By His Vaikuṇṭha potency Lord Kṛṣṇa had expanded all the stolen cows, calves and friends. Indeed, Brahmā saw millions and billions of them, and he also saw millions and billions of herding sticks and fruits, lotus flowers and horns. All the cowherd boys were wearing different clothes and ornaments, and no one could count their vast numbers. Then Brahmā saw each of the cowherd boys become a four-handed Nārāyaṇa, and he also saw innumerable Brahmās from different universes offering obeisances to the Lord. He saw that all these personalities were emanating from the body of Kṛṣṇa and, after a second, entering into His body. Lord Brahmā became struck with wonder by this extraordinary feat of Kṛṣṇa's, and in a prayer he stated that although anyone and everyone could say they knew all about Kṛṣṇa, as far as he was concerned, he did not know anything about Him. "My dear Lord," he said, "the potencies and opulences You have exhibited just now are beyond the ability of my mind to understand."
Ornaments (Other Books)
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Other Books by Srila Prabhupada
Teachings of Lord Caitanya
The manifestation of Kṛṣṇa's internal potency (yogamāyā) is not exhibited in the part of the kingdom of God comprising the Vaikuṇṭha planets, but Kṛṣṇa does exhibit that internal potency within the universe when He descends from His personal abode out of His inconceivable mercy. Kṛṣṇa is so wonderful and attractive that He Himself becomes attracted by His own beauty, and this is proof that He is full of all inconceivable potencies. As far as the ornaments decorating Kṛṣṇa's body are concerned, it appears that they do not beautify Him but that they themselves become beautiful simply by being on His body. Always standing in a three-curved way, He attracts all living entities, including the demigods. Indeed, He even attracts the Nārāyaṇa form who presides in every Vaikuṇṭha planet.
A living entity known as a chemist can manufacture water in the laboratory by mixing hydrogen and oxygen. But in reality the living entity works under the direction of the Supreme Lord, and all the materials he uses are supplied by the Lord. Thus the Lord knows everything directly and indirectly, in minute detail, and He is fully independent as well. He can be compared to a gold mine, and the objects within the cosmic creation can be compared to ornaments made from that gold, such as gold rings, gold necklaces, and so on. The gold ring and necklace are qualitatively one with the gold in the mine, but quantitatively the gold in the mine and the gold in the ring or necklace are different. The complete philosophy of the Absolute Truth, therefore, centers about the fact that the Absolute Truth is simultaneously one with and different from His creation. Nothing is absolutely equal to the Absolute Truth, but at the same time nothing is independent of the Absolute Truth.
Indeed, that body is the personification of His pleasure potency. Rādhārāṇī bathes Her transcendental body three times: first in the water of mercy, second in the water of youthful beauty, and third in the water of youthful luster. After She bathes three times in that way, Her body is covered with shining garments and decorated with Her personal beauty, which is compared to cosmetics. Thus Her beauty constitutes the highest artistry. Her body is also decorated with the ornaments of spiritual ecstasy—trembling, shedding of tears, perspiring, choking of the voice, cessation of all bodily functions due to transcendental pleasure, standing up of the bodily hairs, changing of bodily color, and madness.
Nectar of Devotion
The next instruction is that one should put on flower garlands which are offered to the Deity. In this connection, in the Eleventh Canto, Sixth Chapter, verse 46, of Śrīmad-Bhāgavatam, Uddhava says to Kṛṣṇa, "My dear Kṛṣṇa, I have taken things which You have used and enjoyed, such as garlands of flowers, scented oils, garments and ornaments, and I eat only the remnants of Your foodstuff, because I am Your menial servant. So, therefore, I am sure that I shall not be attacked by the spell of material energy." The purport of this verse is that for any person who simply follows these rules and regulations of decorating the body with the marks of tilaka of gopī-candana or sandalwood pulp, and who puts on the garlands which were offered to Kṛṣṇa, there is no question of being conquered by the spell of material energy. At the time of death, there is no question of such a person's being called by the constables of Yamarāja. Even if one does not accept all the Vaiṣṇava principles, but still takes the remnants of foodstuff offered to Kṛṣṇa, or kṛṣṇa-prasāda, he will gradually become qualified to rise to the platform of a Vaiṣṇava.
That is the result of the breathing exercises and also of the different sitting postures of yoga. Formerly, even quite ordinary persons used to know how to fix the mind upon the remembrance of the Lord, and so the brāhmaṇa was doing this. When he had fixed the form of the Lord in his mind, he began to imagine in his meditations that he was dressing the Lord very nicely in costly clothing, with ornaments, helmets and other paraphernalia. Then he offered his respectful obeisances by bowing down before the Lord. After finishing the dressing, he began to imagine that he was cleaning the temple very nicely. After cleansing the temple, he imagined that he had many water jugs made of gold and silver, and he took all those jugs to the river and filled them with the holy water. Not only did he collect water from the Godāvarī, but he collected from the Ganges, Yamunā, Narmadā and Kāverī. Generally a Vaiṣṇava, while worshiping the Lord, collects water from all these rivers by mantra chanting. This brāhmaṇa, instead of chanting some mantra, imagined that he was physically securing water from all these rivers in golden and silver waterpots. Then he collected all kinds of paraphernalia for worship—flowers, fruits, incense and sandalwood pulp. He collected everything to place before the Deity. All these waters, flowers and scented articles were then very nicely offered to the Deities to Their satisfaction. Then he offered ārati, and with the regulative principles he finished all these activities in the correct worshiping method.
The Siddhas, the inhabitants of Siddhaloka (where all are born with fully developed mystic powers), and the Cāraṇas, the inhabitants of a similar planet, pray to Kṛṣṇa as follows: "My Lord Govinda, the goddess of learning is decorated with fourteen kinds of educational ornaments, her intelligence is all-pervading within the four departments of the Vedas, her attention is always on the lawbooks given by great sages like Manu, and she is appareled in six kinds of expert knowledge—namely Vedic evidence, grammar, astrology, rhetoric, vocabulary and logic. Her constant friends are the supplements of the Vedas, the Purāṇas, and she is decorated with the final conclusion of all education. And now she has acquired an opportunity to sit with You as a class friend in school, and she is now engaged in Your service."
It is also stated that while Lord Kṛṣṇa was living in Dvārakā, He expanded Himself into 16,108 forms, and each and every expansion resided in a palace with a queen. Not only was Kṛṣṇa happily living with His queens in those palaces, but He was giving in charity from each palace an aggregate number of 13,054 cows completely decorated with nice clothing and ornaments. From each of Kṛṣṇa's 16,108 palaces, these cows were being given in charity by Kṛṣṇa every day. No one can estimate the value of such a large number of cows given in charity, but that was the system of Kṛṣṇa's daily affairs while He was reigning in Dvārakā.
As far as Kṛṣṇa's enjoyment is concerned, it is stated that the ornaments which decorated the bodies of Kṛṣṇa and His queens were beyond the dreams of Kuvera, the treasurer of the heavenly kingdom. The constant dancing before the doors of Kṛṣṇa's palaces was not to be imagined even by the demigods in the heavenly kingdom. In the heavenly kingdom, Indra always sees the dancing of the society girls. But even Indra could not imagine how beautiful were the dances being performed at the gates of Kṛṣṇa's palaces. Gaurī means "white woman," and Lord Śiva's wife is called Gaurī. The beautiful women residing within the palaces of Kṛṣṇa were so much whiter than Gaurī that they were compared to the moonshine, and they were constantly visible to Kṛṣṇa. Therefore, no one can be enjoying more than Kṛṣṇa. The conception of enjoyment is beautiful women, ornaments and riches. And all of these were fabulously present in the palaces of Kṛṣṇa, defeating even the imagination of Kuvera, Lord Indra or Lord Śiva.
This was verified by Bilvamaṅgala Ṭhākura when in Kṛṣṇa-karṇāmṛta he addressed Kṛṣṇa thus: "My dear Lord, what can I say about the opulence of Your Vṛndāvana? Simply the ornaments on the legs of the damsels of Vṛndāvana are more than cintāmaṇi, and their dresses are as good as the heavenly pārijāta flowers. And the cows exactly resemble the surabhi cows in the transcendental abode. Therefore Your opulence is just like an ocean that no one can measure."
In the Third Canto, Second Chapter, verse 12, of Śrīmad-Bhāgavatam, Uddhava tells Vidura, "My dear sir, Kṛṣṇa's form was most wonderful when He appeared on this planet and exhibited the potency of His internal energy. His wonderfully attractive form was present during His pastimes on this planet, and by His internal potency He exhibited His opulences, which are striking to everyone. His personal beauty was so great that there was no necessity for His wearing ornaments on His body. In fact, instead of the ornaments' beautifying Kṛṣṇa, Kṛṣṇa's beauty enhanced the ornaments."
