Tilaka (Other Books)

Expressions researched:
"tilak" |"tilaka"

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 7:

Just as the months of the year are known according to the twelve different names of the Supreme Lord, members of the Vaiṣṇava community mark twelve parts of the body according to these names. For instance, the tilaka mark on the forehead is called Keśava, and on the stomach, chest and arms the other names are also given. These are the same names as those given the months.

Teachings of Lord Caitanya, Chapter 31:

The decorative transcendental pleasure potency manifests nine symptoms. Five of these are manifested by the expansion of Rādhārāṇī’s personal beauty, which is adorned with garlands of flowers. Her patient calmness is compared to a covering of cloths which have been cleansed by camphor. Her confidential agony for Kṛṣṇa is the knot in Her hair, and the mark of tilaka on Her forehead is Her good fortune. Rādhārāṇī’s sense of hearing is eternally fixed on Kṛṣṇa's name and fame. Chewing betel nuts makes one's lips reddish. Similarly, Rādhārāṇī’s complete attachment to Kṛṣṇa has blackened the borders of Her eyes. This darkness might be compared to ointment produced by Rādhā’s joking with Kṛṣṇa. Rādhārāṇī’s smile is just like the taste of camphor. The garland of separation moves on Her body when She lies down on the bed of pride within the room of aroma. Her breasts are covered by the blouse of anger born of Her ecstatic affection for Kṛṣṇa. Her reputation as the best of all Kṛṣṇa's girlfriends is the stringed instrument She plays. When Kṛṣṇa stands in His youthful posture, She puts Her hand on His shoulder. Although She possesses so many transcendental qualities, She is still always engaged in the service of Kṛṣṇa.

Teachings of Lord Caitanya, Chapter 31:

The tilaka of good fortune is on the forehead of Śrīmatī Rādhārāṇī, and She also has a locket of prema-vaicittya. Prema-vaicittya is manifest when a lover and beloved meet and fear separation.

Śrīmatī Rādhārāṇī is fifteen days younger than Kṛṣṇa. She always keeps Her hand on the shoulder of one of Her friends, and She always talks and thinks of pastimes with Kṛṣṇa. She always offers Kṛṣṇa a kind of intoxicant by Her sweet talks, and She is always prepared to fulfill all His desires. In other words, She supplies everything needed to meet all the demands of Śrī Kṛṣṇa, and She possesses unique and uncommon qualities for Kṛṣṇa's satisfaction.

Nectar of Devotion

Nectar of Devotion 5:

Śrīla Rūpa Gosvāmī specifically mentions herein that every man has the birthright to accept devotional service and to become Kṛṣṇa conscious. He has given many evidences from many scriptures, and he has especially quoted one passage from Padma Purāṇa, wherein the sage Vasiṣṭha tells King Dilīpa, "My dear King, everyone has the right to execute devotional service, just as he has the right to take early bath in the month of Māgha (December-January)." There is more evidence in the Skanda Purāṇa, in the Kāśī-khaṇḍa portion, where it is said, "In the country known as Mayūradhvaja, the lower-caste people who are considered less than śūdras are also initiated in the Vaiṣṇava cult of devotional service. And when they are properly dressed, with tilaka on their bodies and beads in their hands and on their necks, they appear to be coming from Vaikuṇṭha. In fact, they look so very beautiful that immediately they surpass the ordinary brāhmaṇas."

Nectar of Devotion 6:

The next important items are as follows: (1) One should decorate the body with tilaka, which is the sign of the Vaiṣṇavas. (The idea is that as soon as a person sees these marks on the body of the Vaiṣṇava, he will immediately remember Kṛṣṇa. Lord Caitanya said that a Vaiṣṇava is he who, when seen, reminds one of Kṛṣṇa. Therefore, it is essential that a Vaiṣṇava mark his body with tilaka to remind others of Kṛṣṇa.) (2) In marking such tilaka, sometimes one may write Hare Kṛṣṇa on the body. (3) One should accept flowers and garlands that have been offered to the Deity and the spiritual master and put them on one's body. (4) One should learn to dance before the Deity. (5) One should learn to bow down immediately upon seeing the Deity or the spiritual master. (6) As soon as one visits a temple of Lord Kṛṣṇa, one must stand up.

