Moonshine (CC and Other Books)

Expressions researched:
"moon is shining" |"moon loses his shining" |"moon planet. It is shining" |"moon shine" |"moon shining" |"moon was shining" |"moonlight" |"moonshine" |"shining full moon" |"shining light of the moon" |"shining moon" |"shining of moon" |"shining of the moon" |"shining of the moon"

CC Adi-lila

CC Adi 1.12, Purport:

"In the spiritual realm, beyond the material covering, is the unlimited Brahman effulgence, which is free from material contamination. That effulgent white light is understood by transcendentalists to be the light of all lights. In that realm there is no need of sunshine, moonshine, fire or electricity for illumination. Indeed, whatever illumination appears in the material world is only a reflection of that supreme illumination. That Brahman is in front and in back, in the north, south, east and west, and also overhead and below. In other words, that supreme Brahman effulgence spreads throughout both the material and spiritual skies."

CC Adi 1.54, Purport:

The spiritual world is brightly illuminated, but the material world is wrapped in darkness. In the material world, sunshine, moonshine or different kinds of artificial light are required to dispel darkness, especially at night, for by nature the material world is dark. Therefore the Supreme Lord has arranged for sunshine and moonshine. But in His abode, as described in the Bhagavad-gītā (15.6), there is no necessity for lighting by sunshine, moonshine or electricity because everything is self-effulgent.

CC Adi 4.31, Purport:

The gopīs came out to meet Kṛṣṇa in the dead of night when they heard the sound of His flute. Śrīla Rūpa Gosvāmī has accordingly composed a nice verse (see Ādi 5.224) that describes the beautiful boy called Govinda standing by the bank of the Yamunā with His flute to His lips in the shining moonlight. Those who want to enjoy life in the materialistic way of society, friendship and love should not go to the Yamunā to see the form of Govinda. The sound of Lord Kṛṣṇa's flute is so sweet that it has made the gopīs forget all about their relationships with their kinsmen and flee to Kṛṣṇa in the dead of night.

CC Adi 5.224, Translation:

"My dear friend, if you are indeed attached to your worldly friends, do not look at the smiling face of Lord Govinda as He stands on the bank of the Yamunā at Keśīghāṭa. Casting sidelong glances, He places His flute to His lips, which seem like newly blossomed twigs. His transcendental body, bending in three places, appears very bright in the moonlight."

CC Adi 13.5, Translation:

All glories to the moons who are devotees of the principal moon, Lord Caitanyacandra! Their bright moonshine illuminates the entire universe.

CC Madhya-lila

CC Madhya 8.5, Purport:

"Lord Nṛsiṁhadeva is always assisted by Sarasvatī, the goddess of learning, and He is always embracing the goddess of fortune to His chest. The Lord is always complete in knowledge within Himself. Let us offer obeisances unto Nṛsiṁhadeva."

Similarly, in his commentary on the First Canto of Śrīmad-Bhāgavatam (1.1.1), Śrīdhara Svāmī describes Lord Nṛsiṁhadeva in this way:

prahlāda-hṛdayāhlādaṁ bhaktāvidyā-vidāraṇam

śarad-indu-ruciṁ vande pārīndra-vadanaṁ harim

"Let me offer my obeisances unto Lord Nṛsiṁhadeva, who is always enlightening Prahlāda Mahārāja within his heart and who always kills the nescience that attacks the devotees. His mercy is distributed like moonshine, and His face is like that of a lion. Let me offer my obeisances unto Him again and again."

CC Madhya 14.158, Translation:

“"Lord Śrī Kṛṣṇa, who is the Absolute Truth, enjoyed His rāsa dance every night during the autumn season. He performed this dance in the moonlight and with full transcendental mellows. He used poetic words and surrounded Himself with women who were very much attracted to Him.""

CC Madhya 16.122, Translation:

The Lord then got into a new boat and crossed the river. Walking in the full moonlight, He finally reached the town known as Caturdvāra.

