Many devotees of Lord Caitanya like Śrīla Vṛndāvana dāsa Ṭhākura, Śrī Locana dāsa Ṭhākura, Śrīla Kṛṣṇadāsa Kavirāja Gosvāmī, Śrī Kavikarṇapūra, Śrī Prabodhānanda Sarasvatī, Śrī Rūpa Gosvāmī, Śrī Sanātana Gosvāmī, Śrī Raghunātha Bhaṭṭa Gosvāmī, Śrī Jīva Gosvāmī, Śrī Gopāla Bhaṭṭa Gosvāmī, Śrī Raghunātha dāsa Gosvāmī and in this latter age within two hundred years, Śrī Viśvanātha Cakravartī, Śrī Baladeva Vidyābhūṣana, Śrī Śyāmānanda Gosvāmī, Śrī Narottama dāsa Ṭhākura, Śrī Bhaktivinoda Ṭhākura and at last Śrī Bhaktisiddhānta Sarasvatī Ṭhākura (our spiritual master) and many other great and renowned scholars and devotees of the Lord have prepared voluminous books and literatures on the life and precepts of the Lord. Such literatures are all based on the śāstras like the Vedas, Purāṇas, Upaniṣads, Rāmāyaṇa, Mahābhārata and other histories and authentic literatures approved by the recognized ācāryas. They are unique in composition and unrivaled in presentation, and they are full of transcendental knowledge.
Locana dasa Thakura
Srimad-Bhagavatam
SB Preface and Introduction
SB Canto 8
In our Kṛṣṇa consciousness movement we do not allow any song that has not been approved or sung by bona fide devotees. We cannot allow cinema songs to be sung in the temple. We generally sing two songs. One is śrī-kṛṣṇa-caitanya prabhu nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda. This is bona fide. It is always mentioned in the Caitanya-caritāmṛta, and it is accepted by the ācāryas. The other, of course, is the mahā-mantra—Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. We may also sing the songs of Narottama dāsa Ṭhākura, Bhaktivinoda Ṭhākura and Locana dāsa Ṭhākura, but these two songs—"śrī-kṛṣṇa-caitanya" and the Hare Kṛṣṇa mahā-mantra—are sufficient to please the Supreme Personality of Godhead, although we cannot see Him. Seeing the Lord is not as important as appreciating Him from the authentic literature or the authentic statements of authorized persons.
SB Canto 10.1 to 10.13
Śukadeva Gosvāmī continued: Thus, having considered the instructions of his bad ministers, Kaṁsa, who was bound by the laws of Yamarāja and devoid of good intelligence because he was a demon, decided to persecute the saintly persons, the brāhmaṇas, as the only way to achieve his own good fortune.
Śrīla Locana dāsa Ṭhākura has sung, āpana karama, bhuñjāye śamana, kahaye locana dāsa. Instead of taking good instructions from the sages and the śāstras, godless nondevotees act whimsically, according to their own plans.
Sri Caitanya-caritamrta
CC Preface and Introduction
After the passing away of Śrī Caitanya Mahāprabhu and Svarūpa Dāmodara, Raghunātha dāsa, unable to bear the pain of separation from these objects of his complete devotion, traveled to Vṛndāvana, intending to commit suicide by jumping from Govardhana Hill. In Vṛndāvana, however, he encountered Śrīla Rūpa Gosvāmī and Śrīla Sanātana Gosvāmī, two of the most confidential disciples of Caitanya Mahāprabhu. They convinced him to give up his planned suicide and impelled him to reveal to them the spiritually inspiring events of Lord Caitanya's later life. Kṛṣṇadāsa Kavirāja Gosvāmī was also residing in Vṛndāvana at this time, and Raghunātha dāsa Gosvāmī endowed him with a full comprehension of the transcendental life of Śrī Caitanya Mahāprabhu.
By this time, contemporary and near-contemporary scholars and devotees had already written several biographical works on the life of Śrī Kṛṣṇa Caitanya Mahāprabhu. These included Śrī Caitanya-carita, by Murāri Gupta, Caitanya-maṅgala, by Locana dāsa Ṭhākura, and Caitanya-bhāgavata.
CC Adi-lila
O fools, just read Śrī Caitanya-maṅgala! By reading this book you can understand all the glories of Śrī Caitanya Mahāprabhu.
