Thirteen (Books)

Expressions researched:
"thirteen"

BG Chapters 7 - 12

BG 9.26, Purport:

In the Third Chapter, verse thirteen, Śrī Kṛṣṇa explains that only the remains of sacrifice are purified and fit for consumption by those who are seeking advancement in life and release from the clutches of the material entanglement. Those who do not make an offering of their food, He says in the same verse, are eating only sin.

SB Canto 1

SB 1.9.8, Purport:

Kaśyapa: One of the prajāpatis, the son of Marīci and one of the sons-in-law of Prajāpati Dakṣa. He is the father of the gigantic bird Garuḍa, who was given elephants and tortoises as eatables. He married thirteen daughters of Prajāpati Dakṣa, and their names are Aditi, Diti, Danu, Kāṣṭhā, Ariṣṭā, Surasā, Ilā, Muni, Krodhavaśā, Tāmrā, Surabhi, Saramā and Timi.

SB Canto 2

SB 2.2.35, Purport:

All our ordinary actions and perceptions depend on various forms of energy supplied to us by nature in various combinations. Our senses of perception and of action, that is to say, our five perceptive senses of (1) hearing, (2) touch, (3) sight, (4) taste and (5) smell, as well as our five senses of action, namely (1) hands, (2) legs, (3) speech, (4) evacuation organs and (5) reproductive organs, and also our three subtle senses, namely (1) mind, (2) intelligence and (3) ego (thirteen senses in all), are supplied to us by various arrangements of gross or subtle forms of natural energy.

SB Canto 3

SB 3.12.47, Purport:

In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound.

SB 3.14.14, Translation:

Our well-wishing father, Dakṣa, after knowing our intentions, handed over thirteen of his daughters unto you, and since then we have all been faithful.

SB 3.14.14, Purport:

Generally the daughters were too shy to express their opinions before their father, but the father would accept the daughters' intentions through someone else, such as a grandmother to whom the grandchildren had free access. King Dakṣa collected the opinions of his daughters and thus handed over thirteen to Kaśyapa. Every one of Diti's sisters was a mother of children. Therefore, since she was equally faithful to the same husband, why should she remain without children?

SB 3.21.18, Translation:

Your wheel, which has three naves, rotates around the axis of the imperishable Brahman. It has thirteen spokes, 360 joints, six rims and numberless leaves carved upon it. Though its revolution cuts short the life-span of the entire creation, this wheel of tremendous velocity cannot touch the life-span of the devotees of the Lord.

SB 3.21.18, Purport:

The time factor is divided into many fractions of moments, hours, months, years, periods, seasons, etc. All the divisions in this verse are determined according to the astronomical calculations of Vedic literature. There are six seasons, called ṛtus, and there is the period of four months called cāturmāsya. Three periods of four months complete one year. According to Vedic astronomical calculations, there are thirteen months. The thirteenth month is called adhi-māsa or mala-māsa and is added every third year. The time factor, however, cannot touch the lifespan of the devotees.

SB Canto 4

SB 4.1.48, Translation:

Dakṣa begot sixteen very beautiful daughters with lotuslike eyes in his wife Prasūti. Of these sixteen daughters, thirteen were given in marriage to Dharma, and one daughter was given to Agni.

SB 4.1.49-52, Translation:

One of the remaining two daughters was given in charity to the Pitṛloka, where she resides very amicably, and the other was given to Lord Śiva, who is the deliverer of sinful persons from material entanglement. The names of the thirteen daughters of Dakṣa who were given to Dharma are Śraddhā, Maitrī, Dayā, Sānti, Tuṣṭi, Puṣṭi, Kriyā, Unnati, Buddhi, Medhā, Titikṣā, Hrī and Mūrti. These thirteen daughters produced the following sons: Śraddhā gave birth to Śubha, Maitrī produced Prasāda, Dayā gave birth to Abhaya, Sānti gave birth to Sukha, Tuṣṭi gave birth to Muda, Puṣṭi gave birth to Smaya, Kriyā gave birth to Yoga, Unnati gave birth to Darpa, Buddhi gave birth to Artha, Medhā gave birth to Smṛti, Titikṣā gave birth to Kṣema, and Hrī gave birth to Praśraya. Mūrti, a reservoir of all respectable qualities, gave birth to Śrī Nara-Nārāyaṇa, the Supreme Personality of Godhead.