CC Madhya 21.135, Translation:

“The transcendental form of Lord Śrī Kṛṣṇa is compared to an ocean. A particularly extraordinary vision is the moon above that ocean—Śrī Kṛṣṇa's face—and an even more extraordinary vision is His smile, which is sweeter than sweet and is like shining beams of moonlight.” While speaking of these things with Sanātana Gosvāmī, Śrī Caitanya Mahāprabhu began to remember one thing after another. Moving His hands in ecstasy, He recited a verse."

CC Madhya 21.138, Translation:

“Kṛṣṇa's body is a city of attractive features, and it is sweeter than sweet. His face, which is like the moon, is sweeter still. And the supremely sweet gentle smile on that moonlike face is like rays of moonshine."

CC Antya-lila

CC Antya 3.230, Translation:

The night was full of moonlight, which made the waves of the Ganges look dazzling. All directions were clear and bright.

CC Antya 4.64, Translation and Purport:

""O dear Kṛṣṇa, by Your smiling glances and melodious talk, You have awakened a fire of lusty desire in our hearts. Now You should extinguish that fire with a stream of nectar from Your lips by kissing us. Kindly do this. Otherwise, dear friend, the fire within our hearts will burn our bodies to ashes because of separation from You. Thus by meditation we shall claim shelter at Your lotus feet.""

This verse (SB 10.29.35) was spoken by the gopīs when they were attracted by the vibration of Kṛṣṇa's flute in the moonlight of autumn. All of them, being maddened, came to Kṛṣṇa, but to increase their ecstatic love, Kṛṣṇa gave them moral instructions to return home. The gopīs did not care for these instructions. They wanted to be kissed by Kṛṣṇa, for they had come there with lusty desires to dance with Him.

CC Antya 18.1, Translation:

In the brilliant autumn moonlight, Śrī Caitanya Mahāprabhu mistook the sea for the river Yamunā. Greatly afflicted by separation from Kṛṣṇa, He ran and dove into the sea and remained unconscious in the water the entire night. In the morning, He was found by His personal devotees. May that Śrī Caitanya Mahāprabhu, the son of mother Śacī, protect us by His transcendental pastimes.

CC Antya 18.4, Translation:

During a night of the autumn season when a full moon brightened everything, Śrī Caitanya Mahāprabhu wandered all night long with His devotees.

CC Antya 18.27, Translation:

Brightened by the shining light of the moon, the high waves of the sea glittered like the waters of the river Yamunā.

CC Antya 19.41, Translation:

“Kṛṣṇa's bodily luster shines like the indranīla gem and surpasses the luster of the tamāla tree. The luster of His body drives the entire world mad because Providence has made it transparent by refining the essence of the mellow of conjugal love and mixing it with moonshine."

Nectar of Devotion

Nectar of Devotion 13:

Regarding worship of the form of the Lord, or Deity, Rūpa Gosvāmī has written the following verse: "My dear friend, if you still have any desire to enjoy the company of your friends within this material world, then don't look upon the form of Kṛṣṇa, who is standing on the bank of Keśī-ghāṭa (a bathing place in Vṛndāvana). He is known as Govinda, and His eyes are very enchanting. He is playing upon His flute, and on His head there is a peacock feather. And His whole body is illuminated by the moonlight in the sky."

Nectar of Devotion 21:

A person whose word of honor is never broken is called truthful. Kṛṣṇa once promised Kuntī, the mother of the Pāṇḍavas, that He would bring her five sons back from the Battlefield of Kurukṣetra. After the battle was finished, when all the Pāṇḍavas had come home, Kuntī praised Kṛṣṇa because His promise was so nicely fulfilled. She said, "Even the sunshine may one day become cool and the moonshine one day become hot, but still Your promise will not fail." Similarly, when Kṛṣṇa, along with Bhīma and Arjuna, went to challenge Jarāsandha, He plainly told Jarāsandha that He was the eternal Kṛṣṇa, present along with two of the Pāṇḍavas. The story is that both Kṛṣṇa and the Pāṇḍavas—in this case Bhīma and Arjuna—were kṣatriyas (warrior-kings). Jarāsandha was also a kṣatriya and was very charitable toward the brāhmaṇas. Thus Kṛṣṇa, who had planned to fight with Jarāsandha, went to him with Bhīma and Arjuna in the dress of brāhmaṇas. Jarāsandha, being very charitable toward the brāhmaṇas, asked them what they wanted, and they expressed their desire to fight with him. Then Kṛṣṇa, dressed as a brāhmaṇa, declared Himself to be the same Kṛṣṇa who was the King's eternal enemy.

Nectar of Devotion 22:

As far as Kṛṣṇa's enjoyment is concerned, it is stated that the ornaments which decorated the bodies of Kṛṣṇa and His queens were beyond the dreams of Kuvera, the treasurer of the heavenly kingdom. The constant dancing before the doors of Kṛṣṇa's palaces was not to be imagined even by the demigods in the heavenly kingdom. In the heavenly kingdom, Indra always sees the dancing of the society girls. But even Indra could not imagine how beautiful were the dances being performed at the gates of Kṛṣṇa's palaces. Gaurī means "white woman," and Lord Śiva's wife is called Gaurī. The beautiful women residing within the palaces of Kṛṣṇa were so much whiter than Gaurī that they were compared to the moonshine, and they were constantly visible to Kṛṣṇa. Therefore, no one can be enjoying more than Kṛṣṇa. The conception of enjoyment is beautiful women, ornaments and riches. And all of these were fabulously present in the palaces of Kṛṣṇa, defeating even the imagination of Kuvera, Lord Indra or Lord Śiva.

Nectar of Devotion 22:

It is stated that the diffusion of Kṛṣṇa's fame is like the moonshine, which turns darkness into light. In other words, if Kṛṣṇa consciousness is preached all over the world, the darkness of ignorance and the anxiety of material existence will turn into the whiteness of purity, peacefulness and prosperity.

Nectar of Devotion 29:

One aged devotee of Kṛṣṇa addressed Him in this way: "My dear Kṛṣṇa, O killer of the demon Agha, my body is now invalid due to old age. I cannot speak very fluently, my voice is faltering, my mind is not strong, and I am often attacked by forgetfulness. But, my dear Lord, You are just like the moonlight, and my only real regret is that for want of any taste for Your pleasant shining I did not advance myself in Kṛṣṇa consciousness." This statement is an instance of lamentation due to one's being unable to achieve his desired goal.

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Nectar of Devotion 42:

There is another instance of ecstatic love for Kṛṣṇa in friendship. Once when a cowherd boy named Vṛṣabha was collecting flowers from the forest to prepare a garland to be offered to Kṛṣṇa, the sun reached its zenith, and although the sunshine was scorching hot, Vṛṣabha felt it to be like the moonshine. That is the way of rendering transcendental loving service to the Lord; when devotees are put into great difficulties—even like the Pāṇḍavas, as described above—they feel all their miserable conditions to be great facilities for serving the Lord.

Nectar of Devotion 43:

Mother Yaśodā sometimes enjoyed transcendental ecstasy in happiness when her child was saved from a dangerous situation, such as being attacked by Pūtanā or some other demon. In Śrīmad-Bhāgavatam, Tenth Canto, Seventeenth Chapter, verse 19, Śukadeva Gosvāmī says that mother Yaśodā felt very, very fortunate when she got back her lost child. She immediately placed Him on her lap and began to embrace Him again and again. While she was thus embracing her son repeatedly, torrents of tears fell from her eyes, and she was unable to express her transcendental joy. It is stated in the Vidagdha-mādhava of Śrīla Rūpa Gosvāmī, "My dear Kṛṣṇa, the touch of Your mother is so pleasing and cooling that it surpasses the cooling capacity of the pulp of sandalwood and of bright moonshine mixed with the pulp of uśīra root." (Uśīra is a kind of root which when soaked with water has a very, very cooling effect. It is especially used in the scorching heat of the sun.)

