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Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 2:

After performing these religious rituals, the younger brother, Sākara Mallika (Rūpa Gosvāmī), returned home with an immense amount of money which he had acquired during his government service. Indeed, the silver and gold coins he brought back filled a large boat.

Teachings of Lord Caitanya, Chapter 2:

Sanātana then proceeded to go to see the Lord. He did not travel on the open road but went through the jungles until he arrived at a place in Bihar called Pātaḍā. There he rested in a hotel, but the hotelkeeper was informed by an astrologer employed there that Sanātana Gosvāmī had some gold coins with him. The hotelkeeper, desiring to get the money, spoke to Sanātana with seeming respect.

"Just take your rest tonight," he told him, "and in the morning I shall arrange for you to get out of this jungle trap." However, Sanātana was suspicious of his behavior, and he inquired from his servant Īśāna whether he had money, and Īśāna told him that he had seven gold coins. Sanātana did not like the idea of the servant carrying such money. He became angry with him and said, "Why do you carry this death knell on the road?"

Teachings of Lord Caitanya, Chapter 2:

Sanātana then proceeded to go to see the Lord. He did not travel on the open road but went through the jungles until he arrived at a place in Bihar called Pātaḍā. There he rested in a hotel, but the hotelkeeper was informed by an astrologer employed there that Sanātana Gosvāmī had some gold coins with him. The hotelkeeper, desiring to get the money, spoke to Sanātana with seeming respect.

"Just take your rest tonight," he told him, "and in the morning I shall arrange for you to get out of this jungle trap." However, Sanātana was suspicious of his behavior, and he inquired from his servant Īśāna whether he had money, and Īśāna told him that he had seven gold coins. Sanātana did not like the idea of the servant carrying such money. He became angry with him and said, "Why do you carry this death knell on the road?"

Sanātana at once took the gold coins and offered them to the hotelkeeper. He then requested that the hotelkeeper help him through the jungle.

Teachings of Lord Caitanya, Chapter 20:

The Supreme Absolute Truth has His inconceivable potency, out of which this cosmos has been manifested. In other words, the Supreme Absolute Truth is the ingredient, and the living entity and cosmic manifestation are the by-products. In the Taittirīya Upaniṣad it is clearly stated, yato vā imāni bhūtāni jāyante: "The Absolute Truth is the original reservoir of all ingredients, and this material world and its living entities are produced from those ingredients."

Unintelligent persons who cannot understand this doctrine of byproducts cannot grasp how the cosmic manifestation and the living entity are simultaneously one and different from the Absolute Truth. Not understanding this, one concludes, out of fear, that this cosmic manifestation and the living entity are false. Śaṅkarācārya gives the example of a rope being mistaken for a snake, and sometimes the example of mistaking an oyster shell for gold is cited, but surely such arguments are ways of cheating. As mentioned in the Māṇḍūkya Upaniṣad, the rope for a snake and the oyster for gold examples have their different applications and can be understood as follows. The living entity in his original constitutional position is pure spirit. When a human being identifies himself with the material body, he may be said to be mistaking a rope for a snake, or an oyster shell for gold. The doctrine of transformation is accepted when one thing is mistaken for another. Actually the body is not the living entity, but the doctrine of transformation accepts the body as the living entity. Every conditioned soul is undoubtedly contaminated by this doctrine of transformation.

Teachings of Lord Caitanya, Chapter 20:

In Vedic literatures there is information of a material product called "touchstone" which simply by touch can transform iron into gold. The touchstone can produce an unlimited quantity of gold and yet remain the same.

Teachings of Lord Caitanya, Chapter 20:

By His inconceivable energies, the Supreme Absolute Truth can remain unchanged and yet produce this cosmic manifestation with all its living entities, just as touchstone can produce unlimited quantities of gold and yet remain unchanged.

Teachings of Lord Caitanya, Chapter 23:

The Lord knows everything directly and indirectly, and He is cognizant of all the minute details of everything. He is fully independent as well. He can be compared to a gold mine, and the cosmic creations can be compared to ornaments made from that gold, such as gold rings, necklaces, etc. The gold ring and necklace are qualitatively one with the gold in the mine, but quantitatively the gold in the mine and the gold in the earring or necklace are different.

