Śrīla Rūpa Gosvāmī, the younger brother of Sanātana Gosvāmī, went to Prayāga, the modern city of Allahabad, with his younger brother Vallabha. When the two brothers heard that Lord Śrī Caitanya Mahāprabhu was staying there, they both became very happy and went to see the Lord. At that time the Lord was on His way to visit the temple Bindumādhava. On the way to the temple, the Lord was chanting and dancing, and thousands of people were following Him. Some of these people were crying, and some were laughing. Some were dancing, and some were singing, and some were falling on the ground, offering obeisances to the Lord. In all cases, all of them were roaring the holy name of Kṛṣṇa. It is said that in spite of being at the confluence of the rivers Ganges and Yamunā, Prayāga was never flooded until the appearance of Caitanya Mahāprabhu, at which time the city was overflooded by love of Kṛṣṇa.
Laughter (Other Books)
Expressions researched:
"laugh"
|"laughable"
|"laughed"
|"laugher"
|"laughing"
|"laughingly"
|"laughingstock"
|"laughs"
|"laughter"
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
The highest stage of ecstasy is characterized by the following thirteen transcendental activities: (1) dancing, (2) rolling on the floor, (3) singing, (4) clapping, (5) stretching the body, (6) thundering, (7) yawning, (8) breathing heavily, (9) forgetting social conventions, (10) drooling, (11) laughing, (12) shaking the head, and (13) hiccoughing. All these symptoms are not awakened simultaneously; they appear according to the exchange of transcendental mellows. Sometimes one symptom is prominent, and at another time another is prominent.
The third stage in the development of transcendental love is called sakhya-rati. In this stage one associates with the Supreme as a friend on an equal level, with love and respect. As this stage is further developed, there is joking and such relaxed exchanges as laughing. On this level there are fraternal exchanges with the Personality of Godhead, and one is free from all bondage. At this stage one forgets his inferior position as a living entity, but at the same time he has the greatest respect for the Supreme Person.
Besides these five primary rasas there are seven secondary rasas, which consist of laughing, wonder, chivalry, pity, anger, ghastliness and devastation. For example, Bhīṣma related to Kṛṣṇa as a warrior in the chivalrous rasa. Hiraṇyakaśipu, however, experienced an exchange of the ghastly and devastating rasas. The five primary rasas constantly remain within the heart of the pure devotee, and the seven secondary rasas sometimes appear and disappear to enrich the flavors and tastes of the primary ones. After enriching the primary rasas, they disappear.
When a person engaged in devotional service in love of God sings the glories of the Supreme Lord, his heart melts. Because the Lord is very dear to him, when he glorifies the Lord's name, fame and so on, he becomes almost like an insane man, and in that condition he sometimes laughs, sometimes cries and sometimes dances. He continues in this way without even considering his situation. By gradually developing his love of Godhead, he increases his affection, his emotion and his ecstasy. The culmination of such attachment is mahābhāva, the highest stage of devotional love. It may be likened to rock candy, which is the most concentrated form of sugar. As it is concentrated, sugar cane juice goes through different stages—molasses, sugar, sugar candy—but the final and most palatable state is rock candy. Similarly, love of Godhead can gradually develop in such a way that transcendental pleasure is increased to the highest stage for the real devotee.
According to the various divisions and gradations of devotees, permanent devotional attitudes can be divided into five categories: (1) peacefulness, (2) service to Kṛṣṇa, (3) friendship with Kṛṣṇa, (4) parental affection toward Kṛṣṇa, and (5) conjugal love for Kṛṣṇa. Each division has its own taste and relish, and a devotee situated in a particular division is happy in that position. Characteristic symptoms exhibited by a pure devotee are generally laughing and crying; when emotions are favorable, a pure devotee laughs, and when emotions are not favorable, he cries.
The external features exhibited on the bodies of devotees are called udbhāsvara. The vyabhicārī symptoms are thirty-three in number, and they primarily involve words uttered by the devotee and various bodily features. Different bodily features—such as dancing, trembling and laughing—sometimes mix with the vyabhicārī symptoms, which are also called sañcārī. When bhāva, anubhāva and vyabhicārī symptoms are combined, they make the devotee dive into the ocean of immortality. That ocean is called the bhakti-rasāmṛta-sindhu, the ocean of the pure nectar of devotional service, and one who is merged in that ocean is always rapt in transcendental pleasure on the waves and sounds of that ocean.
Lord Caitanya then told Prakāśānanda Sarasvatī that because He received the order from His spiritual master He was constantly chanting Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. "As a result of this chanting," the Lord said, "I sometimes become very impatient and cannot restrain Myself from dancing and laughing or crying and singing. Indeed, I become just like a madman. When I first wondered whether I had become mad by chanting this Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, I approached My spiritual master and informed him that I had gone mad by chanting Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. Thus I asked him what was My actual position."
When the devotee is perfectly qualified in chanting the transcendental vibration of the holy name, he is quite fit to become a spiritual master and to deliver all the people of the world. The chanting of the holy name is so powerful that it gradually establishes its supremacy above everything in the world. The devotee who chants it becomes transcendentally situated in ecstasy and sometimes laughs, cries and dances in his ecstasy. Sometimes the unintelligent put hindrances in the path of the chanting of the Hare Kṛṣṇa mahā-mantra, but one who is situated on the platform of love of Godhead continues to chant the holy name loudly for the benefit of all concerned. As a result, everyone becomes initiated into the chanting of the holy names—Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. By chanting and hearing the holy names of Kṛṣṇa, a person can remember the forms and qualities of Kṛṣṇa.
Lord Caitanya next explained that His spiritual master had confirmed the validity of the ecstasy He had felt from chanting the holy name of God, and he had also confirmed that the essence of all Vedic literature is the attainment of love of Godhead. Lord Caitanya's spiritual master had said that the Lord was fortunate to have attained love of Godhead. The heart of one who attains such transcendental love becomes very anxious to attain direct contact with the Lord. Feeling such transcendental sentiment, one sometimes laughs, sometimes cries, sometimes sings, sometimes dances like a madman, and sometimes runs hither and thither. In this way there are various ecstatic symptoms manifest: crying, changing bodily color, madness, bereavement, silence, pride, ecstasy and gentleness. Often the person who has attained love of God dances, and such dancing places him in the ocean of the nectar of love of Kṛṣṇa.
"A person who constantly engages in devotional service to Kṛṣṇa by chanting His holy name becomes so transcendentally attached to the chanting that his heart becomes softened without extraneous endeavor. When this happens, he exhibits transcendental ecstasies by sometimes laughing, sometimes crying, sometimes singing and sometimes dancing—not exactly in an artistic way, but just like a madman."