Nectar of Devotion 8:

One should not be angry within the temple. (17) One should not enter the temple after visiting a crematorium. (18) One should not belch before the Deity. So, until one has fully digested his food, he should not enter the temple. (19) One should not smoke marijuana, or gañjā. (20) One should not take opium or similar intoxicants. (21) One should not enter the Deity room or touch the body of the Deity after having smeared oil over his body. (22) One should not show disrespect to a scripture teaching about the supremacy of the Lord. (23) One should not introduce any opposing scripture. (24) One should not chew betel before the Deity. (25) One should not offer a flower which was kept in an unclean pot. (26) One should not worship the Lord while sitting on the bare floor; one must have a sitting place or carpet. (27) One should not touch the Deity before one has completed taking bath. (28) One should not decorate his forehead with the three-lined tilaka. (29) One should not enter the temple without washing his hands and feet.

Nectar of Devotion 9:

In the Padma Purāṇa there is a statement describing how a Vaiṣṇava should decorate his body with tilaka and beads: "Persons who put tulasī beads on the neck, who mark twelve places of their bodies as Viṣṇu temples with Viṣṇu's symbolic representations (the four items held in the four hands of Lord Viṣṇu—conch, mace, disc and lotus), and who have viṣṇu-tilaka on their foreheads, are to be understood as the devotees of Lord Viṣṇu in this world. Their presence makes the world purified, and anywhere they remain, they make that place as good as Vaikuṇṭha."

A similar statement is in the Skanda Purāṇa, which says, "Persons who are decorated with tilaka or gopī-candana (a kind of clay resembling fuller's earth which is produced in certain quarters of Vṛndāvana), and who mark their bodies all over with the holy names of the Lord, and on whose necks and breasts there are tulasī beads, are never approached by the Yamadūtas." The Yamadūtas are the constables of King Yama (the lord of death), who punishes all sinful men. Vaiṣṇavas are never called for by such constables of Yamarāja. In the Śrīmad-Bhāgavatam, in the narration of Ajāmila's deliverance, it is said that Yamarāja gave clear instructions to his assistants not to approach the Vaiṣṇavas. Vaiṣṇavas are beyond the jurisdiction of Yamarāja's activities.

Nectar of Devotion 9:

The next instruction is that one should put on flower garlands which are offered to the Deity. In this connection, in the Eleventh Canto, Sixth Chapter, verse 46, of Śrīmad-Bhāgavatam, Uddhava says to Kṛṣṇa, "My dear Kṛṣṇa, I have taken things which You have used and enjoyed, such as garlands of flowers, scented oils, garments and ornaments, and I eat only the remnants of Your foodstuff, because I am Your menial servant. So, therefore, I am sure that I shall not be attacked by the spell of material energy." The purport of this verse is that for any person who simply follows these rules and regulations of decorating the body with the marks of tilaka of gopī-candana or sandalwood pulp, and who puts on the garlands which were offered to Kṛṣṇa, there is no question of being conquered by the spell of material energy. At the time of death, there is no question of such a person's being called by the constables of Yamarāja. Even if one does not accept all the Vaiṣṇava principles, but still takes the remnants of foodstuff offered to Kṛṣṇa, or kṛṣṇa-prasāda, he will gradually become qualified to rise to the platform of a Vaiṣṇava.

Nectar of Devotion 12:

In the Skanda Purāṇa there is a similar statement: "Persons whose bodies are marked with tilaka, symbolizing the conchshell, wheel, club and lotus—and who keep the leaves of tulasī on their heads, and whose bodies are always decorated with gopī-candana—even seen once, can help the seer be relieved from all sinful activities."