Nectar of Devotion 43:

There is a similar statement in the Lalita-mādhava: "How wonderful it is that Yaśodā, the wife of King Nanda, out of her parental affection for Kṛṣṇa, mixed her tears and the milk from her breasts and thus bathed her dear son Kṛṣṇa." In Vidagdha-mādhava, a devotee addresses Lord Kṛṣṇa as follows: "My dear Mukunda, just after seeing Your face, which was full with the scent of the lotus flower, mother Yaśodā, being attracted by the moonlight of Your face, became so overjoyed in her affection that immediately from the nipples of her waterpotlike breasts, milk began to flow." She was thus constantly engaged in supplying milk to Kṛṣṇa after wetting the covering cloth over the jug.

Nectar of Devotion 44:

In the Lalita-mādhava, Rūpa Gosvāmī explains that the movements of Kṛṣṇa's eyebrows are just like the Yamunā and that the smiling of Rādhārāṇī is just like the moonshine. When the Yamunā and the moonshine come in contact on the bank of the river, the water tastes just like nectar, and drinking it gives great satisfaction. It is as cooling as piles of snow. Similarly, in the Padyāvalī, one constant companion of Rādhārāṇī says, "My dear moon-faced Rādhārāṇī, Your whole body appears very content, yet there are signs of tears in Your eyes. Your speech is faltering, and Your chest is also heaving. By all these signs I can understand that You must have heard the blowing of Kṛṣṇa's flute, and as a result of this, Your heart is now melting."

Krsna, The Supreme Personality of Godhead

Krsna Book 13:

All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells. Their legs were decorated with bells, Their waists with golden belts, and Their fingers with jeweled rings. Brahmā also saw that upon the whole body of each Lord Viṣṇu, from the lotus feet up to the top of the head, fresh tulasī leaves and buds had been thrown. Another significant feature of the Viṣṇu forms was that all of Them were looking transcendentally beautiful. Their smiling resembled the moonshine, and Their glancing resembled the early rising of the sun. Just by Their glancing They showed Themselves to be the creators and maintainers of the modes of ignorance and passion. Viṣṇu represents the mode of goodness, Brahmā represents the mode of passion, and Lord Śiva represents the mode of ignorance. Therefore as the maintainer of everything in the cosmic manifestation, Viṣṇu is also the creator and maintainer of Brahmā and Lord Śiva.

Krsna Book 20:

In the Bhagavad-gītā, the Lord says that He appears by His internal potency, which is free from the bondage of the external potency. What is bondage for the ordinary creature is freedom for the Personality of Godhead. In the rainy season, the moonlight is covered by clouds but is visible at intervals. It sometimes appears that the moon is moving with the movement of the clouds, but actually the moon is still; due to the clouds it also appears to move. Similarly, for one who has identified himself with the moving material world, his actual spiritual luster is covered by illusion, and with the movement of material activities he thinks that he is moving through different spheres of life. This is due to false ego, which is the demarcation between spiritual and material existence, just as the moving cloud is the demarcation between moonlight and darkness. In the rainy season, when the clouds appear for the first time, the peacocks dance with joy upon seeing them. The peacocks can be compared to persons who are very much harassed in the materialistic way of life. If they can find the association of a person engaged in the loving devotional service of the Lord, they become enlightened and dance just like peacocks. We have practical experience of this: many of our students were dry and morose previous to their coming to Kṛṣṇa consciousness, but having come into contact with devotees, they are now dancing like jubilant peacocks.