"When pure devotees discuss subjects dealing with the Supreme Lord, who can cleanse all kinds of sinful reactions from the heart of His devotee, they become overwhelmed with ecstasy and display different symptoms due to their devotional service." The Bhāgavatam (11.2.40) also states: “When pure devotees chant the Lord's holy name, due to their spontaneous attachment for the Lord they sometimes cry, sometimes laugh, sometimes dance, sometimes sing and so on, not caring for any social convention.”
"Despite this reading," Sārvabhauma Bhaṭṭācārya replied, "I prefer bhakti-pade to mukti-pade. Although according to You there are two meanings to the word mukti-pade, still, because this word is ambiguous, I prefer bhakti-pade to mukti-pade because when one hears the word mukti he immediately thinks of becoming one with the Supreme. I therefore even hate to utter the word mukti. But I am very enthusiastic to speak of bhakti."
At this, Lord Caitanya laughed very loudly and embraced the Bhaṭṭācārya with great love.
"Please rest assured that I have nothing to hide from you," Lord Caitanya told Rāmānanda. “Even if I do try to hide something from you, you are such an advanced devotee that you can understand all My secrets. I request that you please keep them secret and do not disclose them to anyone. If they were revealed, everyone would consider Me a madman. The facts I have disclosed to you cannot be understood by materialistic people. Were they to hear of them, they would simply laugh at Me. But you can understand these secrets; please keep them to yourself. From a materialistic point of view, a devotee in the ecstasy of love for Kṛṣṇa is mad. Both you and I are thus just like madmen. So please don’t disclose these facts to ordinary men. If you do, they will surely laugh at Me.”
Nectar of Devotion
In this connection, in the Third Canto of Śrīmad-Bhāgavatam, Chapter Twenty-five, verse 36, Kapiladeva has advised His mother, Devahūti, as follows: "My dear mother, My pure devotees are charmed by seeing My different forms, the beauty of My face, the structure of My body so enchanting. My laughing, My pastimes and My glance appear to them so beautiful that their minds are always absorbed in thoughts of Me and their lives are dedicated fully unto Me. Although such people do not desire any kind of liberation or any kind of material happiness, still I give them a place among My associates in the supreme abode."
There is a statement in Govinda-vilāsa to this effect: "Śrīmatī Rādhārāṇī was looking for Kṛṣṇa very anxiously and almost disappointedly." When there is such an indirect expression of conjugal love, there is smiling, astonishment, enthusiasm, lamentation, anger, dread and sometimes ghastliness. These seven exchanges of conjugal love form another state of ecstatic love.
In a direct relationship of conjugal love, there is laughter, astonishment, chivalry, lamentation, anger and dread, but there is no ghastliness. These expressions are considered to be great reservoirs of pleasure. When these seven kinds of ecstatic loving exchanges are manifested, they attain the status of steadiness by which the taste of conjugal love expands.
The bodily symptoms manifested by a devotee in expressing ecstatic love for Kṛṣṇa are called anubhāva. Practical examples of anubhāva are as follows: dancing, rolling on the ground, singing very loudly, stretching the body, crying loudly, yawning, breathing very heavily, neglecting the presence of others, drooling, laughing like a madman, wheeling the head and belching. When there is an extraordinary excess of ecstatic love, with all of these bodily symptoms manifested, one feels relieved transcendentally.
When a devotee laughs very loudly like a madman, it is done out of an extraordinary agitation of ecstatic love within the heart. Such mad laughing is an expression of the condition of the heart which is technically called aṭṭa-hāsa. When a devotee becomes affected with this mental condition, his love is expressed through the lips. The laughing sounds, coming one after another, are compared to flowers falling from the creeper of devotion which grows within the heart of the devotee. In the Caitanya-caritāmṛta devotional service to the Lord is also compared to a creeper which rises up to the lotus feet of Kṛṣṇa in Goloka Vṛndāvana.
When Uddhava was describing Kṛṣṇa's pastimes to Vidura, he said, "One day the gopīs became stunned when Kṛṣṇa, in the dress of a gardening maid, entered the greenhouse and enlivened them with joking and laughter. Then when Kṛṣṇa left the greenhouse, the gopīs were seeing Kṛṣṇa so ecstatically that it was as though both their minds and eyes were following Him." These symptoms signify that although the gopīs' business was not finished, they had become stunned with ecstatic love.
When one becomes arrogant with false prestige due to drinking intoxicants or being too lustful, the voice becomes faulty, the eyes become swollen, and there are symptoms of redness on the body. There is a statement in the Lalita-mādhava that Lord Baladeva, intoxicated from drinking excessive quantities of honey, once began to address the ants, "O you kings of the ants! Why are you hiding yourselves in these holes?" At the same time He also addressed the King of heaven, "O King Indra! You plaything of Śacī! Why are you laughing? I am now prepared to smash the whole universe, and I know that Kṛṣṇa will not be angry with Me."* Then He addressed Kṛṣṇa, "My dear Kṛṣṇa, tell Me immediately why the whole world is trembling and why the moon has become elongated! And O you members of the Yadu dynasty, why are you laughing at Me? Please give Me back My liquors made of honey from the kadamba flower!" Śrīla Rūpa Gosvāmī prays that Lord Balarāma will be pleased with all of us while He is thus talking just like an intoxicated person.
In this state of intoxication, Balarāma felt tired and lay down for rest. Generally, those who are exalted personalities lie down when they feel intoxicated, whereas those who are mediocre laugh and sing during intoxication, and those who are lowly use vulgar language and sometimes cry. Such intoxication is manifested according to different ages and mentalities. Śrīla Rūpa Gosvāmī does not describe further in this direction because there is no necessity for such a discussion.
There is another description of the symptoms of intoxication in the person of Śrī Rādhārāṇī after She saw Kṛṣṇa. Sometimes She was walking hither and thither, sometimes She was laughing, sometimes She was covering Her face, sometimes She was talking without any meaning, and sometimes She was praying to Her associate gopīs. Seeing these symptoms in Rādhārāṇī, the gopīs began to talk among themselves: "Just see how Rādhārāṇī has become intoxicated simply by seeing Kṛṣṇa before Her!" This is an instance of ecstatic love in intoxication.
Once Lord Baladeva began to talk in His sleep as follows:"O lotus-eyed Kṛṣṇa, Your childhood adventures are manifest simply according to Your own will. Therefore, please immediately dispose of the stubborn pride of this Kāliya serpent." By saying this, Lord Baladeva astonished the assembly of the Yadus and made them laugh for some time. Then, yawning so hard as to make ripples on His abdomen, Lord Baladeva, the bearer of the plow, returned to His deep sleep. This is an instance of sleepiness in ecstatic love.