It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age. Kṛṣṇa was beautiful because every part of His body was perfectly arranged without any defect. Such perfect bodily features of Kṛṣṇa are described as follows: "My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl." The ornaments on the body of Kṛṣṇa were not actually enhancing His beauty, but just the reverse—the ornaments were beautified by Kṛṣṇa.
His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, His embroidered garments and the beautiful rings on His fingers.
There is a class of professional brāhmaṇas who take to Deity worship as a means of earning their livelihood. Brāhmaṇas in this class are not very interested in the Deity; they are interested mainly in the money they can earn as holy men. So the Deities worshiped by such professional brāhmaṇas are not properly decorated, Their dress is not changed, and Their bodies are not cleaned. They look dirty and are not very attractive. Actually, Deity worship should be done very carefully: the dress should be changed daily, and as far as possible there should be ornaments. Everything should be so clean that the Deity is attractive to all visitors. Here the example is given of the Deities in the house of a professional brāhmaṇa because such Deities are not at all attractive. The friends of Kṛṣṇa, in the absence of Kṛṣṇa, were appearing like such neglected Deities.
When Mahārāja Yudhiṣṭhira went with Kṛṣṇa in the arena of the Rājasūya sacrifice, in his imagination he began to anoint the body of Kṛṣṇa with pulp of sandalwood, he decorated Kṛṣṇa with a garland hanging down to His knees, he gave Kṛṣṇa garments all embroidered with gold, he gave Kṛṣṇa ornaments all bedecked with valuable jewels, and he gave Kṛṣṇa many fully decorated elephants, chariots and horses. He further wished to give Kṛṣṇa in charity his kingdom, his family and his personal self also. After so desiring, when there was nothing actually to give in charity, Mahārāja Yudhiṣṭhira became very perturbed and anxious.
When Jaṭilā, the mother of Abhimanyu, saw Kṛṣṇa wearing a necklace, she could understand that the jeweled ornament had been given to Him by Rādhārāṇī. She therefore became absorbed in anger and began to move her eyebrows, expressing her anger in ecstatic love.
In the city of Dvārakā the following devotees are known as Kṛṣṇa's close associates: Uddhava, Dāruka, Sātyaki, Śrutadeva, Śatrujit, Nanda, Upananda and Bhadra. All of these personalities remain with the Lord as His secretaries, but still they are sometimes engaged in His personal service. Among the Kuru dynasty, Bhīṣma, Mahārāja Parīkṣit and Vidura are also known as close associates of Lord Kṛṣṇa. It is said, "All the associates of Lord Kṛṣṇa have lustrous bodily features, and their eyes are just like lotus flowers. They have sufficient power to defeat the strength of the demigods, and the specific feature of their persons is that they are always decorated with valuable ornaments."
Those who are constantly engaged in the personal service of the Lord are called anugas, or followers. Examples of such followers are Sucandra, Maṇḍana, Stamba and Sutamba. They are all inhabitants of the city of Dvārakā, and they are dressed and ornamented like the other associates. The specific services entrusted to the anugas are varied. Maṇḍana always bears the umbrella over the head of Lord Kṛṣṇa. Sucandra is engaged in fanning with the white cāmara bunch of hair, and Sutamba is engaged in supplying betel nuts. All of them are great devotees, and they are always busy in the transcendental loving service of the Lord.
There is the following prayer by a devotee for the vayasyas in Vṛndāvana: "All glories to Kṛṣṇa's vayasyas, who are just like Kṛṣṇa in their age, qualities, pastimes, dress and beauty. They are accustomed to playing on their flutes made of palm leaves, and they all have buffalo-horn bugles ornamented like Kṛṣṇa's with jewels such as indranīla and with gold and coral. They are always jubilant like Kṛṣṇa. May these glorious companions of Kṛṣṇa always protect us!"
The symptoms of the kaiśora age have already been described, and it is at this age that devotees generally most appreciate Kṛṣṇa. Kṛṣṇa with Rādhārāṇī is worshiped as Kiśora-kiśorī. Kṛṣṇa does not increase His age that although He is the oldest personality and has innumerable different forms, His original form is always youthful. In the pictures of Kṛṣṇa on the Battlefield of Kurukṣetra we can see that He is youthful, although at that time He was old enough to have sons, grandsons and great-grandsons. The cowherd boyfriends of Kṛṣṇa once said, "Dear Kṛṣṇa, You need not decorate Your body with so many ornaments. Your transcendental features are themselves so beautiful that You do not require any ornamentation." At this age, whenever Kṛṣṇa begins to vibrate His flute early in the morning, all of His friends immediately get up from bed just to join Him in going to the pasturing grounds. One of the friends once said, "My dear cowherd friends, the sound of Kṛṣṇa's flute from above Govardhana Hill is telling us that we need not go to search Him out on the bank of the Yamunā."
The servants of Kṛṣṇa were sometimes engaged in collecting flowers, decorating His body with valuable ornaments and trinkets, dancing before Him, singing, helping Him herd the cows, massaging His body, preparing flower garlands and sometimes fanning His body. These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.
There is another description of mother Yaśodā in a devotee's prayer: "Let me be given protection by mother Yaśodā, whose curly hairs are bound with thread, whose hair is very brightly beautified by the vermilion placed in the part and whose bodily frame derides all her ornaments. Her eyes are always engaged in seeing the face of Kṛṣṇa, and thus they are always filled with tears. Her complexion, which resembles the bluish lotus flower, is enhanced in beauty by her dressing herself with many colorful garments. Let her merciful glance fall on all of us so that we may be protected from the clutches of māyā and smoothly progress in our devotional service!"
He is thus described when mother Yaśodā once saw Him in His middle kaumāra age: His scattered hairs were touching His eyebrows, and His eyes were restless, but He could not express His feelings with proper words; still, when He was talking, His talk was so nice and sweet to hear. When mother Yaśodā looked at His little ears and saw Him naked, trying to run very quickly with His little legs, she was merged into the ocean of nectar. Kṛṣṇa's ornaments at this age are a pearl hanging from the septum of His nose, butter on His lotuslike palms, and some small bells hanging from His waist. It is stated that when mother Yaśodā saw that the child was moving, ringing the bells on His waist, smiling at her with a pearl between His nostrils and with butter on His hands, she became wonderfully pleased to see her little child in that fashion.
Krsna, The Supreme Personality of Godhead
sudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder. How could a newly born child be so decorated? Vasudeva could therefore understand that Lord Kṛṣṇa had now appeared, and he became overpowered by the occasion. Vasudeva very humbly wondered that although he was an ordinary living entity conditioned by material nature and was externally imprisoned by Kaṁsa, the all-pervading Personality of Godhead, Viṣṇu, or Kṛṣṇa, was appearing as a child in his home, exactly in His original position. No earthly child is born with four hands, decorated with ornaments and nice clothing, fully equipped with all the signs of the Supreme Personality of Godhead. Over and over again Vasudeva glanced at his child, and he considered how to celebrate this auspicious moment: "Generally, when a male child is born," he thought, "people observe the occasion with jubilant celebrations, and in my home, although I am imprisoned, the Supreme Personality of Godhead has taken birth. How many millions and millions of times should I be prepared to observe this auspicious ceremony!"
When Vasudeva, who is also called Ānakadundubhi, was looking at his newborn baby, he was so happy that he wanted to give many thousands of cows in charity to the brāhmaṇas. According to the Vedic system, whenever there is an auspicious ceremony in the kṣatriya king's palace, out of joy the king gives many things in charity. Cows decorated with golden ornaments are delivered to the brāhmaṇas and sages. Vasudeva wanted to perform a charitable ceremony to celebrate Kṛṣṇa's appearance, but because he was shackled within the walls of Kaṁsa's prison, this was not possible. Instead, within his mind he gave thousands of cows to the brāhmaṇas.
Kaṁsa was so cruel that he did not listen to the pitiful prayers of his sister Devakī. He forcibly grabbed the newborn child to rebuke his sister and attempted to dash her on the stone mercilessly. This is a graphic example of a cruel demon who could sacrifice all relationships for the sake of personal gratification. But the child immediately slipped out of his hands, went up into the sky and appeared with eight arms as the younger sister of Viṣṇu. She was decorated with nice garments and flower garlands and ornaments; in her eight hands she held a bow, lance, arrows, sword, conchshell, disc, club and shield.
