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Full moon (CC and Other Books)

Expressions researched:
"Purnima" |"full autumn moon" |"full autumn moon" |"full light of the moon" |"full moon" |"full shining moon" |"full, like the waxing moon in the sky" |"moon is full"

Sri Caitanya-caritamrta

CC Adi-lila

CC Adi 4.271-272, Translation:

First Lord Kṛṣṇa made His parents and elders appear. Then Kṛṣṇa Himself, with the sentiments and complexion of Rādhikā, appeared in Navadvīpa, like the full moon, from the womb of mother Śacī, which is like an ocean of pure milk.

CC Adi 8.64, Translation:

Like the full moon, he illuminated the entire assembly of Vaiṣṇavas by speaking Śrī Caitanya-maṅgala, and by the nectar of his qualities he increased their transcendental bliss.

CC Adi 11.23, Purport:

In that same village is a temple of Balarāma, and the Deity there is regularly worshiped. The original Deity of Maheśapura, Rādhāvallabha, was taken by the Saidābād Gosvāmīs of Berhampur, and since the present Deities were installed, a zamindar family of Maheśapura has looked after Their worship. On the full-moon day of the month of Māgha (January-February), the anniversary of Sundarānanda's disappearance is regularly celebrated, and people from the neighboring areas gather together to observe this festival.”

CC Adi 11.29, Purport:

Unfortunately, his family members do not worship the Deity directly; they have engaged paid brāhmaṇas to worship the Deity. In the temple, Baladeva and Śrī Śrī Rādhā-Gopīnātha are together on the throne. It is supposed that the Deity of Baladeva was installed later because according to transcendental mellow, Baladeva, Kṛṣṇa and Rādhā cannot stay on the same throne. On the full-moon day of Vaiśākha (April—May), the disappearance festival of Parameśvarī Ṭhākura is observed in this temple.”

CC Adi 13 Summary:

Śrī Śacīdevī gave birth to eight children, all daughters, who died one after another immediately after birth. After her ninth pregnancy she gave birth to a son, who was named Viśvarūpa. Then, in 1407 Śaka Era (A.D. 1486), in the full-moon evening of the month of Phālguna, with the moon in the constellation of Siṁha (Leo), Lord Caitanya Mahāprabhu appeared as the son of Śrī Śacīdevī and Jagannātha Miśra. After hearing of the birth of Caitanya Mahāprabhu, learned scholars and brāhmaṇas, bringing many gifts, came to see the newborn baby. Nīlāmbara Cakravartī, who was a great astrologer, immediately prepared a horoscope, and by astrological calculation he saw that the child was a great personality. This chapter describes the symptoms of this great personality.

CC Adi 13.19, Translation:

I offer my respectful obeisances unto the full-moon evening in the month of Phālguna, an auspicious time full of auspicious symptoms, when Lord Śrī Caitanya Mahāprabhu advented Himself with the chanting of the holy name, Hare Kṛṣṇa.

CC Adi 13.20, Translation:

On the full-moon evening of the month of Phālguna when the Lord took birth, coincidentally there was also a lunar eclipse.

CC Adi 13.86, Purport:

Śrīla Rūpa Gosvāmī also comments in this connection that Lord Kṛṣṇa first appeared in the mind of Ānakadundubhi, Vasudeva, and was then transferred to the mind of Devakī-devī. Thus the spiritual bliss in the mind of Devakī-devī gradually increased, just as the moon increases every night until it becomes a full moon. At the time of His appearance, Lord Kṛṣṇa came out of the mind of Devakī and appeared within the prison house of Kaṁsa, by the side of Devakī’s bed. At that time, by the spell of yogamāyā, Devakī thought that her child had now been born. In this connection, even the demigods from the celestial kingdom were also bewildered. As it is stated, muhyanti yat sūrayaḥ (SB 1.1.1). They came to offer their prayers to Devakī, thinking that the Supreme Lord was within her womb. The demigods came to Mathurā from their celestial kingdom. This indicates that Mathurā is still more important than the celestial kingdom of the upper planetary system.