As far as friendship is concerned, those high-grade devotees who are almost like Kṛṣṇa are considered to be great authorities in the modes of friendly relations with the Supreme Personality of Godhead. On that friendly platform there are different kinds of laughing and joking conversations. An example of such a friendly relationship with Kṛṣṇa is described in Śrīmad-Bhāgavatam when Kṛṣṇa was once thinking, "Today, while I was engaged in tending the cows in the pasturing ground of Vṛndāvana, I went to collect some flowers in a beautiful garden. At that time My friends, the cowherd boys, were unhappy even to tolerate a two-minute separation from Me. And when they found Me, there was competition between us as to who would touch the other first with the flowers we had in hand."
After He had stolen some yogurt from the pots of two gopīs, Kṛṣṇa told one of His gopī friends, "My dear beautiful friend, I can take oath that I have not stolen even a drop of yogurt from your pot! But still your friend Rādhārāṇī is very shamelessly smelling the flavor of My mouth. Kindly forbid Her from this devious policy of putting Her face near Mine." When Kṛṣṇa was speaking like this, the friends of Rādhārāṇī could not check their laughter. This is an instance of laughter in ecstatic love.
Transcendental pleasure derived from devotional service can be divided into two groups: direct devotional service and indirect devotional service. Direct devotional service is divided into five transcendental humors or flavors, and indirect devotional service is divided into seven transcendental humors. Direct devotional services are as follows: neutrality, servitude, fraternity, paternity and conjugal love. Indirect devotional service is divided into laughter, compassion, anger, chivalry, dread, astonishment and ghastliness. Devotional service can therefore be divided into twelve types, each of which has a different color. The colors are white, multicolored, orange, red, light green, gray, yellow, off-whitish, smoky, pink, black and cloudy. The twelve different kinds of transcendental humors are controlled by different incarnations of God, such as Kapila, Mādhava, Upendra, Nṛsiṁha, Nanda-nandana, Balarāma, Kūrma, Kalki, Rāghava, Bhārgava, Varāha and Matsya.
Then Jāmbavatī inquired, "Who is the person offering prayers?"
Kālindī replied, "He is Lord Brahmā."
Jāmbavatī then asked, "Who is that person who has fallen on the ground and is offering respect to Kṛṣṇa?"
Kālindī replied, "He is Indra, the King of heaven."
Jāmbavatī next inquired, "Who is this person who has come with the demigods and is laughing with them?"
Kālindī replied, "He is my elder brother, Yamarāja, the superintendent of death."
This conversation offers a description of all the demigods, including Yamarāja, who are engaged in services appointed by the Lord. They are called adhikṛta-devatā, or demigods appointed to particular types of departmental service.
In Śrīmad-Bhāgavatam, Seventh Canto, Fourth Chapter, verse 40, Prahlāda Mahārāja says that even in his childhood, when he was loudly speaking the glories of the Lord, he used to dance just like a shameless madman. And sometimes, being fully absorbed in thought on the pastimes of the Lord, he used to imitate such pastimes. This is an instance of a devotee's being almost like a madman. Similarly, it is said that the great sage Nārada was so ecstatically in love with Kṛṣṇa that he would sometimes dance naked, and sometimes his whole body would become stunned. Sometimes he would laugh very loudly, sometimes he would cry very loudly, sometimes he would remain silent, and sometimes he would appear to be suffering from some disease, although he had no disease. This is another instance of becoming like a madman in the ecstasy of devotion.
In the Eleventh Canto of Śrīmad-Bhāgavatam, Third Chapter, verse 32, it is stated that when devotees are engaged in the discharge of bhakti-yoga, sometimes they cry from thinking of Kṛṣṇa, sometimes they laugh, sometimes they become jubilant, and sometimes they talk in very uncommon ways. Sometimes they dance, sometimes they sing, sometimes they are actually engaged in the service of the Lord, and sometimes they sit down silently as if absorbed in trance.
Sometimes the behavior of Kṛṣṇa's sons appears similar to the behavior of His personal servants. For example, the sons used to offer their obeisances, they were silent, submissive and gentle, and they were always ready to carry out Kṛṣṇa's orders, even at the risk of life. When present before Kṛṣṇa, they bowed down on the ground. They were very silent and steady, and they used to restrain coughing and laughing before the Lord. Also, they never discussed Kṛṣṇa's pastimes in conjugal love. In other words, devotees who are engaged in reverential devotional service should not discuss the conjugal love affairs of Kṛṣṇa. No one should claim his eternal relationship with Kṛṣṇa unless he is liberated. In the conditioned state of life, the devotees have to execute the prescribed duties as recommended in the codes of devotional service.
All of these sakhā friends of Kṛṣṇa seek only to serve Him. Sometimes some of them would rise early in the morning and immediately go to Kṛṣṇa's place and wait at the door to see Kṛṣṇa and to accompany Him to the pasturing grounds. In the meantime, Kṛṣṇa would be dressed by mother Yaśodā, and when she would see a boy standing at the door, she would call him, "Well, Viśāla, why are you standing there? Come here!" So with the permission of mother Yaśodā, he would immediately enter the house. And while mother Yaśodā was dressing Kṛṣṇa, he would try to help put on Kṛṣṇa's ankle bells, and Kṛṣṇa would jokingly strike him with His flute. Then mother Yaśodā would call, "Kṛṣṇa, what is this? Why are You teasing Your friend?" And Kṛṣṇa would laugh, and the friend would also laugh. These are some of the activities of Kṛṣṇa's sakhās. Sometimes the sakhās would take care of the cows who were going hither and thither. They would tell Kṛṣṇa, "Your cows were going off here and there," and Kṛṣṇa would thank them.
There is also an example of madness caused by separation from Kṛṣṇa. When Kṛṣṇa was absent from Vṛndāvana, all the cowherd boys became bewildered, and having given up all kinds of activities, they appeared to be mad and forgot all their regular business. They were sometimes lying down on the ground, sometimes rolling in the dust, sometimes laughing and sometimes running very swiftly. All of these symptoms gave them the appearance of madmen. One friend of Kṛṣṇa's criticized Him by saying, "My dear Lord, You have become the King of Mathurā after killing Kaṁsa, and that is very good news for us. But at Vṛndāvana all the residents have become blind from their continuous crying over Your absence. They are full only of anxieties and are not cheered at all by Your becoming the King of Mathurā."
In the Padyāvalī of Rūpa Gosvāmī it is stated that when the gopīs hear the sound of Kṛṣṇa's flute, they immediately forget all rebukes offered by the elderly members of their families. They forget their defamation and the harsh behavior of their husbands. Their only thought is to go out in search of Kṛṣṇa. When the gopīs meet Kṛṣṇa, the display of their exchanging glances as well as their joking and laughing behavior is called anubhāva, or subecstasy in conjugal love.
In the fourth division of Bhakti-rasāmṛta-sindhu, Śrīla Rūpa Gosvāmī has described seven kinds of indirect ecstasies of devotional service, known as laughing, astonishment, chivalry, compassion, anger, dread and ghastliness. In this portion, Śrīla Rūpa Gosvāmī further describes these ecstasies of devotional feelings, some being compatible and others incompatible with one another. When one kind of ecstatic devotional service overlaps with another in a conflicting way, this state of affairs is called rasābhāsa, or a perverted presentation of mellows.