SB 4.1.60, Purport:

After describing the descendants of the thirteen wives of Dharma, who were all daughters of Dakṣa, Maitreya now describes the fourteenth daughter of Dakṣa, Svāhā, and her three sons. Oblations offered in the sacrificial fire are meant for the demigods, and on behalf of the demigods the three sons of Agni and Svāhā, namely Pāvaka, Pavamāna and Śuci, accept the oblations.

SB 4.27.5, Purport:

In the previous verse it is stated that Purañjana, although advanced in consciousness, lay down on a very soft bed with his wife. This indicates that he indulged too much in sex. The words navaṁ vayaḥ are also significant in this verse. They indicate the period of youth from age sixteen to thirty. These thirteen or fifteen years of life are years in which one can very strongly enjoy the senses. When one comes to this age he thinks that life will go on and that he will simply continue enjoying his senses, but, "Time and tide wait for no man." The span of youth expires very quickly.

SB Canto 6

SB 6.6 Summary:

As described in this chapter, Prajāpati Dakṣa begot sixty daughters in the womb of his wife Asiknī. These daughters were given in charity to various persons to increase the population. Since these offspring of Dakṣa were women, Nārada Muni did not try to lead them toward the renounced order of life. Thus the daughters were saved from Nārada Muni. Ten of the daughters were given in marriage to Dharmarāja, thirteen to Kaśyapa Muni, and twenty-seven to the moon-god, Candra. In this way fifty daughters were distributed, and of the other ten daughters, four were given to Kaśyapa and two each to Bhūta, Aṅgirā and Kṛśāśva.

SB 6.6.2, Translation:

He gave ten daughters in charity to Dharmarāja (Yamarāja), thirteen to Kaśyapa (first twelve and then one more), twenty-seven to the moon-god, and two each to Aṅgirā, Kṛśāśva and Bhūta. The other four daughters were given to Kaśyapa. (Thus Kaśyapa received seventeen daughters in all.)

SB Canto 10.1 to 10.13

SB 10.7.13-15, Purport:

In this age, Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura introduced the sacred thread ceremony for his Vaiṣṇava disciples, with the idea that people should understand that when one becomes a Vaiṣṇava he has already acquired the qualifications of a brāhmaṇa. Therefore in the International Society for Krishna Consciousness, those who are twice initiated so as to become brāhmaṇas must bear in mind their great responsibility to be truthful, control the mind and senses, be tolerant, and so on. Then their life will be successful. It was such brāhmaṇas that Nanda Mahārāja invited to chant the Vedic hymns, not ordinary brāhmaṇas. Verse thirteen distinctly mentions hiṁsā-māna. The word māna refers to false prestige or false pride. Those who were falsely proud, thinking that they were brāhmaṇas because they were born in brāhmaṇa families, were never invited by Nanda Mahārāja on such occasions.

SB Cantos 10.14 to 12 (Translations Only)

SB 11.22.1-3, Translation:

Uddhava inquired: My dear Lord, O master of the universe, how many different elements of creation have been enumerated by the great sages? I have heard You personally describe a total of twenty-eight—God, the jīva soul, the mahat-tattva, false ego, the five gross elements, the ten senses, the mind, the five subtle objects of perception and the three modes of nature. But some authorities say that there are twenty-six elements, while others cite twenty-five or else seven, nine, six, four or eleven, and even others say that there are seventeen, sixteen or thirteen. What did each of these sages have in mind when he calculated the creative elements in such different ways? O supreme eternal, kindly explain this to me.

SB 11.22.23, Translation:

According to the calculation of sixteen elements, the only difference from the previous theory is that the soul is identified with the mind. If we think in terms of five physical elements, five senses, the mind, the individual soul and the Supreme Lord, there are thirteen elements.

SB 12.1.32-33, Translation:

The Kilakilās will be followed by their thirteen sons, the Bāhlikas, and after them King Puṣpamitra, his son Durmitra, seven Andhras, seven Kauśalas and also kings of the Vidūra and Niṣadha provinces will separately rule in different parts of the world.

