Lip (CC and Other Books)

Expressions researched:
"lip" |"lips"

CC Adi-lila

CC Adi 2.111, Translation:

But such words from the lips of a sincere devotee cannot be false. All possibilities abide in Him, for He is the primeval Lord.

CC Adi 4.31, Purport:

The gopīs came out to meet Kṛṣṇa in the dead of night when they heard the sound of His flute. Śrīla Rūpa Gosvāmī has accordingly composed a nice verse (see Ādi 5.224) that describes the beautiful boy called Govinda standing by the bank of the Yamunā with His flute to His lips in the shining moonlight. Those who want to enjoy life in the materialistic way of society, friendship and love should not go to the Yamunā to see the form of Govinda. The sound of Lord Kṛṣṇa's flute is so sweet that it has made the gopīs forget all about their relationships with their kinsmen and flee to Kṛṣṇa in the dead of night.

CC Adi 4.246, Translation:

“Although the entire creation is full of different tastes because of Me, I am charmed by the nectarean taste of the lips of Śrīmatī Rādhārāṇī.

CC Adi 4.259, Translation:

“"My dear auspicious Rādhārāṇī, Your body is the source of all beauty. Your red lips are softer than the sense of immortal sweetness, Your face bears the aroma of a lotus flower, Your sweet words defeat the vibrations of the cuckoo, and Your limbs are cooler than the pulp of sandalwood. All My transcendental senses are overwhelmed in ecstatic pleasure by tasting You, who are completely decorated by beautiful qualities."

CC Adi 4.260, Translation:

“"Her eyes are enchanted by the beauty of Lord Kṛṣṇa, the enemy of Kaṁsa. Her body thrills in pleasure at His touch. Her ears are always attracted to His sweet voice, Her nostrils are enchanted by His fragrance, and Her tongue hankers for the nectar of His soft lips. She hangs down her lotuslike face, exercising self-control only by pretense, but She cannot help showing the external signs of Her spontaneous love for Lord Kṛṣṇa."

CC Adi 5.122, Translation:

The four Kumāras hear Śrīmad-Bhāgavatam from His lips, and they in turn repeat it in the transcendental bliss of love of Godhead.

CC Adi 5.224, Translation:

"My dear friend, if you are indeed attached to your worldly friends, do not look at the smiling face of Lord Govinda as He stands on the bank of the Yamunā at Keśīghāṭa. Casting sidelong glances, He places His flute to His lips, which seem like newly blossomed twigs. His transcendental body, bending in three places, appears very bright in the moonlight."

CC Adi 8.39, Purport:

Śrīla Sanātana Gosvāmī has written in his Hari-bhakti-vilāsa:

avaiṣṇava-mukhodgīrṇaṁ pūtaṁ hari-kathāmṛtam

śravaṇaṁ naiva kartavyaṁ sarpocchiṣṭaṁ yathā payaḥ

"One should not hear anything about Kṛṣṇa from a non-Vaiṣṇava. Milk touched by the lips of a serpent has poisonous effects; similarly, talks about Kṛṣṇa given by a non-Vaiṣṇava are also poisonous."

CC Adi 14.15, Purport:

The five large parts are the nose, arms, chin, eyes and knees. The five fine parts are the skin, fingertips, teeth, hair on the body and hair on the head. The seven reddish parts are the eyes, soles, palms, palate, nails and upper and lower lips. The six raised parts are the chest, shoulders, nails, nose, waist and mouth. The three small parts are the neck, thighs and male organ. The three broad parts are the waist, forehead and chest. The three grave parts are the navel, voice and existence. Altogether these are the thirty-two symptoms of a great personality. This is a quotation from the Sāmudrika.

CC Adi 17.32, Purport:

One should note in this connection that chanting involves the activities of the upper and lower lips as well as the tongue. All three must be engaged in chanting the Hare Kṛṣṇa mahā-mantra. The words "Hare Kṛṣṇa" should be very distinctly pronounced and heard. Sometimes one mechanically produces a hissing sound instead of chanting with the proper pronunciation with the help of the lips and tongue. Chanting is very simple, but one must practice it seriously.

CC Madhya-lila

CC Madhya 1.84, Translation:

The gopīs continued, "Dear Kṛṣṇa, the fragrance of the mellows of Your pastimes is spread throughout the forests of the glorious land of Vṛndāvana, which is surrounded by the sweetness of the district of Mathurā. In the congenial atmosphere of that wonderful land, You may enjoy Your pastimes, with Your flute dancing on Your lips, and surrounded by us, the gopīs, whose hearts are always enchanted by unpredictable ecstatic emotions."

CC Madhya 2.32, Translation:

“The nectar from the lips of Lord Kṛṣṇa and His transcendental qualities and characteristics surpass the taste of the essence of all nectar, and there is no fault in tasting such nectar. If one does not taste it, he should die immediately after birth, and his tongue is to be considered no better than the tongue of a frog.

CC Madhya 6.168, Purport:

The Māyāvādī philosophers offer lip service to Vedic authority but try to escape the Vedic ritualistic ceremonies. They concoct some idea of a transcendental position and call themselves Nārāyaṇa, or God. However, God's position is completely different from their concoction.

CC Madhya 6.203, Translation:

Śrī Caitanya Mahāprabhu first showed him the four-handed form and then appeared before him in His original form of Kṛṣṇa, with a blackish complexion and a flute to His lips.

