Thin (Books)

Expressions researched:
"thin"

SB Canto 2

SB 2.10.31, Translation:

The seven elements of the body, namely the thin layer on the skin, the skin itself, the flesh, blood, fat, marrow and bone, are all made of earth, water and fire, whereas the life breath is produced by the sky, water and air.

SB 2.10.31, Purport:

The construction of the whole material world is prominently made by three elements, namely earth, water and fire. But the living force is produced by sky, air and water. So water is the common element in both the gross and subtle forms of all material creation, and it should be noted herewith that due to necessity, water, being most prominent in the material creation, is the principal element of all the five. This material body is thus an embodiment of the five elements, and the gross manifestation is perceived because of three, namely earth, water, and fire. Sensations of touch are perceived due to the thin layer on the skin, and bone is as good as hard stone. The breathing air of life is produced of sky, air and water, and therefore open air, regular bath and ample space in which to live are favorable for healthy vitality. Fresh produce from the earth like grains and vegetables, as well as fresh water and heat, is good for the upkeep of the gross body.

SB Canto 3

SB 3.15.40, Purport:

Here is a full description of the Personality of Godhead as personally experienced by the sages. The Lord's personal body was covered with yellow robes, and His waist was thin. In Vaikuṇṭha, whenever there is a flower garland on the chest of the Personality of Godhead or any one of His associates, it is described that the humming bees are there. All these features were very beautiful and attractive for the devotees. One of the Lord's hands rested on His carrier, Garuḍa, and in another hand He twirled a lotus flower. These are personal characteristics of the Personality of Godhead, Nārāyaṇa.

SB 3.24.14, Translation and Purport:

Lord Brahmā then praised Kardama Muni's nine daughters, saying: All your thin-waisted daughters are certainly very chaste. I am sure they will increase this creation by their own descendants in various ways.

In the beginning of creation, Brahmā was concerned more or less with increasing the population, and when he saw that Kardama Muni had already begotten nine nice daughters, he was hopeful that through the daughters many children would come who would take charge of the creative principle of the material world. He was therefore happy to see them. The word sumadhyamā means "a good daughter of a beautiful woman." If she has a thin waist, a woman is considered very beautiful. All the daughters of Kardama Muni were of the same beautiful feature.

SB 3.33.14, Translation:

She began to bathe three times daily, and thus her curling black hair gradually became gray. Due to austerity, her body gradually became thin, and she wore old garments.

SB 3.33.14, Purport:

Although Kardama Muni was not a king, by his yogic mystic power he accommodated Devahūti very comfortably in a nice palace with maidservants and all opulence. But since she had learned austerity even in the presence of her husband, there was no difficulty for her to be austere. Still, because her body underwent severe austerity after the departure of her husband and son, she became thin. To be too fat is not very good for spiritually advanced life. Rather, one should reduce because if one becomes fat it is an impediment to progress in spiritual understanding. One should be careful not to eat too much, sleep too much or remain in a comfortable position. Voluntarily accepting some penances and difficulties, one should take less food and less sleep. These are the procedures for practicing any kind of yoga, whether bhakti-yoga, jñāna-yoga or haṭha-yoga.

SB 3.33.28, Translation and Purport:

Her body was being taken care of by the spiritual damsels created by her husband, Kardama, and since she had no mental anxiety at that time, her body did not become thin. She appeared just like a fire surrounded by smoke.

Because she was always in trance in transcendental bliss, the thought of the Personality of Godhead was always carefully fixed in her mind. She did not become thin, for she was taken care of by the celestial maidservants created by her husband. It is said, according to the Āyur-vedic medical science, that if one is free from anxieties he generally becomes fat. Devahūti, being situated in Kṛṣṇa consciousness, had no mental anxieties, and therefore her body did not become thin. It is customary in the renounced order of life that one should not take any service from a servant or maid, but Devahūti was being served by the celestial maidservants. This may appear to be against the spiritual concept of life, but just as fire is still beautiful even when surrounded by smoke, she looked completely pure although it seemed that she was living in a luxurious way.

SB Canto 4

SB 4.6.18, Translation:

There are mango trees, priyāla, madhuka and iṅguda. Besides these there are other trees, like thin bamboos, kīcaka and varieties of other bamboo trees, all decorating the tract of Kailāsa Hill.