Expert learned scholars say that laughing is generally found among youngsters or in the combination of old persons and young children. This ecstatic loving laughing is sometimes also found in persons who are very grave by nature. Once an old mendicant approached the door of mother Yaśodā's house, and Kṛṣṇa told Yaśodā, "My dear mother, I don't wish to go near this skinny villain. If I go there, he might put Me within his begging bag and take Me away from you!" In this way, the wonderful child, Kṛṣṇa, began to look at His mother, while the mendicant, who was standing in the door, tried to hide his smiling face, although he could not do so. He immediately expressed his smiling. In this instance, Kṛṣṇa Himself is the object of laughing affairs.
Once a palmist came to the house of Nanda Mahārāja, and Nanda Mahārāja asked him, "My dear sage, will you kindly check the hand of my child, Kṛṣṇa? Tell me how many years He will live and whether He will become the master of thousands of cows." Upon hearing this, the palmist began to smile, and Nanda Mahārāja asked him, "My dear sir, why are you laughing, and why are you covering your face?"
In such a laughing ecstasy of love, Kṛṣṇa or matters pertaining to Kṛṣṇa are the cause of the laughter. In such laughing devotional service, there are symptoms of jubilation, laziness, concealed feelings and similar other seemingly disturbing elements.
According to Śrīla Rūpa Gosvāmī's calculation, laughter in ecstatic love can be broken down into six divisions. These divisions, according to different degrees of smiling, are called in the Sanskrit language smita, hasita, vihasita, avahasita, apahasita and atihasita. These six classes of smiling can be classified as major and minor. The major division includes smita, hasita and vihasita smiling, and the minor division includes avahasita, apahasita and atihasita smiling.
When a smiling person claps his hands and leaps in the air, the smiling expression changes into atihasita, or overwhelming laughter. An example of atihasita was manifested in the following incident. Kṛṣṇa once addressed Jaratī thus: "My dear good woman, the skin of your face is now slackened, and so your face exactly resembles a monkey's. As such, the King of the monkeys, Balīmukha, has selected you as his worthy wife." While Kṛṣṇa was teasing Jaratī in this way, she replied that she was certainly aware of the fact that the King of the monkeys was trying to marry her, but she had already taken shelter of Kṛṣṇa, the killer of many powerful demons, and therefore she had already decided to marry Kṛṣṇa instead of the King of the monkeys. On hearing this sarcastic reply by the talkative Jaratī, all the cowherd girls present there began to laugh very loudly and clap their hands. This laughter, accompanied by the clapping of hands, is called atihasita.
With the ecstasy of fraternal love a mixture of conjugal love, laughter or chivalry is highly compatible. With the same fraternal love, a mixture of dread or parental love is most incompatible.
Although there are gulfs of differences between them, with the ecstasy of parental affection a mixture of laughter, compassion or dread is compatible.
With the ecstasy of parental love a mixture of conjugal love, chivalry or anger is incompatible.
With the ecstasy of devotion in conjugal love a mixture of laughter or fraternity is compatible.
According to certain expert opinions, in the ecstasy of conjugal love the feelings of chivalry known as yuddha-vīra and dharma-vīra are the only compatible additions. According to this view, except for these two humors, all other manifestations are taken as incompatible with conjugal love.
With the ecstasy of devotional laughter a mixture of dread, conjugal love or parental love is compatible, whereas a mixture of compassion or ghastliness is incompatible.
With the ecstasy of devotion in astonishment a mixture of chivalry or neutral love is compatible, whereas a mixture of anger or dread is always incompatible.
With the ecstasy of devotional chivalry a mixture of astonishment, laughter or servitude is compatible, whereas a mixture of dread or conjugal love is incompatible. According to some expert opinions, the ecstasy of neutral love is always compatible with devotional service in chivalry.
With the ecstasy of compassion in devotional service a mixture of anger or parental love is compatible, whereas a mixture of laughter, conjugal love or astonishment is always incompatible.
With the ecstasy of anger in devotional service a mixture of compassion or chivalry is compatible, whereas a mixture of laughter, conjugal union or dread is completely incompatible.
With the ecstasy of dread in devotional service a mixture of ghastliness or compassion is compatible.
With the ecstasy of chivalry in devotional service a mixture of conjugal union, laughter or anger is always incompatible.
In the ecstasy of ghastliness in devotional service, feelings of neutral love, laughter or servitude are compatible, whereas feelings of conjugal union and fraternity are incompatible.
The following statement was made by Kṛṣṇa to the gopīs: "My dear enchanted, don't gaze at Me with longing eyes like this. Be satisfied and return to your homes in Vṛndāvana. There is no necessity of your presence here." While Kṛṣṇa was joking in this way with the damsels of Vraja, who with great hope had come to enjoy the rāsa dance with Him, Subala was also on the scene, and he began to look at Kṛṣṇa with wide and laughing eyes. Subala's feeling contained a mixture of fraternity and laughter in devotional service. Fraternity is considered here to be the whole, and the laughter is considered the part.
The following example contains a mixture of ecstatic fraternity and laughter, taken respectively as the whole and part. When Kṛṣṇa saw that Subala, in the dress of Rādhārāṇī, was silently hiding under the shade of a beautiful aśoka tree on the bank of the Yamunā, He immediately arose from His seat in surprise. Upon seeing Kṛṣṇa, Subala tried to hide his laughter by covering his cheeks.
There is also an example of a mixture of parental love and compassion in devotional service. When mother Yaśodā was thinking that her son was walking in the forest without any umbrella or shoes, she became greatly perturbed to think of how much difficulty Kṛṣṇa must have been feeling. In this example the whole is the parental love, and the part is compassion.
There is the following example of a mixture of parental love and laughter. A friend of mother Yaśodā told her, "My dear Yaśodā, your son has very cunningly stolen a lump of butter from my home. And to make me blame my own son for His mischief, He has smeared some of the butter on my son's face while he was sleeping!" Upon hearing this, mother Yaśodā shook her curved eyebrows. She could only look at her friend with a smiling face. May mother Yaśodā bless everyone with this smiling attitude. In this example the whole is the parental love, and the part is the laughter.
There is an example of a mixture of several humors with devotional service as follows. When Kṛṣṇa was holding up Govardhana Hill with His left hand, His hair became scattered all over His shoulders, and He appeared to be perspiring. When mother Yaśodā saw this scene, she began to tremble. Then, as she stared at the scene with broadened eyes, she saw Kṛṣṇa begin to exhibit varieties of facial caricatures. Mother Yaśodā then became very happy and began to smile. Then again, when she thought that Kṛṣṇa was holding up the hill for such an extremely long time, her clothes became soaked with perspiration. May mother Yaśodā Vrajeśvarī protect the whole universe by her infinite mercy! In this example, the whole is parental love, and the parts are dread, wonder, laughter, compassion, etc.