CC Madhya 8.166, Purport:

Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame. Her lips are always reddish due to the betel nut of ecstatic affection for Kṛṣṇa. The black ointment around Her eyes is Her tricky behavior with Kṛṣṇa brought about by love. Her joking with Kṛṣṇa and gentle smiling constitute the camphor with which She is perfumed.

CC Madhya 8.173, Translation:

“Her attachment for Kṛṣṇa is the reddish color of betel nuts on Her brilliant lips. Her double-dealings in loving affairs constitute the black ointment around Her eyes.

CC Madhya 8.200, Purport:

Thus quoting from Padma Purāṇa, Śrīla Sanātana Gosvāmī warns that one should not hear anything about Kṛṣṇa from an avaiṣṇava, however great a mundane scholar he may be. Milk touched by the lips of a serpent has poisonous effects; similarly, talks about Kṛṣṇa given by an avaiṣṇava are also poisonous. However, because a Vaiṣṇava is surrendered to the Supreme Personality of Godhead, his talks are spiritually potent.

CC Madhya 14.181, Translation:

“"Agitated by tears, Śrīmatī Rādhārāṇī"s eyes were tinged with red, just like the eastern horizon at sunrise. Her lips began to move with jubilation and lusty desire. Her eyebrows curved, and Her lotuslike face smiled mildly. Seeing Rādhārāṇī’s face exhibit such emotion, Lord Śrī Kṛṣṇa felt a million times happier than when He embraced Her. Indeed, Lord Śrī Kṛṣṇa's happiness is not at all mundane.’”

CC Madhya 15.108, Translation:

“One does not have to undergo initiation or execute the activities required before initiation. One simply has to vibrate the holy name with his lips. Thus even a man in the lowest class (caṇḍāla) can be delivered.

CC Madhya 19.146, Translation:

“Among human beings, those who are followers of the Vedic principles are considered civilized. Among these, almost half simply give lip service while committing all kinds of sinful activities against these principles. Such people do not care for the regulative principles.

CC Madhya 21.130, Translation:

“The dancing features of His face surpass all other full moons and expand the marketplace of full moons. Although priceless, the nectar of Kṛṣṇa's face is distributed to everyone. Some purchase the moonrays of His sweet smiles, and others purchase the nectar of His lips. Thus He pleases everyone.

CC Madhya 21.140, Translation:

“His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of His lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute.

CC Madhya 24.50, Translation:

“"Dear Kṛṣṇa, we have simply surrendered ourselves as Your maidservants, for we have seen Your beautiful face decorated with tresses of hair, Your earrings falling upon Your cheeks, the nectar of Your lips, and the beauty of Your smile. Indeed, because we have also been embraced by Your arms, which give us courage, and seen Your chest, which is beautiful and broad, we have surrendered ourselves."

CC Antya-lila

CC Antya 1.101, Purport:

Śrīla Sanātana Gosvāmī has forbidden us to hear the holy name of Kṛṣṇa chanted by non-Vaiṣṇavas, such as professional actors and singers, for it will have no effect. It is like milk touched by the lips of a serpent, as stated in the Padma Purāṇa:

avaiṣṇava-mukhodgīrṇaṁ pūtaṁ hari-kathāmṛtam

śravaṇaṁ naiva kartavyaṁ sarpocchiṣṭaṁ yathā payaḥ

As far as possible, therefore, the devotees in the Kṛṣṇa consciousness movement gather to chant the holy name of Kṛṣṇa in public so that both the chanters and the listeners may benefit.

CC Antya 1.166, Translation:

“"O most beautiful friend, please accept the Supreme Personality of Godhead, who is standing before You full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there."

CC Antya 1.211, Purport:

A materialistic poet who describes in his poetry the material activities of men and women cannot describe the transcendental pastimes of the Lord or the transcendental conclusions of devotional service. Śrīla Sanātana Gosvāmī has therefore warned all neophyte devotees that one should not hear from the mouth of a non-Vaiṣṇava:

avaiṣṇava-mukhodgīrṇaṁ pūtaṁ hari-kathāmṛtam

śravaṇaṁ naiva kartavyaṁ sarpocchiṣṭaṁ yathā payaḥ

(Padma Purāṇa)

"One should not hear anything about Kṛṣṇa from a non-Vaiṣṇava. Milk touched by the lips of a serpent has poisonous effects; similarly, talks about Kṛṣṇa given by a non-Vaiṣṇava are also poisonous."

CC Antya 4.64, Translation:

""O dear Kṛṣṇa, by Your smiling glances and melodious talk, You have awakened a fire of lusty desire in our hearts. Now You should extinguish that fire with a stream of nectar from Your lips by kissing us. Kindly do this. Otherwise, dear friend, the fire within our hearts will burn our bodies to ashes because of separation from You. Thus by meditation we shall claim shelter at Your lotus feet.""

CC Antya 13.113, Purport:

Concerning the study of Śrīmad-Bhāgavatam, Śrī Caitanya Mahāprabhu clearly advises that one avoid hearing from a non-Vaiṣṇava professional reciter. In this connection Sanātana Gosvāmī quotes a verse from the Padma Purāṇa:

avaiṣṇava-mukhodgīrṇaṁ pūtaṁ hari-kathāmṛtam

śravaṇaṁ naiva kartavyaṁ sarpocchiṣṭaṁ yathā payaḥ

"No one should hear or take lessons from a person who is not a Vaiṣṇava. Even if he speaks about Kṛṣṇa, such a lesson should not be accepted, for it is like milk touched by the lips of a serpent." Nowadays it is fashionable to observe Bhāgavata-saptāha and hear Śrīmad-Bhāgavatam from persons who are anything but advanced devotees or self-realized souls. There are even many Māyāvādīs who read Śrīmad-Bhāgavatam to throngs of people. Many Māyāvādīs have recently begun reciting Śrīmad-Bhāgavatam in Vṛndāvana, and because they can present the Bhāgavatam with word jugglery, twisting the meaning by grammatical tricks, materialistic persons who go to Vṛndāvana as a matter of spiritual fashion like to hear them. All this is clearly forbidden by Śrī Caitanya Mahāprabhu.

