heard the sound of Your flute from within the forest, my hands became almost motionless, and my eyes became full of tears—so much so, in fact, that I could not recognize Your peacock feather. My thighs became almost completely stunned so that I could not move even an inch. Therefore, my dear friend, I must acknowledge the wonderful vibration of Your transcendental flute."

Similarly, one gopī said to another, "My dear friend, when I heard the sound of Kṛṣṇa's flute, I tried to hide myself from the reaction of the vibrations. But still I could not check the trembling of my body, and therefore all of my friends in the house could detect my attachment for Kṛṣṇa without any doubt."

When the ecstatic symptoms cannot be checked and they simultaneously appear in four or five different categories, this stage of ecstatic love is called shining. The example is cited, in this connection, that when the sage Nārada saw Lord Kṛṣṇa standing before him, his body became so stunned that he stopped playing on his vīṇā. Because of his faltering voice, he could not offer any prayers to Kṛṣṇa, and his eyes filled with tears. Thus, Nārada's ability to see Kṛṣṇa was also obstructed.

Nectar of Devotion 30:

Your two eyes flying over to the eyes of Śrīmatī Rādhārāṇī, just like black drones flying to lotus flowers." This is an instance of an argumentative suggestion in ecstatic love.

Once while Kṛṣṇa was out walking, one of the associates of Rādhārāṇī told Her, "My dear friend, do You think that this walking personality is a tamāla tree? If He is a tamāla tree, then how is it possible for Him to walk and be so beautiful? Then, this personality might be a cloud. But if He's a cloud, then where is the beautiful moon within? Under the circumstances, I think it may be granted that this person is the same enchanting Personality of Godhead by whose flute vibration the three worlds are captivated. He must be the same Mukunda who is standing before Govardhana Hill." This is another instance of an argumentative presentation of ecstatic love.

Nectar of Devotion 30:

In the Tenth Canto, Seventy-first Chapter, verse 33, of Śrīmad-Bhāgavatam, it is said, "When Kṛṣṇa first came from His kingdom, Dvārakā, to Indraprastha, the young females of the city became so eager to see Him that even at night, when they were lying down with their husbands, they could not restrain their eagerness. Even though they were not properly dressed and although their hair was loose and there were many household duties to perform, they still gave up everything and immediately went into the street to see Kṛṣṇa." This is an instance of eagerness in ecstatic love.

In his book Stavāvalī, Śrī Raghunātha dāsa Gosvāmī has prayed for the mercy of Rādhārāṇī, who was so captivated by the flute vibrations of Kṛṣṇa that She immediately asked information of His whereabouts from residents in the Vṛndāvana forest. Upon first seeing Kṛṣṇa, She was filled with such ecstatic love and pleasure that She began to scratch Her ears. The damsels of Vraja and Rādhārāṇī were very expert in talking cunningly, so as soon as they saw Kṛṣṇa they began their talkings; and Kṛṣṇa, pretending to go for some flowers for them, immediately left that place and entered into a mountain cave. This is another instance of eager loving exchanges on the parts of both the gopīs and Kṛṣṇa.

Nectar of Devotion 30:

Every evening at sunset Kṛṣṇa used to return from the pasturing ground where He herded cows. Sometimes when mother Yaśodā could not hear the sweet vibration of His flute she would become very anxious, and because of this she would feel dizzy. Thus, dizziness caused by anxiety in ecstatic love for Kṛṣṇa is also possible.

When Yaśodā had tied Kṛṣṇa up one time, she began to think, "Kṛṣṇa's body is so soft and delicate. How could I have tied Him with rope?" Thinking this, her brain became puzzled, and she felt dizziness.

The gopīs were advised by their superiors to bolt the doors at night, but they were so carefree that they did not carry out this order very rigidly. Sometimes, by thinking of Kṛṣṇa, they became so confident of being out of all danger that they would lie down at night in the courtyards of their houses. This is an instance of dizziness in ecstatic love due to natural affection for Kṛṣṇa.

It may be questioned why devotees of Kṛṣṇa should be attacked by dizziness, which is usually considered a sign of the mode of ignorance. To answer this question, Śrī Jīva Gosvāmī has said that the devotees of Lord Kṛṣṇa are always transcendental to all the modes of material nature; when they feel dizziness or go to sleep, they are not considered to be sleeping under the modes of nature, but are accepted as being in a trance of devotional service. There is an authoritative statement in the Garuḍa Purāṇa about mystic yogīs who are under the direct shelter of the Supreme Personality of Godhead: "In all three stages of their consciousness—namely wakefulness, dreaming and deep sleep—the devotees are absorbed in thought of the Supreme Personality of Godhead. Therefore, in their complete absorption in thought of Kṛṣṇa, they do not sleep."

Nectar of Devotion 31:

This is an instance of hopelessness, pride, doubt, patience, lamentation, determination and eagerness—an aggregation of seven different symptoms in ecstatic love for Kṛṣṇa.

There is a proverb in Sanskrit which says, "Disappointment gives rise to the greatest satisfaction." In other words, when one's sentiment or ambition becomes too great and is not fulfilled until after seemingly hopeless tribulation, that is taken as the greatest satisfaction. Once the cowherd boys in Vṛndāvana were vainly searching after Kṛṣṇa for a long time, and for that reason their faces became blackened, and their complexions appeared faded. Just then they could hear on the hill a faint vibration from Kṛṣṇa's flute. Immediately all of them became very much gladdened. This is an instance of satisfaction in the midst of disappointment.

Śrīla Rūpa Gosvāmī says that although he has no expert knowledge about the sounds and meanings and mellows of the symptoms of ecstatic love, he has tried to give some examples of different varieties of love of Kṛṣṇa. He further states that the thirty-three disturbing symptoms of ecstatic love, plus eight other symptoms, all taken together equal forty-one primary symptoms of ecstatic love. These symptoms create transformations of bodily activities as well as movements of the senses. All of them can be accepted as different feelings of the heart. Sometimes some of the feelings are quite natural. Sometimes some of the feelings are just temporary appearances. Those symptoms which are very natural always remain, both within and without the devotee.

Nectar of Devotion 35:

When these mystic yogīs saw Lord Kṛṣṇa and Balarāma, they exclaimed that now that they had seen the excellent bodily effulgence of the Lord, they had almost forgotten the pleasure derived from impersonal Brahman realization. In this connection one of the mystics approached Kṛṣṇa and said, "My dear Lord, You are always full with transcendental bliss, excelling all other spiritual positions. And so, simply by seeing You from a distant place, I have come to the conclusion that there is no need of my being situated in the transcendental bliss of impersonal Brahman."

When a great mystic was once awakened from his meditative trance by hearing the vibration of Kṛṣṇa's Pāñcajanya conchshell, the mystic became overpowered—so much so, in fact, that he began to bash his head on the ground, and with eyes full of tears of ecstatic love, he violated all the rules and regulations of his yoga performances. Thus he at once neglected the process of Brahman realization.