CC Adi 13.89, Translation:

Thus in the year 1407 of the Śaka Era (A.D. 1486), in the month of Phālguna (February-March), in the evening of the full-moon day, the desired auspicious moment arrived.

CC Adi 13.92, Translation:

Considering this, Rāhu, the black planet, covered the full moon, and immediately vibrations of "Kṛṣṇa! Kṛṣṇa! Hari!" inundated the three worlds.

CC Adi 13.92, Purport:

According to the Jyotir-veda, a lunar eclipse takes place when the Rāhu planet comes in front of the full moon. It is customary in India that all the followers of the Vedic scriptures bathe in the Ganges or the sea as soon as there is a lunar or solar eclipse. All strict followers of the Vedic religion stand up in the water throughout the whole period of the eclipse and chant the Hare Kṛṣṇa mahā-mantra. At the time of the birth of Lord Caitanya Mahāprabhu, such a lunar eclipse took place, and naturally all the people standing in the water were chanting Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare.

CC Adi 13.98, Translation:

Thus by His causeless mercy the full moon, Gaurahari, rose in the district of Nadia, which is compared to Udayagiri, where the sun first becomes visible. His rising in the sky dissipated the darkness of sinful life, and thus the three worlds became joyful and chanted the holy name of the Lord.

CC Adi 16.28, Translation:

Once on a full moon night the Lord was sitting on the bank of the Ganges with His many disciples and discussing literary topics.

CC Adi 17.16, Purport:

By the order of Śrī Caitanya Mahāprabhu, Nityānanda Prabhu arranged for the Vyāsa-pūjā of the Lord on the night of the full moon. He arranged for the Vyāsa-pūjā, or guru-pūjā, through the agency of Śrīvāsa Ṭhākura. Since Vyāsadeva is the original guru (spiritual master) of all who follow the Vedic principles, worship of the spiritual master is called Vyāsa-pūjā. Nityānanda Prabhu arranged for the Vyāsa-pūjā, and saṅkīrtana was going on, but when He tried to put a garland on the shoulder of Śrī Caitanya Mahāprabhu, He saw Himself in Lord Caitanya. There is no difference between the spiritual positions of Lord Caitanya Mahāprabhu and Nityānanda Prabhu, or Kṛṣṇa and Balarāma. All of Them are but different manifestations of the Supreme Personality of Godhead.

CC Madhya-lila

CC Madhya 4.169, Purport:

The Cāturmāsya period begins in the month of Āṣāḍha (June-July) from the day of Ekādaśī called Śayanā-ekādaśī, in the fortnight of the waxing moon. The period ends in the month of Kārttika (October-November) on the Ekādaśī day known as Utthānā-ekādaśī, in the fortnight of the waxing moon. This four-month period is known as Cāturmāsya. Some Vaiṣṇavas also observe it from the full-moon day of Āṣāḍha until the full-moon day of Kārttika. That is also a period of four months. This period, calculated by the lunar months, is called Cāturmāsya, but others also observe Cāturmāsya according to the solar month from Śrāvaṇa to Kārttika. The whole period, either lunar or solar, takes place during the rainy season. Cāturmāsya should be observed by all sections of the population. It does not matter whether one is a gṛhastha or a sannyāsī. The observance is obligatory for all āśramas.

CC Madhya 15.36, Purport:

The Dīpāvalī festival takes place on the dark-moon night in the month of Kārttika (October-November). The Rāsa-yātrā, or rāsa dancing of Kṛṣṇa, takes place on the full-moon night of the same month. Utthāna-dvādaśī takes place the day after Ekādaśī in the waxing fortnight of the moon in the same month. All the devotees of Śrī Caitanya Mahāprabhu participated in all these festivals.

CC Madhya 18.146, Translation:

The Sanoḍiyā brāhmaṇa continued, “Kindly submit to Śrī Caitanya Mahāprabhu the unhappiness you are feeling within yourself. Then propose that we all go to Prayāga on the full-moon day of the month of Māgha.