Teachings of Lord Caitanya, Chapter 25:

A touchstone may produce great quantities of gold in contact with iron, but still the touchstone remains as it is.

Teachings of Lord Caitanya, Chapter 26:

The Lord is like a touchstone, for by His grace He can turn iron into gold.

Teachings of Lord Caitanya, Chapter 27:

When Lord Caitanya visited the southern part of India, He first went to the great temple known as Jiyara-nṛsiṁha-kṣetra. This temple is situated in a place known as Siṁhācalam, five miles from the Viśākhāpattana railway station. The temple is situated on the top of a hill. There are many temples in that area, but Jiyara-nṛsiṁha-kṣetra temple is the largest of all. This temple is filled with beautiful sculpture, of interest to many students, and due to its popularity it is a very rich temple. An inscription in the temple states that the King of Vijayanagara formerly decorated this temple with gold and even smeared the body of the Deity with gold.

Teachings of Lord Caitanya, Chapter 32:

Lord Caitanya then passed ten nights with Rāmānanda Rāya, enjoyed his company and discussed the pastimes of Kṛṣṇa and Rādhā. The discussions between them were on the highest level of love for Kṛṣṇa. Some of these talks are described, but most of them could not be described. In Caitanya-caritāmṛta this has been compared to metallurgic examination. The metals compared are discussed in the following sequence: first copper, then bronze, then silver, gold and at last touchstone. The preliminary discussions between Lord Caitanya and Rāmānanda Rāya are considered to be like copper, and the higher discussions are considered to be like gold. The fifth dimension of their discussions, however, is considered to be like touchstone. If one is eager to attain the highest understanding, he must begin with an inquiry into the differences between copper and bronze, then silver and gold and so on.

Nectar of Devotion

Nectar of Devotion Preface:

Dabira Khāsa, who was later to become Rūpa Gosvāmī, retired from his post and collected all the money he had accumulated during his service. It is described in the Caitanya-caritāmṛta that his accumulated savings in gold coins equaled millions of dollars and filled a large boat.

Nectar of Devotion 5:

Our Kṛṣṇa consciousness movement in the Western world is based on the above-mentioned proposition of Śrīla Bhaktisiddhānta Sarasvatī Gosvāmī Prabhupāda, our spiritual master. On his authority, we are claiming members from all sections of the Western countries. The so-called brāhmaṇas claim that one who is not born into a brāhmaṇa family cannot receive the sacred thread and cannot become a high-grade Vaiṣṇava. But we do not accept such a theory, because it is not supported by Rūpa Gosvāmī nor by the strength of the various scriptures.

Śrīla Rūpa Gosvāmī specifically mentions herein that every man has the birthright to accept devotional service and to become Kṛṣṇa conscious. He has given many evidences from many scriptures, and he has especially quoted one passage from Padma Purāṇa, wherein the sage Vasiṣṭha tells King Dilīpa, "My dear King, everyone has the right to execute devotional service, just as he has the right to take early bath in the month of Māgha (December-January)." There is more evidence in the Skanda Purāṇa, in the Kāśī-khaṇḍa portion, where it is said, "In the country known as Mayūradhvaja, the lower-caste people who are considered less than śūdras are also initiated in the Vaiṣṇava cult of devotional service. And when they are properly dressed, with tilaka on their bodies and beads in their hands and on their necks, they appear to be coming from Vaikuṇṭha. In fact, they look so very beautiful that immediately they surpass the ordinary brāhmaṇas."

Thus a Vaiṣṇava automatically becomes a brāhmaṇa. This idea is also supported by Sanātana Gosvāmī in his book Hari-bhakti-vilāsa, which is the Vaiṣṇava guide. Therein he has clearly stated that any person who is properly initiated into the Vaiṣṇava cult certainly becomes a brāhmaṇa, as much as the metal known as kaṁsa (bell metal) is turned into gold by the mixture of mercury.

Nectar of Devotion 10:

After cleansing the temple, he imagined that he had many water jugs made of gold and silver, and he took all those jugs to the river and filled them with the holy water.

Nectar of Devotion 19:

There is a gulf of difference between love and lust, like the difference between gold and iron.

Nectar of Devotion 21:

In the spiritual kingdom of Lord Kṛṣṇa, named Goloka Vṛndāvana, there are surabhi cows which give unlimited quantities of milk. There are desire trees from which anyone can take all kinds of fruits, as much as he may desire. The land is made of touchstone, which when touched to iron will transform it into gold.