The next day, it was declared that a male child had been born to Yaśodā. According to Vedic custom, Nanda Mahārāja called for learned astrologers and brāhmaṇas to perform the birth ceremony. After the birth of a child, the astrologers calculate the moment of the birth and make a horoscope of the child's future life. Another ceremony takes place after the birth of the child: the family members take baths, cleanse themselves and decorate themselves with ornaments and nice garments; then they come before the child and the astrologer to hear of the future life of the child. Nanda Mahārāja and other members of the family dressed and sat down in front of the birthplace. All the brāhmaṇas who were assembled there on this occasion chanted auspicious mantras, according to the rituals, while the astrologers performed the birth ceremony. All the demigods are also worshiped on this occasion, as well as the forefathers of the family. Nanda Mahārāja distributed to the brāhmaṇas 200,000 cows, which were well decorated with cloth and ornaments. He gave the brāhmaṇas not only cows in charity but also hills of grain decorated with ornaments and golden-bordered cloth.
When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.
As soon as they heard that Mother Yaśodā had given birth to a child, all the cowherd women became overwhelmed with joy, and they also dressed themselves with various kinds of costly garments and ornaments and smeared scented cosmetics on their bodies.
Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky. From the movement of the different kinds of ornaments on their bodies, they were looking still more beautiful. In this way, they all reached the house of Nanda-Yaśodā and blessed the child: "Dear child, You live long just to protect us." While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.
When the cowherd men saw the pastimes of the cowherd women, they became very joyful, and in response they also began to throw yogurt, milk, clarified butter and water upon the bodies of the gopīs. Then both parties began to throw butter on each other's bodies. Nanda Mahārāja was also very happy to see the pastimes of the cowherd men and women, and he became very liberal in giving charity to the different singers who were assembled there. Some singers were reciting great verses from the Upaniṣads and Purāṇas, some were glorifying the family ancestors, and some were singing very sweet songs. There were also many learned brāhmaṇas present, and Nanda Mahārāja, being very satisfied on this occasion, gave them different kinds of garments, ornaments and cows in charity.
It is very important to note in this connection how wealthy the inhabitants of Vṛndāvana were simply by raising cows. All the cowherd men belonged to the vaiśya community, and their business was to protect the cows and cultivate crops. By their dress and ornaments, and by their behavior, it appears that although they were in a small village, they still were rich in material possessions. They possessed such an abundance of various kinds of milk products that they were throwing butter lavishly on each other's bodies without restriction. Their wealth was in milk, yogurt, clarified butter and many other milk products, and by trading their agricultural products, they were rich in various kinds of jewelry, ornaments and costly garments. Not only did they possess all these things, but they could give them away in charity lavishly, as did Nanda Mahārāja.
Rohiṇīdevī, the mother of Balarāma, was the most fortunate wife of Vasudeva. She was away from her husband, yet just to congratulate Mahārāja Nanda on the occasion of the birth ceremony of his son, Kṛṣṇa, she dressed herself very nicely. Wearing a garland, a necklace and other bodily ornaments, she appeared on the scene and moved hither and thither. According to the Vedic system, a woman whose husband is not at home does not dress herself very nicely. But although Rohiṇī’s husband was away, she still dressed herself very nicely on this occasion.
On this occasion, Mother Yaśodā arranged to distribute a large quantity of grain, and first-class cows decorated with golden ornaments were made ready to be given in charity to the learned, respectable brāhmaṇas. Yaśodā took her bath and dressed herself nicely, and taking child Kṛṣṇa, duly dressed and bathed, on her lap, she sat down to hear the Vedic hymns chanted by the brāhmaṇas. While mother Yaśodā was listening to the chanting of the Vedic hymns, the child appeared to be falling asleep, and therefore she very silently laid Him down on the bed. Being engaged in receiving all the friends, relatives and residents of Vṛndāvana on that holy occasion, she forgot to feed the child milk. He was crying, being hungry, but Mother Yaśodā could not hear Him cry because of the various noises.
They steal butter, yogurt and milk and distribute them to the monkeys. When the monkeys are well fed and do not take any more, then your boys chide, "This milk and butter and yogurt are useless—even the monkeys won"t take it.’ And They break the pots and throw them hither and thither. If we keep our stock of yogurt, butter and milk in a solitary dark place, your Kṛṣṇa and Balarāma find it in the darkness by the glaring effulgence of the ornaments and jewels on Their bodies. If by chance They cannot find the hidden butter and yogurt, They go to our little babies and pinch their bodies so that they cry, and then They go away. If out of fear of these naughty boys we keep our stock of butter and yogurt high on the ceiling, hanging on a swing, although it is beyond Their reach They arrange to reach it by piling all kinds of wooden planks over the grinding machine. And if They cannot reach, They make a hole in the pot. We think therefore that you’d better take all the jeweled ornaments from the bodies of your children.”
On hearing this, Yaśodā would say, "All right, I will take all the jewels from Kṛṣṇa so that He cannot see the butter hidden in the darkness." Then the gopīs would say, “No, no, don’t do this. What good will you do by taking away the jewels? We do not know what kind of boys these are, but even without ornaments They spread some kind of effulgence so that even in darkness They can see everything.” Then Mother Yaśodā would inform them, "All right, keep your butter and yogurt carefully so that They may not reach it." In reply to this, the gopīs said, "Yes, actually we do so, but because we are sometimes engaged in our household duties, these naughty boys enter our house somehow or other and spoil everything. Sometimes, being unable to steal our butter and yogurt, out of anger They pass urine on the clean floor and sometimes spit on it. Now just see how your boy is hearing these complaints. All day He simply makes arrangements to steal our butter and yogurt, and now He is sitting just like a very silent good boy. Just see His face." When Mother Yaśodā thought to chastise her boy after hearing all the complaints, she saw His pitiable face, and smiling, she did not chastise Him.
His playmates then threatened not to allow Him to play with them again. Kṛṣṇa became afraid, and instead of going back home, He went back again to play with the boys. At that time, Mother Yaśodā scolded the children and told Kṛṣṇa, “My dear Kṛṣṇa, do You think that You are a street boy? You have no home? Please come back to Your home! I see that Your body has become very dirty from playing since early morning. Now come home and take Your bath. Besides, today is Your birthday ceremony; therefore You should come back home and give cows in charity to the brāhmaṇas. Don’t You see how Your playmates are decorated with ornaments by their mothers? You should also be cleansed and decorated with nice dress and ornaments. Please, therefore, come back, take Your bath, dress Yourself nicely, and then again You may go on playing.”
When Mother Yaśodā’s children, Kṛṣṇa and Balarāma, came home, she bathed Them very nicely and dressed Them with ornaments. She then called for the brāhmaṇas, and through her children she gave many cows in charity for the occasion of Kṛṣṇa's birthday. In this way she performed the birthday ceremony of Kṛṣṇa at home.
And who can describe the damsels of Vraja? They were all seated on the carts and were very beautifully dressed with ornaments and costly saris. They chanted the pastimes of child Kṛṣṇa as usual. Mother Yaśodā and Mother Rohiṇī were seated on a separate cart, and Kṛṣṇa and Balarāma were seated on their laps. While Mother Rohiṇī and Yaśodā were riding on the cart, they talked to Kṛṣṇa and Balarāma, and feeling the pleasure of such talks, they looked very, very beautiful.
Each and every one of them, including Kṛṣṇa, was attentive to his personal calves as he herded them in the different places in the forest. The boys were fully decorated with various kinds of golden ornaments, yet out of sporting propensities they began to pick up flowers, leaves, twigs, peacock feathers and red clay from different places in the forest and further decorate themselves in different ways. While passing through the forest, one boy stole another boy's lunch package and passed it to a third. And when the boy whose lunch package was stolen came to know of it, he tried to take it back. But the boy who had it threw it to another boy. This sportive playing went on amongst the boys as childhood pastimes.
Therefore in order to satisfy the mothers of His friends, as well as to convince Brahmā of the supremacy of the Personality of Godhead, He immediately expanded Himself as the cowherd boys and calves. In the Vedas it is said that the Supreme Personality of Godhead has already expanded Himself into so many living entities by His energy. Therefore it was not very difficult for Him to expand Himself again into so many boys and calves. He expanded Himself to become exactly like the boys, who were of all different features and facial and bodily construction, and who were different in their clothing and ornaments and in their behavior and personal activities. In other words, although each boy, being an individual soul, had entirely different tastes, activities and behavior, Kṛṣṇa exactly expanded Himself into all the different positions of the individual boys. He also became the calves, who were also of different sizes, colors, activities, etc. This was possible because everything is an expansion of Kṛṣṇa's energy. In the Viṣṇu Purāṇa it is said, parasya brahmaṇaḥ śaktiḥ. Whatever we actually see in the cosmic manifestation—be it matter or the activities of the living entities—is simply an expansion of the energies of the Lord, as heat and light are the different expansions of fire.