CC Antya 14.18, Translation:

Śrī Caitanya Mahāprabhu saw Lord Kṛṣṇa standing with His beautiful body curved in three places, holding His flute to His lips. Wearing yellow garments and garlands of forest flowers, He was enchanting even to Cupid.

CC Antya 14.32, Translation:

Becoming fully absorbed in that vision, Śrī Caitanya Mahāprabhu had assumed the mood of the gopīs, so much so that everywhere He looked He saw Kṛṣṇa standing with His flute to His lips.

CC Antya 14.53, Purport:

Uddhava said to Kṛṣṇa, "O most auspicious Kṛṣṇa, please hear me. The tribulation caused by Your absence has made Viśākhā languid. Her lips tremble like trees in a strong wind. Her beautiful face is like a lotus flower that has withered under the snow, and her eyes are like lotus petals scorched by the heat of the autumn sun."

CC Antya 15.14, Translation:

Śrī Caitanya Mahāprabhu said, “"Though the hearts of the gopīs are like high-standing hills, they are inundated by the waves of the nectarean ocean of Kṛṣṇa"s beauty. His sweet voice enters their ears and gives them transcendental bliss, the touch of His body is cooler than millions and millions of moons together, and the nectar of His bodily fragrance overfloods the entire world. O My dear friend, that Kṛṣṇa, who is the son of Nanda Mahārāja and whose lips are exactly like nectar, is attracting My five senses by force.’

CC Antya 15.15, Translation:

“Lord Śrī Kṛṣṇa's beauty, the sound of His words and the vibration of His flute, His touch, His fragrance and the taste of His lips are full of an indescribable sweetness. When all these features attract My five senses at once, My senses all ride together on the single horse of My mind but want to go in five different directions.

CC Antya 15.23, Translation:

“Kṛṣṇa's lips are so sweet when combined with the camphor of His gentle smile that they attract the minds of all women, forcing them to give up all other attractions. If the sweetness of Kṛṣṇa's smile is unobtainable, great mental difficulties and lamentation result. That sweetness is the only wealth of the gopīs of Vṛndāvana.”

CC Antya 15.56, Translation:

Standing there with His flute to His lips, Kṛṣṇa, who enchants millions upon millions of Cupids, attracted the eyes and minds of all the world with His unlimited beauty.

CC Antya 15.61, Translation:

“Why can’t I again see Kṛṣṇa holding His flute to His lips? My eyes are wandering in hopes of seeing Him once more.”

CC Antya 15.63, Translation:

“"My dear friend, the luster of Kṛṣṇa"s body is more brilliant than that of a newly formed cloud, and His yellow dress is more attractive than newly arrived lightning. A peacock feather decorates His head, and on His neck hangs a lovely necklace of brilliant pearls. As He holds His charming flute to His lips, His face looks as beautiful as the full autumn moon. By such beauty, Madana-mohana, the enchanter of Cupid, is increasing the desire of My eyes to see Him.’”

CC Antya 15.70, Translation:

""Dear Kṛṣṇa, by seeing Your beautiful face decorated with tresses of hair, by seeing the beauty of Your earrings falling on Your cheeks, and by seeing the nectar of Your lips, the beauty of Your smiling glances, Your two arms, which assure complete fearlessness, and Your broad chest, whose beauty arouses conjugal attraction, we have simply surrendered ourselves to becoming Your maidservants.""

CC Antya 16 Summary:

When Śrī Caitanya Mahāprabhu ate the remnants of food known as vallabha-bhoga, He described the glories of such remnants of the Lord's food and then fed all the devotees the prasādam. Thus they all tasted adharāmṛta, the nectar from the lips of Lord Śrī Kṛṣṇa.

CC Antya 16.94, Translation:

Śrī Caitanya Mahāprabhu considered, “Where has such a taste in this prasādam come from? Certainly it is due to its having been touched by the nectar of Kṛṣṇa's lips.”

CC Antya 16.97, Translation:

Śrī Caitanya Mahāprabhu replied, “These are remnants of food that Kṛṣṇa has eaten and thus turned to nectar with His lips. It surpasses heavenly nectar, and even such demigods as Lord Brahmā find it difficult to obtain.

CC Antya 16.112, Translation:

“Therefore, it is to be understood that the spiritual nectar of Kṛṣṇa's lips has touched these ordinary ingredients and transferred to them all their spiritual qualities.

CC Antya 16.112, Purport:

Since everyone had previously tasted these ingredients, why had they become extraordinary and spiritually delicious? This was proof that food, prasādam, becomes uncommonly flavorful and delicious by touching Kṛṣṇa's lips.

CC Antya 16.113, Translation:

“A fragrance and taste that are uncommon and greatly enchanting and that make one forget all other experiences are attributes of Kṛṣṇa's lips.