Nectar of Devotion 26:

The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls.

Nectar of Devotion 26:

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

Nectar of Devotion 26:

Kṛṣṇa used a buffalo horn as a bugling instrument. This instrument was always highly polished and circled with gold bands, and on the middle there was a hole.

Nectar of Devotion 29:

After Lord Brahmā had stolen all of the calves, cows and cowherd boys from Kṛṣṇa, he was trying to go away. But all of a sudden he became doubtful about his stealing affairs and began to watch on all sides with his eight eyes. Lord Brahmā has four heads, and therefore he has eight eyes. This is an instance of ecstatic love in doubt, caused by stealing.

Similarly, just to please Kṛṣṇa, Akrūra stole the Syamantaka maṇi, a stone which can produce unlimited quantities of gold, but later on he repented his stealing. This is another instance of ecstatic love for Kṛṣṇa in doubt caused by stealing.

Nectar of Devotion 31:

The heart of one who is highly elevated and grave is compared to gold.

Nectar of Devotion 31:

A hard heart is compared to a lightning bolt, to gold and to shellac. The lightning bolt is very strong and never becomes soft. Similarly, the hearts of those who are engaged in severe austerities and penances do not become very easily softened. The golden heart becomes melted at high temperature, as in ecstatic love. And the shellac heart is very easily melted in slight temperature.

Nectar of Devotion 33:

One of the friends once remarked, "Sudāmā is trying his best to see Dāmodara defeated, and I think that if our powerful Subala joins him, they will be a very beautiful combination, like a valuable jewel bedecked with gold."

Nectar of Devotion 33:

When Mahārāja Yudhiṣṭhira went with Kṛṣṇa in the arena of the Rājasūya sacrifice, in his imagination he began to anoint the body of Kṛṣṇa with pulp of sandalwood, he decorated Kṛṣṇa with a garland hanging down to His knees, he gave Kṛṣṇa garments all embroidered with gold, he gave Kṛṣṇa ornaments all bedecked with valuable jewels, and he gave Kṛṣṇa many fully decorated elephants, chariots and horses.

Nectar of Devotion 36:

Descriptions of the bodily features of the anugas in Vṛndāvana are given in the following statement: "Let us offer our respectful obeisances unto the constant associates of the son of Mahārāja Nanda. They always stay in Vṛndāvana, and their bodies are decorated with garlands of pearls and with bangles and bracelets of gold.

Nectar of Devotion 41:

There is the following prayer by a devotee for the vayasyas in Vṛndāvana: "All glories to Kṛṣṇa's vayasyas, who are just like Kṛṣṇa in their age, qualities, pastimes, dress and beauty. They are accustomed to playing on their flutes made of palm leaves, and they all have buffalo-horn bugles ornamented like Kṛṣṇa's with jewels such as indranīla and with gold and coral. They are always jubilant like Kṛṣṇa. May these glorious companions of Kṛṣṇa always protect us!"

Nectar of Devotion 41:

Subala's body is described as follows. His complexion is just like molten gold. He is very, very dear to Kṛṣṇa.

Nectar of Devotion 42:

The cowherd boyfriends of Kṛṣṇa felt very proud of their association with Him. At that time the tip of His nose defeated the beauty of sesame flowers, the luster of His cheeks defeated the glow of pearls, and the two sides of His body were exquisitely beautiful. In this age Kṛṣṇa wore a silk dress that glittered like lightning, His head was decorated with a silk turban covered with gold lace, and in His hand He carried a stick about fifty-six inches long.

Nectar of Devotion 44:

The beauty of Śrīmatī Rādhārāṇī is described as follows: "Her eyes defeat the attractive features of the eyes of the cakorī bird. When one sees the face of Rādhārāṇī, he immediately hates the beauty of the moon. Her bodily complexion defeats the beauty of gold. Thus, let us all look upon the transcendental beauty of Śrīmatī Rādhārāṇī."

Krsna, The Supreme Personality of Godhead

Krsna Book 1:

Once upon a time, Vasudeva, the son of Śūrasena, just after marrying Devakī, was going home on his chariot with his newly wedded wife. The father of Devakī, known as Devaka, had contributed a sufficient dowry because he was very affectionate toward his daughter. He had contributed hundreds of chariots completely decorated with gold equipment.