All the boys dealt with their mothers as usual, and the mothers also, on the approach of evening, bathed their respective children, decorated them with tilaka and ornaments and gave them necessary food after the day's labor. The cows also, who had been away in the pasturing ground, returned in the evening and called their respective calves. The calves immediately came to their mothers, and the mothers began to lick the bodies of the calves. These relations of the cows and the gopīs with their calves and boys remained unchanged, although actually the original calves and boys were not there. Actually the cows' affection for their calves and the elder gopīs' affection for their boys causelessly increased. Their affection increased naturally, even though the calves and boys were not their offspring.
Then Kṛṣṇa and Balarāma were immediately received by Their affectionate mothers, Yaśodā and Rohiṇī, who, according to the time's demands, began to fulfill the desires of their affectionate sons. Simultaneously, the mothers rendered service and bestowed benediction upon their transcendental sons. They took care of their children by bathing Them and dressing Them very nicely. Kṛṣṇa was dressed in yellowish garments, and Balarāma was dressed in bluish garments, and They were given all sorts of ornaments and flower garlands. Being relieved of the fatigue of Their day's work in the pasturing ground, They looked refreshed and very beautiful.
The wives of the serpent, known as the Nāgapatnīs, saw that their husband had been subdued by the Lord's kicking and that he was almost at the point of death due to bearing the heavy burden of the Lord, within whose abdomen the whole universe remains. Kāliya's wives prepared to worship the Lord, and in their haste their clothes, hair and ornaments became disarrayed. They also surrendered unto the Supreme Lord and began to pray. They appeared before Him, put forward their offspring and anxiously offered respectful obeisances, falling down on the bank of the Yamunā. The Nāgapatnīs knew that Kṛṣṇa is the shelter of all surrendered souls, and they desired to release their husband from the impending danger by pleasing the Lord with their prayers.
The Lord was pleased with Kāliya and his wives. Immediately after hearing His order, the snake and his wives began to worship Him with great offerings of nice garments, flowers, garlands, jewels, ornaments, sandal pulp, lotus flowers and nice eatable fruits. In this way they pleased the master of Garuḍa, of whom they were very much afraid. Then, obeying the orders of Lord Kṛṣṇa, all of them left the lake within the Yamunā.
Carrying out Kṛṣṇa's order, the boys immediately went to the wives of the brāhmaṇas. They found the wives sitting inside the brāhmaṇas' house. They were very beautifully decorated with ornaments. After offering them all respectful obeisances, the boys said, "Dear mothers, please accept our humble obeisances and hear our statement. May we inform you that Lord Kṛṣṇa and Balarāma are nearby. They have come here with the cows, and you may know also that we have come here under Their instructions. All of us are very hungry; therefore, we have come to you for some food. Please give us something to eat for Kṛṣṇa, Balarāma and ourselves."
We do not wish to ask You to accept us as Your wives. Simply accept us as Your maidservants. Since You are the Supreme Personality of Godhead and like to enjoy the parakīya-rasa and are famous as a transcendental woman hunter, we have come to satisfy Your transcendental desires. We are also after our own satisfaction, for simply by looking at Your smiling face we have become very lusty. We have come before You decorated with all ornaments and dress, but until You embrace us, all our garments and beautiful features remain incomplete. You are the Supreme Person, and if You complete our dressing attempt as the puruṣa-bhūṣaṇa, or the male ornament, then all our desires and bodily decorations are complete.
As the gopīs and Kṛṣṇa danced together, a very blissful musical sound was produced from the tinkling of their bells, ornaments and bangles. It appeared that Kṛṣṇa was a greenish sapphire locket in the midst of a golden necklace decorated with valuable stones. While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the gopīs' breasts, clothes and earrings, their cheeks, their hair with flowers—as Kṛṣṇa and the gopīs sang and danced these combined to appear like clouds, thunder, snow and lightning. Kṛṣṇa's bodily features appeared just like a group of clouds, the gopīs' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopīs and Kṛṣṇa fully engaged in dancing.
As stated in the Brahma-saṁhitā, all these gopīs are expansions of Kṛṣṇa's pleasure potency. Touching their bodies with His hands and looking at their pleasing eyes, Kṛṣṇa enjoyed the gopīs exactly as a child enjoys playing with the reflection of his body in a mirror. When Kṛṣṇa touched the different parts of their bodies, the gopīs felt surcharged with spiritual energy. They could not adjust their loosened clothes, although they tried to keep them adjusted properly. Their hair and garments became scattered, and their ornaments loosened as they forgot themselves in the company of Kṛṣṇa.
According to the Vedic system, charity is given to the brāhmaṇas. It is stated in the Vedic śāstras that only the brāhmaṇas and the sannyāsīs can accept charity. The cowherd men from Vṛndāvana gave the brāhmaṇas cows decorated with golden ornaments and beautiful garlands. The brāhmaṇas are given charity because they are not engaged in any business profession. They are supposed to be engaged in brahminical occupations, as described in the Bhagavad-gītā—namely, they must be very learned and must perform austerity and penances. Not only must they themselves be learned, but they must also teach others. Brāhmaṇas are not meant to be brāhmaṇas alone: they should create other brāhmaṇas also. If a man is found who agrees to become a brāhmaṇa's disciple, he is also given the chance to become a brāhmaṇa. The brāhmaṇa is always engaged in the worship of Lord Viṣṇu. Therefore the brāhmaṇas are eligible to accept all kinds of charity. But if the brāhmaṇas receive excess charity, they are to distribute it for the service of Viṣṇu. In the Vedic scriptures, therefore, one is recommended to give charity to the brāhmaṇas, and by so doing one pleases Lord Viṣṇu and all the demigods.
When everything was complete, the wrestlers who were to exhibit their skills before the assembly walked into the arena. They were decorated with nice ornaments and dress. Some of the famous wrestlers were Cāṇūra, Muṣṭika, Śala, Kūṭa and Tośala. Being enlivened by the musical concert, they passed through with great alacrity. All the respectable cowherd men who came from Vṛndāvana, headed by Nanda, were also welcomed by Kaṁsa. After presenting Kaṁsa with the milk products they had brought with them, the cowherd men also took their respective seats by the side of the King, on a platform especially meant for them.
Lord Kṛṣṇa appeared to be cruel to Cāṇūra, and He immediately struck him thrice with His fist. The great wrestler was jolted, to the astonishment of the audience. Cāṇūra then took his last chance and attacked Kṛṣṇa, just as one hawk swoops upon another. Folding his two hands, he began to strike the chest of Kṛṣṇa, but Lord Kṛṣṇa was not even slightly disturbed, any more than an elephant is when hit by a flower garland. Kṛṣṇa quickly caught the two hands of Cāṇūra and began to wheel him around, and simply by this centrifugal action, Cāṇūra lost his life. Kṛṣṇa then threw him to the ground. Cāṇūra fell just like the flag of Indra, and all his nicely fashioned ornaments were scattered hither and thither.
You are actually Our father and mother, because you raised Us as your own children when We were just like orphans. For certain reasons We were rejected by Our father and mother, and you protected Us. Dear Father and Mother, We know that you will feel separation upon returning to Vṛndāvana and leaving Us here, but please rest assured that We shall come back to Vṛndāvana just after giving some satisfaction to Our real father and mother, Vasudeva and Devakī, and Our grandfather and other family members.” Kṛṣṇa and Balarāma thus satisfied Nanda and Yaśodā by sweet words and by presentations of various kinds of clothing, ornaments and copper utensils. They satisfied them, along with their friends and neighbors who had come with them from Vṛndāvana to Mathurā, as fully as possible. On account of excessive parental affection for Balarāma and Kṛṣṇa, Nanda Mahārāja felt tears in his eyes, and he embraced Them and started with the cowherd men for Vṛndāvana.
After this, Vasudeva had his sons initiated by sacred thread as the token of second birth, which is essential for the higher castes of human society. Vasudeva called for his family priest and learned brāhmaṇas, and the sacred thread ceremony of Kṛṣṇa and Balarāma was duly performed. During this ceremony, Vasudeva gave various ornaments in charity to the brāhmaṇas and endowed them with cows decorated with silken cloths and golden ornaments. Then Vasudeva remembered the cows he had wanted to give in charity to the brāhmaṇas after the birth of Kṛṣṇa and Balarāma. But being imprisoned by Kaṁsa at that time, Vasudeva had been able to do so only within his mind, for Kaṁsa had stolen all his cows. With the death of Kaṁsa his cows were released, and now Vasudeva gave the actual cows to the brāhmaṇas.
They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple. They learned how to make a resting place with flowers and how to decorate clothing and limbs with colorful paintings. They also learned how to set valuable jewels in ornaments. They learned the art of ringing waterpots. Waterpots are filled with water to a certain measurement so that as one beats on the pots, different tones are produced, and when the pots are beaten together they produce a melodious sound. They also learned how to splash water in the rivers or lakes while taking a bath among friends. They learned how to decorate with flowers. This art of decorating can still be seen in various temples of Vṛndāvana during the summer season. It is called phulla-bāḍi. The dais, the throne, the walls and the ceiling are all fully decorated, and a small, aromatic fountain of flowers is fixed in the center. Because of these floral decorations, the people, fatigued from the heat of the summer, become refreshed.