CC Antya 16.117, Translation:

""O hero of charity, please deliver unto us the nectar of Your lips. That nectar increases lusty desires for enjoyment and diminishes lamentation in the material world. Kindly give us the nectar of Your lips, which are touched by Your transcendentally vibrating flute, for that nectar makes all human beings forget all other attachments.""

CC Antya 16.119, Translation:

""My dear friend, the all-surpassing nectar from the lips of the Supreme Personality of Godhead, Kṛṣṇa, can be obtained only after many, many pious activities. For the beautiful gopīs of Vṛndāvana, that nectar vanquishes the desire for all other tastes. Madana-mohana always chews pan that surpasses the nectar of heaven. He is certainly increasing the desires of My tongue.""

CC Antya 16.121-122, Translation:

"My dear lover," Lord Caitanya said in the mood of Śrīmatī Rādhārāṇī, “let Me describe some of the characteristics of Your transcendental lips. They agitate the mind and body of everyone, they increase lusty desires for enjoyment, they destroy the burden of material happiness and lamentation, and they make one forget all material tastes. The whole world falls under their control. They vanquish shame, religion and patience, especially in women. Indeed, they inspire madness in the minds of all women. Your lips increase the greed of the tongue and thus attract it. Considering all this, We see that the activities of Your transcendental lips are always paradoxical.

CC Antya 16.123, Translation:

“My dear Kṛṣṇa, since You are a male, it is not very extraordinary that the attraction of Your lips can disturb the minds of women. But I am ashamed to say that Your impudent lips sometimes attract even Your flute, which is also considered a male. It likes to drink the nectar of Your lips, and thus it also forgets all other tastes.

CC Antya 16.124, Translation:

“Aside from conscious living beings, even unconscious matter is sometimes made conscious by Your lips. Therefore, Your lips are great magicians. Paradoxically, although Your flute is nothing but dry wood, Your lips constantly make it drink their nectar. They create a mind and senses in the dry wooden flute and give it transcendental bliss.

CC Antya 16.125, Translation:

“That flute is a very cunning male who drinks again and again the taste of another male's lips. It advertises its qualities and says to the gopīs, "O gopīs, if you are so proud of being women, come forward and enjoy your property—the nectar of the lips of the Supreme Personality of Godhead."

CC Antya 16.126, Translation:

“Thereupon, the flute said angrily to Me, "Give up Your shame, fear and religion and come drink the lips of Kṛṣṇa. On that condition, I shall give up my attachment for them. If You do not give up Your shame and fear, however, I shall continuously drink the nectar of Kṛṣṇa"s lips. I am slightly fearful because You also have the right to drink that nectar, but as for the others, I consider them like straw.’

CC Antya 16.127, Translation:

“The nectar of Kṛṣṇa's lips, combined with the vibration of His flute, attracts all the people of the three worlds. But if we gopīs remain patient out of respect for religious principles, the flute then criticizes us.

CC Antya 16.128, Translation:

“The nectar of Your lips and the vibration of Your flute join together to loosen our belts and induce us to give up shame and religion, even before our superiors. As if catching us by our hair, they forcibly take us away and deliver us unto You to become Your maidservants. Hearing of these incidents, people laugh at us. We have thus become completely subordinate to the flute.

CC Antya 16.130, Translation:

“Such is the policy of these lips. Just consider some other injustices. Everything that touches those lips—including food, drink or betel—becomes just like nectar. It is then called kṛṣṇa-phelā, or remnants left by Kṛṣṇa.

CC Antya 16.133, Translation:

"Therefore, My dear Kṛṣṇa, please give up all the tricks You have set up so expertly. Do not try to kill the life of the gopīs with the vibration of Your flute. Because of Your joking and laughing, You are becoming responsible for the killing of women. It would be better for You to satisfy us by giving us the charity of the nectar of Your lips."

CC Antya 16.135, Translation:

Śrī Caitanya Mahāprabhu continued, “This nectar from Kṛṣṇa's lips is supremely difficult to obtain, but if one gets some, his life becomes successful.

CC Antya 16.138, Translation:

“It is therefore to be understood that such an unfit person must have obtained the nectar of Kṛṣṇa's lips on the strength of some austerity.”

CC Antya 16.140, Translation:

“"My dear gopīs, what auspicious activities must the flute have performed to enjoy the nectar of Kṛṣṇa"s lips independently and leave only a taste for us gopīs, for whom that nectar is actually meant. The forefathers of the flute, the bamboo trees, shed tears of pleasure. His mother, the river on whose bank the bamboo was born, feels jubilation, and therefore her blooming lotus flowers are standing like hair on her body.’”

CC Antya 16.142, Translation:

“Some gopīs said to other gopīs, "Just see the astonishing pastimes of Kṛṣṇa, the son of Vrajendra! He will certainly marry all the gopīs of Vṛndāvana. Therefore, the gopīs know for certain that the nectar of Kṛṣṇa"s lips is their own property and cannot be enjoyed by anyone else.

CC Antya 16.144, Translation:

“"This flute is utterly unfit because it is merely a dead bamboo stick. Moreover, it belongs to the male sex. Yet this flute is always drinking the nectar of Kṛṣṇa"s lips, which surpasses nectarean sweetness of every description. Only by hoping for that nectar do the gopīs continue to live.

CC Antya 16.145, Translation:

“"Although the nectar of Kṛṣṇa"s lips is the absolute property of the gopīs, the flute, which is just an insignificant stick, is forcibly drinking that nectar and loudly inviting the gopīs to come drink it also. Just imagine the strength of the flute's austerities and good fortune! Even great devotees drink the nectar of Kṛṣṇa's lips after the flute has done so.