Krsna Book 1:

“This body is exactly like one of the bodies which we always see in dreams. During our dream of sleep, we create so many bodies according to mental creation. We have seen gold, and we have also seen a mountain, so in a dream we can see a golden mountain by combining the two ideas."

Krsna Book 5:

In the material world we possess riches and wealth in many ways, but sometimes not in very honest and pious ways, because that is the nature of accumulating wealth. According to Vedic injunction, therefore, one should purify such wealth by giving cows and gold in charity to the brāhmaṇas.

Krsna Book 5:

All the cows, bulls and calves were smeared with a mixture of oil and turmeric and painted with minerals like red oxide, yellow clay and manganese. They wore garlands of peacock feathers and were covered with nice colored cloths and gold necklaces.

Krsna Book 7:

All the cows which were given in charity were covered with nice gold-embroidered garments, and their horns were bedecked with golden rings; their hooves were covered with silver plate, and they wore garlands of flowers.

Krsna Book 17:

When Kṛṣṇa finally came out of Kāliya's lake, He was seen by all His friends and relatives on the bank of the Yamunā. He appeared before them nicely decorated, smeared all over with candana pulp, bedecked with valuable jewels and stones, and almost completely covered with gold.

Krsna Book 17:

Being so pleased by Kṛṣṇa's return, Mahārāja Nanda gave many cows and much gold in charity to the brāhmaṇas.

Krsna Book 21:

When the gopīs were describing the sweet vibration of Kṛṣṇa's flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace.

Krsna Book 23:

The brāhmaṇas' wives saw Kṛṣṇa with a blackish complexion, wearing a garment that glittered like gold.

Krsna Book 29:

The difference between the platforms of yogamāyā and mahāmāyā is compared in the Caitanya-caritāmṛta to the difference between gold and iron.

Krsna Book 29:

From the viewpoint of metallurgy, gold and iron are both metals, but the quality is completely different.

Krsna Book 34:

At that time Kṛṣṇa appeared on the scene and touched the serpent with His lotus feet. Immediately upon being touched by the lotus feet of Kṛṣṇa, the serpent shed its reptilian body and appeared as a very beautiful demigod named Vidyādhara. His bodily features were so beautiful that he appeared to be worshipable. There was a luster and effulgence emanating from his body, and he was garlanded with a gold necklace.

Krsna Book 41:

After Akrūra's departure, Lord Kṛṣṇa, Balarāma and the cowherd boys entered Mathurā to see the city. They observed that the gate of Mathurā was made of first-class marble, very well constructed, and that the doors were made of pure gold. There were gorgeous orchards and gardens all around, and the whole city was encircled by canals so that no enemy could enter very easily. They saw that all the crossroads were decorated with gold and that there were copper and brass storehouses for stocking grain.

Krsna Book 42:

Kaṁsa saw various kinds of inauspicious signs while both awake and dreaming. When he looked in the mirror he could not see his head, although the head was actually present. He saw the luminaries in the sky in double, although there was only one set factually. He began to see holes in his shadow, and he heard a high buzzing sound within his ears. All the trees before him appeared to be made of gold, and he could not see his own footprints in dust or muddy clay.

Krsna Book 45:

Kṛṣṇa and Balarāma also learned the art of architecture—how to construct residential buildings. They learned to recognize valuable jewels by studying their luster and colors. Then They learned the art of placing jewels in a gold and silver setting so that they look very beautiful.

Krsna Book 53:

King Bhīṣmaka was experienced in dealing with brāhmaṇas and priests when such ceremonies were held. He specifically honored the brāhmaṇas by giving them large quantities of gold and silver, grain mixed with molasses, and cows decorated with cloth and ornaments.

Krsna Book 56:

The Syamantaka jewel was so powerful that daily it produced a large quantity of gold.

Krsna Book 56:

The Syamantaka jewel was so powerful that daily it produced a large quantity of gold. A quantity of gold is counted by a measurement called a bhāra. According to Vedic formulas, one bhāra is equal to about twenty-one pounds, and one mound equals about eighty-two pounds. The jewel was producing about 170 pounds of gold every day.