SB 4.23.20, Translation:

Although she was not accustomed to such difficulties, Queen Arci followed her husband in the regulative principles of living in the forest like great sages. She lay down on the ground and ate only fruits, flowers and leaves, and because she was not fit for these activities, she became frail and thin. Yet because of the pleasure she derived in serving her husband, she did not feel any difficulties.

SB 4.23.20, Purport:

This is called austerity. Even today in India, widows or women whose husbands have taken sannyāsa follow the principles of austerity, even though they live with their children. Pṛthu Mahārāja's wife, Arci, was steadily determined to execute the duty of a wife, and while her husband was in the forest, she followed him in eating only fruits and leaves and lying down on the ground. Since a woman's body is considerably more delicate than a man's, Queen Arci became very frail and thin, parikarśitā. When one engages in austerities, his body generally becomes lean and thin. Becoming fat is not a very good qualification in spiritual life because a person who is engaged in spiritual life must reduce the comforts of the body—namely eating, sleeping and mating—to a minimum. Although Queen Arci became very thin from living in the forest according to regulative principles, she was not unhappy, for she was enjoying the honor of serving her great husband.

SB 4.28.44, Translation:

The daughter of King Vidarbha wore old garments, and she was lean and thin because of her vows of austerity. Since she did not arrange her hair, it became entangled and twisted in locks. Although she remained always near her husband, she was as silent and unagitated as the flame of an undisturbed fire.

SB Canto 5

SB 5.2.11, Translation:

Āgnīdhra then praised Pūrvacitti's raised breasts. He said: My dear brāhmaṇa your waist is very thin, yet with great difficulty you are carefully carrying two horns, to which my eyes have become attracted. What is filling those two beautiful horns? You seem to have spread fragrant red powder upon them, powder that is like the rising morning sun. O most fortunate one, I beg to inquire where you have gotten this fragrant powder that is perfuming my āśrama, my place of residence.

SB 5.2.11, Purport:

Āgnīdhra appreciated Pūrvacitti's raised breasts. After seeing the girl's breasts, he became almost mad. Nevertheless, he could not recognize whether Pūrvacitti was a boy or a girl, for as a result of his austerity, he saw no distinction between the two. He therefore addressed her with the word dvija, "O brāhmaṇa." Yet why should a dvija, a brāhmaṇa boy, have horns on his chest? Because the boy's waist was thin, Āgnīdhra thought, he was carrying the horns with great difficulty. and therefore they must be filled with something very valuable. Otherwise why would he carry them? When a woman's waist is thin and her breasts are full, she looks very attractive. Āgnīdhra, his eyes attracted, contemplated the heavy breasts on the girl's thin body and imagined how her back must sustain them. Āgnīdhra imagined that her raised breasts were two horns she had covered with cloth so that others would not see the valuables within them. Āgnīdhra, however, was very anxious to see them.

SB 5.10.6, Translation:

King Rahūgaṇa told Jaḍa Bharata: How troublesome this is, my dear brother. You certainly appear very fatigued because you have carried this palanquin alone without assistance for a long time and for a long distance. Besides that, due to your old age you have become greatly troubled. My dear friend, I see that you are not very firm, nor very strong and stout. Aren't your fellow carriers cooperating with you?

In this way the King criticized Jaḍa Bharata with sarcastic words, yet despite being criticized in this way, Jaḍa Bharata had no bodily conception of the situation. He knew that he was not the body, for he had attained his spiritual identity. He was neither fat, lean nor thin, nor had he anything to do with a lump of matter, a combination of the five gross and three subtle elements. He had nothing to do with the material body and its two hands and legs. In other words, he had completely realized his spiritual identity (ahaṁ brahmāsmi). He was therefore unaffected by this sarcastic criticism from the King. Without saying anything, he continued carrying the palanquin as before.