CC Madhya 18.150, Purport:

There are two great occasions for bathing in the Ganges during Māgha-melā. One is on the day of the dark moon, and the other is on the day of the full moon during the month of Māgha.

CC Madhya 21.127, Translation:

“Kṛṣṇa has two cheeks that shine like glowing gems. Both are considered full moons. His forehead is considered a half moon, and the spot of sandalwood there is considered a full moon.

CC Madhya 21.129, Translation:

“Kṛṣṇa's face is the enjoyer king. That full-moon face makes His shark-shaped earrings and lotus eyes dance. His eyebrows are like bows, and His eyes are like arrows. His ears are fixed on the string of that bow, and when His eyes spread to His ears, He pierces the hearts of the gopīs.

CC Madhya 21.139, Translation:

“The beauty of Kṛṣṇa's smile is the sweetest feature of all. His smile is like a full moon that spreads its rays throughout the three worlds—Goloka Vṛndāvana, the spiritual sky of the Vaikuṇṭhas, and Devī-dhāma, the material world. Thus Kṛṣṇa's shining beauty spreads in all ten directions.

CC Madhya 24.50, Purport:

This verse from Śrīmad-Bhāgavatam (10.29.39) was spoken by the gopīs when they arrived near Kṛṣṇa for the rāsa dance on a full-moon night. The attracted gopīs were awestruck, and they began to speak about how they came to Kṛṣṇa to enjoy the rāsa dance.

CC Antya-lila

CC Antya 1.136, Translation and Purport:

""Springtime had arrived, and the full moon of that season inspired the Supreme Personality of Godhead, who is complete in everything, with new attraction to meet the beautiful Śrīmatī Rādhārāṇī at night to increase the beauty of Their pastimes.""

Śrīla Bhaktivinoda Ṭhākura interprets this verse (Vidagdha-mādhava 1.10) in two ways, for Lord Kṛṣṇa and for Śrīmatī Rādhārāṇī. When interpreted for Kṛṣṇa, the night is understood to have been a dark-moon night, and when interpreted for Śrīmatī Rādhārāṇī, it is considered to have been a full-moon night.

CC Antya 1.185, Purport:

In the course of the introduction, all the seeds of the play are planted. This introduction is called udghātyaka because the player dances on the stage. This term also indicates that the full moon enters the stage. In this case, when the word naṭatā ("dancing on the stage") is linked with the moon, its meaning is obscure, but because the meaning becomes very clear when the word naṭatā is linked with Kṛṣṇa, this type of introduction is called udghātyaka.

Śrīla Rāmānanda Rāya used highly technical terms when he discussed this subject with Śrīla Rūpa Gosvāmī. Rūpa Gosvāmī stated that Śrīla Rāmānanda Rāya was a greatly learned scholar of bona fide dramatic composition. Thus although Śrīla Rūpa Gosvāmī was quite fit to answer Śrīla Rāmānanda Rāya's questions, due to his Vaiṣṇava humility he said that his words were impudent.

CC Antya 1.191, Translation:

""Śrīmatī Rādhārāṇī is the Ganges in which the elephant of My mind enjoys pastimes. She is the shining of the full autumn moon for the cakora birds of My eyes. She is the dazzling ornament, the bright and beautiful arrangement of stars, on the border of the sky of My chest. Now today I have gained Śrīmatī Rādhārāṇī because of the highly elevated state of My mind.""

CC Antya 7.12, Purport:

One cannot become an ācārya simply by mental speculation. The true ācārya presents Kṛṣṇa to everyone by preaching the holy name of the Lord throughout the world. Thus the conditioned souls, purified by chanting the holy name, are liberated from the blazing fire of material existence. In this way, spiritual benefit grows increasingly full, like the waxing moon in the sky. The true ācārya, the spiritual master of the entire world, must be considered an incarnation of Kṛṣṇa's mercy. Indeed, he is personally embracing Kṛṣṇa. He is therefore the spiritual master of all the varṇas (brāhmaṇa, kṣatriya, vaiśya and śūdra) and all the āśramas (brahmacarya, gṛhastha, vānaprastha and sannyāsa). Since he is understood to be the most advanced devotee, he is called paramahaṁsa-ṭhākura. Ṭhākura is a title of honor offered to the paramahaṁsa. Therefore one who acts as an ācārya, directly presenting Lord Kṛṣṇa by spreading His name and fame, is also to be called paramahaṁsa-ṭhākura.