Krsna Book 56:

Lord Kṛṣṇa wanted to teach the world that the best of everything should be offered to the ruling chief of the country. King Ugrasena was the overlord of many dynasties and happened to be the grandfather of Kṛṣṇa, so Kṛṣṇa asked Satrājit to present the Syamantaka jewel to King Ugrasena. Kṛṣṇa pleaded that the best should be offered to the King. But Satrājit, being a worshiper of the demigods, had become too materialistic and, instead of accepting the request of Kṛṣṇa, thought it wiser to worship the jewel to get the 170 pounds of gold every day. Materialistic persons who can achieve such huge quantities of gold are not interested in Kṛṣṇa consciousness.

Krsna Book 57:

Kṛṣṇa continued: "This jewel is so powerful that no ordinary man is able to keep it. I know that you are very pious in activities, so there is no objection to the jewel's being kept with you. There is one difficulty, and that is that My elder brother, Śrī Balarāma, does not believe My version that the jewel is with you. I therefore request you, O large-hearted one, to show Me the jewel just once before My other relatives so that they may be pacified and reject various kinds of rumors. You cannot deny that the jewel is with you because we can understand that you have enhanced your opulence and are performing sacrifices on an altar made of solid gold." The properties of the jewel were known: wherever the jewel remained, it would produce for the keeper more than two mounds of pure gold daily. Akrūra was getting gold in that proportion and distributing it profusely at sacrificial performances. Lord Kṛṣṇa cited Akrūra's lavishly spending gold as positive evidence of his possessing the Syamantaka jewel.

Krsna Book 59:

At this time, the earth personified appeared before Lord Kṛṣṇa and greeted Him with a Vaijayantī flower garland. She then returned the dazzling earrings of Aditi, bedecked with jewels and gold.

Krsna Book 60:

Rukmiṇī was very eager to get the opportunity to serve her husband, the Supreme Personality of Godhead. She therefore wanted to serve the Lord personally and took the handle of the cāmara from the hand of a maidservant and began to move the fan. The handle of the cāmara was made of gold and bedecked with valuable jewels, and it became more beautiful when taken by Rukmiṇī because all of her fingers were beautifully set with jeweled rings. Her legs were decorated with jeweled ankle bells, which rang very softly between the pleats of her sari.

Krsna Book 60:

Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds. When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.

Krsna Book 61:

The King of Kaliṅga was a friend of Rukmī and gave him the ill advice to play chess with Balarāma and thus defeat Him in a bet. Among kṣatriya kings, gambling on chess was not uncommon. If someone challenged a kṣatriya to play on the chessboard, the kṣatriya could not refuse the challenge. Śrī Balarāmajī was not a very expert chess player, and this was known to the King of Kaliṅga. So Rukmī was advised to retaliate against the family members of Kṛṣṇa by challenging Balarāma to play chess. Although not an expert chess player, Śrī Balarāmajī was very enthusiastic in sporting activities. He accepted Rukmī’s challenge and sat down to play. Betting was with gold coins, and Balarāma first of all challenged with one hundred coins, then one thousand coins, then ten thousand coins. Each time, Balarāma lost, and Rukmī was victorious.

Krsna Book 61:

Śrī Balarāma's losing the game was an opportunity for the King of Kaliṅga to criticize Kṛṣṇa and Balarāma. Thus the King of Kaliṅga was talking jokingly while purposefully showing his teeth to Balarāma. Because Balarāma was the loser in the game, He was a little intolerant of the sarcastic joking words and became somewhat agitated. Rukmī again challenged Balarāma and made a bet of a hundred thousand gold coins, but fortunately this time Balarāma won.

Krsna Book 64:

When the princes returned home, their story was narrated before Lord Kṛṣṇa. Lord Kṛṣṇa is the friend of all living entities. Therefore, after hearing the appeal from His sons, He personally went to the well and easily got the great lizard out simply by extending His left hand. Immediately upon being touched by the hand of Lord Kṛṣṇa, that great lizard gave up its lizard shape and appeared as a beautiful demigod, an inhabitant of the heavenly planets. His complexion glittered like molten gold, he was decorated with fine garments, and he wore costly ornaments around his neck.