SB 5.10.9, Translation:

The great brāhmaṇa Jaḍa Bharata said: My dear King and hero, whatever you have spoken sarcastically is certainly true. Actually these are not simply words of chastisement, for the body is the carrier. The load carried by the body does not belong to me, for I am the spirit soul. There is no contradiction in your statements because I am different from the body. I am not the carrier of the palanquin; the body is the carrier. Certainly, as you have hinted, I have not labored carrying the palanquin, for I am detached from the body. You have said that I am not stout and strong, and these words are befitting a person who does not know the distinction between the body and the soul. The body may be fat or thin, but no learned man would say such things of the spirit soul. As far as the spirit soul is concerned, I am neither fat nor skinny; therefore you are correct when you say that I am not very stout. Also, if the object of this journey and the path leading there were mine, there would be many troubles for me, but because they relate not to me but to my body, there is no trouble at all.

SB Canto 6

SB 6.18.35, Translation:

My dear wife, whose body is so beautiful, your waist being thin, a conscientious wife should be chaste and should abide by the orders of her husband. She should very devoutly worship her husband as a representative of Vāsudeva.

SB 6.18.60, Translation:

Having grown weak and thin because of strictly following the principles of the vow, Diti once unfortunately neglected to wash her mouth, hands and feet after eating and went to sleep during the evening twilight.

SB Canto 7

SB 7.8.19-22, Translation:

Hiraṇyakaśipu studied the form of the Lord, trying to decide who the form of Nṛsiṁha-deva standing before him was. The Lord's form was extremely fearsome because of His angry eyes, which resembled molten gold; His shining mane, which expanded the dimensions of His fearful face; His deadly teeth; and His razor-sharp tongue, which moved about like a dueling sword. His ears were erect and motionless, and His nostrils and gaping mouth appeared like caves of a mountain. His jaws parted fearfully, and His entire body touched the sky. His neck was very short and thick, His chest broad, His waist thin, and the hairs on His body as white as the rays of the moon. His arms, which resembled flanks of soldiers, spread in all directions as He killed the demons, rogues and atheists with His conchshell, disc, club, lotus and other natural weapons.

SB 7.10.49, Purport:

The impersonal Brahman is My partial manifestation, and there is no truth superior to Me." That same Kṛṣṇa, the Supreme Personality of Godhead, acted as the supreme friend and relative of the Pāṇḍavas, and sometimes He even acted as their servant by carrying a letter from the Pāṇḍavas to Dhṛtarāṣṭra and Duryodhana. Because Kṛṣṇa was the well-wisher of the Pāṇḍavas, He also acted as guru by becoming the spiritual master of Arjuna. Arjuna accepted Kṛṣṇa as his spiritual master (śiṣyas te 'haṁ śādhi māṁ tvāṁ prapannam (BG 2.7)), and Kṛṣṇa sometimes chastised him. For example, the Lord said, aśocyān anvaśocas tvaṁ prajñā-vādāṁś ca bhāṣase: (BG 2.11) "while speaking learned words, you are mourning for what is not worthy of grief." The Lord also said, kutas tvā kaśmalam idaṁ viṣame samupasthitam: "My dear Arjuna, how have these impurities come upon you?" Such was the intimate relationship between the Pāṇḍavas and Kṛṣṇa. In the same way, a pure devotee of the Lord is always with Kṛṣṇa through thick and thin; his way of life is Kṛṣṇa. This is the statement of the authority Śrī Nārada Muni.

SB 7.10.50, Purport:

The Absolute Truth is sought by different persons in different ways, yet He remains inconceivable. Nonetheless, devotees like the Pāṇḍavas, the gopīs, the cowherd boys, Mother Yaśodā, Nanda Mahārāja and all the inhabitants of Vṛndāvana do not need to practice conventional processes of meditation to attain the Supreme Personality of Godhead, for He remains with them through thick and thin. Therefore a saint like Nārada, understanding the difference between transcendentalists and pure devotees, always prays that the Lord will be pleased with him.

SB Canto 8

SB 8.8.18, Translation:

Her two breasts, which were symmetrical and nicely situated, were covered with sandalwood pulp and kuṅkuma powder, and her waist was very thin. As she walked here and there, her ankle bells jingling softly, she appeared like a creeper of gold.

