Tumultuous sound (CC and Other Books)

Expressions researched:
"sound was tumultuous" |"tumultuous roar" |"tumultuous sound" |"tumultuous sounds"

CC Adi-lila

CC Adi 5.22, Purport:

In the Vaikuṇṭhas there are airplanes, but they make no tumultuous sounds. Material airplanes are not at all safe: they can fall down and crash at any time, for matter is imperfect in every respect. In the spiritual sky, however, the airplanes are also spiritual, and they are spiritually brilliant and bright. These airplanes do not fly business executives, politicians or planning commissions as passengers, nor do they carry cargo or postal bags, for these are all unknown there. These planes are for pleasure trips only, and the residents of Vaikuṇṭha fly in them with their heavenly, beautiful, fairylike consorts. Therefore these airplanes, full of residents of Vaikuṇṭha, both male and female, increase the beauty of the spiritual sky. We cannot imagine how beautiful they are, but their beauty may be compared to the clouds in the sky accompanied by silver branches of electric lightning. The spiritual sky of Vaikuṇṭhaloka is always decorated in this way.

CC Adi 17.141, Purport:

The Kazi's order not to perform saṅkīrtana could stand only as long as there was no civil disobedience. Under the leadership of the Supreme Lord, Śrī Caitanya Mahāprabhu, the chanters, increasing in number, disobeyed the order of the Kazi. Thousands assembled together and formed parties, chanting the Hare Kṛṣṇa mahā-mantra and making a tumultuous sound of protest. Thus the Kazi was very much afraid, as naturally one should be under such circumstances.

CC Adi 17.195, Translation:

“‘Vibrating "Hari, Hari," the Hindus make a tumultuous sound. If the king (pātasāha) hears it, certainly he will punish you.’

CC Adi 17.207, Translation:

“‘Now He loudly sings all kinds of songs, claps, and plays drums and hand cymbals, making a tumultuous sound that deafens our ears.

CC Madhya-lila

CC Madhya 2.73, Translation:

When Śrī Caitanya Mahāprabhu was thus unconscious, He happened to meet the Supreme Personality of Godhead. Consequently He got up and immediately made a tumultuous sound, very loudly declaring, "Now Kṛṣṇa, the great personality, is present." In this way, because of Kṛṣṇa's sweet qualities, Caitanya Mahāprabhu made different types of mistakes in His mind. Thus by reciting the following verse, He ascertained the presence of Lord Kṛṣṇa.

CC Madhya 7.87, Translation:

Hearing about this, everyone there came to the outside door and began chanting the holy name, "Hari! Hari!" Thus there was a tumultuous sound.

CC Madhya 13.14, Translation:

While the Lord was transported from the throne to the car, tumultuous sounds were made on various musical instruments. Śrī Caitanya Mahāprabhu was chanting "Maṇimā! Maṇimā!" but He could not be heard.

CC Madhya 13.48, Translation:

There were altogether seven parties of saṅkīrtana, and in each party two men were beating drums. Thus fourteen drums were being played at once. The sound was tumultuous, and all the devotees became mad.

CC Madhya 18.92, Translation:

One morning many people came to Akrūra-tīrtha. As they came from Vṛndāvana, they made a tumultuous sound.

CC Madhya 21.72, Translation:

“When all the helmets struck together at Kṛṣṇa's lotus feet, there was a tumultuous sound. It appeared that the helmets themselves were offering prayers unto Kṛṣṇa's lotus feet.

CC Antya-lila

CC Antya 3.200, Translation:

All the members of the assembly who had heard the challenge were greatly agitated, and they got up, making a tumultuous sound. Hiraṇya and Govardhana Majumadāra both immediately chastised the brāhmaṇa tax collector.

CC Antya 6.177, Translation:

Yadunandana Ācārya said, "He has already asked my permission and returned home." Thus there arose a tumultuous sound, as everyone cried, "Now Raghunātha has gone away!"

CC Antya 9.11, Translation:

Being unable to see Śrī Caitanya Mahāprabhu, the populace outside His room would make a tumultuous sound. Thus Śrī Caitanya Mahāprabhu would go outside and tell them, "Chant Hare Kṛṣṇa."