Nectar of Devotion 23:

This dhīra-lalita trait in the personality of Kṛṣṇa is described by Yajña-patnī, the wife of one of the brāhmaṇas who were performing sacrifices in Vṛndāvana. She tells her friends, "One day Śrīmatī Rādhārāṇī, accompanied by Her associates, was taking rest in Her garden, and at that time Lord Śrī Kṛṣṇa arrived in that assembly. After sitting down, He began to narrate very impudently about His previous night's pastimes with Rādhārāṇī. While He was speaking in that way, Rādhārāṇī became very embarrassed. She was feeling ashamed and was absorbed in thought, and Kṛṣṇa took the opportunity to mark Her breasts with different kinds of tilaka. Kṛṣṇa proved Himself to be very expert in that art." In this way Kṛṣṇa, as dhīra-lalita, was enjoying His youthful proclivities in the company of the gopīs.

Nectar of Devotion 26:

Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.

Nectar of Devotion 26:

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṅkuma red spots on His body and the tilaka on His forehead.

His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, His embroidered garments and the beautiful rings on His fingers.

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Nectar of Devotion 42:

At the end of Kṛṣṇa's paugaṇḍa age, Kṛṣṇa's hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends. Subala once addressed Him in this way: "My dear Keśava, Your round turban, the lotus flower in Your hand, the vertical marks of tilaka on Your forehead, Your kuṅkuma-flavored musk and all of Your beautiful bodily features are defeating me today, although I am usually stronger than You or any of our friends. Since this is so, I do not know how these features of Your body can fail to defeat the pride of all the young girls of Vṛndāvana. When I am so defeated by this beauty, what chance is there for those who are naturally very simple and flexible?"

Nectar of Devotion 42:

All the friends were very daring and would risk any difficulty, because they were confident that Kṛṣṇa would help them to be victorious in all adventures. They used to sit together and advise one another what to do, sometimes inducing one another to be engaged in welfare work. Sometimes they would offer betel nuts to one another, decorate one another's faces with tilaka or smear pulp of candana on one another's bodies. Sometimes, for the sake of amusement, they used to decorate their faces in strange ways. Another business of the friends was that each of them wanted to defeat Kṛṣṇa. Sometimes they used to snatch His clothing or snatch away the flowers from His hands. Sometimes one would try to induce another to decorate his body for him, and failing this, they were always ready to fight, challenging one another to combat in wrestling. These were some of the general activities of Kṛṣṇa and His friends.

Nectar of Devotion 43:

These are some of the different activities of the child Kṛṣṇa. When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upward, sometimes crying and sometimes smiling, mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes." In the beginning of Kṛṣṇa's kaumāra age, the nails of tigers were set in a golden necklace about His neck. There was protective tilaka on His forehead, black mascara around His eyes and silk thread around His waist. These are the descriptions of Kṛṣṇa's dress at the beginning of the kaumāra age.

When Nanda Mahārāja saw the beauty of child Kṛṣṇa, with tiger nails on His chest, a complexion like the new-grown tamāla tree, beautifully decorated tilaka made with cow's urine, arm decorations of nice silk thread, and silk clothes tied around His waist—when Nanda Mahārāja saw his child like this, he never became satiated by the child's beauty.

Nectar of Devotion 43:

In the Lalita-mādhava, compiled by Rūpa Gosvāmī, Kṛṣṇa is addressed as follows: "My dear Kṛṣṇa, when You are engaged in herding the animals, the dust caused by the hooves of the calves and cows covers Your nice face and artistic tilaka, and You appear very dusty. But when You return home, the milk flowing out of the breasts of Your mother washes Your face of its dust covering, and You appear to be purified by this milk, just as when the Deity is washed during the performance of the abhiṣeka ceremony." It is the custom in the temples of Deities that if there have been some impure activities, the Deity has to be washed with milk. Kṛṣṇa is the Supreme Personality of Godhead, and He was washed by the milk from the breast of mother Yaśodā, which purified Him from the dust covering.