SB 8.8.41-46, Translation:

The Supreme Personality of Godhead, Viṣṇu, who can counteract any unfavorable situation, then assumed the form of an extremely beautiful woman. This incarnation as a woman, Mohinī-mūrti, was most pleasing to the mind. Her complexion resembled in color a newly grown blackish lotus, and every part of Her body was beautifully situated. Her ears were equally decorated with earrings, Her cheeks were very beautiful, Her nose was raised and Her face full of youthful luster. Her large breasts made Her waist seem very thin. Attracted by the aroma of Her face and body, bumblebees hummed around Her, and thus Her eyes were restless. Her hair, which was extremely beautiful, was garlanded with mallikā flowers. Her attractively constructed neck was decorated with a necklace and other ornaments, Her arms were decorated with bangles, Her body was covered with a clean sari, and Her breasts seemed like islands in an ocean of beauty. Her legs were decorated with ankle bells. Because of the movements of Her eyebrows as She smiled with shyness and glanced over the demons, all the demons were saturated with lusty desires, and every one of them desired to possess Her.

SB 8.9.6, Translation:

We are now all engaged in enmity among ourselves because of this one subject matter—the container of nectar. Although we have been born in the same family, we are becoming increasingly inimical. O thin-waisted woman, who are so beautiful in Your prestigious position, we therefore request You to favor us by settling our dispute.

SB Canto 9

SB 9.10.30, Translation:

Thereafter, Lord Rāmacandra found Sītādevī sitting in a small cottage beneath the tree named Siṁśapā in a forest of Aśoka trees. She was lean and thin, being aggrieved because of separation from Him.

SB Canto 10.1 to 10.13

SB 10.9.10, Translation:

While following Kṛṣṇa, mother Yaśodā, her thin waist overburdened by her heavy breasts, naturally had to reduce her speed. Because of following Kṛṣṇa very swiftly, her hair became loose, and the flowers in her hair were falling after her. Yet she did not fail to capture her son Kṛṣṇa.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.20.21, Translation:

The trees had grown thin and dry, but after they drank the newly fallen rainwater through their feet, their various bodily features blossomed. Similarly, one whose body has grown thin and weak from austerity again exhibits his healthy bodily features upon enjoying the material objects gained through that austerity.

SB 10.80.23, Translation:

By fanning him with her cāmara, the divine goddess of fortune personally served that poor brāhmaṇa, whose clothing was torn and dirty and who was so thin that veins were visible all over his body.

SB 11.24.16, Translation:

Whatever features visibly exist within this world—small or great, thin or stout—certainly contain both the material nature and its enjoyer, the spirit soul.

SB 12.8.26-27, Translation:

The Apsarā Puñjikasthalī made a show of playing with a number of toy balls. Her waist seemed weighed down by her heavy breasts, and the wreath of flowers in her hair became disheveled. As she ran about after the balls, glancing here and there, the belt of her thin garment loosened, and suddenly the wind blew her clothes away.

CC Adi-lila

CC Adi 17.83, Purport:

In India a mango is considered best when it is red and yellow, its seed is very small, its skin is very thin, and it is so palatable that if a person eats one fruit he will be satisfied. The mango is considered the king of all fruits.

CC Madhya-lila

CC Madhya 2.72, Purport:

When these emotions are experienced, the complexion turns pale and the body becomes lean and thin. Aśru is explained in the Bhakti-rasāmṛta-sindhu as a combination of joy, anger and moroseness that causes water to flow from the eyes without effort. When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of aśru. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice. This choking is called gadgada. Śrī Caitanya Mahāprabhu refers to gadgada-ruddhayā girā, or "a faltering voice." In the Bhakti-rasāmṛta-sindhu, pulaka is described as joy, encouragement and fear. When these combine, the hairs on the body stand on end, and this bodily state is called pulaka.

CC Antya-lila

CC Antya 10.36, Translation:

The condiments and similar items were put into thin earthen pots, and everything else was put into small cloth bags.

CC Antya 10.72, Translation:

The hairs on His body constantly stood up like the thorns on a śimula tree. Sometimes His body was swollen and sometimes lean and thin.

CC Antya 13.1, Translation:

Let me take shelter at the lotus feet of Lord Gauracandra. His mind became exhausted and His body very thin from the pain of separation from Kṛṣṇa, but when He felt ecstatic love for the Lord, He again became fully developed.