Bilvamaṅgala Ṭhākura, in his book Kṛṣṇa-karṇāmṛta, says, "Let the impersonalists be engaged in the process of transcendental realization by worshiping the impersonal Brahman. Although I was also initiated into that path of Brahman realization, I have now become misled by a naughty boy—one who is very cunning, who is very much attached to the gopīs and who has made me His maidservant. So I have now forgotten the process of Brahman realization."

Bilvamaṅgala Ṭhākura was first spiritually initiated for impersonal realization of the Absolute Truth, but later on, by his association with Kṛṣṇa in Vṛndāvana, he became an experienced devotee. The same thing happened to Śukadeva Gosvāmī, who also reformed himself by the grace of the Lord and took to the path of devotional service, giving up the way of impersonal realization.

Nectar of Devotion 37:

When Lord Kṛṣṇa, Mahārāja Yudhiṣṭhira and the other Pāṇḍavas approached Bhīṣmadeva, he was very grateful to Lord Kṛṣṇa, and he addressed the brāhmaṇa military commander Kṛpācārya thus: "My dear Kṛpācārya, just see the wonderful causeless mercy of Lord Kṛṣṇa! I am most unfortunate. I have no qualification. I was opposing Kṛṣṇa's most intimate friend, Arjuna—I even tried to kill him! I have so many disqualifications, and yet the Lord is still so kind that He has come to see me at the last point of my life. He is worshipable by all great sages, but still He is so merciful that He has come to see an abominable person like me."

Sometimes the vibration of Lord Kṛṣṇa's flute, His bugling, His smiling, His footmarks on the ground, the transcendental fragrance of His body and the appearance of a new cloud in the sky also become impetuses for ecstatic love of Him.

In the Vidagdha-mādhava there is the following statement: "When Kṛṣṇa was playing on His flute, Baladeva very anxiously declared, 'Just see how, after hearing the transcendental sound of Kṛṣṇa's flute, Indra, the King of heaven, is crying in his heavenly kingdom! And from his teardrops falling on the ground, Vṛndāvana appears to have become a celestial residence for the demigods.' "

Ecstatic love for Kṛṣṇa, which is known as anubhāva, is symptomized by the following signs: one becomes engaged exclusively in the service of the Lord, being attentive to carry out the orders of the Lord faithfully; one becomes undisturbed and nonenvious in full transcendental loving service to the Lord; and one makes friendship with the devotees of the Lord who are situated in faithful service to Him. All of these symptoms are called anubhāva, ecstatic love.

Nectar of Devotion 40:

When Cupid came on one occasion to visit Lord Kṛṣṇa, some devotee addressed him thus: "My dear Cupid, because you have been so fortunate as to have placed your eyesight on the lotus feet of Kṛṣṇa, the drops of perspiration on your body have become frozen, and they resemble kaṇṭakī fruits (a kind of small fruit found in thorny bushes)." These are signs of ecstasy and veneration for the Supreme Personality of Godhead. When the princes of the Yadu dynasty heard the vibration of Kṛṣṇa's Pāñcajanya conchshell, the hairs on their bodies immediately stood up in ecstatic jubilation. It seemed at that time that all the hairs on the bodies of the princes were dancing in ecstasy.

In addition to jubilation, there are sometimes symptoms of disappointment. Pradyumna once addressed Sāmba with these words: "My dear Sāmba, you are such a glorified personality! I have seen that once when you were playing on the ground, your body became covered with dust; yet our father, Lord Kṛṣṇa, still took you up on His lap. But I am so unfortunate that I could never get such love from our father!" This statement is an example of disappointment in love.

To regard Kṛṣṇa as one's superior is called reverential feeling, and when, in addition to this, a devotee feels that Kṛṣṇa is his protector, his transcendental love for Kṛṣṇa is increased, and his combined feelings are called reverential devotion. When this steady reverential devotion increases further, it is called love of Godhead in reverential devotion. Attraction and affection are two prominent symptoms of this stage. In this reverential devotional attitude, Pradyumna never talked to his father in a loud voice. In fact, he never so much as unlocked the lips of his mouth, nor did he ever show his face filled with tears.

Nectar of Devotion 42:

These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.

When Kṛṣṇa came out from the Yamunā after chastising the Kāliya-nāga, Śrīdāmā wanted to embrace Him first, but he could not raise his arms because of his great feeling of respect.

When Kṛṣṇa used to play on His flute, the vibration appeared just like the roaring of clouds in the sky during the constellation of Svātī. According to Vedic astronomical calculation, if there is rain during the constellation of the Svātī star, any rain falling on the sea will produce pearls, and rain falling on a serpent will produce jewels. Similarly, when Kṛṣṇa's flute roared like a thundercloud under the Svātī constellation, the resulting perspiration on Śrīdāmā's body appeared to be just like pearls.

When Kṛṣṇa and Subala were embracing one another, Śrīmatī Rādhārāṇī became a little envious, and hiding Her hot temperament She said, "My dear Subala, you are very fortunate because even in the presence of superiors you and Kṛṣṇa have no hesitation in putting your arms on each other's shoulders. I think it must be admitted that in your previous lives you have succeeded in many kinds of austerities." The idea is that although Rādhārāṇī was accustomed to putting Her arms on Kṛṣṇa's shoulders, it was not possible for Her to do such a thing in the presence of Her superiors, whereas Subala could do so freely. Rādhārāṇī therefore praised his good fortune.

Krsna, The Supreme Personality of Godhead

Krsna Book 5:

And when the brāhmaṇa reaches further perfection, he becomes a Vaiṣṇava, or a devotee.

In Kṛṣṇa's birth ceremony, all the assembled brāhmaṇas began to chant different kinds of Vedic mantras to invoke all good fortune for the child. There are different kinds of chanting, known as sūta, māgadha, vandīja and virudāvalī. Along with this chanting of mantras and songs, bugles and kettledrums are sounded outside the house. On this occasion, the joyous vibrations could be heard in all the pasturing grounds and all the houses. Within and outside of the houses there were varieties of artistic paintings, done with rice pulp, and scented water was sprinkled everywhere, even on the roads and streets. Ceilings and roofs were decorated with different kinds of flags, festoons and green leaves. The gates were made of green leaves and flowers. All the cows, bulls and calves were smeared with a mixture of oil and turmeric and painted with minerals like red oxide, yellow clay and manganese. They wore garlands of peacock feathers and were covered with nice colored cloths and gold necklaces.

When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.

As soon as they heard that Mother Yaśodā had given birth to a child, all the cowherd women became overwhelmed with joy, and they also dressed themselves with various kinds of costly garments and ornaments and smeared scented cosmetics on their bodies.