Krsna Book 20:

During the daytime in autumn, the sun is very scorching, but at night, due to the clear moonshine, people get relief from the day's fatigue. Similarly, a person who takes shelter of Mukunda, or Kṛṣṇa, can be saved from the fatigue of misidentifying the body with the self. Mukunda, or Kṛṣṇa, is also the source of solace for the damsels of Vṛndāvana. The damsels of Vrajabhūmi are always suffering because of separation from Kṛṣṇa, but when they meet Him during the moonlit autumn night, their fatigue of separation is relieved. When the sky is clear of all clouds, the stars at night shine very beautifully; similarly, when a person is actually situated in Kṛṣṇa consciousness, he is cleared of all dirty things, and he becomes as beautiful as the stars in the autumn sky. Although the Vedas contain instructions for pursuing knowledge (jñāna), for practicing mystic yoga and for engaging in karmic activities in the form of sacrifices, the ultimate purpose of the Vedas is stated in the Bhagavad-gītā: one has to accept Kṛṣṇa consciousness after thoroughly studying the Vedas.

Krsna Book 28:

As it is confirmed in the Bhagavad-gītā, full knowledge means knowing Kṛṣṇa to be the Supreme Personality of Godhead. In the Vedas and the Bhagavad-gītā it is also stated that in the brahmajyoti, or spiritual sky, there is no need of sunlight, moonlight or electricity. All the planets there are self-illuminating, and all of them are eternally situated. There is no question of creation and annihilation in the brahmajyoti, or spiritual sky. The Bhagavad-gītā also confirms that beyond the material sky there is another, eternal, spiritual sky, where everything is eternally existing. Direct knowledge of the spiritual sky can be had only by great sages and saintly persons who have already surpassed the influence of the three material modes of nature by engaging in devotional service, or Kṛṣṇa consciousness. Unless one is constantly situated on that transcendental platform, it is not possible to understand the spiritual nature.

Krsna Book 29:

While all the gopīs were hurriedly leaving their respective places, their husbands, brothers and fathers were all struck with wonder to know where they were going. Being young girls, they were protected either by husbands, elder brothers or fathers. All their guardians forbade them to go to Kṛṣṇa, but they disregarded them. When a person becomes attracted by Kṛṣṇa and is in full Kṛṣṇa consciousness, he does not care for any worldly duties, even though very urgent. Kṛṣṇa consciousness is so powerful that it gives everyone relief from all material activities. Śrīla Rūpa Gosvāmī has written a very nice verse wherein one gopī advises another, "My dear friend, if you desire to enjoy the company of material society, friendship and love, then please do not go to see this smiling boy Govinda, who is standing on the bank of the Yamunā and playing His flute, His lips brightened by the beams of the full moonlight." Śrīla Rūpa Gosvāmī indirectly instructs that one who has been captivated by the beautiful smiling face of Kṛṣṇa has lost all attraction for material enjoyments. This is the test of advancement in Kṛṣṇa consciousness: a person advancing in Kṛṣṇa consciousness must lose interest in material activities and personal sense gratification.

Krsna Book 29:

When the gopīs appeared to be a little bit disturbed and angry from hearing the free advice of Kṛṣṇa, they diverted their attention to looking at the beauty of the forest. At that time the whole forest was illuminated by the bright shining of the moon, and the air was blowing very silently over the blooming flowers, and the green leaves of the trees were moving in the breeze. Kṛṣṇa took the opportunity of their looking at the forest to advise them. "I think you have come out to see the beautiful Vṛndāvana forest on this night," He said, "but you must now be satisfied. So return to your homes without delay. I understand that you are all very chaste women, so now that you have seen the beautiful atmosphere of the Vṛndāvana forest, please return home and engage in the faithful service of your respective husbands. Some of you must have babies by this time, although you are very young. You must have left your small babies at home, and they must be crying. Please immediately go back home and just feed them with your breast milk. I can also understand that you have very great affection for Me, and out of that transcendental affection you have come here, hearing My playing on the flute. Your feelings of love and affection for Me are very appropriate because I am the Supreme Personality of Godhead. All living creatures are My parts and parcels, and naturally they are affectionate to Me. So this affection for Me is very welcome, and I congratulate you for this. Now you can go back to your homes. Another thing I must explain to you is that for a chaste woman, service to the husband without duplicity is the best religious principle. Not only should a woman be faithful and chaste to her husband, but she should also be affectionate to the friends of her husband, obedient to the father and mother of her husband, and affectionate to the younger brothers of her husband. And most importantly, a woman must take care of her children."