CC Antya 10.47, Translation:

Because of the pastimes in the water, there was great jubilation on the shore, with music, singing, chanting and dancing creating a tumultuous sound.

CC Antya 10.48, Translation:

Indeed, the chanting and crying of the Gauḍīyā Vaiṣṇavas mixed and created a tumultuous sound vibration that filled the entire universe.

CC Antya 10.62, Translation:

The congregational chanting made a tumultuous roar that filled the sky. All the inhabitants of Jagannātha Purī came to see the kīrtana.

CC Antya 10.64, Translation:

Due to the forceful vibration of kīrtana, the entire world began trembling. When everyone chanted the holy name, they made a tumultuous sound.

CC Antya 10.79, Translation:

When there was no longer a tumultuous sound, Śrī Caitanya Mahāprabhu returned to external consciousness. Then Nityānanda Prabhu informed Him of the fatigue of the chanters and dancers.

CC Antya 11.72, Translation:

After circumambulating the tomb of Haridāsa Ṭhākura, Śrī Caitanya Mahāprabhu went to the Siṁha-dvāra gate of the Jagannātha temple. The whole city chanted in congregation, and the tumultuous sound vibrated all over the city.

CC Antya 14.110, Translation:

“Just then, all of you made a tumultuous sound and carried Me from there to this place.

CC Antya 17.27, Translation:

“Just then, all of you made a tumultuous sound and brought Me back here by force.

Nectar of Devotion

Nectar of Devotion 29:

When a person becomes disturbed in his heart by seeing lightning in the sky, by seeing a ferocious animal or by hearing a tumultuous sound, his state of mind is called apprehensive. In such a state of apprehension, one tries to take shelter of something which provides safety. There may be standing of the hairs on the body, trembling of the body and sometimes the committing of mistakes. And sometimes the body may become stunned.

In the Padyāvalī there is the following statement: "My dear friend, Kṛṣṇa's residence in the demoniac circle at Mathurā, under the supremacy of the king of demons, Kaṁsa, is causing me much worry." This is one instance of apprehending some danger to Kṛṣṇa in ecstatic love for Him.

Nectar of Devotion 29:

This is an instance of fear caused by a ferocious animal and of the search for shelter while remembering Kṛṣṇa in ecstatic love. Upon hearing the jackals crying in the forest of Vṛndāvana, mother Yaśodā sometimes became very careful about keeping Kṛṣṇa under her vigilance, fearing that Kṛṣṇa might be attacked by them. This is an instance of ecstatic love for Kṛṣṇa in fear caused by a tumultuous sound. This kind of fear is a little different from being actually afraid. When one is afraid of something, he can still think of past and future. But when there is this kind of ecstatic apprehension, there is no scope for such thinking.

Nectar of Devotion 29:

When Kṛṣṇa uprooted the two arjuna trees and Yaśodā heard the sound of the trees crashing down, she became overcome with emotion and simply stared upward, being too bewildered to know what else to do. This is an instance of being emotional from hearing a tumultuous sound.

When there was a forest fire in Vṛndāvana, all the cowherd men assembled together and desperately appealed to Kṛṣṇa for protection. This is an instance of emotion caused by fire.

The whirlwind demon known as Tṛṇāvarta once carried Kṛṣṇa off from the ground and blew Him around, along with some very big trees. At that time, mother Yaśodā could not see her son, and she was so disturbed that she began to walk this way and that. This is an instance of emotion caused by severe wind.

Nectar of Devotion 32:

One old man was told by a young man, "Just see how this child—only three years old—is so jubilant! Simply by seeing Kṛṣṇa he is running so swiftly, making a tumultuous sound. Just see!" This is an instance of neutral ecstatic love in the heart of a child, without any specific subdivision.

Due to the different types of attraction for Kṛṣṇa, there are different varieties of devotees. Their symptoms are manifested transparently, just like jewels. It is said that a great devotee brāhmaṇa would sometimes address the Supreme Personality of Godhead as master and sometimes joke with the Lord, using different kinds of familiar words. Sometimes he would protect the Lord with a filial affection, sometimes he would cry out to the Lord, addressing the Lord as his beloved, and sometimes he would meditate on the Lord as the Supersoul.