CC Antya 15.63, Translation:

“"My dear friend, the luster of Kṛṣṇa"s body is more brilliant than that of a newly formed cloud, and His yellow dress is more attractive than newly arrived lightning. A peacock feather decorates His head, and on His neck hangs a lovely necklace of brilliant pearls. As He holds His charming flute to His lips, His face looks as beautiful as the full autumn moon. By such beauty, Madana-mohana, the enchanter of Cupid, is increasing the desire of My eyes to see Him.’”

CC Antya 15.67, Translation:

“The luster of Kṛṣṇa's body is as beautiful as the glow of a spotless full moon that has just risen, and the vibration of His flute sounds exactly like the sweet thundering of a newly formed cloud. When the peacocks in Vṛndāvana hear that vibration, they all begin to dance.

CC Antya 18.4, Translation:

During a night of the autumn season when a full moon brightened everything, Śrī Caitanya Mahāprabhu wandered all night long with His devotees.

CC Antya 19 Summary:

To stop this, Svarūpa Dāmodara asked Śaṅkara Paṇḍita to stay at night in the same room with the Lord.

This chapter further describes how Lord Śrī Caitanya Mahāprabhu entered the Jagannātha-vallabha garden during the full-moon night of Vaiśākha (April-May) and experienced various transcendental ecstasies. Overwhelmed with ecstatic love at suddenly seeing Lord Śrī Kṛṣṇa beneath an aśoka tree, He exhibited various symptoms of spiritual madness.

CC Antya 19.36, Translation:

“The family of Mahārāja Nanda is just like an ocean of milk, wherein Lord Kṛṣṇa has arisen like the full moon to illuminate the entire universe. The eyes of the residents of Vraja are like cakora birds that continuously drink the nectar of His bodily luster and thus live peacefully.

CC Antya 19.78, Translation:

One full-moon night in the month of Vaiśākha (April-May), Śrī Caitanya Mahāprabhu went to a garden.

CC Antya 19.82, Translation:

Brightly illuminated by the full moon, the trees and creepers glittered in the light.

Other Books by Srila Prabhupada

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 10:

The Vedic hymn known as Kāma-gāyatrī describes the face of Kṛṣṇa as the king of all moons. In metaphorical language, there are many different full moons, but they are all one in Kṛṣṇa. There is the full moon of His face, the full moons of His cheeks, the full moon of the sandalwood-pulp spot on His forehead, which is a half-moon, and the beautiful full moons of His fingernails and toenails. In this way there are twenty-four and a half moons, and Kṛṣṇa is the central figure of all of them.

Teachings of Lord Caitanya, Chapter 12:

The devotee should (1) take shelter of a bona fide spiritual master, (2) receive initiation from the spiritual master, (3) serve the spiritual master, (4) inquire and learn love from the spiritual master, (5) follow in the footsteps of holy persons devoted to the transcendental loving service of the Lord, (6) be prepared to give up all kinds of enjoyment and suffer all kinds of miseries for the satisfaction of Kṛṣṇa, (7) live in a place where Kṛṣṇa had His pastimes, (8) be satisfied by whatever is sent by Kṛṣṇa for the maintenance of the body and not hanker for more than that, (9) observe fasting on Ekādaśī day (this occurs on the eleventh day after the full moon and the eleventh day after the new moon. On such days no grains, cereals or beans are eaten; simply vegetables and milk are moderately taken, and the chanting of Hare Kṛṣṇa and reading of scriptures are increased.), (10) show respect to devotees, cows and sacred trees like the banyan tree.