Krsna Book 30:

All the gopīs then went further and further into the forest, searching out Kṛṣṇa, but when they learned that actually Rādhārāṇī was left alone by Kṛṣṇa, they became very sorry. This is the test of Kṛṣṇa consciousness. In the beginning they were a little envious that Kṛṣṇa had taken Rādhārāṇī alone, leaving aside all the other gopīs, but as soon as they knew that Kṛṣṇa had also left Rādhārāṇī and that She was alone lamenting for Him, they became more sympathetic to Her. The gopīs found Rādhārāṇī and heard everything from Her—about how She had misbehaved with Kṛṣṇa and how She was proud and was insulted for Her pride. After hearing all this, they became actually very sympathetic. Then all the gopīs, including Rādhārāṇī, proceeded further into the forest, until they could no longer see the moonlight.

Krsna Book 32:

When Kṛṣṇa entered the forest on the bank of the river Yamunā, the moonlight dissipated the surrounding darkness. Due to the season, flowers like the kunda and kadamba were blooming, and a gentle breeze was carrying their aroma. Due to the aroma, the bees were also flying in the breeze, thinking that the aroma was honey. The gopīs made a seat for Kṛṣṇa by leveling the soft sand and placing cloths over it.

Krsna Book 33:

After this, Lord Kṛṣṇa and the gopīs came out of the water and began to stroll along the bank of the Yamunā, where a nice breeze was blowing, carrying the aroma of different kinds of flowers over the water and land. While strolling on the bank of the Yamunā, Kṛṣṇa recited various kinds of poetry. He thus enjoyed the company of the gopīs in the soothing moonlight of autumn.

Krsna Book 34:

After this incident, on a very pleasant night Kṛṣṇa and His elder brother, Balarāma, who are inconceivably powerful, went into the forest of Vṛndāvana. They were accompanied by the damsels of Vrajabhūmi, and They began to enjoy their company. The young damsels of Vraja were very nicely dressed and anointed with pulp of sandalwood and decorated with flowers. The moon was shining in the sky, surrounded by glittering stars. The breeze was blowing, bearing the aroma of mallikā flowers, and the bumblebees were mad after the aroma. Taking advantage of the pleasing atmosphere, Kṛṣṇa and Balarāma began to sing very melodiously. The damsels became so absorbed in Their rhythmical song that they almost forgot themselves; their hair loosened, their clothes slackened, and their garlands began to fall to the ground.

Krsna Book 47:

Another gopī inquired, "Does He remember that night in the midst of kumuda flowers and moonlight, when Vṛndāvana became exceedingly beautiful? Kṛṣṇa was dancing with us, and the atmosphere was surcharged with the sound of foot bells. We exchanged pleasing conversation then. Does He remember that particular night? We remember that night, and we feel separation. Separation from Kṛṣṇa makes us agitated, as if there were fire in our bodies. Does He propose to come back to Vṛndāvana to extinguish that fire, just as a cloud appears in the sky to extinguish a forest fire by its downpour?"

Krsna Book 60:

The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows. There were many heavily flowered trees of pārijāta, and the mild wind stirred the fragrance of the flowers all around. Incense burned within the walls of the palace, and the fragrant smoke leaked out of the window shutters. Within the room were mattresses covered with white bedsheets; the bedding was as soft and white as milk foam. In this situation, Lord Śrī Kṛṣṇa sat very comfortably and enjoyed the service of Rukmiṇījī, who was assisted by her maidservants.