Krsna, The Supreme Personality of Godhead

Krsna Book 13:

All the boys dealt with their mothers as usual, and the mothers also, on the approach of evening, bathed their respective children, decorated them with tilaka and ornaments and gave them necessary food after the day's labor. The cows also, who had been away in the pasturing ground, returned in the evening and called their respective calves. The calves immediately came to their mothers, and the mothers began to lick the bodies of the calves. These relations of the cows and the gopīs with their calves and boys remained unchanged, although actually the original calves and boys were not there. Actually the cows' affection for their calves and the elder gopīs' affection for their boys causelessly increased. Their affection increased naturally, even though the calves and boys were not their offspring. Although the cows and elder gopīs of Vṛndāvana had greater affection for Kṛṣṇa than for their own offspring, after this incident their affection for their offspring increased unlimitedly, exactly as it did for Kṛṣṇa. For one year continuously, Kṛṣṇa Himself expanded as the calves and cowherd boys and was present in the pasturing ground.

Krsna Book 15:

When Kṛṣṇa and Balarāma entered the village of Vṛndāvana along with Their friends, They played Their flutes, and the boys praised Their uncommon activities in the forest. Their faces were decorated with tilaka and smeared with the dust raised by the cows, and Kṛṣṇa's head was decorated with a peacock feather. Both He and Balarāma played Their flutes, and the young gopīs were joyous to see Kṛṣṇa returning home. All the gopīs in Vṛndāvana remained very morose on account of Kṛṣṇa's absence. All day they were thinking of Kṛṣṇa in the forest or of Him herding cows in the pasture. When they saw Kṛṣṇa returning, all their anxieties were immediately relieved, and they began to look at His face the way drones hover over the honey of the lotus flower. When Kṛṣṇa entered the village, the young gopīs smiled and laughed. Kṛṣṇa, while playing the flute, enjoyed the beautiful smiling faces of the gopīs.

Krsna Book 20:

During the rainy season, all living entities in the land, sky and water become very much refreshed, exactly like one who engages in the transcendental loving service of the Lord. We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty-looking, although they had naturally beautiful personal features; due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by their following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they have come directly from Vaikuṇṭha.

Krsna Book 23:

The brāhmaṇas' wives saw Kṛṣṇa with a blackish complexion, wearing a garment that glittered like gold. He wore a nice garland of forest flowers and a peacock feather on His head. He was also painted with the minerals found in Vṛndāvana, and He looked exactly like a dancing actor on a theatrical stage. They saw Him resting one hand on the shoulder of His friend, and in His other hand He was holding a lotus flower. His ears were decorated with lilies, He wore marks of tilaka, and He was smiling charmingly. With their very eyes the wives of the brāhmaṇas saw the Supreme Personality of Godhead, of whom they had heard so much, who was so dear to them, and in whom their minds were always absorbed. Now they saw Him eye to eye and face to face, and Kṛṣṇa entered within their hearts through their eyes.

Krsna Book 29:

“Dear Kṛṣṇa, we have simply been captivated by seeing You with tilaka and with earrings and by seeing Your beautiful face covered with scattered hair and bearing Your extraordinary smile. Not only that, but we are also attracted by Your arms, which always give assurance to the surrendered souls. And although we are also attracted by Your chest, which is always embraced by the goddess of fortune, we do not wish to take her position. We shall simply be satisfied by being Your maidservants. If You accuse us, however, of encouraging prostitution, then we can only ask, Where is that woman within these three worlds who is not captivated by Your beauty and the rhythmic songs vibrated by Your transcendental flute? Within these three worlds there is no distinction between men and women in relation to You because both men and women belong to the marginal potency, or prakṛti. No one is actually the enjoyer, or the male; everyone is meant to be enjoyed by You.

Krsna Book 33:

The gopīs became tired after long singing and dancing. Kṛṣṇa was dancing beside them, and to alleviate their fatigue they took Śrī Kṛṣṇa's hand and placed it on their raised breasts. Kṛṣṇa's hand, as well as the breasts of the gopīs, are eternally auspicious; therefore when they combined, both of them became spiritually enhanced. The gopīs so enjoyed the company of Kṛṣṇa, the husband of the goddess of fortune, that they forgot that they had any other husbands in the world, and upon being embraced by the arms of Kṛṣṇa and dancing and singing with Him, they forgot everything. Śrīmad-Bhāgavatam thus describes the beauty of the gopīs while they were rāsa dancing with Kṛṣṇa. There were lotus flowers over both their ears, and their faces were decorated with sandalwood pulp. They wore tilaka, and there were drops of perspiration on their smiling mouths. From their feet came the tinkling sound of ankle bells and bangles. The flowers within their hair were falling to the lotus feet of Kṛṣṇa, and He was very satisfied.