Śrī Vṛndāvana dāsa Ṭhākura's Śrī Caitanya-bhāgavata was originally entitled Śrī Caitanya-maṅgala, but when Śrīla Locana dāsa Ṭhākura later wrote another book named Śrī Caitanya-maṅgala, Śrīla Vṛndāvana dāsa Ṭhākura changed the name of his own book, which is now therefore known as Śrī Caitanya-bhāgavata.
Narahari dāsa Sarakāra was a very famous devotee. Locana dāsa Ṭhākura, the celebrated author of Śrī Caitanya-maṅgala, was his disciple. In the Caitanya-maṅgala it is stated that Śrī Gadādhara dāsa and Narahari Sarakāra were extremely dear to Śrī Caitanya Mahāprabhu, but there is no specific statement regarding the inhabitants of the village of Śrīkhaṇḍa.
Cirañjīva and Sulocana were both residents of Śrīkhaṇḍa, where their descendants are still living. Of Cirañjīva's two sons, the elder, Rāmacandra Kavirāja, was a disciple of Śrīnivāsa Acārya and an intimate associate of Narottama dāsa Ṭhākura. The younger son was Govinda dāsa Kavirāja, the famous Vaiṣṇava poet. Cirañjīva's wife was Sunandā, and his father-in-law was Dāmodara Sena Kavirāja. Cirañjīva previously lived on the bank of the Ganges River, in the village of Kumāranagara. The Gaura-gaṇoddeśa-dīpikā (207) states that he was formerly Candrikā in Vṛndāvana.
Once while Caitanya Mahāprabhu was performing kīrtana, clouds assembled in the sky, and the Lord, by His own will, immediately stopped them from pouring rain.
In this connection Śrīla Bhaktivinoda Ṭhākura says that once when Lord Caitanya was performing saṅkīrtana a short way from the village, some clouds appeared overhead. By the supreme will of the Lord, the clouds were asked to disperse, and they did. Because of this incident, that place is still known as Meghera-cara. Since the course of the Ganges has now changed, the village of the name Belapukhuriyā, which was formerly situated in a different place, called Tāraṇavāsa, has now become known as Meghera-cara. The Madhya-khaṇḍa of Śrīla Locana dāsa Ṭhākura's Caitanya-maṅgala also relates that once at the end of the day, when evening clouds assembled overhead and thundered threateningly, all the Vaiṣṇavas were very much afraid. But the Lord took His karatālas in His hands and personally began chanting the Hare Kṛṣṇa mantra, looking up toward the sky as if to direct the demigods in the higher planets. Thus all the assembled clouds dispersed, and as the sky became clear, with the moon rising, the Lord began dancing very happily with His jubilant and satisfied devotees.
CC Madhya-lila
For five consecutive days all the people gathered to see the Lord, and still there was no rest. Out of fear of the crowd, Lord Caitanya Mahāprabhu left at night and went to the town of Kuliyā (present-day Navadvīpa).
If one considers the statements of the Caitanya-bhāgavata along with the description by Locana dāsa Ṭhākura, it is clear that present-day Navadvīpa was formerly known as Kuliyā-grāma.
As far as Vāsudeva Ghoṣa is concerned, he composed many nice songs about Lord Śrī Caitanya Mahāprabhu, and these are all authorized Vaiṣṇava songs, like the songs of Narottama dāsa Ṭhākura, Bhaktivinoda Ṭhākura, Locana dāsa Ṭhākura, Govinda dāsa Ṭhākura and other great Vaiṣṇavas.
When Rūpa Gosvāmī experienced the mercy and magnanimity of Śrī Caitanya Mahāprabhu, he said:
- namo mahā-vadānyāya kṛṣṇa-prema-pradāya te
- kṛṣṇāya kṛṣṇa-caitanya-nāmne gaura-tviṣe namaḥ
- (CC Madhya 19.53)
"I offer my respectful obeisances unto the Supreme Lord Śrī Kṛṣṇa Caitanya, who is more magnanimous than any other avatāra, even Kṛṣṇa Himself, because He is bestowing freely what no one else has ever given—pure love of Kṛṣṇa." Śrīla Locana dāsa Ṭhākura has also sung, parama karuṇa, pahuṅ dui jana, nitāi-gauracandra: "The two brothers Nitāi and Gaura are so kind that no one can compare to Them."