Krsna Book 6:

Kṛṣṇa is so merciful that because the demon Pūtanā came to offer her breast milk to Him, He fulfilled her desire and accepted her activity as motherly. But to stop her from further nefarious activities, He immediately killed her. And because the demon was killed by Kṛṣṇa, she got liberation. As Kṛṣṇa pressed her breast extremely hard and sucked out her very breath, Pūtanā fell down on the ground, spread her arms and legs and began to cry, "Oh, child, leave me, leave me!" She was crying loudly and perspiring, and her whole body became wet.

As she died screaming, there was a tremendous vibration on the earth and in the sky, on the upper and lower planets, and in all directions, and people thought that thunderbolts were falling. Thus the nightmare of the Pūtanā witch was over, and she assumed her real feature as a great demon. She opened her fierce mouth and spread her arms and legs all over. She fell exactly as Vṛtrāsura did when struck by the thunderbolt of Indra. The long hair on her head was scattered all over her body. Her fallen body extended up to twelve miles and smashed all the trees to pieces, and everyone was struck with wonder upon seeing this gigantic body. Her teeth appeared just like plows, and her nostrils appeared just like mountain caves. Her breasts appeared like small hills, and her hair was a vast reddish bush. Her eye sockets appeared like blind wells, and her two thighs appeared like two banks of a river. Her two hands appeared like two strongly constructed bridges, and her abdomen seemed like a dried-up lake. All the cowherd men and women became struck with awe and wonder upon seeing this. And the tumultuous sound of her falling shocked their brains and ears and made their hearts beat strongly.

Krsna Book 11:

Mother Yaśodā’s child, who is the reservoir of pleasure for the demigods and who is the maintainer of saintly persons, caught hold of the great gigantic heron by the two halves of his beak and, before His cowherd boyfriends, bifurcated his mouth, just as a child very easily splits a blade of grass. From the sky, the denizens of the heavenly planets showered flowers like the mallikā, the most fragrant of all flowers, as a token of their congratulations. Accompanying the showers of flowers was a vibration of bugles, drums and conchshells.

When the boys saw the showering of flowers and heard the celestial sounds, they became struck with wonder. And when they saw Kṛṣṇa freed from the mouth of the great demon Bakāsura, all of them, including Balarāma, were so pleased that it seemed as if they had regained their very source of life. As soon as they saw Kṛṣṇa coming toward them, they one after another embraced the son of Nanda and held Him to their chests. After this, they assembled all the calves under their charge and began to return home.

When they arrived home, they spoke of the wonderful activities of the son of Nanda. When the gopīs and cowherd men all heard the story from the boys, they felt great happiness because naturally they loved Kṛṣṇa, and by hearing about His glories and victorious activities they became still more affectionate toward Him. Thinking that child Kṛṣṇa had been saved from the mouth of death, they looked upon His face with great love and affection. They were full of anxiety and could not turn their faces from the vision of Kṛṣṇa. The gopīs and the men began to converse amongst themselves about how wonderful it was that child Kṛṣṇa had been attacked in so many ways and so many times by so many demons, and yet the demons themselves had been killed and Kṛṣṇa had remained uninjured.

Krsna Book 12:

The demigods became overwhelmed with joy and showered flowers on the Supreme Personality of Godhead, Kṛṣṇa, and thus they worshiped Him. The denizens of heaven danced in jubilation, and the denizens in Gandharvaloka offered various kinds of prayers. Drummers beat drums in jubilation, the brāhmaṇas recited Vedic hymns, and all the devotees of the Lord chanted the words "Jaya! Jaya! All glories to the Supreme Personality of Godhead!"

When Lord Brahmā heard those auspicious vibrations, which sounded throughout the higher planetary system, he immediately came down to see what had happened. He saw that the demon was killed, and he was struck with wonder at the uncommon, glorious pastimes of the Personality of Godhead.

The gigantic mouth of the demon remained in an open position for many days and gradually dried up; it remained a spot of pleasure pastimes for all the cowherd boys.

The killing of Aghāsura took place when Kṛṣṇa and all His boyfriends were under five years old. Children under five years old are called kaumāra, from five years up to the tenth year they are called paugaṇḍa, and from the tenth year up to the fifteenth year they are called kaiśora. After the fifteenth year, boys are called youths. For one year there was no discussion of the incident of the Aghāsura demon in the village of Vraja. But when the boys attained their sixth year, they informed their parents of the incident with great wonder.

Krsna Book 13:

Thus expanding Himself as the boys and calves in their individual capacities, and surrounded by such expansions of Himself, Kṛṣṇa entered the village of Vṛndāvana. The residents had no knowledge of what had happened. After entering the village of Vṛndāvana, all the calves entered their respective cowsheds, and the boys went to their respective mothers and homes.

The mothers of the boys heard the vibration of their flutes before their entrance, and to receive them, they came out of their homes and embraced them. And out of maternal affection, milk was flowing from their breasts, and they allowed the boys to drink it. However, their offering was not exactly to their boys but to the Supreme Personality of Godhead, who had expanded Himself into such boys. This was a chance for all the mothers of Vṛndāvana to feed the Supreme Personality of Godhead with their own milk. Therefore not only did Lord Kṛṣṇa give Yaśodā the chance to feed Him, but this time He gave the chance to all the other elder gopīs.

All the boys dealt with their mothers as usual, and the mothers also, on the approach of evening, bathed their respective children, decorated them with tilaka and ornaments and gave them necessary food after the day's labor. The cows also, who had been away in the pasturing ground, returned in the evening and called their respective calves. The calves immediately came to their mothers, and the mothers began to lick the bodies of the calves. These relations of the cows and the gopīs with their calves and boys remained unchanged, although actually the original calves and boys were not there. Actually the cows' affection for their calves and the elder gopīs' affection for their boys causelessly increased. Their affection increased naturally, even though the calves and boys were not their offspring.

Krsna Book 21:

Govardhana Hill knows how to please the Lord by pleasing His most beloved associates, the cows and the cowherd boys.”

Another gopī said, "Everything appears wonderful when Kṛṣṇa and Balarāma travel in the forest of Vṛndāvana playing Their flutes and making intimate friendship with all kinds of moving and nonmoving living creatures. When Kṛṣṇa and Balarāma play on Their transcendental flutes, the moving creatures become stunned and stop their activities, and the nonmoving living creatures, like trees and plants, begin to shiver with ecstasy. These are the wonderful reactions to the vibration of the transcendental flutes of Kṛṣṇa and Balarāma."

Kṛṣṇa and Balarāma carried binding ropes on Their shoulders and in Their hands, just like ordinary cowherd boys. While milking cows, cowherd boys bind the cows' hind legs with a small rope. This rope almost always hangs from the shoulders of cowherd boys, and it was not absent from the shoulders of Kṛṣṇa and Balarāma. In spite of Their being the Supreme Personality of Godhead, They played exactly like cowherd boys, and therefore everything became wonderful and attractive.