CC Adi-lila

CC Adi 7.128, Purport:

As mentioned above, the transcendental vibration oṁkāra is explained in the Bhagavad-gītā, Chapter Eight, verse thirteen:

oṁ ity ekākṣaraṁ brahma vyāharan mām anusmaran

yaḥ prayāti tyajan dehaṁ sa yāti paramāṁ gatim

"After being situated in this yoga practice and vibrating the sacred syllable oṁ, the supreme combination of letters, if one thinks of the Supreme Personality of Godhead and quits his body, he will certainly reach the spiritual planets." If one actually understands that oṁkāra is the sound representation of the Supreme Personality of Godhead, whether he chants oṁkāra or the Hare Kṛṣṇa mantra, the result is certainly the same.

CC Adi 10.115, Purport:

The three brothers were among one of the seven parties that performed kīrtana when Lord Śrī Caitanya Mahāprabhu attended the Ratha-yātrā festival at Jagannātha Purī. Vakreśvara Paṇḍita was the chief dancer in their party. This is vividly described in the Madhya-līlā, Chapter Thirteen, verses 42 and 43.

CC Adi 10.158, Purport:

Raghunātha Bhaṭṭācārya, or Raghunātha Bhaṭṭa Gosvāmī, one of the six Gosvāmīs, was the son of Tapana Miśra. Born in approximately 1425 Śakābda (A.D. 1503), he was expert in reciting Śrīmad-Bhāgavatam, and in Antya-līlā, Chapter Thirteen, it is stated that he was also expert in cooking; whatever he cooked would be nectarean. Śrī Caitanya Mahāprabhu was greatly pleased to accept the food that he cooked, and Raghunātha Bhaṭṭa used to take the remnants of food left by Śrī Caitanya Mahāprabhu.

CC Adi 12.36, Purport:

The bāuliyās, or bāulas, are one of thirteen unauthorized sects that pass as followers of Caitanya Mahāprabhu. The Lord ordered Govinda, His personal assistant, not to allow Kamalākānta Viśvāsa to come into His presence because he had become a bāuliyā. Thus although the bāula-sampradāya, āula-sampradāya and sahajiyā-sampradāya, as well as the smārtas, jāta-gosāñis, ativāḍīs, cūḍādhārīs and gaurāṅga-nāgarīs, claim to belong to the disciplic succession of Caitanya Mahāprabhu, the Lord actually rejected them.

CC Adi 13.80, Purport:

Lord Caitanya Mahāprabhu took His birth in the year 1407 Śaka Era (A.D. 1486), in the month of Phālguna. But here we see that He entered the bodies of His parents in the year 1406, in the month of Māgha. Therefore, the Lord entered the bodies of His parents thirteen full months before His birth. Generally a common child remains within the womb of his mother for ten lunar months, but here we see that the Lord remained within the body of His mother for thirteen months.

CC Adi 16.102, Purport:

The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-śakuntalā and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of the Ādi-līlā.

CC Madhya-lila

CC Madhya 15.99, Purport:

Even ordinary men with little knowledge of the alphabet could read this book and understand it. Its language is not very ornamental, and sometimes the poetry is not very sweet to hear. Although according to the sonnet style each line should contain fourteen syllables, there are sometimes sixteen, twelve or thirteen syllables in his verse. Many words used in those days could be understood only by local inhabitants, yet this book is still so popular that no bookstore is complete without it. It is very valuable for those who are interested in advancing in Kṛṣṇa consciousness.

CC Madhya 19.180, Purport:

When continuous love of Godhead is mixed with the processes of devotional service, it is called vibhāva, anubhāva, sāttvika and vyabhicārī. The devotee thus enjoys a variety of transcendental bliss. In his Amṛta-pravāha-bhāṣya, Śrīla Bhaktivinoda Ṭhākura states that anubhāva can be divided into thirteen categories: (1) dancing, (2) rolling on the ground, (3) singing, (4) yelling, (5) jumping, (6) making loud noises, (7) yawning, (8) heavy breathing, (9) not caring for public opinion, (10) discharging saliva, (11) roaring laughter, (12) unsteadiness and (13) hiccuping. These are the symptoms of anubhāva.

CC Madhya 24.163, Translation and Purport:

"The word 'ahaitukī' is always applicable to the Supreme Personality of Godhead, Urukrama. In this way I have described thirteen complete meanings (of the ātmārāma verse)."