Krsna Book 65:

Lord Balarāma, of course, could understand the ecstatic feelings of the gopīs, and therefore He wanted to pacify them. He was expert in presenting an appeal, and thus, treating the gopīs very respectfully, He began to narrate the stories of Kṛṣṇa so tactfully that the gopīs became satisfied. To keep the gopīs in Vṛndāvana satisfied, Lord Balarāma stayed there continuously for two months, namely the months of Caitra (March–April) and Vaiśākha (April–May). For those two months He kept Himself among the gopīs, and He passed every night with them in the forest of Vṛndāvana to satisfy their desire for conjugal love. Thus Balarāma also enjoyed the rāsa dance with the gopīs during those two months. Since the season was springtime, the breeze on the bank of the Yamunā was blowing very mildly, carrying the aroma of different flowers, especially the flower known as kaumudī. Moonlight filled the sky and spread everywhere, and thus the banks of the Yamunā appeared very bright and pleasing, and Lord Balarāma enjoyed the company of the gopīs there.

Krsna Book 68:

As Lord Balarāma proceeded toward Hastināpura in His chariot, accompanied by the brāhmaṇas and elders, He looked like the moon shining in the clear sky amongst the glittering stars. When Lord Balarāma reached the precincts of the city of Hastināpura, He did not enter but stationed Himself in a camp outside the city, in a small garden house. Then He asked Uddhava to meet with the leaders of the Kuru dynasty and inquire from them whether they wanted to fight with the Yadu dynasty or to make a settlement. Uddhava went to see the leaders of the Kuru dynasty, and he met all the important members, including Bhīṣmadeva, Dhṛtarāṣṭra, Droṇācārya, Duryodhana and Bāhlika. After offering them due respects, he informed them that Lord Balarāma had arrived at the garden outside the city gate.

Krsna Book 79:

Lord Balarāma then took the avabhṛtha bath, which is taken after finishing sacrificial performances. After taking His bath, He dressed Himself in new silken garments and decorated Himself with beautiful jewelry. Amidst His relatives and friends, He appeared to be a shining full moon amidst the luminaries in the sky. Lord Balarāma is the Personality of Godhead Ananta Himself; therefore He is beyond the scope of understanding by mind, intelligence or body. He descended exactly like a human being and behaved in that way for His own purposes; we can only explain His activities as the Lord's pastimes. No one can even estimate the extent of the unlimited demonstrations of His pastimes because He is all-powerful. Lord Balarāma is the original Viṣṇu; therefore anyone remembering these pastimes of Lord Balarāma in the morning and evening will certainly become a great devotee of the Supreme Personality of Godhead, and thus his life will be successful in all respects.

Krsna Book 85:

“The original energy is only an emanation from You. My dear Lord, the shining of the moon, the heat of fire, the rays of the sun, the glittering of the stars, and the electric lightning, which are all manifested as very powerful, as well as the gravity of the mountains and the energy and fragrance of the earth—all are different manifestations of You. The pure taste of water, the water itself and the vital force which maintains all life are also features of Your Lordship.

Light of the Bhagavata

Light of the Bhagavata 16, Purport:

At night in the rainy season the moving clouds reflecting the moonlight make the moon appear to be moving. This is called illusion. The spirit soul, or the living being, is the root of all the activities of the material body, but because of illusion the spirit soul remains covered by the gross and subtle material bodies. Thus covered, the conditioned soul identifies with the material body and becomes subject to the sense of false ego.

Sri Isopanisad

Sri Isopanisad 15, Purport:

"In the spiritual realm, beyond the material covering, is the unlimited Brahman effulgence, which is free from material contamination. That effulgent white light is understood by transcendentalists to be the light of all lights. In that realm there is no need of sunshine, moonshine, fire or electricity for illumination. Indeed, whatever illumination appears in the material world is only a reflection of that supreme illumination. That Brahman is in front and in back, in the north, south, east and west, and also overhead and below. In other words, that supreme Brahman effulgence spreads throughout both the material and spiritual skies."