While Kṛṣṇa was engaged in tending the cows in the forest of Vṛndāvana or on Govardhana Hill, the gopīs in the village were always absorbed in thinking of Him and discussing His different pastimes. This is the perfect example of Kṛṣṇa consciousness: to somehow or other remain always engrossed in thoughts of Kṛṣṇa. The vivid example is always present in the behavior of the gopīs; therefore Lord Caitanya declared that no one can worship the Supreme Lord by any method which is better than the method of the gopīs. The gopīs were not born in very high brāhmaṇa or kṣatriya families; they were born in the families of vaiśyas, and not in big mercantile communities but in the families of cowherd men.

Krsna Book 29:

When the full moon rose in the east, it tinged everything with a reddish color. With the rising of the moon, the whole sky appeared smeared by red kuṅkuma. When a husband long separated from his wife returns home, he decorates the face of his wife with red kuṅkuma. This long-expected moonrise of the śarat season was thus smearing the eastern sky.

The appearance of the moon increased Kṛṣṇa's desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted. Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere and the blossoming flowers. All the gopīs were by nature very much attracted to Kṛṣṇa's beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa.

Immediately upon hearing the vibration of the flute, they all left their respective engagements and proceeded to the spot where Kṛṣṇa was standing. While they ran very swiftly, their earrings swung back and forth. They all rushed toward the place known as Vaṁśīvaṭa. Some of them were engaged in milking cows, but they left their milking business half finished and immediately went to Kṛṣṇa. One of them had just collected milk and put it in a milk pan on the stove to boil, but she did not care whether the milk overboiled and spilled—she immediately left to go see Kṛṣṇa. Some of them were breast-feeding their small babies, and some were engaged in distributing food to the members of their families, but they left all such engagements and immediately rushed toward the spot where Kṛṣṇa was playing His flute.

Krsna Book 31:

“O Kṛṣṇa, when You return from the pasturing ground with the animals, we see Your face covered by Your curly hair and dusted by the hoof dust of the cows. We see Your mildly smiling face, and our desire to enjoy You increases. O dear Kṛṣṇa, You are the supreme lover, and You always give shelter to surrendered souls. You fulfill everyone's desire; Your lotus feet are worshiped even by Lord Brahmā, the creator of the universe. On whoever worships Your lotus feet, You without a doubt always bestow Your benedictions. So kindly be pleased with us and keep Your lotus feet on our breasts and thus relieve our present distresses. Dear Kṛṣṇa, we are seeking Your kisses, which You offer even to Your flute. The vibration of Your flute enchants the whole world and our hearts also. Kindly, therefore, return and kiss us with Your mouth of nectar.”

Krsna Book 35:

Feeling constant separation while engaged in the service of the Lord is the perfection of Kṛṣṇa consciousness.

The gopīs used to discuss Kṛṣṇa amongst themselves, and their talks were as follows. "My dear friends," one gopī said, "do you know that when Kṛṣṇa lies on the ground He rests on His left elbow, and His head rests on His left hand? He moves His attractive eyebrows while playing His flute with His delicate fingers, and the sound He produces creates such a nice atmosphere that the denizens of the heavenly planets, who travel in space with their wives and beloveds, stop their airplanes, for they are stunned by the vibration of the flute. The wives of the demigods who are seated in the planes then become very much ashamed of their singing and musical qualifications. Not only that, but they become afflicted with conjugal love, and their hair and tight clothes immediately loosen."

Another gopī said, “My dear friends, Kṛṣṇa is so beautiful that the goddess of fortune always remains on His chest, and He is always adorned with a golden necklace. Beautiful Kṛṣṇa plays His flute in order to enliven the hearts of many devotees. He is the only friend of the suffering living entities. When He plays His flute, all the cows and other animals of Vṛndāvana, although engaged in eating, simply take a morsel of food in their mouths and stop chewing. Their ears raise up and they become stunned. They do not appear alive but like painted animals. Kṛṣṇa's flute-playing is so attractive that even the animals become enchanted, and what to speak of ourselves.”

Another gopī said, “My dear friends, not only living animals but even inanimate objects like the rivers and lakes of Vṛndāvana also become stunned when Kṛṣṇa passes with peacock feathers on His head and His body smeared with the minerals of Vṛndāvana.

Krsna Book 35:

One gopī said, "My dear friends, Kṛṣṇa and Balarāma are nicely dressed with earrings and pearl necklaces. They enjoy Themselves on the top of Govardhana Hill, and everything becomes absorbed in transcendental pleasure when Kṛṣṇa plays on His flute, charming the whole created manifestation. When He plays, the clouds stop their loud thundering out of fear of Him. Rather than disturb the vibration of His flute, they respond with mild thunder and so congratulate Kṛṣṇa, their friend."

Kṛṣṇa is accepted as the friend of the cloud because both the cloud and Kṛṣṇa satisfy the people when they are disturbed. When the people are burning due to excessive heat, the cloud satisfies them with rain. Similarly, when people in materialistic life become disturbed by the blazing fire of material pangs, Kṛṣṇa consciousness gives them relief like a cloud. The cloud and Kṛṣṇa, having the same bodily color also, are considered to be friends. Desiring to congratulate its superior friend, the cloud poured not water but small flowers and covered the head of Kṛṣṇa just like an umbrella to protect Him from the scorching sunshine.

One of the gopīs told Mother Yaśodā, “My dear mother, your son is very expert among the cowherd boys. He knows all the different arts of how to tend the cows and how to play the flute. He composes His own songs, and to play them He puts His flute to His mouth. When He plays, either in the morning or in the evening, all the demigods, including Lord Śiva, Brahmā, Indra and Candra, bow their heads and listen with great attention. Although they are very learned and expert, they cannot understand the musical arrangements of Kṛṣṇa's flute. They simply listen attentively and try to understand, but they become bewildered and nothing more.”

Krsna Book 35:

When He would prepare to return from the pasturing ground, He would gather all the cows. As Vaiṣṇavas count 108 beads, which represent the 108 individual gopīs, so Kṛṣṇa would also count on 108 beads to count the different groups of cows.

"When Kṛṣṇa returns, He is garlanded with tulasī leaves," a gopī described Him to a friend. "He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute."

Another gopī told Mother Yaśodā, “My dear mother, when your son returns home, He decorates Himself with the buds of the kunda flower, and just to enlighten and gladden His friends, He blows His flute. The breeze blowing from the south creates a pleasing atmosphere because it is fragrant and very cool. Minor demigods like the Gandharvas and Siddhas take advantage of this atmosphere and offer prayers to your son by sounding their bugles and drums. Kṛṣṇa is very kind to the inhabitants of Vrajabhūmi, Vṛndāvana, and when He returns with His cows and friends, He is remembered as the lifter of Govardhana Hill. Taking advantage of this opportunity, the most exalted demigods like Lord Brahmā and Lord Śiva come down to offer their evening prayers, and they accompany the cowherd boys in glorifying the qualities of Kṛṣṇa.