The thirteen meanings of the ātmārāma verse mentioned here are based on the following meanings for the word ātmārāma: (1) sādhaka, the neophyte performer; (2) brahma-maya, one absorbed in the thought of impersonal Brahman; (3) prāpta-brahma-laya, one who has actually attained Brahman perfection; (4) mumukṣu, one who desires liberation; (5) jīvan-mukta, one who is liberated in this life; (6) prāpta-svarūpa, one who has attained his original constitutional position; (7) nirgrantha-muni, a completely liberated saint; (8) sagarbha-yogārurukṣu, a yogī meditating upon the four-handed Viṣṇu form and desiring yogic perfection; (9) nigarbha-yogārurukṣu, one who is trying for perfection in impersonal meditation; (10) sagarbha-yogārūḍha, one who has been elevated to the platform of yogic perfection by meditating on the Viṣṇu form; (11) nigarbha-yogārūḍha, an impersonal yogī on the platform of perfection; (12) sagarbha-prāpta-siddhi, one who has attained the perfectional stage by meditating on the Viṣṇu form; (13) nigarbha-prāpta-siddhi, one who has attained perfection by practicing impersonal meditation.

CC Madhya 24.164, Translation:

"These thirteen types of yogīs and munis are called śānta-bhaktas, for they render transcendental loving service to the Supreme Personality of Godhead in the neutral stage."

CC Madhya 24.210, Translation:

"I have already spoken about thirteen meanings (of the ātmārāma verse). Now there are six more. Combined, these make nineteen."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 1:

The higher stage of ecstasy can be characterized by the following thirteen transcendental activities: (1) dancing, (2) rolling on the floor, (3) singing, (4) clapping, (5) bristling of the hairs of the body, (6) thundering, (7) yawning, (8) breathing heavily, (9) forgetting social conventions, (10) salivating, (11) laughing, (12) aching, (13) coughing. All these symptoms are not awakened simultaneously; they act according to the exchange of transcendental relationships. Sometimes one symptom is prominent, and at another time another is prominent.

Nectar of Devotion

Nectar of Devotion 22:

Regarding Kṛṣṇa's expertise in releasing weapons, when Jarāsandha and thirteen divisions of soldiers attacked Kṛṣṇa's army, they were unable to hurt even one soldier on the side of Kṛṣṇa. This was due to Kṛṣṇa's expert military training. This is unique in the history of military art.

Nectar of Devotion 26:

When Kṛṣṇa arrived at the age of thirteen to fourteen years, His two arms and chest assumed an unspeakable beauty, and His whole form became simply enchanting. When Kṛṣṇa attained thirteen years of age, His two thighs were challenging the trunks of elephants, His rising chest was trying to come to peace talks with doors of jewels, and His two arms were minimizing the value of the bolts found on doors. Who can describe the wonderful beauty of these features of Kṛṣṇa? The special beauty of Kṛṣṇa's body was His mild smiling, His restless eyes and His world enchanting songs. These are the special features of this age.

Krsna, The Supreme Personality of Godhead

Krsna Book 50:

He began to make extensive arrangements to attack the kingdom of Mathurā with his innumerable military phalanxes, consisting of many thousands of chariots, horses, elephants and infantry soldiers. Jarāsandha prepared thirteen such military phalanxes to retaliate the death of Kaṁsa. Taking with him all his military strength, he attacked the capital of the Yadu kings, Mathurā, surrounding it from all directions. Śrī Kṛṣṇa, who appeared like an ordinary human being, saw the immense strength of Jarāsandha, which appeared like an ocean about to cover a beach at any moment.

Krsna Book 50:

The members of the Yadu dynasty sense great danger before the soldiers of Jarāsandha, and they are very much aggrieved. Just to give them protection, Your chariot is also here, filled with weapons. I request You to sit on Your chariot and kill all these soldiers, the entire military strength of the enemy. The two of Us have descended to this earth just to annihilate such unnecessary bellicose forces and give protection to the pious devotees. So we have the opportunity to fulfill Our mission. Please let Us execute it.” Thus Kṛṣṇa and Balarāma, the descendants of Daśārha, decided to annihilate the thirteen military companies of Jarāsandha.