Kṛṣṇa and Balarāma learned the art of dressing hair in various styles and fixing a helmet in different positions on the head. They also learned how to set up a theatrical stage, how to decorate dramatic actors with costumes and with flower ornaments over the ear, and how to sprinkle sandalwood pulp and water to produce a nice fragrance. They also learned the art of performing magical feats. Within the magical field there is an art called bahu-rūpī, by which a person dresses himself in such a way that when he approaches a friend he cannot be recognized. Kṛṣṇa and Balarāma also learned how to make various syrups and beverages required at various times, having various tastes and intoxicating effects. They also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets. This art includes how to string wires on musical instruments, such as the vīṇā, sitar, esarāja and tamboura, to produce melodious sounds. Then They learned how to make and solve riddles. They learned the art of how even a dull student can very quickly learn the alphabet and read books. Then They learned how to rehearse and act out a drama. They also studied the art of solving crossword puzzles, filling up the missing spaces and making complete words.
Nanda and Uddhava thus passed the whole night discussing Kṛṣṇa. In the morning, the gopīs prepared for morning ārati by lighting their lamps and sprinkling butter mixed with yogurt. After finishing their maṅgala-ārati, they engaged themselves in churning butter from yogurt. While the gopīs were thus engaged, the lamps reflected on their ornaments made the ornaments still brighter. Their churning rods, their arms, their earrings, their bangles, their breasts—everything moved, and kuṅkuma powder gave their faces a saffron luster comparable to the rising sun. While making sounds by churning, they also sang the glories of Kṛṣṇa. The two sound vibrations mixed together, ascended to the sky and sanctified the whole atmosphere.
As one usually does in such situations, Kṛṣṇa entered the bedroom of Kubjā without wasting time. In the meantime, Kubjā took her bath and smeared her body with sandalwood pulp. She dressed herself with nice garments, valuable jewelry, ornaments and flower garlands. After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune. When Kṛṣṇa saw Kubjā hesitating to come before Him, He immediately caught hold of her hand, which was decorated with bangles. With great affection, He dragged her near Him and made her sit by His side. Simply by having previously supplied pulp of sandalwood to the Supreme Lord, Kṛṣṇa, Kubjā became free from all sinful reactions and eligible to enjoy with Him. She then took Kṛṣṇa's lotus feet and placed them on her breasts, which were burning with the blazing fire of lust. By smelling the fragrance of Kṛṣṇa's lotus feet, she was immediately relieved of all lusty desires. She was thus allowed to embrace Kṛṣṇa with her arms and mitigate her long-cherished desire to have Him as a visitor in her house.
The brāhmaṇas chanted Vedic mantras at numerous places. The people constructed road crossings and gates at entrances to lanes and streets. When Lord Kṛṣṇa was entering the nicely decorated city of Mathurā in a festive attitude, the ladies and girls of Mathurā prepared different kinds of flower garlands to make the ceremony most auspicious. In accordance with the Vedic custom, they took yogurt mixed with fresh green grass and strewed it here and there to make the victory jubilation even more auspicious. As Kṛṣṇa passed through the street, all the ladies and women regarded Him with eyes bright with great affection. Kṛṣṇa and Balarāma carried various kinds of ornaments, jewels and other booty carefully collected from the battlefield and presented it all to King Ugrasena. Kṛṣṇa thus offered His respect to His grandfather because Ugrasena was at that time the crowned king of the Yadu dynasty.
“Yet in spite of our being so absorbed in material thought, inevitable time, which is only a form of Yourself, is always careful about its duty, and as soon as the allotted time is over, Your Lordship immediately ends all the activities of our material dreams. As the time factor, You end all our activities, as a hungry black snake swiftly swallows up a small rat without leniency. Due to the action of cruel time, the royal body which was always decorated with golden ornaments during life and which moved on a chariot drawn by beautiful horses or on the back of an elephant nicely decorated with golden ornaments, and which was advertised as the king of human society—that same royal body decomposes under the influence of inevitable time and becomes fit for being eaten by worms and insects or being turned into ashes or the stool of an animal. This beautiful body may be recognized as a royal body while in the living condition, but after death the body of even a king is eaten by an animal and therefore turned into stool or is cremated in a crematorium and turned into ashes or is put into an earthly grave, where different kinds of worms and insects are produced of it.
King Bhīṣmaka was experienced in dealing with brāhmaṇas and priests when such ceremonies were held. He specifically honored the brāhmaṇas by giving them large quantities of gold and silver, grain mixed with molasses, and cows decorated with cloth and ornaments. Damaghoṣa, Śiśupāla's father, executed all kinds of ritualistic performances to invoke good fortune for his son. Śiśupāla's father was known as Damaghoṣa due to his superior ability to cut down unregulated citizens. Dama means curbing down, and ghoṣa means famous; so he was famous for controlling the citizens. Damaghoṣa thought that if Kṛṣṇa came to disturb the marriage ceremony, he would certainly cut Him down with his military power. Therefore, after performing the various auspicious ceremonies, Damaghoṣa gathered his military divisions. He took many elephants garlanded with golden necklaces, and many similarly decorated chariots and horses. It appeared that Damaghoṣa, along with his son and other companions, was going to Kuṇḍina not exactly to get Śiśupāla married but mainly to fight.
As Rukmiṇī proceeded toward the temple, she was silent and grave. Her mother and her girlfriends were by her side, and the wife of a brāhmaṇa was in the center; surrounding her were royal bodyguards. (This custom of a would-be bride's going to the temple of a demigod is still practiced in India.) As the procession continued, various musical sounds were heard. Conchshells, drums such as paṇavas, and bugles of different sizes, such as tūryas and bherīs, combined to make a sound which was not only auspicious but very sweet to hear. Thousands of wives of respectable brāhmaṇas were present, all dressed very nicely with suitable ornaments. They presented Rukmiṇī with flower garlands, sandalwood pulp and a variety of colorful garments to assist her in worshiping Lord Śiva and Goddess Durgā. Some of these ladies were very old and knew perfectly well how to chant prayers to Goddess Durgā and Lord Śiva; so, followed by Rukmiṇī and others, they led these prayers before the deity.
The chivalrous princes assembled there were so overwhelmed by Rukmiṇī’s beauty that they became almost unconscious and fell from their horses and elephants. Full of lust, they hopelessly desired Rukmiṇī’s hand, comparing their own beauty to hers. Śrīmatī Rukmiṇī, however, was not interested in any of them; in her heart she was simply expecting Kṛṣṇa to come and carry her away. As she was adjusting the ornaments on a finger of her left hand, she happened to look upon the princes and suddenly saw that Kṛṣṇa was present amongst them. Although Rukmiṇī had never before seen Kṛṣṇa, she was always thinking of Him; thus she had no difficulty recognizing Him amongst the princely order. Kṛṣṇa, unconcerned with the other princes, immediately took the opportunity to place Rukmiṇī on His chariot, marked by a flag bearing an image of Garuḍa. He then proceeded slowly, without fear, taking Rukmiṇī away exactly as a lion takes a deer from the midst of jackals. Meanwhile, Balarāma appeared on the scene with the soldiers of the Yadu dynasty.
While Rukmiṇī was praying to Kṛṣṇa for the life of her brother, her whole body trembled, and because of her anxiety, her face appeared to dry up and her throat became choked, and due to her trembling, the ornaments on her body loosened and fell scattered on the ground. In this manner, when Rukmiṇī was very much perturbed, she fell down on the ground, and Lord Kṛṣṇa immediately became compassionate and agreed not to kill the foolish Rukmī. But, at the same time, He wanted to give him some light punishment, so He tied him up with a piece of cloth and snipped at his mustache, beard and hair, keeping some spots here and there.
After defeating all the opposing elements and forcibly carrying away Rukmiṇī, Kṛṣṇa brought her to His capital city, Dvārakā, and then married her according to the Vedic ritualistic principles. After this marriage, Kṛṣṇa became the King of the Yadus at Dvārakā. On the occasion of His marriage with Rukmiṇī, all the inhabitants were happy, and in every house there were great ceremonies. The inhabitants of Dvārakā City were so much pleased that they dressed themselves with the nicest possible ornaments and garments and went to present gifts, according to their means, to the newly married couple, Kṛṣṇa and Rukmiṇī. All the houses of Yadupurī (Dvārakā) were decorated with flags, festoons and flowers. Each and every house had an extra gate specifically prepared for this occasion, and on both sides of the gate were big water jugs filled with water. The whole city was made fragrant by the burning of fine incense, and at night there was illumination from thousands of lamps, which decorated every building.