Krsna Book 43:

By seeing Kṛṣṇa and thinking of Him, they forgot all sorts of fatigue.” The Mathurā citizens discussed the dynasty of Yadu, saying that because of Kṛṣṇa's appearance in this dynasty the Yadus would remain the most celebrated family in the whole universe. The citizens of Mathurā then began to talk about Balarāma. They spoke of His very beautiful lotus-petal eyes, and they remarked of Him, "This boy has killed the Pralamba demon and many others also." While they were thus talking about the activities of Kṛṣṇa and Balarāma, they heard the vibrations of different bands announcing the wrestling match.

The famous wrestler Cāṇūra then began to talk with Kṛṣṇa and Balarāma. "My dear Kṛṣṇa and Balarāma," he said, “we have heard about Your past activities. You are great heroes, and therefore the King has called You. We have heard that Your arms are very strong. The King and all the people present here desire to see a display of Your wrestling abilities. A citizen should be obedient and please the mind of the ruling king; acting in that way, the citizen attains all kinds of good fortune. One who does not care to act obediently is made unhappy because of the king's anger. You are cowherd boys, and we have heard that while tending Your cows in the forest, You enjoy wrestling with each other. We wish, therefore, for You to join with us in wrestling so that all the people present here, including the King, will be pleased.”

Krsna Book 45:

On hearing this, Kṛṣṇa dove deep into the water and caught hold of the demon Pañcajana. He killed him on the spot but could not find the son of His teacher within his belly. Therefore He took the demon's dead body (in the shape of a conchshell) and returned to His chariot on the beach of Prabhāsa-kṣetra. From there He started for Saṁyamanī, the residence of Yamarāja, the superintendent of death. Accompanied by His elder brother, Balarāma, who is also known as Halāyudha, Kṛṣṇa arrived there and blew on His conchshell.

Hearing the vibration, Yamarāja appeared and received Śrī Kṛṣṇa with all respectful obeisances. Yamarāja could understand who Kṛṣṇa and Balarāma were, and therefore he immediately offered his humble service to the Lord. Kṛṣṇa had appeared on the surface of the earth like an ordinary human being, but actually Kṛṣṇa and Balarāma are the Supersoul living within the heart of every living entity. They are Viṣṇu Himself but were playing just like ordinary human boys. When Yamarāja offered his services to the Lord, Śrī Kṛṣṇa asked him to return His teacher's son, who had come to him as a result of his work. "Considering My ruling supreme," said Kṛṣṇa, "you should immediately return the son of My teacher."

Krsna Book 47:

Being deprived of all material acquisitions, one makes his relatives and himself unhappy. Then he wanders in search of Kṛṣṇa, either as a human being or in other species of life, even as a bird, and voluntarily accepts the profession of a mendicant. It is very difficult to actually understand Kṛṣṇa—His name, His qualities, His form, His pastimes, His paraphernalia and His entourage.”

Śrīmatī Rādhārāṇī continued to speak to the black messenger of Kṛṣṇa: "Please do not talk anymore about Kṛṣṇa. It is better to talk about something else. We are already doomed, like the black-spotted she-deer in the forest who are enchanted by the sweet musical vibration of the hunter. In the same way, we have been enchanted by the sweet words of Kṛṣṇa, and by thinking of the rays of His toenails again and again, we are becoming more and more lusty for His association. Therefore, I request you not to talk of Kṛṣṇa anymore."

These talks of Rādhārāṇī with the bumblebee messenger, including Her accusing Kṛṣṇa in so many ways and at the same time expressing Her inability to give up talking about Him, are signs of the topmost transcendental ecstasy, called mahā-bhāva. The ecstatic mahā-bhāva manifestation is possible only in the persons of Rādhārāṇī and Her associates. Great ācāryas like Śrīla Rūpa Gosvāmī and Viśvanātha Cakravartī Ṭhākura have analyzed these mahā-bhāva speeches of Śrīmatī Rādhārāṇī and described their different varieties, such as udghūrṇā, or bewilderment, and jalpa-pratijalpa, or talking in different ways. These are the signs of ujjvala-rasa, or the brightest jewel of love of God.

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Another gopī said, “It is an unreasonable hope for us to expect Kṛṣṇa to come back to Vṛndāvana. We should try instead to be happy in disappointment. Even Piṅgalā, the great prostitute, said that disappointment is the greatest pleasure. We all know these things, but it is very difficult for us to give up the expectation of Kṛṣṇa's coming back. Who can forget a solitary conversation with Kṛṣṇa, on whose chest the goddess of fortune always remains, in spite of Kṛṣṇa's not desiring her? My dear Uddhava, Vṛndāvana is the land of rivers, forests and cows. Here the vibration of the flute was heard, and Kṛṣṇa, along with His elder brother, Śrī Balarāma, enjoyed the atmosphere in our company. Thus the environment of Vṛndāvana constantly reminds us of Kṛṣṇa and Balarāma. On the land of Vṛndāvana are the impressions of His footprints, the residence of the goddess of fortune, and because of such signs we cannot forget Kṛṣṇa.”

The gopīs further expressed that Vṛndāvana was still full of all opulence and good fortune; there was no scarcity or want in Vṛndāvana as far as material necessities were concerned. But in spite of such opulence they could not forget Kṛṣṇa and Balarāma.

"We constantly remember various attractive features of beautiful Kṛṣṇa—His walking, His smiling, His joking words. We have all become lost by the dealings of Kṛṣṇa, and it is impossible for us to forget Him. We always pray to Him, exclaiming, "Dear Lord, dear husband of the goddess of fortune, dear Lord of Vṛndāvana and deliverer of the distressed devotees! We have now fallen and merged into an ocean of distress. Please, therefore, come back to Vṛndāvana and deliver us from this pitiable condition." "

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For His sake they left everything—their families, their children, their friends, their homes and all worldly connections.”

Uddhava appreciated the exalted position of the gopīs and wished to fall down and take the dust of their feet on his head. Yet he dared not ask the gopīs to offer the dust from their feet; perhaps they would not be agreeable. Therefore, to have his head smeared with the dust of the gopīs' feet without their knowledge, he desired to become only an insignificant clump of grass or herbs in the land of Vṛndāvana.

The gopīs were so much attracted to Kṛṣṇa that when they heard the vibration of His flute they instantly left their homes, families, children, honor and feminine bashfulness and ran toward the place where Kṛṣṇa was standing. They did not consider whether they were passing over the road or through the jungles. Imperceptibly, the dust of their feet was bestowed on small grasses and herbs of Vṛndāvana. Not daring to place the dust of the gopīs' feet on his own head in this life, Uddhava aspired to have a future birth in Vṛndāvana in the position of a clump of grass or herbs. He would then be able to have the dust of the gopīs' feet.