CC Antya 13.5, Translation:

Because He was very thin, when He lay down to rest on the dry bark of plantain trees, it caused Him pain in His bones.

CC Antya 14.45, Translation:

The yogī of My mind wears the torn quilt of anxiety on his dirty body, which is covered with dust and ashes. His only words are "Alas! Kṛṣṇa!" He wears twelve bangles of distress on his wrist and a turban of greed on his head. Because he has not eaten anything, he is very thin.

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 1:

In the stage of transcendental love of God there are further developments, known as transcendental affection, emotion, ecstasy, and extreme and intense attachment. These are technically known by the terms rāga, anurāga, bhāva and mahābhāva. The progress from one stage to another is like the thickening of sugarcane juice. In the first stage sugarcane juice is a thin liquid. When, by evaporation, it becomes thicker and thicker, it turns into molasses. Then it turns into granules of sugar, then rock candy, and so on. Just as sugarcane juice progresses from one stage to another, similarly transcendental love for the Supreme Lord develops by stages.

Teachings of Lord Caitanya, Chapter 1:

In general, attachment to Kṛṣṇa is of two kinds. The first kind is attachment with awe and veneration. Characterized by a lack of freedom, such attachment is exhibited in Mathurā and on the Vaikuṇṭha planets. In these abodes of the Lord, the flavor of transcendental loving service is restricted. But in Gokula (Vṛndāvana) love is freely exchanged, and although the cowherd boys and damsels of Vṛndāvana know that Kṛṣṇa is the Supreme Personality of Godhead, they do not show awe and veneration, because of the great intimacy of their relationship with Him through thick and thin. In the five principal transcendental relationships, awe and veneration are sometimes impediments to one's service to the Lord. When there is friendship, parental affection or conjugal love, such awe and veneration are impediments.

Nectar of Devotion

Nectar of Devotion 23:

There is a nice statement in the Kūrma Purāṇa about these contradictory traits of the Supreme Personality of Godhead. It is stated there that the Supreme Person is neither very fat nor very thin; He is always transcendental to material qualities, and yet His bodily luster is blackish. His eyes are reddish, He is all-powerful, and He is equipped with all different kinds of opulences. Contradictory traits in Kṛṣṇa's person are not at all surprising; one should not consider the characteristics of Kṛṣṇa, the Supreme Personality of Godhead, to be actually contradictory. One should try to understand the traits of Kṛṣṇa from authorities and try to understand how these characteristics are employed by the supreme will of the Lord.

Nectar of Devotion 26:

It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age. Kṛṣṇa was beautiful because every part of His body was perfectly arranged without any defect. Such perfect bodily features of Kṛṣṇa are described as follows: "My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl." The ornaments on the body of Kṛṣṇa were not actually enhancing His beauty, but just the reverse—the ornaments were beautified by Kṛṣṇa.

Nectar of Devotion 28:

An example of shedding tears because of anger was exhibited by Bhīma when he saw that Śiśupāla was insulting Kṛṣṇa in the Rājasūya arena of sacrifice. Bhīma wanted to kill Śiśupāla immediately, but because Kṛṣṇa did not order him to do so, he became morose with anger. It is described that there were hot tears covering his eyes, as a thin cloud sometimes covers the evening moon. In the evening, when the moon is slightly covered by a thin cloud, it looks very nice, and when Bhīma was shedding tears on account of his anger, he also looked very nice.

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Krsna, The Supreme Personality of Godhead

Krsna Book 6:

Pūtanā entered the county of Gokula, the residential quarter of Nanda Mahārāja, without permission. Dressing herself just like a beautiful woman, she entered the house of Mother Yaśodā. She appeared very beautiful, with raised hips, nicely swollen breasts, earrings, and flowers in her hair. She looked especially beautiful on account of her thin waist. She was glancing at everyone with very attractive looks and smiling face, and all the residents of Vṛndāvana were captivated. The innocent cowherd women thought that she was the goddess of fortune appearing in Vṛndāvana with a lotus flower in her hand. It seemed to them that she had personally come to see Kṛṣṇa, who is her husband. Because of her exquisite beauty, no one checked her movement, and therefore she freely entered the house of Nanda Mahārāja. Pūtanā, the killer of many, many children, found baby Kṛṣṇa lying on a small bed, and she could at once perceive that the baby was hiding His unparalleled potencies, which resembled fire covered by ashes. Pūtanā thought, "This child is so powerful that He can destroy the whole universe immediately."