The following is an example of a mixture of conjugal love and laughter in devotional service. Kṛṣṇa, in the dress of a young girl, told Rādhārāṇī, "Oh, You hardhearted girl! Don't You know that I am Your sister? Why are You unable to recognize Me? Be merciful upon Me and please capture My shoulders and embrace Me with love!" While Kṛṣṇa was dressed up exactly like Rādhārāṇī, He was speaking these nice words, and Śrīmatī Rādhārāṇī could understand His purpose. But because She was in front of many of Her superiors, She simply smiled and did not say anything. In this instance, the ecstasy of conjugal love is taken as the whole, and the ecstasy of laughter is taken as the part.
When Kubjā caught hold of Kṛṣṇa's yellow garment because she was feeling almost lusty with sex urge, Kṛṣṇa simply bowed down His head with His cheeks glowing in front of the many people who were standing there and laughing. This is an example of a mixture of ecstatic conjugal love and laughter. The laughter is taken as the whole, and the conjugal love is taken as the part.
There are many other instances of contradictory mellows where there is no perverted experience of rasābhāsa. Once some minor demigod of the heavenly planets remarked, "Kṛṣṇa, whose joking words were once the source of so much laughter for the residents of Vraja, has now been attacked by the serpent king, Kāliya, and He has become the object of everyone's overwhelming lamentation!" In this instance there is a mixture of laughter and compassion, but there is no incompatibility, because by both of these rasas the loving affection for Kṛṣṇa is increased.
When Kṛṣṇa was fleeing from the battlefield, from a distant place Jarāsandha was watching Him with restless eyes and was feeling very proud. Being thus puffed up with his conquest, he was repeatedly laughing. This is an example of aparasa.
Everything in connection with Kṛṣṇa is called ecstatic devotional love, although it may be exhibited in different ways: sometimes in right order and sometimes as a perverted reflection. According to the opinion of all expert devotees, anything that will arouse ecstatic love for Kṛṣṇa is to be taken as an impetus for transcendental mellow.
Easy Journey to Other Planets
The different deities, or powerful directing officers, are appointed to act in the administration of cosmic activities. Foolish people who are unable to see the intricacies of cosmic management laugh at the idea of personal management of fire, air, electricity, days, nights, etc., by demigods. But the perfect yogīs know how to satisfy these unseen administrators of material affairs and, taking advantage of the good will of these administrators, leave their material bodies at will during opportune moments arranged for entrance into the anti-material universe or into the highest planets of the material sky. In the higher planets of the material world, the yogīs can enjoy more comfortable and more pleasant lives for hundreds of thousands of years, but life in those higher planets is not eternal. Those who desire eternal life enter into the anti-material universe through mystic powers at certain opportune moments created by the demigod-administrators of cosmic affairs, administrators unseen by the gross materialists who reside on this seventh-class planet called "Earth."
Krsna, The Supreme Personality of Godhead
Sometimes They would fall into the clay and mud of Vṛndāvana and would approach Their mothers smeared with clay and saffron. They were actually smeared with saffron and sandalwood pulp by Their mothers, but due to crawling over muddy clay, They would simultaneously smear Their bodies with clay. As soon as They would come crawling to Their mothers, Yaśodā and Rohiṇī would take Them on their laps and, covering Them with the lower portion of their saris, allow Them to suck their breasts. When the babies were sucking their breasts, the mothers would see small teeth coming in. Thus their joy would be intensified to see their children grow. Sometimes the naughty babies would crawl up to the cowshed, catch the tail of a calf and stand up. The calves, being disturbed, would immediately begin running here and there, and the children would be dragged over clay and cow dung. To see this fun, Yaśodā and Rohiṇī would call all their neighborhood friends, the gopīs. Upon seeing these childhood pastimes of Lord Kṛṣṇa, the gopīs would be merged in transcendental bliss. In their enjoyment they would laugh very loudly.
The boys collected flowers, leaves of flowers and the bark of trees and placed their lunch on them, as well as in their boxes, and thus they began to eat their lunch, keeping company with Kṛṣṇa. While taking lunch, each boy began to manifest different kinds of relations with Kṛṣṇa, and they enjoyed each other's company with joking words. While Lord Kṛṣṇa was thus enjoying lunch with His friends, His flute was pushed within the belt of His cloth on His right side, and His bugle and cane were pushed in on the left-hand side of His cloth. In his left palm He was holding a lump of food prepared with yogurt, butter, rice and pieces of fruit salad, which could be seen through His petallike finger-joints. The Supreme Personality of Godhead, who accepts the results of all great sacrifices, was laughing and joking, enjoying lunch with His friends in Vṛndāvana. And thus the scene was being observed by the demigods from heaven. As for the boys, they were simply enjoying transcendental bliss in the company of the Supreme Personality of Godhead.
All living entities are controlled by the supreme energy of the Lord, and sometimes they remember and sometimes they forget their constitutional position. His friends, being controlled in such a way, could not understand that for one whole year they were absent from the Yamunā’s bank and were under the spell of Brahmā’s illusion. When Kṛṣṇa appeared before the boys, they thought, "Kṛṣṇa has returned within a minute." They began to laugh, thinking that Kṛṣṇa was not willing to leave their lunchtime company. They were very jubilant and invited Him, "Dear friend Kṛṣṇa, You have come back so quickly! All right, we have not as yet begun our lunch, not even taken one morsel of food. So please come and join us, and let us eat together." Kṛṣṇa smiled and accepted their invitation, and He began to enjoy the lunchtime company of His friends. While eating, Kṛṣṇa was thinking, "These boys believe that I have come back within a second, but they do not know that for the last year I have been involved with the mystic activities of Lord Brahmā."
In this way, Lord Kṛṣṇa and Balarāma began to enjoy the residents of Vṛndāvana to Their full satisfaction as They herded the calves and cows on the bank of the Yamunā. In some places Kṛṣṇa and Balarāma were accompanied by Their friends. The boys were singing, imitating the humming sound of the drones and accompanying Kṛṣṇa and Balarāma, who were garlanded with forest flowers. While walking, the boys sometimes imitated the quacking sound of the swans in the lakes, or when they saw the peacocks dancing, they imitated them before Kṛṣṇa. Kṛṣṇa also moved His neck, imitating the dancing and making His friends laugh.