Pradyumna's wife, Māyāvatī, could travel in outer space, and therefore they directly reached his father's capital, Dvārakā, by the airways. They passed above the palace of Lord Kṛṣṇa and came down as a cloud comes down with lightning. The inner section of a palace is known as the antaḥ-pura (private apartments). Pradyumna and Māyāvatī could see many women there, and they set down among them. When the women saw Pradyumna, dressed in yellowish garments, with very long arms, curling hair, beautiful reddish eyes, a smiling face, jewelry and ornaments, they at first could not recognize him as a personality different from Kṛṣṇa. They all felt very bashful at the sudden presence of Kṛṣṇa and wanted to hide in a different corner of the palace.
The name and fame which the bulls had attained was thus vanquished. When Kṛṣṇa had the bulls bridled, He pulled them strongly, just as a child pulls a toy wooden bull. Upon seeing this advantage of Kṛṣṇa, King Nagnajit became very much astonished and immediately, with great pleasure, brought his daughter Satyā before Kṛṣṇa and handed her over to Him. Kṛṣṇa also immediately accepted Satyā as His wife. Then there was a marriage ceremony with great pomp. The queens of King Nagnajit were also very much pleased because their daughter Satyā got Kṛṣṇa as her husband. Since the King and queens were very much pleased on this auspicious occasion, there was a celebration all over the city in honor of the marriage. Everywhere were heard the sounds of the conchshell and kettledrum and various other vibrations of music and song. The learned brāhmaṇas showered their blessings upon the newly married couple. In jubilation, all the inhabitants of the city dressed themselves with colorful garments and ornaments. King Nagnajit was so much pleased that he gave a dowry to his daughter and son-in-law, as follows.
First of all he gave them 10,000 cows and 3,000 well-dressed young maidservants, ornamented up to their necks. This system of dowry is still current in India, especially for kṣatriya princes. When a kṣatriya prince is married, at least a dozen maidservants of similar age are given along with the bride. After giving the cows and maidservants, the King enriched the dowry by giving 9,000 elephants and a hundred times more chariots than elephants. This means that he gave 900,000 chariots. And he gave a hundred times more horses than chariots, or 90,000,000 horses, and a hundred times more menservants than horses. Royal princes maintained such menservants and maidservants with all provisions, as if they were their own children or family members. After giving this dowry, the king of Kośala Province bade his daughter and great son-in-law be seated on a chariot and allowed them to go to their home, guarded by a division of well-equipped soldiers. As they traveled fast to their new home, the King's heart was enlivened with affection for them.
When the princesses saw the Supreme Personality of Godhead, Kṛṣṇa, enter the palace, they immediately became captivated by the beauty of the Lord and prayed for His causeless mercy. Within their minds, they decided to accept Lord Kṛṣṇa as their husband without hesitation. Each one of them prayed to Providence that Kṛṣṇa might become her husband. Sincerely and seriously, they offered their hearts to the lotus feet of Kṛṣṇa with an unalloyed devotional attitude. As the Supersoul in everyone's heart, Kṛṣṇa could understand their uncontaminated desire, and He agreed to accept them as His wives. Thus He arranged for suitable garments and ornaments for them, and each of them, seated on a palanquin, was dispatched to Dvārakā City. Kṛṣṇa also collected unlimited wealth from the palace, a treasure of chariots, horses, jewels and so on. He took from the palace fifty white elephants, each with four tusks, and all of them were dispatched to Dvārakā.
When the princes returned home, their story was narrated before Lord Kṛṣṇa. Lord Kṛṣṇa is the friend of all living entities. Therefore, after hearing the appeal from His sons, He personally went to the well and easily got the great lizard out simply by extending His left hand. Immediately upon being touched by the hand of Lord Kṛṣṇa, that great lizard gave up its lizard shape and appeared as a beautiful demigod, an inhabitant of the heavenly planets. His complexion glittered like molten gold, he was decorated with fine garments, and he wore costly ornaments around his neck.
King Nṛga said that the cows he had given in charity were not ordinary cows. Each one was very young and had given birth to only one calf. They were full of milk, very peaceful, and healthy. All the cows were purchased with money earned legally. Furthermore, their horns were gold-plated, their hooves were bedecked with silver plating, and they were covered with necklaces and with silken wrappers embroidered with pearls. He stated that these valuably decorated cows had not been given to any worthless persons but had been distributed to first-class brāhmaṇas, whom he had also decorated with nice garments and gold ornaments. The brāhmaṇas were well qualified, and since none of them were rich, their family members were always in want for the necessities of life. A real brāhmaṇa never hoards money for a luxurious life, like the kṣatriyas or the vaiśyas, but always keeps himself poverty-stricken, knowing that money diverts the mind to materialistic ways of life. To live in this way is the vow of a qualified brāhmaṇa, and all of these brāhmaṇas were well situated in that exalted vow.
Upon displaying this submissive attitude, the Yamunā was forgiven, and when she came nearby, Lord Balarāma enjoyed the pleasure of swimming in her waters along with the gopīs in the same way that an elephant enjoys himself along with his many she-elephants. After a long time, when Lord Balarāma had enjoyed to His full satisfaction, He came out of the water, and immediately a goddess of fortune offered Him a nice blue garment and a valuable necklace made of gold. After bathing in the Yamunā, Lord Balarāma, dressed in blue garments and decorated with golden ornaments, looked very attractive to everyone. Lord Balarāma's complexion is white, and when He was properly dressed He looked exactly like the white elephant of King Indra in the heavenly planets. The river Yamunā still has many small branches due to being scratched by the plowshare of Lord Balarāma. And all these branches of the river Yamunā still glorify the omnipotence of Lord Balarāma.
Thus with great pleasure they handed over their daughter to Sāmba, and the whole matter was settled. Duryodhana, being affectionate toward his daughter Lakṣmaṇā, had her married to Sāmba in great pomp. For her dowry, he first gave 1,200 elephants, each at least 60 years old; then he gave 10,000 nice horses, 6,000 chariots, dazzling just like the sunshine, and 1,000 maidservants decorated with golden ornaments. Lord Balarāma, the most prominent member of the Yadu dynasty, acted as guardian of the bridegroom, Sāmba, and very pleasingly accepted the dowry. Balarāma was very satisfied after His great reception from the side of the Kurus, and accompanied by the newly married couple, He started toward His capital city of Dvārakā.
Thus He used to give cows in charity to the brāhmaṇas, with opulent decorations and paraphernalia. Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire. Although the Lord is by nature very beautiful due to the perfect figure of His transcendental body, He would dress Himself in yellow garments and put on His necklace of Kaustubha jewels. He would wear flower garlands, smear His body with the pulp of sandalwood and decorate Himself with similar cosmetics and ornaments. It is said that the ornaments themselves became beautiful upon being placed on the transcendental body of the Lord. After decorating Himself in this way, the Lord would then look at marble statues of the cow and calf and visit temples of God or demigods like Lord Śiva. There were many brāhmaṇas who would come daily to see the Supreme Lord before taking their breakfast; they were anxious to see Him, and He welcomed them.
The chariot of Lord Kṛṣṇa started for Hastināpura accompanied by many other chariots, along with elephants, cavalry, infantry and similar royal paraphernalia. Bugles, drums, trumpets, conchshells and horns all produced a loud auspicious sound which vibrated in all directions. The sixteen thousand queens, headed by the goddess of fortune Rukmiṇīdevī, the ideal wife of Lord Kṛṣṇa, and accompanied by their respective sons, all followed behind Lord Kṛṣṇa. They were dressed in costly garments decorated with ornaments, and their bodies were smeared with sandalwood pulp and garlanded with fragrant flowers. Riding on palanquins nicely decorated with silks, flags and golden lace, they followed their exalted husband, Lord Kṛṣṇa. The infantry soldiers carried shields, swords and lances in their hands and acted as royal bodyguards to the queens. In the rear of the procession were the wives and children of all the other followers, and there were many society girls also following. Many beasts of burden like bulls, buffalo, mules and asses carried the camps, bedding and carpets, and the women who followed were seated in separate palanquins on the backs of camels. This panoramic procession was accompanied by the shouts of the people and was full with the display of different colored flags, umbrellas and whisks and different varieties of weapons, dress, ornaments, helmets and armaments. Shining in the sunlight, the procession appeared just like an ocean with high waves and sharks.