CC Antya 16.146, Translation:

“‘When Kṛṣṇa takes His bath in universally purifying rivers like the Yamunā and the Ganges of the celestial world, the great personalities of those rivers greedily and jubilantly drink the remnants of the nectarean juice from His lips.

CC Antya 16.147, Translation:

“"Aside from the rivers, the trees standing on the banks like great ascetics and engaging in welfare activities for all living entities drink the nectar of Kṛṣṇa"s lips by drawing water from the river with their roots. We cannot understand why they drink like that.

CC Antya 16.149, Translation:

“The gopīs considered, "The flute is completely unfit for his position. We want to know what kind of austerities the flute executed, so that we may also perform the same austerities. Although the flute is unfit, he is drinking the nectar of Kṛṣṇa"s lips. Seeing this, we qualified gopīs are dying of unhappiness. Therefore, we must consider the austerities the flute underwent in his past life.’”

CC Antya 19.107, Purport:

How has Kṛṣṇa offended the gopīs so that they want to reject Him from their minds? The answer is given as follows:

sakṛd adhara-sudhāṁ svāṁ mohinīṁ pāyayitvā

sumanasa iva sadyas tatyaje ‘smān bhavādṛk

paricarati kathaṁ tat-pāda-padmaṁ tu padmā

hy api bata hṛta-cetā uttama-śloka-jalpaiḥ

“Kṛṣṇa no longer gives us the enchanting nectar of His lips; instead, He now gives that nectar to the women of Mathurā. Kṛṣṇa directly attracts our minds, yet He resembles a bumblebee like you because He gives up the association of a beautiful flower and goes to a flower that is inferior. That is the way Kṛṣṇa has treated us. I do not know why the goddess of fortune continues to serve His lotus feet instead of leaving them aside. Apparently she believes in Kṛṣṇa's false words. We gopīs, however, are not unintelligent like Lakṣmī.”

CC Antya 20.130, Translation:

Also in that chapter, the glories of mahā-prasādam are explained, and a verse is tasted describing the effect of nectar from the lips of Kṛṣṇa.

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 28:

Because most people are fallen and because there is no time to elevate them by a gradual process, the best course, according to Lord Caitanya, is to let them remain in whatever condition they are in but to engage them in hearing of the activities of the Supreme Lord as those activities are explained in the Bhagavad-gītā and Śrīmad-Bhāgavatam. The transcendental messages of the scriptures should be heard from the lips of realized souls. In this way a person may continue to live in whatever condition he is in and still make spiritual progress. Thus one can surely advance and fully realize the Supreme Personality of Godhead.

Teachings of Lord Caitanya, Chapter 30:

When Lord Caitanya heard Rāmānanda Rāya speak of the loving affairs between Kṛṣṇa and Rādhārāṇī, He said, "Please go further. Go on and on." The Lord also said that He was enjoying with great relish the descriptions of the loving affairs between Kṛṣṇa and the gopīs. "It is as if a river of nectar is flowing from your lips," He said. Rāmānanda Rāya continued by saying that when Kṛṣṇa danced among the gopīs He thought, "I am not giving any special attention to Rādhārāṇī." Because among the other gopīs Rādhārāṇī was not so much an object of special love, Kṛṣṇa stole Her away from the arena of the rāsa dance and showed Her special favor.

Teachings of Lord Caitanya, Chapter 31:

Rādhārāṇī’s sense of hearing is eternally fixed on Kṛṣṇa's name and fame. Chewing betel nuts makes one's lips reddish. Similarly, Rādhārāṇī’s complete attachment to Kṛṣṇa has blackened the borders of Her eyes. This darkness might be compared to ointment produced by Rādhā’s joking with Kṛṣṇa.

Nectar of Devotion

Nectar of Devotion 12:

In the Padma Purāṇa also it is stated, "The chanting of the Hare Kṛṣṇa mantra is present only on the lips of a person who has for many births worshiped Vāsudeva." It is further said in the Padma Purāṇa, "There is no difference between the holy name of the Lord and the Lord Himself. As such, the holy name is as perfect as the Lord Himself in fullness, purity and eternity. The holy name is not a material sound vibration, nor has it any material contamination." The holy name cannot, therefore, be chanted offenselessly by one who has failed to purify his senses. In other words, materialistic senses cannot properly chant the holy names of the Hare Kṛṣṇa mahā-mantra. But by adopting this chanting process, one is given a chance to actually purify himself, so that he may very soon chant offenselessly.

Nectar of Devotion 18:

It is stated in the Vedic literature that to purchase the most valuable thing, Kṛṣṇa consciousness, one has to develop intense eagerness for achieving success. This intense eagerness is very nicely expressed by Bilvamaṅgala Ṭhākura in his book Kṛṣṇa-karṇāmṛta. He says, "I am eagerly waiting to see that boy of Vṛndāvana whose bodily beauty is captivating the whole universe, whose eyes are always bounded by black eyebrows and expanded like lotus petals, and who is always eagerly glancing over His devotees and therefore moving slightly here and there. His eyes are always moist, His lips are colored like copper, and through those lips there comes a sound vibration which drives one madder than a mad elephant. I want so much to see Him at Vṛndāvana!"

Nectar of Devotion 21:

He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious.