Other boys would sometimes dance or sing while Balarāma took rest, and sometimes they would wrestle amongst themselves or jump. When the boys were thus engaged, Kṛṣṇa would immediately join them, and catching their hands, He would enjoy their company and laugh and praise their activities. When Kṛṣṇa would feel tired and fatigued, He would sometimes take shelter of the root of a big tree or the lap of a cowherd boy and lie down. When He would lie down with a boy or a root as His pillow, some of the boys would come and massage His legs, and some would fan His body with a fan made from leaves. Some of the more talented boys would sing in very sweet voices to please Him. Thus very soon His fatigue would go away. The Supreme Personality of Godhead, Kṛṣṇa, whose legs are tended by the goddess of fortune, shared Himself with the cowherd boys as one of them, expanding His internal potency to appear exactly like a village boy. But despite His appearing just like a village boy, there were occasions when He proved Himself to be the Supreme Personality of Godhead. Sometimes men pose themselves as the Supreme Personality of Godhead and cheat innocent people, but they can only cheat; they cannot exhibit the potency of God.
When Kṛṣṇa and Balarāma entered the village of Vṛndāvana along with Their friends, They played Their flutes, and the boys praised Their uncommon activities in the forest. Their faces were decorated with tilaka and smeared with the dust raised by the cows, and Kṛṣṇa's head was decorated with a peacock feather. Both He and Balarāma played Their flutes, and the young gopīs were joyous to see Kṛṣṇa returning home. All the gopīs in Vṛndāvana remained very morose on account of Kṛṣṇa's absence. All day they were thinking of Kṛṣṇa in the forest or of Him herding cows in the pasture. When they saw Kṛṣṇa returning, all their anxieties were immediately relieved, and they began to look at His face the way drones hover over the honey of the lotus flower. When Kṛṣṇa entered the village, the young gopīs smiled and laughed. Kṛṣṇa, while playing the flute, enjoyed the beautiful smiling faces of the gopīs.
Balarāma also embraced Kṛṣṇa, but He was laughing because when everyone else had been so overwhelmed with anxiety, He had known what would happen to Kṛṣṇa. All the trees on the bank of the Yamunā, along with all the cows, bulls and calves, were full of pleasure because of Kṛṣṇa's appearance there. The brāhmaṇa inhabitants of Vṛndāvana immediately came with their wives to congratulate Kṛṣṇa and His family members. And because brāhmaṇas are considered to be the spiritual masters of society, they offered their blessings to Kṛṣṇa and His family on account of Kṛṣṇa's release. They also asked Mahārāja Nanda to give them some charity on that occasion. Being so pleased by Kṛṣṇa's return, Mahārāja Nanda gave many cows and much gold in charity to the brāhmaṇas. While Nanda Mahārāja was thus engaged, Mother Yaśodā simply embraced Kṛṣṇa and made Him sit on her lap while she shed tears continuously.
Actually, Kṛṣṇa is all-pervasive: He is in the sky, and He is in the forest; He is within the heart, and He is always everywhere. The gopīs therefore began to question the trees and plants about Kṛṣṇa. There were various types of big trees and small plants in the forest, and the gopīs addressed them: "Dear banyan tree, have you seen the son of Mahārāja Nanda passing this way, laughing and playing on His flute? He has stolen our hearts and gone away. If you have seen Him, kindly inform us which way He has gone. Dear aśoka tree, dear nāga flower tree and campaka flower tree, have you seen the younger brother of Balarāma pass this way? He has disappeared because of our pride." The gopīs were aware of the reason for Kṛṣṇa's sudden disappearance. They could understand that when they had been enjoying Kṛṣṇa they thought themselves to be the most fortunate women within the universe, and since they were feeling proud, Kṛṣṇa had disappeared immediately just to curb their pride. Kṛṣṇa does not like His devotees to be proud of their service to Him. He accepts everyone's service, but He does not like one devotee to proudly consider himself better than others. If sometimes there are such feelings, Kṛṣṇa ends them by changing His attitude toward the devotee.
"My dear Lord," he said, "in my previous life I was named Vidyādhara and was known all over the world for my beauty. Because I was a celebrated personality, I used to travel all over in my airplane. While traveling, I saw a great sage named Aṅgirā. He was very ugly, and because I was very proud of my beauty, I laughed at him. Due to this sinful act, I was condemned by the great sage to assume the form of a serpent."
After this inquiry, Akrūra, who belonged to the dynasty of Yadu, explained the recent events in Mathurā, including Kaṁsa's attempt to kill Vasudeva, the father of Kṛṣṇa. He related the things which had happened after the disclosure by Nārada that Kṛṣṇa was the son of Vasudeva, hidden by Vasudeva in the house of Nanda Mahārāja. Akrūra narrated all the stories regarding Kaṁsa. He told how Nārada had met Kaṁsa and how he himself was deputed by Kaṁsa to come to Vṛndāvana. Akrūra explained to Kṛṣṇa that Nārada had told Kaṁsa all about Kṛṣṇa's being transferred from Mathurā to Vṛndāvana just after His birth and about His killing all the demons sent by Kaṁsa. Akrūra then explained to Kṛṣṇa the purpose of his coming to Vṛndāvana: to take Him back to Mathurā. After hearing of these arrangements, Balarāma and Kṛṣṇa, who are very expert in killing opponents, mildly laughed at the plans of Kaṁsa.
While Jarāsandha was attempting his eighteenth attack, a Yavana king somewhere to the south of Mathurā became attracted by the opulence of the Yadu dynasty and also attacked the city. It is said that the King of the Yavanas, known as Kālayavana, was induced to attack by Nārada. This story is narrated in the Viṣṇu Purāṇa. Once, Garga Muni, the priest of the Yadu dynasty, was taunted by his brother-in-law. When the kings of the Yadu dynasty heard the taunt they laughed at him, and Garga Muni became angry at the Yadu kings. He decided that he would produce someone who would be very fearful to the Yadu dynasty, so he pleased Lord Śiva and received from him the benediction of a son. He begot this son, Kālayavana, in the wife of a Yavana king. This Kālayavana inquired from Nārada, "Who are the most powerful kings in the world?" Nārada informed him that the Yadus were the most powerful. Thus informed, Kālayavana attacked the city of Mathurā at the same time that Jarāsandha tried to attack it for the eighteenth time. Kālayavana was very eager to declare war on a king of the world who would be a suitable combatant for him, but he had not found any. However, being informed about Mathurā by Nārada, he thought it wise to attack this city with thirty million Yavana soldiers.
In spite of this divine voice, Rukmī insisted that Balarāma had lost, and by his persistence it appeared that he had death upon his head. Falsely puffed up by the ill advice of his friend, he did not give much importance to the oracle, and he began to criticize Balarāmajī. He said, "My dear Balarāmajī, You two brothers, cowherd boys only, may be very expert in tending cows, but how can You be expert in playing chess or shooting arrows on the battlefield? These arts are well known only to the princely order." Hearing this kind of pinching talk by Rukmī and hearing the loud laughter of all the other princes present there, Lord Balarāma became as agitated as burning cinders. He immediately took His club in His hand and, without further talk, struck Rukmī on the head. From that one blow, Rukmī fell down immediately and was dead and gone. Thus Rukmī was killed by Balarāma on that auspicious occasion of Aniruddha's marriage. These things are not very uncommon in kṣatriya society.