Uddhava appreciated the extraordinary fortune of the gopīs, who were relieved of all material pangs and anxieties by placing on their beautiful high breasts the lotus feet of Kṛṣṇa, which are worshiped not only by the goddess of fortune but by such exalted demigods as Brahmā and Lord Śiva, and which great yogīs meditate upon within their hearts. Thus Uddhava prayed to be constantly honored by the dust from the lotus feet of the gopīs, whose chanting of Lord Kṛṣṇa's transcendental pastimes has become celebrated all over the three worlds.

After living in Vṛndāvana for some time, Uddhava desired to go back to Kṛṣṇa, and he begged permission to leave from Nanda Mahārāja and Yaśodā. He had a farewell meeting with the gopīs, and, taking permission from them also, he mounted his chariot to start for Mathurā.

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Please let Us execute it.” Thus Kṛṣṇa and Balarāma, the descendants of Daśārha, decided to annihilate the thirteen military companies of Jarāsandha.

After equipping Themselves with military dress, Kṛṣṇa and Balarāma mounted Their chariots. Kṛṣṇa rode the chariot of which Dāruka was the driver. With a small army They came out of the city of Mathurā, blowing Their respective conchshells. Curiously enough, although the other party was equipped with greater military strength, when they heard the vibration of Kṛṣṇa's conchshell their hearts were shaken. When Jarāsandha saw Balarāma and Kṛṣṇa, he was a little bit compassionate because They happened to be related to him as grandsons. He specifically addressed Kṛṣṇa as puruṣādhama, meaning "the lowest among men." Actually Kṛṣṇa is known in all Vedic scriptures as Puruṣottama, the highest among men. Jarāsandha had no intention of addressing Kṛṣṇa as Puruṣottama, but great scholars have determined the true meaning of the word puruṣādhama to be "one who makes all other personalities go downward." Actually no one can be equal to or greater than the Supreme Personality of Godhead.

Jarāsandha said, "It will be a great dishonor for me to fight with boys like Kṛṣṇa and Balarāma." Because Kṛṣṇa had killed Kaṁsa, Jarāsandha specifically addressed Him as the killer of His own relatives. Kaṁsa had killed many of his own nephews, yet Jarāsandha did not take notice, but because Kṛṣṇa had killed His maternal uncle, Kaṁsa, Jarāsandha tried to criticize Him. That is the way of demoniac dealings. Demons do not try to find their own faults or those of their friends, but try to find the faults of their enemies. Jarāsandha also criticized Kṛṣṇa for not even being a kṣatriya. Because He was raised by Mahārāja Nanda, Kṛṣṇa was not a kṣatriya but a vaiśya. Vaiśyas are generally called guptas, and the word gupta can also be used to mean "hidden."

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The denizens of heaven were very much pleased, and they offered their respects by chanting in glorification of the Lord and showering Him with flowers, accepting the victory with great appreciation. Jarāsandha returned to his kingdom, and Mathurā City was saved from the danger of imminent attack. The citizens of Mathurā organized the combined services of professional singers like sūtas and māgadhas, along with poets who could compose nice songs, and they began to chant the victory glorification of Lord Kṛṣṇa. When Lord Kṛṣṇa entered the city after the victory, many bugles, conches and kettledrums sounded, and the vibrations of various musical instruments like bherīs, tūryas, vīṇās, flutes and mṛdaṅgas all joined together to make a beautiful reception. While Kṛṣṇa was entering, the whole city was cleansed, all the different streets and roads were sprinkled with water, and the inhabitants, being joyous, decorated their respective houses and shops with flags and festoons. The brāhmaṇas chanted Vedic mantras at numerous places. The people constructed road crossings and gates at entrances to lanes and streets. When Lord Kṛṣṇa was entering the nicely decorated city of Mathurā in a festive attitude, the ladies and girls of Mathurā prepared different kinds of flower garlands to make the ceremony most auspicious. In accordance with the Vedic custom, they took yogurt mixed with fresh green grass and strewed it here and there to make the victory jubilation even more auspicious. As Kṛṣṇa passed through the street, all the ladies and women regarded Him with eyes bright with great affection. Kṛṣṇa and Balarāma carried various kinds of ornaments, jewels and other booty carefully collected from the battlefield and presented it all to King Ugrasena. Kṛṣṇa thus offered His respect to His grandfather because Ugrasena was at that time the crowned king of the Yadu dynasty.

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He pulled them strongly, just as a child pulls a toy wooden bull. Upon seeing this advantage of Kṛṣṇa, King Nagnajit became very much astonished and immediately, with great pleasure, brought his daughter Satyā before Kṛṣṇa and handed her over to Him. Kṛṣṇa also immediately accepted Satyā as His wife. Then there was a marriage ceremony with great pomp. The queens of King Nagnajit were also very much pleased because their daughter Satyā got Kṛṣṇa as her husband. Since the King and queens were very much pleased on this auspicious occasion, there was a celebration all over the city in honor of the marriage. Everywhere were heard the sounds of the conchshell and kettledrum and various other vibrations of music and song. The learned brāhmaṇas showered their blessings upon the newly married couple. In jubilation, all the inhabitants of the city dressed themselves with colorful garments and ornaments. King Nagnajit was so much pleased that he gave a dowry to his daughter and son-in-law, as follows.

First of all he gave them 10,000 cows and 3,000 well-dressed young maidservants, ornamented up to their necks. This system of dowry is still current in India, especially for kṣatriya princes. When a kṣatriya prince is married, at least a dozen maidservants of similar age are given along with the bride. After giving the cows and maidservants, the King enriched the dowry by giving 9,000 elephants and a hundred times more chariots than elephants. This means that he gave 900,000 chariots. And he gave a hundred times more horses than chariots, or 90,000,000 horses, and a hundred times more menservants than horses. Royal princes maintained such menservants and maidservants with all provisions, as if they were their own children or family members. After giving this dowry, the king of Kośala Province bade his daughter and great son-in-law be seated on a chariot and allowed them to go to their home, guarded by a division of well-equipped soldiers. As they traveled fast to their new home, the King's heart was enlivened with affection for them.

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The next fortification was of anila, a gaseous substance. After this, there was a network of barbed wire constructed by a demon of the name Mura. The city appeared well protected even in terms of today's scientific advancements.

When Kṛṣṇa arrived, He broke all the strongholds to pieces by the strokes of His club and scattered the military strength here and there by the constant onslaught of His arrows. With His celebrated Sudarśana cakra He counteracted the electrified boundary, annihilated the canals of water and the gaseous boundary, and cut to pieces the electrified network fabricated by the demon Mura. By the vibration of His conchshell, He broke the hearts of the great fighters and also broke the fighting machines that were there. Similarly, He broke the walls around the city with His invincible club.