Krsna Book 9:

In other words, the Supreme Personality of Godhead, Kṛṣṇa, who is never caught by the yogīs and speculators, was playing just like a little child for such a great devotee as Mother Yaśodā. Mother Yaśodā, however, could not easily catch the fast-running child because of her thin waist and heavy body. Still she tried to follow Him as fast as possible. Her hair loosened, and the flowers in her hair fell to the ground. Although she was tired, she somehow reached her naughty child and captured Him. When He was caught, Kṛṣṇa was almost on the point of crying. He smeared His hands over His eyes, which were anointed with black eye cosmetics. The child saw His mother's face while she stood over Him, and His eyes became restless from fear.

Krsna Book 22:

"My dear girls," He said, “please come here one after another and pray for your garments and then take them away. I’m not joking with you. I’m just telling the truth. I have no desire to play any joke with you, for you are tired from observing the regulative principles for one month by worshiping Goddess Kātyāyanī. Please do not come here all at once. Come alone; I want to see each of you in your complete beauty, for you all have thin waists. I have requested you to come alone. Now please comply.”

Krsna Book 29:

When He saw that they continued to smile, He said, "I very much appreciate your bodily features. All of you have nice, very thin waists." All of the gopīs there were exquisitely beautiful. They are described by the word sumadhyamā; the standard of beauty of a woman is said to be sumadhyamā, when the middle portion of the body is slender.

Krsna Book 42:

Thinking like this, Lord Kṛṣṇa pressed the feet of the hunchbacked woman with His toes and, capturing her cheeks with His fingers, gave her a jerk in order to make her straight. At once the hunchbacked woman became a beautiful straight girl, with broad hips, thin waist and very nice, well-shaped breasts. Since Kṛṣṇa was pleased with the service of the hunchbacked woman, and since she was touched by Kṛṣṇa's hands, she became the most beautiful girl among women. This incident shows that by serving Kṛṣṇa the devotee immediately becomes elevated to the most exalted position in all respects. Devotional service is so potent that anyone who takes to it becomes qualified with all godly qualities. Kṛṣṇa was attracted to the hunchbacked woman not for her beauty but for her service; as soon as she rendered service, she immediately became the most beautiful woman. A Kṛṣṇa conscious person does not have to be qualified or beautiful; after becoming Kṛṣṇa conscious and rendering service unto Kṛṣṇa, he becomes very much qualified and beautiful.

Krsna Book 45:

They also learned the art of performing magical feats. Within the magical field there is an art called bahu-rūpī, by which a person dresses himself in such a way that when he approaches a friend he cannot be recognized. Kṛṣṇa and Balarāma also learned how to make various syrups and beverages required at various times, having various tastes and intoxicating effects. They also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets. This art includes how to string wires on musical instruments, such as the vīṇā, sitar, esarāja and tamboura, to produce melodious sounds. Then They learned how to make and solve riddles. They learned the art of how even a dull student can very quickly learn the alphabet and read books. Then They learned how to rehearse and act out a drama. They also studied the art of solving crossword puzzles, filling up the missing spaces and making complete words.

Krsna Book 53:

All the princes and visitors who came to Kuṇḍina for the marriage had assembled outside the temple to see Rukmiṇī. The princes were especially eager to see her because they all actually thought that they would have Rukmiṇī as their wife. Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings. The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets. Rukmiṇī’s breasts are described as being somewhat high, indicating that she was just a youth not more than thirteen or fourteen years old. Her beauty was specifically intended to attract the attention of Kṛṣṇa. Although the princes gazed upon her beautiful features, she was not at all proud. Her eyes moved restlessly, and when she smiled very simply, like an innocent girl, her teeth appeared just like jasmine buds. Expecting Kṛṣṇa to take her away at any moment, she proceeded slowly toward her home. Her legs moved just like a full-grown swan, and her ankle bells tinkled mildly.