After this He came before Mahārāja Nanda and Yaśodā and offered His respectful obeisances. In response, Mother Yaśodā and Nanda Mahārāja offered their blessings unto Him. They addressed Him as Jagadīśvara, or the Lord of the universe who maintains everyone. The reason for this was that Kṛṣṇa and Balarāma maintain all living entities. And yet Nanda and Yaśodā were put into such difficulties on account of Their absence. Feeling like this, they embraced Balarāma and, seating Him on their laps, began their perpetual crying, wetting Balarāma with their tears. Lord Balarāma then offered His respectful obeisances to the elderly cowherd men and accepted the obeisances of the younger cowherd men. Thus, according to their different ages and relationships, Lord Balarāma exchanged feelings of friendship with them. He shook hands with those who were His equals in age and friendship and with loud laughing embraced each one of them.
When all the members of the royal assembly, including King Ugrasena, heard this message sent by Pauṇḍraka, they laughed very loudly for a considerable time. After enjoying the loud laughter of all the members of the assembly, Kṛṣṇa replied to the messenger as follows: “O messenger of Pauṇḍraka, you may carry My message to your master: "You are a foolish rascal. I directly call you a rascal, and I refuse to follow your instructions. I shall never give up the symbols of Vāsudeva, especially My disc. I shall use this disc to kill not only you but all your followers also. I shall destroy you and your foolish associates, who merely constitute a society of cheaters and the cheated. O foolish King, you will then have to conceal your face in disgrace, and when your head is severed from your body by My disc, it will be surrounded by meat-eating birds like vultures, hawks and eagles. At that time, instead of becoming My shelter, as you have demanded, you will be subject to the mercy of these lowborn birds. At that time your body will be thrown to the dogs, who will eat it with great pleasure."
King Pauṇḍraka was a great warrior, and as soon as he heard of Kṛṣṇa's attack, he came out of the city with two akṣauhiṇī divisions of soldiers. The King of Kāśī also came out, with three akṣauhiṇī divisions. When the two kings came before Lord Kṛṣṇa to oppose Him, Kṛṣṇa saw Pauṇḍraka face to face for the first time. Kṛṣṇa saw that Pauṇḍraka had decorated himself with the symbols of the conchshell, disc, lotus and club. He carried an imitation Śārṅga bow, and on his chest was a mock insignia of Śrīvatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.
This gorilla by the name Dvivida could climb up into the trees and jump from one branch to another. Sometimes he would jerk the branches, creating a particular type of sound—kilakilā—so that Lord Balarāma was greatly distracted from the pleasing atmosphere. Sometimes Dvivida would come before the women and exhibit different types of caricatures. By nature young women are apt to enjoy everything with laughter and joking, and when the gorilla came before them they did not take him seriously but simply laughed at him. However, the gorilla was so rude that even in the presence of Balarāma he began to show the lower part of his body to the women, and sometimes he would come forward to show his teeth while moving his eyebrows. He disrespected the women, even in the presence of Balarāma. Lord Balarāma's name suggests not only that He is very powerful but that He takes pleasure in exhibiting extraordinary strength. So He took a stone and threw it at Dvivida. The gorilla, however, artfully avoided being struck by the stone. In order to insult Balarāma, the gorilla took away the earthen pot in which the vāruṇī was kept. Dvivida, being thus intoxicated with his limited strength, began to tear off all the valuable clothes worn by Balarāma and the accompanying young girls. He was so puffed up that he thought Balarāma could not do anything to chastise him, and he continued to offend Balarāmajī and His companions.
Although Lord Balarāma patiently heard their insulting words and simply observed their uncivil behavior, from His appearance it was clear that He was burning with anger and was thinking of retaliating with great vengeance. His bodily features became so much agitated that it was difficult for anyone to look at Him. He laughed very loudly and said, "It is true that if a man becomes too much puffed up because of his family, opulence, beauty and material advancement, he no longer wants a peaceful life but becomes belligerent toward all others. It is useless to give such a person good instruction for gentle behavior and a peaceful life; on the contrary, one should search out the ways and means to punish him." Generally, due to material opulence a man becomes exactly like an animal. To give an animal peaceful instructions is useless, and the only means is argumentum ad baculum. In other words, the only means to keep animals in order is a stick. “Just see how impudent are the members of the Kuru dynasty! I wanted to make a peaceful settlement despite the anger of all the other members of the Yadu dynasty, including Lord Kṛṣṇa Himself. They were preparing to attack the whole kingdom of the Kuru dynasty, but I pacified them and took the trouble to come here to settle the affair without any fighting. Yet these rascals behave like this! It is clear that they do not want a peaceful settlement, for they are factually warmongers. With great pride they have repeatedly insulted Me by calling the Yadu dynasty ill names.
When Lord Kṛṣṇa disclosed their disguise, King Jarāsandha laughed very loudly, and then in great anger and in a grave voice he exclaimed, "You fools! If you want to fight with me, I immediately grant your request. But, Kṛṣṇa, I know that You are a coward. I refuse to fight with You because You become very confused when You face me in fighting. Out of fear of me You left Your own city, Mathurā, and now You have taken shelter within the sea; therefore I must refuse to fight with You. As far as Arjuna is concerned, I know that he is younger than me and is not an equal fighter. I refuse to fight with him because he is not in any way an equal competitor. But as far as Bhīmasena is concerned, I think he is a suitable competitor to fight with me." After speaking in this way, King Jarāsandha immediately handed a very heavy club to Bhīmasena, he himself took another, and all of them went outside the city walls to fight.
Duryodhana was illusioned by this craftsmanship, and when crossing water, thinking it to be land, he fell in. When Duryodhana, out of his foolishness, had thus fallen, the queens enjoyed the incident by laughing. King Yudhiṣṭhira could understand the feelings of Duryodhana, and he tried to restrain the queens, but Lord Kṛṣṇa indicated that King Yudhiṣṭhira should not restrain them from enjoying the incident. Kṛṣṇa desired that Duryodhana be fooled in that way and that all of them enjoy his foolish behavior. When everyone laughed, Duryodhana felt very insulted, and his bodily hairs stood up in anger. Being thus insulted, he immediately left the palace, bowing his head. He was silent and did not protest. When Duryodhana left in such an angry mood, everyone regretted the incident, and King Yudhiṣṭhira also was very sorry. But despite all these occurrences, Kṛṣṇa was silent. He did not say anything against or in favor of the incident. It appeared that Duryodhana had been put into illusion by the supreme will of Lord Kṛṣṇa, and this was the beginning of the enmity between the two sects of the Kuru dynasty. This appeared to be a part of Kṛṣṇa's plan in His mission to decrease the burden of the world.