The vibration of Lord Kṛṣṇa's conchshell sounded like a thunderbolt at the time of the dissolution of the whole cosmic manifestation. The demon Mura heard the vibration of the conchshell, awakened from his sleep and came out to see what had happened. He had five heads and had long been living within the water. The Mura demon was as brilliant as the sun at the time of the dissolution of the cosmos, and his temper was like blazing fire. The effulgence of his body was so dazzling that he was difficult to see with open eyes. When he came out, he first took out his trident and rushed the Supreme Personality of Godhead. The demon Mura in his onslaught was like a big snake attacking Garuḍa. His angry mood was very severe, and he appeared ready to devour the three worlds. First of all he attacked the carrier of Kṛṣṇa, Garuḍa, by whirling and then throwing his trident, and through his five mouths he vibrated sounds like the roaring of a lion. These roaring vibrations spread all over the atmosphere until they extended all over the world and into outer space, up and down and out to the ten directions, rumbling throughout the entire universe.

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Aniruddha and Ūṣā, who had become very opulent materially because of the blessings of Lord Śiva. Thus, keeping forward a division of one akṣauhiṇī of soldiers, Kṛṣṇa proceeded toward Dvārakā. In the meantime, all the people of Dvārakā, having received the news that Lord Kṛṣṇa was returning with Aniruddha and Ūṣā in great opulence, decorated every corner of the city with flags, festoons and garlands. All the big roads and crossings were carefully cleansed and sprinkled with sandalwood pulp mixed with water. Everywhere was the fragrance of sandalwood. All the citizens joined with their friends and relatives to welcome Lord Kṛṣṇa with great pomp and jubilation, and a tumultuous vibration of conchshells, drums and bugles received the Lord. In this way the Supreme Personality of Godhead, Kṛṣṇa, entered His capital, Dvārakā.

Śukadeva Gosvāmī assured King Parīkṣit that the narration of the fight between Lord Śiva and Lord Kṛṣṇa is not at all inauspicious, like ordinary fights. On the contrary, if one remembers in the morning the narration of this fight between Lord Kṛṣṇa and Lord Śiva and takes pleasure in the victory of Lord Kṛṣṇa, he will never experience defeat anywhere in his struggle of life.

This episode of Bāṇāsura's fighting with Kṛṣṇa and later being saved by the grace of Lord Śiva is confirmation of the statement in the Bhagavad-gītā that the worshipers of demigods cannot achieve any benediction without its being sanctioned by the Supreme Lord, Kṛṣṇa. Here in this narration we find that although Bāṇāsura was a great devotee of Lord Śiva, when he faced death by Kṛṣṇa, Lord Śiva was not able to save him. But Lord Śiva appealed to Kṛṣṇa to save his devotee, and this was sanctioned by the Lord. This is the position of Lord Kṛṣṇa. The exact words used in this connection in the Bhagavad-gītā are mayaiva vihitān hi tān. This means that without the sanction of the Supreme Lord, no demigod can award any benediction to his worshiper.

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The wives of Kṛṣṇa were so much attached to Him that they would lie in bed embracing Him, and as soon as the cocks crowed, Kṛṣṇa's wives would be very sorry and would immediately condemn the crowing.

In the garden within the compound of each palace there were pārijāta flowers. The pārijāta is not an artificial flower. We remember that Kṛṣṇa brought the pārijāta trees from heaven and planted them in all His palaces. Early in the morning, a mild breeze would carry the aroma of the pārijāta flower, and Kṛṣṇa would smell it just after rising from bed. Due to this aroma, the honeybees would begin their humming vibration, and the birds also would begin their sweet chirping sounds. All together it would sound like the singing of professional chanters engaged in offering prayers to Kṛṣṇa. Although Śrīmatī Rukmiṇīdevī, the first queen of Lord Kṛṣṇa, knew that brāhma-muhūrta is the most auspicious time in the entire day, she would feel disgusted at the appearance of brāhma-muhūrta because she was not very happy to have Kṛṣṇa leave her side in bed. Despite Śrīmatī Rukmiṇīdevī’s disgust, Lord Kṛṣṇa would immediately get up from bed exactly on the appearance of brāhma-muhūrta. An ideal householder should learn from the behavior of Lord Kṛṣṇa how to rise early in the morning, however comfortably he may be lying in bed embraced by his wife.

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In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood. First of all the jokers would talk in such a way that the Lord and His associates would enjoy their humor, which would refresh the morning mood. The dramatic actors would then play their parts, and the dancing ballet girls would separately display their artistic movements. All these functions would be accompanied by the beating of mṛdaṅga drums and the sounds of the vīṇā, flutes and bells, followed by the sound of the muraja, another type of drum. To these musical vibrations, the auspicious sound of the conchshell would be added. The professional singers called sūtas and māgadhas would sing, and others would perform their dancing art. In this way, as devotees, they would offer respectful prayers to the Supreme Personality of Godhead. Sometimes the learned brāhmaṇas present in that assembly would chant Vedic hymns and explain them to the audience to the best of their knowledge, and sometimes some of them would recite old historical accounts of the activities of prominent kings. The Lord, accompanied by His associates, would be very much pleased to hear them.

Once upon a time, a person arrived at the gateway of the assembly house who was unknown to all the members of the assembly, and with the permission of Lord Kṛṣṇa he was admitted into the assembly by the doorkeeper. The doorkeeper was ordered to present him before the Lord, and the man appeared and offered his respectful obeisances unto the Lord with folded hands. It had happened that when King Jarāsandha conquered all other kingdoms, many kings did not bow their heads before Jarāsandha, and consequently all of them, numbering twenty thousand, were arrested and made his prisoners. The man brought before Lord Kṛṣṇa by the doorkeeper was a messenger from all these imprisoned kings. Being duly presented before the Lord, the man began to relay a message from the kings, as follows.

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The procession passed through all these places in its advance. On His way to Hastināpura, the Lord crossed two big rivers, the Dṛṣadvatī and the Sarasvatī. Then He crossed the provinces of Pañcāla and Matsya. In this way, He ultimately arrived at Hastināpura, or Indraprastha.

The audience of the Supreme Personality of Godhead, Kṛṣṇa, is not at all commonplace. Therefore, when King Yudhiṣṭhira heard that Lord Kṛṣṇa had arrived in his capital city, Hastināpura, he became so joyful that all his bodily hairs stood on end in great ecstasy, and he immediately came out of the city to properly receive the Lord. He ordered the musical vibration of different instruments and songs, and the learned brāhmaṇas of the city began to chant the hymns of the Vedas very loudly. Lord Kṛṣṇa is known as Hṛṣīkeśa, the master of the senses, and King Yudhiṣṭhira went forward to receive Him exactly as the senses meet the consciousness of life. King Yudhiṣṭhira was the elder cousin of Kṛṣṇa. Naturally he had great affection for the Lord, and as soon as he saw Him, his heart became filled with great love and affection. He had not seen the Lord for many days, and therefore he thought himself most fortunate to see the Lord present before him. The King therefore embraced Lord Kṛṣṇa again and again in great affection.