Krsna Book 35:

When Kṛṣṇa walked on the bank of the Yamunā, He was seen nicely decorated with tilaka on His face. He was garlanded with different kinds of forest flowers, and His body was smeared with the pulp of sandalwood and tulasī leaves. The bumblebees became mad after the fragrance and sweetness of the atmosphere and began to hum. Being pleased by the humming sound of the bees, Kṛṣṇa would play His flute, and together the sounds became so sweet to hear that aquatic birds like cranes, swans and ducks were charmed. Instead of swimming or flying, they became stunned. They closed their eyes and entered a trance of meditation in worship of Kṛṣṇa.

Krsna Book 38:

"That Supreme Personality of Godhead has now come just like an ordinary human being, and it is my great fortune to be able to see Him face to face," Akrūra thought. He was thrilled with expectations of seeing the very lotus feet which are worshiped by great demigods like Brahmā, Nārada and Lord Śiva, which traverse the ground of Vṛndāvana, and which touch the breasts of the gopīs, covered with tinges of kuṅkuma. He thought, "I am so fortunate that I will be able to see those very lotus feet on this day, and certainly I shall be able to see the beautiful face of Kṛṣṇa, which is marked on the forehead and the nose with tilaka. And I shall also see His smile and His curling black hair. I can be sure of this opportunity because I see that today the deer are passing on my right side. Today it will be possible for me to actually see the beauty of the spiritual kingdom of Viṣṇuloka because Kṛṣṇa is the Supreme Viṣṇu and He has advented Himself out of His own good will. He is the reservoir of all beauty; therefore today my eyes will achieve perfection."

Krsna Book 40:

"There are also devotees, known as bhāgavatas, who worship You as the Supreme Personality of Godhead. After being properly initiated in the method of Pañcarātra, they decorate their bodies with tilaka and engage in worshiping Your different forms of viṣṇu-mūrti. There are others also, known as Śaivites, followers of different ācāryas, who worship You in the form of Lord Śiva."

Krsna Book 45:

First of all They learned how to sing, how to compose songs and how to recognize the different tunes; They learned the favorable and unfavorable accents and meters, how to sing different kinds of rhythms and melodies, and how to follow them by beating different kinds of drums. They learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, from simple village arts up to the highest perfectional stage. They also learned how to paint tilaka on the face by making different kinds of dots on the forehead and cheeks. Then They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple.

Krsna Book 75:

When everyone was refreshed after bathing and was dressed in silken clothing with jeweled earrings, flower garlands, turbans, long wrappers and pearl necklaces, they looked, all together, like the demigods from heaven. This was especially true of the women, who were very nicely dressed. Each wore a golden belt around the waist. They were all smiling, with spots of tilaka and curling hair scattered here and there. This combination was very attractive.

Krsna Book 87:

Kṛṣṇa is actually present everywhere. The Vaiṣṇava, therefore, marks his body with temples of Viṣṇu: he first marks a tilaka temple on the abdomen, then on the chest, then between the collarbones, then on the forehead, and gradually he marks the top of the head, the brahma-randhra. The thirteen temples of tilaka marked on the body of a Vaiṣṇava are known as follows: On the forehead is the temple of Lord Keśava, on the belly is the temple of Lord Nārāyaṇa, on the chest is the temple of Lord Mādhava, and on the throat, between the two collarbones, is the temple of Lord Govinda. On the right side of the waist is the temple of Lord Viṣṇu, on the right arm the temple of Lord Madhusūdana, and on the right side of the collarbone the temple of Lord Trivikrama.

Light of the Bhagavata

Light of the Bhagavata 10, Purport:

We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty looking, although they had naturally beautiful personal features; but due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they come directly from Vaikuṇṭha.