Krsna Book 75:

The palace was excellent in its puzzling artistic workmanship and was befitting the position of great princes, kings or leaders of the demons. In that great palace, the Pāṇḍavas lived with their family members, and Queen Draupadī served her husbands very peacefully. And because in those days Lord Kṛṣṇa was also there, the palace was also decorated by His thousands of queens. When the queens, with their heavy breasts and thin waists, moved within the palace and their ankle bells rang very melodiously with their movement, the whole palace appeared more opulent than the heavenly kingdom. Because a portion of their breasts was sprinkled with saffron powder, the pearl necklaces on their breasts appeared reddish. With their beautiful earrings and flowing hair, the queens appeared very attractive. After seeing such beauties in the palace of King Yudhiṣṭhira, Duryodhana was envious. He was especially envious and lustful upon seeing the beauty of Draupadī because he had cherished a special attraction for her from the very beginning of her marriage with the Pāṇḍavas. In the marriage selection assembly of Draupadī, Duryodhana had also been present, and along with other princes he had been very much captivated by the beauty of Draupadī, but he had failed to achieve her.

Krsna Book 80:

A man in perfect knowledge knows that one cannot be happier than he is destined to be. In this material world, everyone is destined to suffer a certain amount of distress and enjoy a certain amount of happiness. The amount of happiness and distress is already predestined for every living entity. No one can increase or decrease the happiness of the materialistic way of life. The brāhmaṇa, therefore, did not exert himself for more material happiness; instead, he used his time for advancement of Kṛṣṇa consciousness. Externally he appeared very poor because he had no rich clothes and could not provide rich clothes for his wife. Because their material condition was not very opulent, they were not even eating sufficiently, and thus both he and his wife appeared very thin. The wife was not anxious for her personal comfort, but she felt concerned for her husband, who was such a pious brāhmaṇa. She trembled due to her weak health, and although she did not like to dictate to her husband, she spoke as follows.

Krsna Book 80:

The brāhmaṇa, being very poor, was not dressed nicely; his clothing was torn and dirty, and his body was very lean and thin. He appeared not very clean, and because of his weak body, his bones were distinctly visible. The goddess of fortune Rukmiṇīdevī personally began to fan him with the cāmara fan, but the other women in the palace were astonished at Lord Kṛṣṇa's behavior in receiving the brāhmaṇa in that way. They were surprised to see how eager Lord Kṛṣṇa was to welcome this particular brāhmaṇa. They wondered how Lord Kṛṣṇa could personally receive a brāhmaṇa who was poor, not very neat or clean, and poorly dressed; but at the same time they could realize that the brāhmaṇa was not an ordinary living being. They knew that he must have performed great pious activities; otherwise why was Lord Kṛṣṇa, the husband of the goddess of fortune, taking care of him so much? They were still more surprised to see that the brāhmaṇa was seated on the bedstead of Lord Kṛṣṇa. They were especially surprised to see that Lord Kṛṣṇa had embraced him exactly as He embraced His elder brother, Balarāmajī, because Lord Kṛṣṇa used to embrace only Rukmiṇī or Balarāma, and no one else.

Krsna Book 90:

“Dear moon-god, we think you have been attacked by a severe type of tuberculosis. For this reason, you are becoming thinner and thinner day by day. O lord, you are now so weak that your thin rays cannot dissipate the darkness of night. Or is it a fact that, just like us, you have been stunned by the mysteriously sweet words of our Lord Śyāmasundara? Is it a fact that it is because of this severe anxiety that you are so grave?

Krsna Book 90:

"Dear dry rivers, we know that because this is the summer season, all your beds are dry, and you have no water. Because all your water has now been dried up, you are no longer beautified by blooming lotus flowers. At the present moment, you appear very lean and thin, so we can understand that your position is exactly like ours. We have lost everything due to being separated from Śyāmasundara, and we no longer hear His pleasing words. Our hearts no longer work properly, and therefore we also have become very lean and thin. We think, therefore, that you are just like us. You have turned lean and thin because you are not getting any water from your husband, the ocean, through the clouds." The example given herewith by the queens is very appropriate. The riverbeds become dry when the ocean no longer supplies water through the clouds. The ocean is supposed to be the husband of the river and therefore is supposed to support her. Unless a woman is supported by her husband with the necessities of life, she also becomes as dry as a dry river.