Nectar of Devotion 33:

"Please stop! Please stop! Don't bring up the incident of Pūtanā. I become distressed just by remembering this incident. The Pūtanā witch came to devour my son, and she deceived me into letting her take the child on her lap. After that, she died and made a tumultuous sound with her gigantic body."

In the ecstasy of devotional service in dread, the unconstitutional symptoms are drying up of the mouth, exuberance, glancing behind oneself, concealing oneself, bewilderment, searching after the endangered lovable object and crying very loudly. Some other unconstitutional symptoms are illusion, forgetfulness and expectation of danger. In all such circumstances the ecstatic dread is the steady or constant factor. Such dread is caused either by offenses committed or by dreadful circumstances.

Krsna, The Supreme Personality of Godhead

Krsna Book 6:

Her eye sockets appeared like blind wells, and her two thighs appeared like two banks of a river. Her two hands appeared like two strongly constructed bridges, and her abdomen seemed like a dried-up lake. All the cowherd men and women became struck with awe and wonder upon seeing this. And the tumultuous sound of her falling shocked their brains and ears and made their hearts beat strongly.

When the gopīs saw little Kṛṣṇa fearlessly playing on Pūtanā’s lap, they very quickly came and picked Him up. Mother Yaśodā, Rohiṇī and other elder gopīs immediately performed the auspicious rituals by taking the tail of a cow and circumambulating His body. The child was completely washed with the urine of a cow, and the dust created by the hooves of the cows was thrown all over His body.

Krsna Book 11:

All the cows and bulls were placed in the front along with their calves, and the men, with their bows and arrows, surrounded the herds and carts and began to blow on their horns and bugles. In this way, with tumultuous sound, they started for Vṛndāvana.

And who can describe the damsels of Vraja? They were all seated on the carts and were very beautifully dressed with ornaments and costly saris. They chanted the pastimes of child Kṛṣṇa as usual. Mother Yaśodā and Mother Rohiṇī were seated on a separate cart, and Kṛṣṇa and Balarāma were seated on their laps. While Mother Rohiṇī and Yaśodā were riding on the cart, they talked to Kṛṣṇa and Balarāma, and feeling the pleasure of such talks, they looked very, very beautiful.

Krsna Book 16:

This exhibition of Kṛṣṇa's strength is not at all uncommon, because He is the reservoir of all strength.

When Kṛṣṇa was swimming about just like a great strong elephant, He made a tumultuous sound, which the great black serpent Kāliya could hear. The tumult was intolerable for him, and he could understand that this was an attempt to attack his home. Therefore he immediately came before Kṛṣṇa. Kāliya saw that Kṛṣṇa was indeed worth seeing because His body was so beautiful and delicate; its color resembled that of a cloud, and His feet resembled lotus flowers. He was decorated with Śrīvatsa, jewels and yellow garments. He was smiling with a beautiful face and playing in the river Yamunā with great strength. But in spite of Kṛṣṇa's beautiful features, Kāliya felt great anger within his heart, and thus he grabbed Kṛṣṇa with his mighty coils.

Krsna Book 75:

While the King was taking the avabhṛtha bath, different musical instruments vibrated, such as mṛdaṅgas, conchshells, paṇava drums, kettledrums and bugles, and the ankle bells of the dancing girls jingled. Many groups of professional singers sang as vīṇās, flutes, gongs and cymbals were played, and thus a tumultuous sound vibrated in the sky. The princely guests from many kingdoms, like Sṛñjaya, Kāmboja, Kuru, Kekaya and Kośala, were present with their different flags and gorgeously decorated elephants, chariots, horses and soldiers. All of them passed in a procession, with King Yudhiṣṭhira in the forefront. The executive members who had performed the sacrifice—the priests, religious ministers and brāhmaṇas—all loudly chanted the Vedic hymns. The demigods and the inhabitants of Pitṛloka and Gandharvaloka, as well as many sages, showered flowers from the sky.

Krsna Book 83:

As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.