Nectar of Devotion 27:

When a devotee laughs very loudly like a madman, it is done out of an extraordinary agitation of ecstatic love within the heart. Such mad laughing is an expression of the condition of the heart which is technically called aṭṭa-hāsa. When a devotee becomes affected with this mental condition, his love is expressed through the lips. The laughing sounds, coming one after another, are compared to flowers falling from the creeper of devotion which grows within the heart of the devotee. In the Caitanya-caritāmṛta devotional service to the Lord is also compared to a creeper which rises up to the lotus feet of Kṛṣṇa in Goloka Vṛndāvana.

Nectar of Devotion 33:

There is a statement by Yāmunācārya to this effect: "Since I have begun to enjoy these transcendental exchanges of love, which are always newer and newer, whenever I remember the pleasure of past sex life, my lips curl and I wish to spit on the idea." This is an instance of ecstatic love in ghastliness.

Nectar of Devotion 40:

When this steady reverential devotion increases further, it is called love of Godhead in reverential devotion. Attraction and affection are two prominent symptoms of this stage. In this reverential devotional attitude, Pradyumna never talked to his father in a loud voice. In fact, he never so much as unlocked the lips of his mouth, nor did he ever show his face filled with tears. He would always glance only at the lotus feet of his father.

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Nectar of Devotion 45:

Sometimes there are indirect sarcastic remarks which also create atihasita circumstances. An example of one such remark is a statement which was made by one of the cowherd girls to Kuṭilā, the daughter of Jaṭilā and sister of Abhimanyu, the so-called husband of Rādhārāṇī. Indirectly Kuṭilā was insulted by the following statement: "My dear Kuṭilā, daughter of Jaṭilā, your breasts are as long as string beans—simply dry and long. Your nose is so gorgeous that it defies the beauty of the noses of frogs. And your eyes are more beautiful than the eyes of dogs. Your lips defy the flaming cinders of fire, and your abdomen is as beautiful as a big drum. Therefore, my dear beautiful Kuṭilā, you are the most beautiful of all the cowherd girls of Vṛndāvana, and because of your extraordinary beauty, I think you must be beyond the attraction of the sweet blowing of Kṛṣṇa's flute!"

Nectar of Devotion 47:

In such a transcendental angry mood sometimes sarcastic remarks, unfavorable glances and insulting words are exhibited. Sometimes there are other symptoms, like rubbing of the two hands, clacking of the teeth, clamping of the lips, moving of the eyebrows, scratching of the arms, lowering of the head, rapid breathing, uttering of strong words, nodding of the head, yellowishness at the corners of the eyes, and trembling lips. Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence. All these symptoms of anger may be divided into two parts: constitutional and unconstitutional, or permanent and temporary symptoms. Sometimes great emotion, bewilderment, pride, frustration, illusion, impotence, jealousy, dexterity, negligence and signs of hard labor are also manifest as unconstitutional symptoms.

Krsna, The Supreme Personality of Godhead

Krsna Book 5:

Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky. From the movement of the different kinds of ornaments on their bodies, they were looking still more beautiful. In this way, they all reached the house of Nanda-Yaśodā and blessed the child: "Dear child, You live long just to protect us." While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.

Krsna Book 9:

Mother Yaśodā took her son on her lap and pushed the nipple of her breast into His mouth, and while Kṛṣṇa was sucking the milk, she was smiling, enjoying the beauty of her child's face. Suddenly, the milk which was on the stove began to boil over. Just to stop the milk from spilling, Mother Yaśodā at once put Kṛṣṇa aside and went to the stove. Left in that state by His mother, Kṛṣṇa became very angry, and His lips and eyes became red in rage. He pressed His teeth and lips, and taking up a piece of stone, He immediately broke the butter pot. He took butter out of it, and with false tears in His eyes, He began to eat the butter in a secluded place.

Krsna Book 12:

The demon in the shape of a big fat serpent expanded his lips from land to sky; his lower lip was touching the ground, and his upper lip was touching the clouds. His jaws appeared like a big mountain cave, without limitation, and his teeth appeared just like mountain summits. His tongue appeared to be a broad traffic way, and he was breathing just like a hurricane. His eyes were blazing like fire. At first the boys thought that the demon was a statue, but after examining it they saw that it was a big serpent lying down on the road and widening his mouth. The boys began to talk among themselves: "Dear friends, this figure appears to be a great animal, and he is sitting in such a posture just to swallow us all. Just see—is it not a big snake that has widened his mouth to eat all of us?"

Krsna Book 12:

One of them said, “Yes, what you say is true. This animal's upper lip appears to be just like the sunshine, and its lower lip is just like the reflection of red sunshine on the ground. Dear friends, just look to the right- and left-hand side of the mouth of the animal. Its mouth appears to be like a big mountain cave, and its height cannot be estimated. The chin is also raised just like a mountain summit. That long highway appears to be its tongue, and inside the mouth it is as dark as in a mountain cave. The hot wind that is blowing like a hurricane is his breathing, and the fishy bad smell coming out from his mouth is the smell of his intestines.”