Lectures
Srimad-Bhagavatam Lectures
For the Vaiṣṇava there is one qualification: poetic. You should... Everyone should be poetic. So... But that poetry, that poetry language, should be simply to glorify the Lord. Then it is... Just like Narottama dāsa Ṭhākura, Bhaktivinoda Ṭhākura, Locana dāsa Ṭhākura, they are poets. They have produced so many songs. But about whom? About Kṛṣṇa. Similarly, under the instruction of Nārada, now Vyāsadeva will produce a literature like Śrīmad-Bhāgavatam, which is simply glorification of the Lord and His devotees.
Viṣaya means material subject matter for sense gratification. So one cannot be attached to Kṛṣṇa as long as he is attached to viṣaya. Therefore Narottama dāsa Ṭhākura or Locana dāsa Ṭhākura, he says, viṣaya chāṛiyā, se rase majiyā, mukhe bolo hari hari. Viṣaya chāṛiyā. So long you are attached to sense gratification, there is no question of chanting "Hari Hari." That is not possible. Viṣaya chāṛiyā. So it is not possible to do it immediately, but if we practice the system given by the ācāryas, as we have introduced, the Kṛṣṇa consciousness movement, then one day we'll be able.
Viṣaya does not mean one who is very rich man, he is viṣayī. No. Anyone, he may be very poor man, if he is attached to this eating, sleeping, mating and defending only, he is a viṣayī. The Locana dāsa Ṭhākura says, viṣaya chāṛiyā, se rase majiyā. One has to gradually give up, minimize this viṣaya. Viṣaya means āhāra-nidrā-bhaya-maithuna. Viṣaya.
Śukadeva Gosvāmī, is learned and poet. So these are the qualifications of Vaiṣṇava. As you know, there are twenty-six qualifications mentioned in the Caitanya-caritāmṛta, and one of the qualifications is kavi, poet. Every Vaiṣṇava in our disciplic succession, all the Vaiṣṇavas... In the later ages, within 200 years... During Caitanya Mahāprabhu's time, there were Vṛndāvana dāsa Ṭhākura, Vaiṣṇava, Locana dāsa Ṭhākura, Kavi-karṇapūra. They were all big poets. Later on, Vidyāpati, Caṇḍīdāsa. No, Caṇḍīdāsa before Lord Caitanya. Jayadeva. He also, before Lord Caitanya. All big, big kavis. The Jayadeva kavi's, this pralaya-payodhi-jale dhṛtavān asi vedam **. So a Vaiṣṇava devotee of the Lord is expected to have all good qualities. The more you become advanced in Kṛṣṇa consciousness, all the good qualities that were covered by the cloud of māyā will come out. Good qualities are already there. Just like Kṛṣṇa has got sixty-four good qualities in full, and we are minute particles of Kṛṣṇa; therefore we have got also those good qualities in minute particles.
When we shall be free from viṣaya... Viṣaya means āhāra-nidrā-bhaya-maithunam. So who can give up viṣaya unless he is a great devotee? Others cannot. Viṣaya, it is very difficult. But if one is advanced devotee—paraṁ dṛṣṭvā nivartate (BG 9.59)—they can give up. So if you come to Vṛndāvana and arrange for a viṣaya-bhoga-āhāra-nidrā-bhaya-maithunam—then Vṛndāvana is far away. Viṣaya chādiyā. The whole Kṛṣṇa consciousness movement is on the basis of viṣaya chādiyā. And Śrī Locana dāsa Ṭhākura also sings, viṣaya chādiyā se rase majiyā, mukhe bolo hari hari. Viṣaya chādiyā. If... Of course, in the beginning it is not possible, but the ultimate goal of life is to give up viṣaya—no more āhāra-nidrā-bhaya-maithuna. That is called viṣaya chādiyā.
Sri Caitanya-caritamrta Lectures
Śrī Caitanya Mahāprabhu is mahā-vadānyāvatāra, because He is teaching about the love of Rādhā-Kṛṣṇa and teaching everyone kṛṣṇa-prema-pradāyate, real destination of life, how to achieve kṛṣṇa-prema, and He's personally teaching. Namo mahā-vadānyāya. Rūpa Gosvāmī understood it: "Here is namo mahā-vadānyāya, most magnanimous incarnation."