Krsna Book 64:

King Nṛga said that the cows he had given in charity were not ordinary cows. Each one was very young and had given birth to only one calf. They were full of milk, very peaceful, and healthy. All the cows were purchased with money earned legally. Furthermore, their horns were gold-plated, their hooves were bedecked with silver plating, and they were covered with necklaces and with silken wrappers embroidered with pearls. He stated that these valuably decorated cows had not been given to any worthless persons but had been distributed to first-class brāhmaṇas, whom he had also decorated with nice garments and gold ornaments. The brāhmaṇas were well qualified, and since none of them were rich, their family members were always in want for the necessities of life. A real brāhmaṇa never hoards money for a luxurious life, like the kṣatriyas or the vaiśyas, but always keeps himself poverty-stricken, knowing that money diverts the mind to materialistic ways of life. To live in this way is the vow of a qualified brāhmaṇa, and all of these brāhmaṇas were well situated in that exalted vow. They were well learned in Vedic knowledge. They executed the required austerities and penances in their lives and were liberal, meeting the standard of qualified brāhmaṇas. They were equally friendly to everyone; above all, they were young and quite fit to act as qualified brāhmaṇas. Besides the cows, they were also given land, gold, houses, horses and elephants.

Krsna Book 65:

Upon displaying this submissive attitude, the Yamunā was forgiven, and when she came nearby, Lord Balarāma enjoyed the pleasure of swimming in her waters along with the gopīs in the same way that an elephant enjoys himself along with his many she-elephants. After a long time, when Lord Balarāma had enjoyed to His full satisfaction, He came out of the water, and immediately a goddess of fortune offered Him a nice blue garment and a valuable necklace made of gold.

Krsna Book 69:

In this greatly beautiful city of Dvārakā, Lord Kṛṣṇa, the Supreme Personality of Godhead, had many residential quarters. The great kings and princes of the world used to visit these palaces just to worship Him. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity. These residential quarters numbered more than sixteen thousand, and a different queen of Lord Kṛṣṇa resided in each of them. The great sage Nārada entered one of these houses and saw that the pillars were made of coral and the ceilings were bedecked with jewels. The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.

Krsna Book 69:

In this greatly beautiful city of Dvārakā, Lord Kṛṣṇa, the Supreme Personality of Godhead, had many residential quarters. The great kings and princes of the world used to visit these palaces just to worship Him. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity. These residential quarters numbered more than sixteen thousand, and a different queen of Lord Kṛṣṇa resided in each of them. The great sage Nārada entered one of these houses and saw that the pillars were made of coral and the ceilings were bedecked with jewels. The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.

Krsna Book 70:

Every day Lord Kṛṣṇa used to give many groups of 13,084 cows. Each of the cows was decorated with a silken cover and pearl necklace, their horns were covered with gold plating, and their hooves were silver-plated. All of them were full of milk, due to having their first-born calves with them, and they were very tame and peaceful. When the cows were given in charity to the brāhmaṇas, the brāhmaṇas also were given nice silken garments, and each was given a deerskin and sufficient quantity of sesame seeds.

Krsna Book 70:

The Lord is generally known as go-brāhmaṇa-hitāya ca, which means that His first duty is to see to the welfare of the cows and the brāhmaṇas. Thus He used to give cows in charity to the brāhmaṇas, with opulent decorations and paraphernalia. Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire.

Krsna Book 70:

At the very moment the messenger of the imprisoned kings was presenting their appeal before the Lord, the great sage Nārada arrived. Because he was a great saint, his hair was dazzling like gold, and when he entered the assembly house it appeared that the sun-god was personally present in the midst of the assembly.

Krsna Book 73:

After delivering His instructions to the kings and princes, Lord Kṛṣṇa immediately arranged for their comfort and asked many servants and maidservants to take care of them. Lord Kṛṣṇa requested Sahadeva, the son of King Jarāsandha, to supply all necessities to the kings and show them all respect and honor. In pursuance of the order of Lord Kṛṣṇa, Sahadeva offered them all honor and presented them with ornaments, garments, garlands and other paraphernalia. After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses.

Krsna Book 74:

The brāhmaṇa priests and sages in charge of the sacrificial ceremony constructed the sacrificial arena as usual with a plow of gold, and they initiated King Yudhiṣṭhira as the performer of the great sacrifice, in accordance with Vedic rituals. Long years ago, when Varuṇa performed a similar sacrifice, all the sacrificial utensils were made of gold. Similarly, in the Rājasūya sacrifice of King Yudhiṣṭhira, all the utensils required for the sacrifice were golden.