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“All the princes who tried to pierce the target were disappointed, being baffled in their attempts, and some candidates even left the place without making an attempt, but when at last Lord Kṛṣṇa took up the bow, He was able to tie the bowstring very easily, just as a child plays with a toy. He placed the arrow, and looking only once at the reflection of the fish in the water, He shot the arrow, and the pierced fish immediately fell down. This victory of Lord Kṛṣṇa was accomplished at noon, during the moment called abhijit, which is astronomically calculated as auspicious. At that time the vibration of "Jaya! Jaya!" was heard all over the world, and from the sky came sounds of drums beaten by the denizens of heaven. Great demigods were overwhelmed with joy and showered flowers on the earth.

“At that time, I entered the arena of competition, and the ankle bells on my legs sounded very melodious as I walked. I was nicely dressed with new silken garments, flowers decorated my hair, and because of Lord Kṛṣṇa's victory I was in ecstatic joy and smiling very pleasingly. I carried in my hands a golden necklace bedecked with jewels, which glittered at intervals. My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.

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When the sages were selected as priests of the sacrifices, they in turn induced Vasudeva to collect the required paraphernalia for executing the yajñas in that place of pilgrimage. When Vasudeva was thus persuaded to start to perform the yajñas, all the members of the Yadu dynasty took their baths, dressed themselves very nicely, decorated themselves beautifully and garlanded themselves with lotus flowers. Vasudeva's wives, dressed with nice garments and ornaments and golden necklaces, approached the arena of sacrifice carrying in their hands the required articles to offer in the sacrifice.

When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.

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The pure taste of water, the water itself and the vital force which maintains all life are also features of Your Lordship.

“My dear Lord, although the forces of the senses, the mental power of thinking, willing and feeling, and the strength, movement and growth of the body appear to be performed by different movements of the airs within the body, they are all ultimately manifestations of Your energy. The vast expanse of outer space rests in You. The vibration of the sky (its thunder), the supreme sound (oṁkāra) and the arrangement of different words to distinguish one thing from another are all symbolic representations of You. The senses, the controllers of the senses (the demigods) and the acquisition of knowledge, which is the purpose of the senses, as well as the subject matter of knowledge—all are You. The resolution of intelligence and the sharp memory of the living entity are also You. You are the egoistic principle of ignorance, which is the cause of this material world, the egoistic principle of passion, which is the cause of the senses, and the egoistic principle of goodness, which is the origin of the different controlling deities of this material world. The illusory energy, or māyā, which is the cause of the conditioned soul's perpetual transmigration from one form to another, is You.

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King Parīkṣit inquired from Śukadeva Gosvāmī about a very important topic in understanding transcendental subject matter. His question was, "Since Vedic knowledge generally deals with the subject matter of the three qualities of the material world, how then can it approach the subject matter of transcendence, which is beyond the approach of the three material modes? Since the mind is material and the vibration of words is a material sound, how can the Vedic knowledge, expressing by material sound the thoughts of the material mind, approach transcendence? Description of a subject matter necessitates describing its source of emanation, its qualities and its activities. Such description can be possible only by thinking with the material mind and by vibrating material words. Brahman, or the Absolute Truth, has no material qualities, but our power of speaking does not go beyond the material qualities. How then can Brahman, the Absolute Truth, be described by your words? I do not see how it is possible to understand transcendence from such expressions of material sound."

The purpose of King Parīkṣit's inquiry was to ascertain from Śukadeva Gosvāmī whether the Vedas ultimately describe the Absolute Truth as impersonal or as personal. Understanding of the Absolute Truth progresses in three features—impersonal Brahman, Paramātmā localized in everyone's heart, and, at last, the Supreme Personality of Godhead, Kṛṣṇa.

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When elephants are engaged in service, they are given liquor to drink, and it is said that the elephants in Dvārakā were given so much liquor that they would sprinkle a great quantity of it on the road and still walk on the streets intoxicated. The infantry soldiers passing on the streets were profusely decorated with golden ornaments, and horses and golden chariots plied along the streets. In all directions of Dvārakā City, wherever one would turn his eyes he would find green parks and gardens, each of them filled with trees and plants laden with fruits and flowers. Because there were so many nice trees of fruits and flowers, all the sweetly chirping birds and buzzing bumblebees joined together to make sweet vibrations. The city of Dvārakā thus fully displayed all opulences. The heroes in the dynasty of Yadu used to think themselves the most fortunate residents of the city, and actually they enjoyed all transcendental facilities.

All the sixteen thousand palaces of Kṛṣṇa's queens were situated in this beautiful city of Dvārakā, and Lord Kṛṣṇa, the supreme eternal enjoyer of all these facilities, expanded Himself into sixteen thousand forms and simultaneously engaged in different family affairs in those sixteen thousand palaces. In each and every one of the palaces there were nicely decorated gardens and lakes. The crystal-clear water of the lakes contained many blooming lotus flowers of different colors, like blue, yellow, white and red, and the saffron powder from the lotus flowers was blown all around by the breeze. All the lakes were full of beautiful swans, ducks and cranes, crying occasionally with melodious sounds. Lord Śrī Kṛṣṇa sometimes entered those lakes or the rivers with His wives and enjoyed swimming pastimes with them in full jubilation. Sometimes the wives of Lord Kṛṣṇa, who were all goddesses of fortune, would embrace the Lord in the midst of the water while swimming or taking a bath, and the red vermilion of kuṅkuma decorating their beautiful breasts would adorn the chest of the Lord with a reddish color.

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We think, therefore, that you are very dear to our Lord, the chief of the dynasty of the Yadus, and because you are so dear to Him, you are absorbed in meditation, exactly as we are. We can appreciate that your heart is full of anxiety for Śyāmasundara. You appear excessively eager to see Him, and we see that for this reason only, drops of tears are gliding down from your eyes, just as they are from ours. Dear black cloud, we must admit frankly that to establish an intimate relationship with Śyāmasundara means to purchase unnecessary anxieties while we are otherwise comfortable at home.”

Generally the cuckoo sounds its cooing vibration at the end of night or early in the morning. When the queens heard the cooing of the cuckoo at the end of night, they said, "Dear cuckoo, your voice is very sweet. As soon as you vibrate your sweet voice, we immediately remember Śyāmasundara because your voice exactly resembles His. We must frankly admit that your voice is imbued with nectar, and it is so invigorating that it is competent to bring back life to those who are almost dead in separation from their dearmost friend. So we are very much obliged to you. Please let us know how we can welcome you or how we can do something for you."

The queens continued talking like that, and they addressed the mountain as follows: “Dear mountain, you are very generous. By your gravity only, the whole crust of this earth is properly maintained, although because you are discharging your duties very faithfully, you do not know how to move. Because you are so grave, you do not move hither and thither, nor do you say anything. Rather, you always appear in a thoughtful mood. It may be that you are always thinking of a very grave and important subject matter, but we can guess very clearly what you are thinking of. We are sure that you are thinking of placing the lotus feet of Śyāmasundara on your raised peaks, as we want to place His lotus feet on our raised breasts.