Similarly, Locana dāsa Ṭhākura has sung,
- parama karuṇa, pahū dui-jana,
- nitāi-gauracandra
- saba avatāra, sāra śiromaṇi,
- kevala ānanda-kanda
Kevala ānanda-kanda, parama-karuṇa: "There are many incarnation, but no better incarnation, no magnanimous incarnation, like Śrī Caitanya Mahāprabhu, Nityānanda Prabhu."
Wedding Ceremonies
Verse:
- Parama karuṇa, pahū dui jana
- nitāi gauracandra
- saba avatāra, sāra śiromaṇi
- kevala ānanda-khanda
Locana dāsa Ṭhākura, he sings that "This Nitai-Gaura incarnation, parama karuṇa—very, very merciful." Parama karuṇa, pahū dui jana: "Two lords, Nitai-Gaura." Parama karuṇa, pahū dui jana. Dui jana means two. Parama karuṇa, pahū dui jana, nitāi gauracandra: "Nityānanda and Caitanya Mahāprabhu, or Gaura Hari." Saba avatāra, sāra śiromaṇi kevala ānanda-khanda: "There are many incarnation, but Śrī Caitanya Mahāprabhu and Nityānanda—simply ānanda, bliss." Ānanda, bliss, kevala ānanda-khanda.
General Lectures
You cannot associate with God if you become sinful. That is not possible. That is stated in the Bhagavad-gītā. Yeṣāṁ tv anta-gataṁ pāpam: "One who is completely free from sinful life," te dvandva-moha-nirmuktā bhajante māṁ dṛḍha-vratāḥ (BG 7.28), "He can worship Me." So therefore our Kṛṣṇa consciousness movement is that we do not recommend that "You give up your occupation, you become a sannyāsī, give up your wife and children." No. That is not our movement. Amongst ourself here there are sannyāsīs, brahmacārīs, gṛhastha, vānaprastha. Everyone is there. Everyone can worship Kṛṣṇa. There is no such thing that "This class of men, only the brāhmaṇa or the sannyāsīs or brahmacārī or Hindus..." No. Kṛṣṇa is open for everyone. Māṁ hi pārtha vyapāśritya ye 'pi syuḥ pāpa-yonayaḥ (BG 9.32). Even lower born, born in the lower grade family, he is also open. Simply one has to adopt the means. That is recommended by... There are many songs. Locana dāsa, Narottama dāsa Ṭhākura, he also says,
- viṣaya chāḍiyā kabe śuddha ha'be mana
- kabe hāma herabo śrī vṛndāvana
Viṣaya means sense enjoyment. Sense enjoyment. So one has to give up this practice of sense enjoyment. Then he becomes purified.
Purports to Songs
Parama koruṇa, pahū dui jana, nitāi gauracandra. This is a song by Locana dāsa Ṭhākura, a great devotee and ācārya of the Gauḍīya-sampradāya. He is declaring that pahū dui jana. Pahū means lords. Dui jana means two. Who are the two lords? Nitai Gauracandra. One is Lord Nitāi, Nityānanda; another is Lord Śrī Caitanya Mahāprabhu. So he says that "These two Lords are very merciful." Parama koruṇa, pahū dui jana. Parama koruṇa means very merciful. Nitai Gauracandra. Saba avatāra, sāra śiromaṇi. Avatāra means incarnation, and saba means all. "They are the essence of all incarnations." Saba avatāra, sāra śiromaṇi, kevala ānanda-kanda: "And the specific significance of these incarnations is that to prosecute their ways of self-realization is simply joyful," ānanda-kanda. They introduced chanting and dancing. No other incarnation There are many incarnation, just like Lord Rāma. Even Kṛṣṇa, He taught Bhagavad-gītā. That requires knowledge, understanding. But here Lord Caitanya, Nityānanda, introduced some process which is simply joyful: simply chant and dance. Kevala ānanda-kanda. Saba avatāra, sāra śiromaṇi, kevala ānanda-kanda.
Therefore he requests everyone, bhajo bhajo bhāi, caitanya nitāi: "My dear brothers, I request you. Just you worship Lord Caitanya and Nityānanda." Sudṛḍha biśwāsa kori': "With firm conviction and faith." Don't think that this chanting and dancing will not lead you to the desired goal. It will because there is assurance of Lord Caitanya Mahāprabhu that you will get all perfection by this process. Therefore Locana dāsa Ṭhākura says that "You must have firm faith and conviction." It will act.