Krsna Book 16:

For two hours Kṛṣṇa remained like an ordinary child gripped in the coils of Kāliya, but when He saw that all the inhabitants of Gokula—including His mother and father, the gopīs, the boys and the cows—were just on the point of death and that they had no shelter for salvation from imminent death, Kṛṣṇa immediately freed Himself. He began to expand His body, and when the serpent tried to hold Him, he felt a great strain. On account of the strain, his coils slackened, and he had no alternative but to let loose the Personality of Godhead, Kṛṣṇa, from his grasp. Kāliya then became very angry, and his great hoods expanded. He exhaled poisonous fumes from his nostrils, his eyes blazed like fire, and flames issued from his mouth. The great serpent remained still for some time, looking at Kṛṣṇa. Licking his lips with bifurcated tongues, the serpent looked at Kṛṣṇa with double hoods, and his eyesight was full of poison. Kṛṣṇa immediately pounced upon him, just as Garuḍa swoops upon a snake. Thus attacked, Kāliya looked for an opportunity to bite Him, but Kṛṣṇa moved around him. As Kṛṣṇa and Kāliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably. Kṛṣṇa immediately pressed down the serpent's hoods and jumped up on them. The Lord's lotus feet became tinged with red from the rays of the jewels on the snake's hoods. Then He who is the original artist of all fine arts, such as dancing, began to dance upon the hoods of the serpent, although they were moving to and fro.

Krsna Book 21:

When the gopīs were describing the sweet vibration of Kṛṣṇa's flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibration. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.

Krsna Book 21:

One gopī told her friends, "How is it Kṛṣṇa and Balarāma are looking so beautiful?" Another gopī said, "My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?" Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa's lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”

Krsna Book 21:

The lakes and the rivers are considered to be the mothers of the trees because the trees live simply by drinking water. So the waters of the lakes and rivers of Vṛndāvana were in a happy mood, full of blooming lotus flowers, because the waters were thinking, “How is it that our son, the bamboo rod, is enjoying the nectar of Kṛṣṇa's lips?” The bamboo trees standing by the banks of the rivers and the lakes were also happy to see their descendant so engaged in the service of the Lord, just as persons who are advanced in transcendental knowledge take pleasure in seeing their descendants engage in the service of the Lord. The trees were overwhelmed with joy and were incessantly yielding honey, which flowed from the beehives hanging on their branches.

Krsna Book 29:

Śrīla Rūpa Gosvāmī has written a very nice verse wherein one gopī advises another, "My dear friend, if you desire to enjoy the company of material society, friendship and love, then please do not go to see that smiling boy Govinda who is standing on the bank of the Yamunā and playing His flute, His lips brightened by the beams of the full moonlight."

Krsna Book 29:

“Dear Kṛṣṇa, as women, we are certainly satisfied when our hearts are engaged in the activities of family affairs, but our hearts have already been stolen by You. We can no longer engage them in family affairs. Besides that, although You have repeatedly asked us to return home, and that is a very appropriate instruction, unfortunately we have been stunned here. Our legs have no power to move a step from Your lotus feet. Therefore, if even at Your request we return home, what shall we do there? We have lost all our ability to act without You. Instead of engaging our hearts in family affairs as women, we have now developed a different type of lust which is continually blazing in our hearts. Now we request You, dear Kṛṣṇa, to extinguish that fire with Your beautiful smile and the transcendental vibration emanating from Your lips. If You do not agree to do us this favor, we shall certainly be burned in the fire of separation. In that condition, we shall simply think of You and Your beautiful features and give up our bodies immediately. In that way we think it will be possible for us to reside at Your lotus feet in the next life. Dear Kṛṣṇa, if You say that if we go home our respective husbands will satisfy the lusty flame of our desire, we can only say that that is no longer possible. You have given us a chance to be enjoyed by You in the forest and have touched our breasts once in the past, which we accepted as a blessing, as do the goddesses of fortune, who are enjoyed in the Vaikuṇṭhalokas by You. Since we have tasted this transcendental enjoyment, we are no longer interested in going to anyone but You for the satisfaction of our lust. Dear Kṛṣṇa, the lotus feet of the goddess of fortune are always worshiped by the demigods. Although she is always resting on Your chest in the Vaikuṇṭha planets, she underwent great austerity and penance to have some shelter at Your lotus feet, which are always covered by tulasī leaves. Your lotus feet are the proper shelter of Your servitors, and the goddess of fortune, instead of abiding on Your chest, comes down and worships Your lotus feet. We have now placed ourselves under the dust of Your feet. Please do not reject us, for we are fully surrendered souls.

Krsna Book 39:

Akrūra saw Balarāma turned into Śeṣa Nāga and Kṛṣṇa turned into Mahā-Viṣṇu. He saw the four-handed Supreme Personality of Godhead, smiling very beautifully. The Lord was very pleasing to all and was looking toward everyone with a merciful glance. He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands. All in all, He was very beautiful to look at. Akrūra also saw His Lordship surrounded by intimate associates like the four Kumāras—Sanaka, Sanātana, Sananda and Sanat-kumāra—and other associates like Sunanda and Nanda, as well as demigods like Brahmā and Lord Śiva. The nine great learned sages were there, and also devotees like Prahlāda and Nārada and the eight Vasus. All were engaged in offering prayers to the Lord with clean hearts and pure words. After seeing the transcendental Personality of Godhead, Akrūra immediately became overwhelmed with joy and great devotion, and all over his body there was transcendental shivering. Although for the moment he was bewildered, he retained his clear consciousness and bowed down his head before the Lord. With folded hands and faltering voice, he began to offer prayers to the Lord.

Krsna Book 47:

She addressed the bumblebee, “Your master Kṛṣṇa is exactly of your quality. You sit down on a flower, and after tasting a little honey you immediately fly away and sit on another flower and taste. Similarly, only once did your master Kṛṣṇa give Me the chance to taste the touch of His lips, and then He left Me altogether. I know also that the goddess of fortune, Lakṣmī, who is always in the midst of the lotus flower, is constantly engaged in Kṛṣṇa's service. But I do not know how she has become so captivated by Kṛṣṇa and why she is so much attached to Kṛṣṇa, although she knows His actual character. Maybe she is so much captivated by Kṛṣṇa's sweet words that she cannot understand His real character. As far as We are concerned, We are more intelligent than the goddess of fortune. We are not going to be cheated anymore by Kṛṣṇa or His messengers.”