Krsna Book 81:

Seeing the wonderful conversion of his native place, the brāhmaṇa began to think to himself, "How am I seeing all these changes? Does this place belong to me or to someone else? If it is the same place where I used to live, then how has it so wonderfully changed?"

While the learned brāhmaṇa was considering this, a group of beautiful men and women with features resembling those of the demigods, accompanied by musical chanters, approached to welcome him. All were singing auspicious songs. The wife of the brāhmaṇa was very glad on hearing the tidings of her husband's arrival, and with great haste she came out of the palace. The brāhmaṇa's wife appeared so beautiful that it seemed as if the goddess of fortune herself had come to receive him. As soon as she saw her husband present before her, tears of joy fell from her eyes, and her voice became so choked up that she could not even address her husband. She simply closed her eyes in ecstasy. But with great love and affection she bowed down before her husband, and within herself she thought of embracing him. She was fully decorated with a gold necklace and ornaments, and while standing among the maidservants she appeared like a demigod's wife just alighting from an airplane. The brāhmaṇa was surprised to see his wife so beautiful, and in great affection and without saying a word he entered the palace with her.

Krsna Book 81:

When the brāhmaṇa entered his personal apartment in the palace, he saw that it was not an apartment but the residence of the King of heaven. The palace was surrounded by many columns of jewels. The couches and the bedsteads were made of ivory and bedecked with gold and jewels, and the bedding was as white as the foam of milk and as soft as a lotus.

Krsna Book 82:

All the members of the Yadu dynasty were naturally very beautiful, yet on this occasion, when they appeared duly decorated with gold necklaces and flower garlands, dressed in valuable clothing and properly armed with their respective weapons, their natural beauty and personalities were a hundred times enhanced.

Krsna Book 87:

The personified Vedas presented the example that those seeking gold do not reject gold earrings, gold bangles or anything else made of gold simply because they are shaped differently from the original gold. All living entities are part and parcel of the Supreme Lord and are qualitatively one, but they are now differently shaped in 8,400,000 species of life, just like many different ornaments manufactured from the same source of gold. As one who is interested in gold accepts all the differently shaped gold ornaments, so a Vaiṣṇava, knowing well that all living entities are of the same quality as the Supreme Personality of Godhead, accepts all living entities as eternal servants of God.

Renunciation Through Wisdom

Renunciation Through Wisdom 2.4:

Once a person falls into the useless company of sense gratifiers, he spends his wealth on fineries, gold, and women.

Renunciation Through Wisdom 3.5:

Śrīla Rūpa Gosvāmī, in his play Vidagdha-mādhava, glorifies Lord Caitanya's unique contribution to mankind:

anarpita-carīṁ cirāt karuṇayāvatīrṇaḥ kalau

samarpayitum unnatojjvala-rasāṁ sva-bhakti-śrīyam

hariḥ puraṭa-sundara-dyuti-kadamba-sandīpitaḥ

sadā hṛdaya-kandare sphuratu vaḥ śacī-nandanaḥ

May that Lord who is known as the son of Śrīmatī Śacīdevī be transcendentally situated in the innermost core of your heart. Resplendent with the radiance of molten gold, He has descended in the Age of Kali by His causeless mercy to bestow what no incarnation has ever offered before: the most elevated mellow of devotional service, the mellow of conjugal love.

Sri Isopanisad

Sri Isopanisad 11, Purport:

Hiraṇya means "gold," and kaśipu means "soft bed."

Narada-bhakti-sutra (sutras 1 to 8 only)

Narada Bhakti Sutra 7, Purport:

"Although the dealings of the gopīs with Kṛṣṇa are wrongly celebrated by many as lust, great sages and saintly persons like Uddhava hanker for such loving affairs with Kṛṣṇa." Śrīla Kṛṣṇadāsa Kavirāja, the author of Caitanya-caritāmṛta, has therefore said,

kāma, prema,-doṅhākāra vibhinna lakṣaṇa

lauha āra hema yaiche svarūpe vilakṣaṇa

"As there is a difference between iron and gold, so there is a difference between material lust and Kṛṣṇa's loving affairs with the gopīs" (CC Adi 4.164).