Viṣaya bhuliyā, rohili majiyā, se pade nahilo āśa: "You have no attraction for the lotus feet of Caitanya-Nityānanda. So what can I say? It is only..." Āpana karama, bhuñjāya śamana: "I can simply think of my misfortune only that Yamaraja, the superintendent of death, he is punishing me in this way, that he is not allowing me to be attracted to this movement." This is the statement of Kahoye locana-dāsa: "This is the statement of Locana dāsa Ṭhākura."
Parama koruṇa, pahū dui jana, nitāi gauracandra. This is a song sung by Locana dāsa Ṭhākura, a great devotee of Lord Caitanya, almost contemporary. He wrote one book, Caitanya-maṅgala, depicting the activities of Lord Caitanya. That is a very famous book, Caitanya-maṅgala. And he has composed many songs. Practically all Vaiṣṇavas, they are transcendentally poetic. That is one of the 26 qualifications of the Vaiṣṇava. So he says that "These two Lords," nitāi gauracandra, "Lord Nityānanda and Lord Gaurāṅga, or Lord Caitanya, They are very merciful incarnations." Saba avatāra-sāra śiromaṇi. "They are essence of all incarnations."
Lord Caitanya is very merciful because He is embracing everyone by bestowing love of Kṛṣṇa. Rūpa Gosvāmī has described Lord Caitanya as the most munificent of all the incarnations because He is giving Kṛṣṇa to everyone, without any qualification. So Locana dāsa Ṭhākura says that parama koruṇa, pahū dui jana, nitāi gauracandra, that They are essence of all incarnation. Kevala ānanda-kanda. And Their preaching process is very pleasing. Caitanya Mahāprabhu recommends "You chant Hare Kṛṣṇa, dance nicely, and when you feel tired, just take rest and eat Kṛṣṇa prasādam."
Locana dāsa Ṭhākura says that viṣaya majiyā, rohili poriyā. "Unfortunately I am so much entrapped in these demands of the body or the senses that I have forgotten the lotus feet of Caitanya Mahāprabhu." Viṣaya majiyā, rohili poriyā, se pade nahilo āśa. "I could not desire to be attached to the lotus feet of Lord Caitanya." So why it is so? So he's lamenting that āpana karama, bhuñjāye śamana, that "I am suffering the sequence of my past misdeeds, that I could not be attracted by the Kṛṣṇa consciousness movement. It is a punishment on me by the Yamaraja, the superintendent of death." Actually, this Kṛṣṇa consciousness movement, saṅkīrtana movement, is so nice and attractive, every simple, I mean to say, unsophisticated person shall be attracted. But if one is not attracted it is to be understood that he is being punished by the laws of the superintendent of death. Anyway, if we stick to this principle of chanting, then even Yamarāja, the superintendent of death, he'll also fail to punish. That is the verdict of Brahma-saṁhitā. Brahma-saṁhitā says, one who takes to this devotional life, his reaction of past deeds are adjusted immediately. so every one of us should take part in this movement of Kṛṣṇa consciousness by chanting Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare, Hare Rāma Hare Rāma Rāma Rāma Hare Hare.
Conversations and Morning Walks
1973 Conversations and Morning Walks
Prabhupāda: There are so many songs.
- gaurāṅgera duṭi pada, jār dhana sampada,
- se jāne bhakati-rasa-sār
Many songs. Bhaktivinoda Ṭhākura's songs. Then Narottama dāsa Ṭhākura's songs. Locana dāsa, Locana dāsa's songs.
- parama koruṇa, pahuṅ dui jana,
- nitāi gauracandra
- saba avatāra-sāra śiromaṇi,
- kevala ānanda-kanda
- bhajo bhajo bhāi, caitanya nitāi,
- sudṛḍha biśwāsa kori'
- biṣaya chāḍiyā, se rase majiyā,
- mukhe bolo hari hari
In this way, there are so many songs. Very simple Bengali. Especially Narottama dāsa Ṭhākura's songs, they have been approved by Viśvanātha Cakravartī Ṭhākura as Vedic evidences. Although it is written in Bengali, they are full of Vedic authority.
| Page Title: | Locana dasa Thakura |
| Compiler: | Sahadeva, Matea |
| Created: | 14 of Dec, 2009 |
| Totals by Section: | BG=0, SB=3, CC=7, OB=0, Lec=13, Con=1, Let=0 |
| No. of Quotes: | 24 |