The roads, streets and lanes of Hastināpura were all sprinkled with fragrant water through the trunks of intoxicated elephants. In different places of the city there were colorful festoons and flags decorating the houses and streets. At important crossroads there were gates with golden decorations, and at the two sides of the gates there were golden water jugs. These beautiful decorations glorified the opulence of the city. Participating in this great ceremony, all the citizens gathered here and there, dressed in colorful new clothing and decorated with ornaments, flower garlands and fragrant scents. The houses were all illuminated by hundreds and thousands of lamps placed in different corners of the cornices, walls, columns, bases and architraves, and from far away the rays of the lamps appeared to be celebrating the festival of Dīpāvalī (a particular festival observed on the New Year's Day of the Hindu calendar). Within the walls of the houses, fragrant incense was burning, and smoke rose through the windows, making the entire atmosphere very pleasing. On the top of every house, flags were flapping, and the golden waterpots kept on the roofs shone brilliantly.
As Mahārāja Yudhiṣṭhira brought Kṛṣṇa within the palace, the King became so confused in his jubilation that he practically forgot what he was to do at that time to receive Kṛṣṇa and worship Him properly. Lord Kṛṣṇa delightfully offered His respects and obeisances to Kuntī and other elder ladies of the palace. His younger sister, Subhadrā, was also standing there with Draupadī, and both offered their respectful obeisances unto the lotus feet of the Lord. At the indication of her mother-in-law, Draupadī brought clothing, ornaments and garlands, and with this paraphernalia they received the queens Rukmiṇī, Satyabhāmā, Bhadrā, Jāmbavatī, Kālindī, Mitravindā, Lakṣmaṇā and the devoted Satyā. These principal queens of Lord Kṛṣṇa were first received, and then the other queens were also offered a proper reception. King Yudhiṣṭhira arranged for Kṛṣṇa's rest and saw to it that all who came along with Him—namely His queens, soldiers, ministers and secretaries—were comfortably situated. He had arranged that they would experience a new feature of reception every day while staying as guests of the Pāṇḍavas.
After delivering His instructions to the kings and princes, Lord Kṛṣṇa immediately arranged for their comfort and asked many servants and maidservants to take care of them. Lord Kṛṣṇa requested Sahadeva, the son of King Jarāsandha, to supply all necessities to the kings and show them all respect and honor. In pursuance of the order of Lord Kṛṣṇa, Sahadeva offered them all honor and presented them with ornaments, garments, garlands and other paraphernalia. After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses. After seeing that each was taken care of, Lord Kṛṣṇa, in a sweet voice, asked them to return to their respective kingdoms.
Sahadeva was fortunate to know of the glories of Kṛṣṇa, and after describing them in brief, he stopped speaking. After this speech, all the members present in that great sacrificial assembly applauded, confirming his words continuously by saying, "Everything you have said is completely perfect. Everything you have said is completely perfect." King Yudhiṣṭhira, after hearing the confirmation by all present, especially by the brāhmaṇas and learned sages, worshiped Lord Kṛṣṇa according to the regulative principles of the Vedic injunctions. First of all, King Yudhiṣṭhira, along with his brothers, wives, children, other relatives and ministers, washed the lotus feet of Lord Kṛṣṇa and sprinkled the water on their heads. After this, he offered Lord Kṛṣṇa various kinds of yellow silken garments and presented heaps of jewelry and ornaments before Him for His use.
All of them passed in a procession, with King Yudhiṣṭhira in the forefront. The executive members who had performed the sacrifice—the priests, religious ministers and brāhmaṇas—all loudly chanted the Vedic hymns. The demigods and the inhabitants of Pitṛloka and Gandharvaloka, as well as many sages, showered flowers from the sky. The men and women of Hastināpura, or Indraprastha, their bodies smeared with scents and floral oils, were nicely dressed in colorful garments and decorated with garlands, jewels and ornaments. Enjoying the ceremony, they threw on one another liquid substances like water, oil, milk, butter and yogurt. Some even smeared these on each other's bodies. In this way, they enjoyed the occasion. The professional prostitutes jubilantly smeared these liquid substances on the bodies of the men, and the men reciprocated in the same way. All the liquid substances had been mixed with turmeric and saffron, and their color was a lustrous yellow.
After taking his bath, King Yudhiṣṭhira dressed in a new silken cloth and wrapper and decorated himself with valuable jewelry. The King not only dressed himself and decorated himself but also gave clothing and ornaments to all the priests and the others who had participated in the yajñas. In this way, he worshiped them all. He constantly worshiped his friends, his family members, his relatives, his well-wishers and everyone present, and because he was a Vaiṣṇava, a great devotee of Lord Nārāyaṇa, he knew how to treat everyone well. The Māyāvādī philosophers' endeavor to see everyone as God is an artificial attempt at oneness, but a Vaiṣṇava, or a devotee of Lord Nārāyaṇa, sees every living entity as part and parcel of the Supreme Lord. Therefore, a Vaiṣṇava's treatment of other living entities is on the absolute platform. As one cannot treat one part of his body differently from another part, because they all belong to the same body, a Vaiṣṇava does not see a human being as distinct from an animal because in both he sees the soul and the Supersoul seated together.
The inhabitants of Naimiṣāraṇya, learned sages and brāhmaṇas, became most pleased by seeing this, and they offered their respectful prayers to Lord Balarāma. They offered their heartfelt blessings to the Lord, and all agreed that none of Lord Balarāma's attempts to do something would ever be a failure. The sages and brāhmaṇas then performed a ceremonial bathing of Lord Balarāma, just as the demigods bathe King Indra when he is victorious over the demons. The brāhmaṇas and sages honored Lord Balarāma by presenting Him with first-class new clothing and ornaments and the lotus garland of victory; this garland was the reservoir of all beauty and was everlasting—it was never to be dried up.
After visiting Raṅgakṣetra, Lord Balarāma gradually proceeded toward Madurai, commonly known as the Mathurā of southern India. After visiting this place, He gradually proceeded toward Setubandha, the place where Lord Rāmacandra constructed the stone bridge from India to Laṅkā (Ceylon). In this particularly holy place, Lord Balarāma distributed ten thousand cows to the local brāhmaṇa priests. It is the Vedic custom that when a rich visitor goes to any place of pilgrimage he gives the local priests houses, cows, ornaments and garments as gifts of charity. This system of visiting places of pilgrimage and providing the local brāhmaṇa priests with all necessities of life has greatly deteriorated in this Age of Kali. The richer section of the population, because of its degradation in Vedic culture, is no longer attracted by these places of pilgrimage, and the brāhmaṇa priests who depended on such visitors have also deteriorated in their professional duty of helping the visitors. These brāhmaṇa priests in the places of pilgrimage are called paṇḍā or paṇḍita. This means that they were formerly very learned brāhmaṇas and used to guide the visitors in all details of the purpose of coming there, and thus both the visitors and the priests benefited by mutual cooperation.
The brāhmaṇa's wife appeared so beautiful that it seemed as if the goddess of fortune herself had come to receive him. As soon as she saw her husband present before her, tears of joy fell from her eyes, and her voice became so choked up that she could not even address her husband. She simply closed her eyes in ecstasy. But with great love and affection she bowed down before her husband, and within herself she thought of embracing him. She was fully decorated with a gold necklace and ornaments, and while standing among the maidservants she appeared like a demigod's wife just alighting from an airplane. The brāhmaṇa was surprised to see his wife so beautiful, and in great affection and without saying a word he entered the palace with her.
After arriving in Kurukṣetra, the members of the Yadu dynasty took their baths ceremoniously, with self-control, as enjoined in the śāstras, and they observed fasting for the whole period of the eclipse in order to nullify the reactions of their sinful activities. Since it is a Vedic custom to give in charity as much as possible during the hours of the eclipse, the members of the Yadu dynasty distributed many hundreds of cows in charity to the brāhmaṇas. All those cows were fully decorated with nice dress and ornaments. The special feature of these cows was that they had golden ankle bells and flower garlands on their necks.
"The Supreme Personality of Godhead then entered the most celebrated city of the universe, Dvārakā, and as He entered the city He appeared like the shining sun. The whole city of Dvārakā was profusely decorated on that occasion. There were so many flags and festoons and gates all over Dvārakā that the sunshine could not even enter the city. I have already told you that my father was very affectionate to me, so when he saw that my desire had been fulfilled by my getting Lord Kṛṣṇa as my husband, in great happiness he began to distribute to friends and relatives various kinds of gifts, such as valuable garments, ornaments, bedsteads and sitting carpets. Lord Kṛṣṇa is always self-sufficient, yet my father, out of his own accord, offered my husband a dowry consisting of riches, soldiers, elephants, chariots, horses and many rare and valuable weapons. He presented all these to the Lord with great enthusiasm. My dear Queen, at that time I could guess that in my previous life I must have performed some wonderfully pious activity, and as a result I can in this life be one of the maidservants in the house of the Supreme Personality of Godhead."