Krsna Book 53:

The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets. Rukmiṇī’s breasts are described as being somewhat high, indicating that she was just a youth not more than thirteen or fourteen years old. Her beauty was specifically intended to attract the attention of Kṛṣṇa. Although the princes gazed upon her beautiful features, she was not at all proud. Her eyes moved restlessly, and when she smiled very simply, like an innocent girl, her teeth appeared just like jasmine buds. Expecting Kṛṣṇa to take her away at any moment, she proceeded slowly toward her home. Her legs moved just like a full-grown swan, and her ankle bells tinkled mildly.

Krsna Book 87:

The thirteen temples of tilaka marked on the body of a Vaiṣṇava are known as follows: On the forehead is the temple of Lord Keśava, on the belly is the temple of Lord Nārāyaṇa, on the chest is the temple of Lord Mādhava, and on the throat, between the two collarbones, is the temple of Lord Govinda. On the right side of the waist is the temple of Lord Viṣṇu, on the right arm the temple of Lord Madhusūdana, and on the right side of the collarbone the temple of Lord Trivikrama. Similarly, on the left side of the waist is the temple of Lord Vāmanadeva, on the left arm the temple of Śrīdhara, on the left side of the collarbone the temple of Hṛṣīkeśa, on the upper back the temple called Padmanābha, and on the lower back the temple called Dāmodara. On the top of the head is the temple called Vāsudeva.

Renunciation Through Wisdom

Renunciation Through Wisdom 2.12:

The most munificent incarnation of Godhead, Lord Caitanya Mahāprabhu, recently advented in the Age of Kali to propagate this message. By the great fortune of all Bengalis, He appeared in Bengal and blessed the Bengali race. Thus Bengalis can preach His mission and instructions to the entire human race and deliver the people of the planet and themselves. The presentation of this knowledge in a systematic and scientific manner will bring about universal sublime peace. Yet the shocking fact is that thirteen unauthorized cults have mushroomed into prominence and are fast expanding their illegitimate fold with naive disciples. What one fails to comprehend is how the leaders of these cults, who have never accept discipleship and tutelage from any bona fide spiritual master, can suddenly rise to the position of spiritual master themselves. The subject matter that needs to be promulgated among the people is not some cheap, sentimental concoction meant to deceive them; it is in fact a deeply profound and esoteric theology.

Sri Isopanisad

Sri Isopanisad 10, Purport:

As advised in Chapter Thirteen of the Bhagavad-gītā (13.8-12), one should culture knowledge in the following way:

(1) One should become a perfect gentleman and learn to give proper respect to others.

(2) One should not pose himself as a religionist simply for name and fame.

(3) One should not become a source of anxiety to others by the actions of his body, by the thoughts of his mind, or by his words.

(4) One should learn forbearance even in the face of provocation from others.

(5) One should learn to avoid duplicity in his dealings with others.

(6) One should search out a bona fide spiritual master who can lead him gradually to the stage of spiritual realization, and one must submit himself to such a spiritual master, render him service and ask relevant questions.

(7) In order to approach the platform of self-realization, one must follow the regulative principles enjoined in the revealed scriptures.

(8) One must be fixed in the tenets of the revealed scriptures.

(9) One should completely refrain from practices which are detrimental to the interest of self-realization.

(10) One should not accept more than he requires for the maintenance of the body.

(11) One should not falsely identify himself with the gross material body, nor should one consider those who are related to his body to be his own.

(12) One should always remember that as long as he has a material body he must face the miseries of repeated birth, old age, disease and death. There is no use in making plans to get rid of these miseries of the material body. The best course is to find out the means by which one may regain his spiritual identity.

(13) One should not be attached to more than the necessities of life required for spiritual advancement.

(14) One should not be more attached to wife, children and home than the revealed scriptures ordain.

(15) One should not be happy or distressed over desirables and undesirables, knowing that such feelings are just created by the mind.

(16) One should become an unalloyed devotee of the Personality of Godhead, Śrī Kṛṣṇa, and serve Him with rapt attention.

(17) One should develop a liking for residence in a secluded place with a calm and quiet atmosphere favorable for spiritual culture, and one should avoid congested places where nondevotees congregate.

(18) One should become a scientist or philosopher and conduct research into spiritual knowledge, recognizing that spiritual knowledge is permanent whereas material knowledge ends with the death of the body.