Krsna Book 53:

All the princes and visitors who came to Kuṇḍina for the marriage had assembled outside the temple to see Rukmiṇī. The princes were especially eager to see her because they all actually thought that they would have Rukmiṇī as their wife. Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings. The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets. Rukmiṇī’s breasts are described as being somewhat high, indicating that she was just a youth not more than thirteen or fourteen years old. Her beauty was specifically intended to attract the attention of Kṛṣṇa. Although the princes gazed upon her beautiful features, she was not at all proud. Her eyes moved restlessly, and when she smiled very simply, like an innocent girl, her teeth appeared just like jasmine buds. Expecting Kṛṣṇa to take her away at any moment, she proceeded slowly toward her home. Her legs moved just like a full-grown swan, and her ankle bells tinkled mildly.

Krsna Book 60:

“My dear daughter of King Vidarbha, My dear Rukmiṇī, please do not misunderstand Me. Don’t be unkind to Me like this. I know that you are sincerely and seriously attached to Me; you are My eternal companion. The words which have affected you so much are not factual. I wanted to irritate you a bit, and I was expecting you to make counteranswers to those joking words. Unfortunately, you have taken them seriously; I am very sorry for it. I expected that your red lips would tremble in anger when you heard My statement and that you would chastise Me with many words. O perfection of love, I never expected that your condition would be like this. I expected that you would cast your unblinking glance upon Me in retaliation and that I would thus be able to see your beautiful face in that angry mood.

Krsna Book 62:

Bāṇāsura saw his daughter and Aniruddha as a suitable match, yet for family prestige he did not like the combination at all. Bāṇāsura could not understand who the boy actually was. He appreciated the fact that Ūṣā could not have selected anyone in the three worlds more beautiful. Aniruddha's complexion was brilliant and swarthy. He was dressed in yellow garments and had eyes just like lotus petals. His arms were very long, and he had nice, curling, bluish hair. The glaring rays of his glittering earrings and the beautiful smile on his lips were certainly captivating. Still, Bāṇāsura was very angry.

Krsna Book 66:

When Sudakṣiṇa was encouraged by Lord Śiva in that way, he was sure that he would be able to kill Kṛṣṇa. With a determined vow of austerity, he began to execute the black art of chanting mantras, assisted by the priests. After this, out of the fire came a great demoniac form, whose hair, beard and mustache were exactly the color of hot copper. This form was very big and fierce. As the demon arose from the fire, cinders of fire emanated from the sockets of his eyes. The giant fiery demon appeared still more fierce due to the movements of his eyebrows. He exhibited long, sharp teeth and, sticking out his long tongue, licked his upper and lower lips. He was naked, and he carried a big trident, blazing like fire. After appearing from the fire of sacrifice, he stood wielding the trident in his hand. Instigated by Sudakṣiṇa, the demon proceeded toward the capital city, Dvārakā, with many hundreds of ghostly companions, and it appeared that he was going to burn all outer space to ashes.

Renunciation Through Wisdom

Renunciation Through Wisdom 4.2:

The main instruction in the Bhagavad-gītā is to take complete shelter of Lord Kṛṣṇa. Yet this cardinal conclusion, which emanated from Lord Kṛṣṇa's own lotus lips, is reversed by Dr. Radhakrishnan when he writes that one should surrender not to the person Kṛṣṇa but to the "Unborn, Beginningless, Eternal who speaks through Kṛṣṇa." It is an exercise in futility to take up the Gītā for discussion only in order to ostentatiously display one's erudition, and thus to foolishly misinterpret the text so much that one concludes that the speaker of the Bhagavad-gītā, Lord Kṛṣṇa, is a mere mortal. This use of Vedic knowledge to pronounce that God does not exist is a clear example of serving Kṛṣṇa unfavorably.

Message of Godhead

Message of Godhead 1:

So Marshal Arjuna pretended to display weakness, placing himself in the category of ordinary people who are illusioned in the material world. And by this action of his, Marshal Arjuna helped in the manifestation of Bhagavad-gītā from the transcendental lips of the Personality of Godhead. Whenever the Personality of Godhead descends to this mortal world, He is accompanied by His confidential servants. Marshal Arjuna is the eternal, confidential servant of the Personality of Godhead, Śrī Kṛṣṇa, and thus the philosophy of Bhagavad-gītā was taught to him directly for the benefit of the people in general.

Sri Isopanisad

Sri Isopanisad Introduction:

Originally there was only one Veda, and there was no necessity of reading it. People were so intelligent and had such sharp memories that by once hearing from the lips of the spiritual master they would understand. They would immediately grasp the whole purport. But five thousand years ago Vyāsadeva put the Vedas in writing for the people in this age, Kali-yuga. He knew that eventually the people would be short-lived, their memories would be very poor, and their intelligence would not be very sharp. "Therefore, let me teach this Vedic knowledge in writing." He divided the Vedas into four: Ṛg, Sāma, Atharva and Yajur.

Mukunda-mala-stotra (mantras 1 to 6 only)

Mukunda-mala-stotra mantra 2, Purport:

The present verse of the Mukunda-mālā-stotra states that the color of the Lord's body is blackish, like that of a new cloud. Also, His body is very soft. Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.