Saintly Vasudeva, after hearing all the sages, offered his respectful obeisances unto their lotus feet. In this way he pleased the sages, and then he requested them to perform the yajñas. When the sages were selected as priests of the sacrifices, they in turn induced Vasudeva to collect the required paraphernalia for executing the yajñas in that place of pilgrimage. When Vasudeva was thus persuaded to start to perform the yajñas, all the members of the Yadu dynasty took their baths, dressed themselves very nicely, decorated themselves beautifully and garlanded themselves with lotus flowers. Vasudeva's wives, dressed with nice garments and ornaments and golden necklaces, approached the arena of sacrifice carrying in their hands the required articles to offer in the sacrifice.
When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.
After the performance of the different sacrifices, Vasudeva offered ample riches, clothing, ornaments, cows, land and maidservants to the priests. Thereafter, all the wives of Vasudeva took their avabhṛtha baths and performed the part of the sacrificial duties known as patnī-saṁyāja. After finishing the offering with all the required paraphernalia, they all took their baths together in the lakes constructed by Paraśurāma, which are known as the Rāma-hrada. After Vasudeva and his wives took their baths, all the garments and ornaments they had worn were distributed to the subordinate persons engaged in singing, dancing and similar activities. We may note that the performance of sacrifice necessitates the profuse distribution of riches. Charity is offered to the priests and the brāhmaṇas in the beginning, and used garments and ornaments are offered in charity to the subordinate assistants after the performance of the sacrifice.
After offering the used articles to the singers and reciters, Vasudeva and his wives, dressed with new ornaments and garments, fed everyone very sumptuously, from the brāhmaṇas down to the dogs. After this, all the friends, family members, wives and children of Vasudeva assembled together, along with all the kings and members of the Vidarbha, Kośala, Kuru, Kāśī, Kekaya and Sṛñjaya dynasties. The priests, the demigods, the people in general, the forefathers, the ghosts and the Cāraṇas were all sufficiently remunerated by being offered ample gifts and respectful honor. Then all the persons assembled there took permission from Lord Kṛṣṇa, the husband of the goddess of fortune, and while glorifying the perfection of the sacrifice made by Vasudeva, they departed to their respective homes.
Nanda Mahārāja, desiring to please his friend Vasudeva and being affectionately bound with love for Lord Kṛṣṇa and Balarāma, passed three months in their association. At the end of this time, all the members of the Yadu dynasty tried to please the inhabitants of Vṛndāvana to their hearts' content. The members of the Yadu dynasty tried to satisfy Nanda Mahārāja and his associates by offering them clothing, ornaments and many other valuable articles, and they all became fully satisfied. Vasudeva, Ugrasena, Lord Kṛṣṇa, Lord Balarāma, Uddhava and all other members of the Yadu dynasty presented their individual gifts to Nanda Mahārāja and his associates. After Nanda Mahārāja received these farewell presentations, he, along with his associates, started for Vrajabhūmi, Vṛndāvana. The minds of the inhabitants of Vṛndāvana remained, however, with Kṛṣṇa and Balarāma, and therefore all of them started for Vṛndāvana without their minds.
After this, Bali Mahārāja brought valuable garments, ornaments, sandalwood pulp, betel nuts, lamps and various nectarean foods, and along with his family members he worshiped the Lords according to the regulative principles and offered his riches and body unto Their lotus feet. King Bali was feeling such transcendental pleasure that he repeatedly grasped the Lords' lotus feet and kept them on his chest, and sometimes he put them on the top of his head. In this way he felt transcendental bliss. Tears of love and affection began to flow from his eyes, and all his bodily hairs stood on end. He began to offer prayers to the Lords in a voice which choked up intermittently.
Feeling very much obliged and wanting to receive his guests to the best of his ability, he called for nice chairs and cushions, and Lord Kṛṣṇa, along with all the sages, sat down very comfortably. At that time, King Bahulāśva's mind was very restless, not because of any problems but because of great ecstasy of love and devotion. His heart was filled with love and affection for the Lord and His associates, and his eyes were filled with tears of ecstasy. He washed the feet of his divine guests, and afterward he and his family members sprinkled the water on their own heads. After this, he offered the guests nice flower garlands, sandalwood pulp, incense, new garments, ornaments, lamps, cows and bulls. In a manner just befitting his royal position, he worshiped each one of them in this way. When all had been fed sumptuously and were sitting very comfortably, Bahulāśva came before Lord Kṛṣṇa and caught His lotus feet. He placed them on his lap and, while massaging the feet with his hands, began to speak about the glories of the Lord in a sweet voice.
The personified Vedas presented the example that those seeking gold do not reject gold earrings, gold bangles or anything else made of gold simply because they are shaped differently from the original gold. All living entities are part and parcel of the Supreme Lord and are qualitatively one with Him, but they are now differently shaped in 8,400,000 species of life, just like many different ornaments manufactured from the same source of gold. As one who is interested in gold accepts all the differently shaped gold ornaments, so a Vaiṣṇava, knowing well that all living entities are of the same quality as the Supreme Personality of Godhead, accepts all living entities as eternal servants of God. A Vaiṣṇava, then, has ample opportunity to serve the Supreme Personality of Godhead simply by reclaiming these conditioned, misled living entities, training them in Kṛṣṇa consciousness and leading them back home, back to Godhead. The fact is that the minds of the living entities are now agitated by the three material qualities, and the living entities are therefore transmigrating, as if in dreams, from one body to another. When their consciousness is changed into Kṛṣṇa consciousness, however, they immediately fix Kṛṣṇa within their hearts, and thus their path toward liberation becomes clear.
It is also said that Kṛṣṇa lived in Dvārakā as the husband of the goddess of fortune. Queen Rukmiṇī is the goddess of fortune, and all the other queens are her expansions. So Kṛṣṇa, the chief of the Vṛṣṇi dynasty, enjoyed with the goddess of fortune in full opulence. The queens of Kṛṣṇa are described as permanently youthful and beautiful. Although Kṛṣṇa had grandchildren and great-grandchildren, neither Kṛṣṇa nor His queens looked older than sixteen or twenty years of age. The young queens were so beautiful that when they moved they appeared like lightning moving in the sky. They were always dressed with excellent ornaments and garments and were always engaged in sportive activities like dancing, singing or playing ball on the roofs of the palaces. The dancing and tennis playing of girls in the material world are perverted reflections of the original pastimes of the original Personality of Godhead, Kṛṣṇa, and His wives.
The roads and streets of the city of Dvārakā were always crowded with elephants, horses, chariots and infantry soldiers. When elephants are engaged in service, they are given liquor to drink, and it is said that the elephants in Dvārakā were given so much liquor that they would sprinkle a great quantity of it on the road and still walk on the streets intoxicated. The infantry soldiers passing on the streets were profusely decorated with golden ornaments, and horses and golden chariots plied along the streets. In all directions of Dvārakā City, wherever one would turn his eyes he would find green parks and gardens, each of them filled with trees and plants laden with fruits and flowers. Because there were so many nice trees of fruits and flowers, all the sweetly chirping birds and buzzing bumblebees joined together to make sweet vibrations. The city of Dvārakā thus fully displayed all opulences. The heroes in the dynasty of Yadu used to think themselves the most fortunate residents of the city, and actually they enjoyed all transcendental facilities.
After enjoying fully amongst themselves, the queens and Lord Kṛṣṇa would come out of the water, and they would give up their wet garments, which were very valuable, to be taken away by the professional singers and dancers. These singers and dancers had no means of subsistence other than the rewards of valuable garments and ornaments left by the queens and kings on such occasions. The whole system of society was so well planned that all the members of society in their different positions as brāhmaṇas, kṣatriyas, vaiśyas and śūdras had no difficulty in earning their livelihood. There was no competition among the divisions of society. The original conception of the caste system was so planned that one group of men engaged in a particular type of occupation would not compete with another group of men engaged in a different occupation.
Renunciation Through Wisdom
Those who are already executing their work for the satisfaction of Lord Kṛṣṇa are not required to separately perform sacrifices, austerities, or meditation, that are not on the platform of pure Kṛṣṇa consciousness. Previously we explained that a pure karma-yogī is automatically a brāhmaṇa, sannyāsī, and a yogī. Like a karmī, or fruitive worker, he is expert in performing sacrifices and executing his duties; like a jñānī, or seeker of knowledge, he is renounced and austere; and like a yogī, he is also detached from the fruits of his work and has brought his senses under control. One who is completely detached from all fruitive work and has become attracted to the Supreme Lord and His loving devotional service is simultaneously ornamented with all good qualities.
| Page Title: | Ornaments (Other Books) |
| Compiler: | Visnu Murti, Mayapur |
| Created: | 11 of Mar, 2012 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=97, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 97 |