Renunciation Through Wisdom
Our youth are being brought up in a tradition of veiled contempt for religion and everything religious. Spiritualists and religious devotees are the laughing-stock of the educated youth, and as the general masses are religious-minded and have great respect and reverence for such devotees and spiritualists, they feel generally disgusted with the attitude of the educated class and have no regard for them. The educated class has also no affection for the masses, whose way of life is mostly molded by religious ideas. The result is that the educated classes have not been able to produce a sufficient number of servants to work with a real missionary spirit for the amelioration of the suffering of the masses.
In attempting to prove that the Absolute Truth cannot be the Supreme Personality of Godhead with unlimited energies, they argue that this would mean immutable Brahman is actually mutable. Thus their logic loses all cohesion and they become a laughingstock. In trying to refute the established theory of pariṇāma-vāda, or the "transformation of energy," they accuse Śrīla Vyāsadeva of being mistaken when he says that the material universe and the living entities are all transformations of the Lord's energy and are therefore real, not false. Thus in their philosophical discussions the monists reject the main purport and essence of all Vedic scriptures and their corollaries and hang on to nonessential injunctions, such as tat tvam asi, "You are that." They like to deliberate on these subpoints, but when confronted with the arguments of a learned Vaiṣṇava, they turn and run from the battlefront.
Even if one accepts the false logicians' argument that the qualities Lord Kṛṣṇa enumerates in the Gītā as prerequisites for absolute knowledge are mental transformations, still we cannot agree that these transformations are equivalent to such qualities as lust, greed, anger, and illusion, which result from gross ignorance. One kind of mental transformation drags the soul down to depravity, whereas the other redeems the soul from doom. Both disease and medicine are products of material nature, yet one pushes a man toward the jaws of death, while the other saves him from destruction. So one must avoid becoming the laughing-stock of society by accepting the foolish theory of yatA mata, tata path—"All ways lead to the Truth"—and on this basis professing that the medicine and the disease are one and the same.
A well-known Bengali saying goes, "After reading the whole Rāmāyaṇa, you want to know whose father Sītā is?" This question is ludicrous, since Sītā is Lord Rāma's wife, and thus such a query will naturally invite quips and laughter. We find the same absurdity in Dr. Radhakrishnan's English commentary on the Gītā. He writes that we do not have to surrender to the person Kṛṣṇa but to "the Unborn, Beginningless, Eternal" within Kṛṣṇa. This implies that Lord Kṛṣṇa and His "inner self" are two separate identities. According to Dr. Radhakrishnan, since there is a difference between Kṛṣṇa's body and His soul, we must surrender to Kṛṣṇa's soul and not His body. This new discovery in the field of religious philosophy reminds us of the "paṇḍita" of the Rāmāyaṇa referred to above. Lord Śrī Kṛṣṇa's sole purpose in speaking the Bhagavad-gītā is to convince us to surrender to His lotus feet.
In the Bhagavad-gītā (Chapter 4), Lord Kṛṣṇa speaks about the importance of receiving the transcendental knowledge of the Gītā in the proper disciplic succession. In this way one can avoid making the mistakes described above, which even powerful sages are prone to make. Yet there are those who still try to study the Gītā on their own and draw their own concocted conclusions, rejecting the authority and conclusions of the spiritual disciplic succession. We certainly commiserate with them, but at the same time it is hard not to laugh at them. From the Chapter 4 of the Bhagavad-gītā we learn that after an interval of several million years, Lord Kṛṣṇa re-established the spiritual link with the disciplic succession right in the middle of the Battlefield of Kurukṣetra, explaining to Arjuna unequivocally and in detail the science of right action, knowledge, and devotional service.
In recent times we have heard two words being loudly voiced: Māyāvāda (impersonalist) and Advaita-vāda (monist). I deem it proper to write a few words about them. Śrīpāda Śaṅkarācārya was a brāhmaṇa who propagated the impersonalist philosophy. But if he were to hear the pathetic version of his theory being espoused today, complete with nonbrahminical Western logic and mundane concepts, he would surely be struck dumb. Śrīpāda Śaṅkarācārya taught and exhibited ideal brahminical behaviour. He propounded irrefutable arguments that destroyed materialistic views. Furthermore, his erudition, realization, and renunciation were of an extremely high caliber. Yet when his so-called followers dilute and mutilate his philosophy, we are moved simultaneously to tears and laughter.
Message of Godhead
The kṣetrajña is the eternal spirit, whereas the kṣetra is matter, which is temporary and ephemeral. This eternal truth is summarized in the Vedas in the aphorism brahma satyaṁ jagan mithyā: "Spirit is fact and the world is a false shadow." By "false shadow" one should understand that the world is temporary, existing only for the time being. But one should not make the mistake of thinking the world has no existence at all. I really possess my temporary material body and mind, and I must not make myself a laughing stock by denying the existence of my body and mind. At the same time, I must always remember that the body and mind are temporary arrangements. However, the spirit encaged by this body and mind is eternal truth and indestructible. No one can destroy the eternal spirit—that is what we need to understand at the present moment. The indestructible spirit is thus above the conception of violence and nonviolence.
Narada-bhakti-sutra (sutras 1 to 8 only)
"A person engaged in the devotional service of the Lord in full Kṛṣṇa consciousness automatically becomes carried away by ecstasy when he chants and hears the holy name of Kṛṣṇa. His heart becomes slackened while chanting the holy name, he becomes almost like a madman, and he does not care for any outward social conventions. Thus sometimes he laughs, sometimes he weeps, sometimes he cries out very loudly, sometimes he sings, and sometimes he dances and forgets himself." These are the signs of becoming intoxicated in devotional service. This stage, called the ātmārāma stage, is possible when the Lord bestows His mercy upon a devotee for his advanced devotional activity. It is the highest perfectional stage because one cannot reach it unless one has attained pure love of God.
One who becomes affected by the pleasure potency of the Supreme Lord manifests various symptoms of ecstasy, such as slackening of the heart, laughing, crying, shivering, and dancing. These symptoms are not material. However, exhibiting such ecstatic symptoms just to get credit from the public is not approved by pure devotees. Śrīla Bhaktisiddhānta Sarasvatī Prabhupāda says, "Persons without attainment of the highest perfectional stage of loving service cannot achieve any auspiciousness simply by artificially laughing, crying, or dancing without any spiritual understanding. Artificial movement of the body... must always be rejected. One should wait for the natural sequence within devotional service, and at that time, when one cries or dances or sings, it is approved. A person artificially showing symptoms of the pleasure potency creates many disturbances in the ordinary way of life."
| Page Title: | Laughter (Other Books) |
| Compiler: | Visnu Murti, Mayapur |
| Created: | 07 of Mar, 2012 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=78, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 78 |