Teachings of Lord Caitanya, Chapter 23:

In that Purāṇa it is said about the Bhāgavatam that in it there are many narrations and spiritual instructions, that it begins with the Gāyatrīmantra, and that it contains the history of Vṛtrāsura. It is also said that whoever makes a gift of this great work on a full-moon day attains to the highest perfection of life and goes back to Godhead. There is also reference to Śrīmad-Bhāgavatam in other Purāṇas, which even indicate that the work consists of twelve cantos and eighteen thousand ślokas. In the Padma Purāṇa there is also a reference to Śrīmad-Bhāgavatam, during a conversation between Gautama and Mahārāja Ambarīṣa. The king was advised to read Śrīmad-Bhāgavatam regularly if he at all desired liberation from material bondage. Under these circumstances, there is no doubt regarding the authority of Śrīmad-Bhāgavatam.

Nectar of Devotion

Nectar of Devotion 18:

To be more clear, by the association of pure devotees attachment for Kṛṣṇa can be aroused, but if one commits offenses at the lotus feet of a devotee, one's shadow attachment or parā attachment can be extinguished. This extinguishing is like the waning of the full moon, which gradually decreases and at last becomes dark. One should therefore be very careful while associating with pure devotees to guard against committing an offense at their lotus feet.

Transcendental attachment, either shadow or parā, can be nullified by different degrees of offenses at the lotus feet of pure devotees. If the offense is very serious, then one's attachment becomes almost nil, and if the offense is not very serious, one's attachment can become second class or third class.

Nectar of Devotion 18:

In the Nṛsiṁha Purāṇa it is stated, "If a person has completely engaged his mind, body and activities in the service of the Supreme Godhead, but externally he is found to be engaged in some abominable activities, these abominable activities will surely be very quickly vanquished by the influence of his staunch devotional force." The example is given that on the full moon there are some spots which may appear to be pockmarks. Still, the illumination spread by the full moon cannot be checked. Similarly, a little fault in the midst of volumes of devotional service is not at all to be counted as a fault. Attachment for Kṛṣṇa is transcendental bliss. Amid unlimited volumes of transcendental bliss, a spot of some material defect cannot act in any way.

Nectar of Devotion 21:

Out of these three, His youth is the reservoir of all pleasures and is the time when the highest varieties of devotional service are acceptable. At that age, Kṛṣṇa is full with all transcendental qualities and is engaged in His transcendental pastimes. Therefore, devotees have accepted the beginning of His youth as the most attractive feature in ecstatic love.

At this age Kṛṣṇa is described as follows: "The force of Kṛṣṇa's youth was combined with His beautiful smile, which defeated even the beauty of the full moon. He was always nicely dressed, in beauty surpassing even Cupid, and He was always attracting the minds of the gopīs, who were thereby always feeling pleasure."

Nectar of Devotion 21:

Regarding His moral principles, it is stated in Śrīmad-Bhāgavatam that Kṛṣṇa is ruling over Vṛndāvana as death personified to the thieves, as pleasing bliss to the pious, as the most beautiful Cupid to the young girls and as the most munificent personality to the poor men. He is as refreshing as the full moon to His friends, and to His opponents He is the annihilating fire generated from Lord Śiva. Kṛṣṇa is therefore the most perfect moralist in His reciprocal dealings with different kinds of persons. When He is death personified to the thieves, it is not that He is without moral principles or that He is cruel; He is still kind, because to punish thieves with death is to exhibit the highest quality of moral principles. In Bhagavad-gītā, also, Kṛṣṇa says that He deals with different kinds of persons according to their dealings with Him. Kṛṣṇa's dealings with devotees and with nondevotees, although different, are equally good. Because Kṛṣṇa is all-good, His dealings with everyone are always good.

Nectar of Devotion 21:

Kṛṣṇa was very expert in dealing with people according to circumstances, country, time and paraphernalia. How He could take advantage of a particular time, circumstance and person is expressed by Him while talking to Uddhava about His rāsa dance with the gopīs. He says, "The most opportune time is the full-moon night in autumn, like tonight. The best place within the universe is Vṛndāvana, and the most beautiful girls are the gopīs. So, My dear friend Uddhava, I think I should now take advantage of all these circumstances and engage Myself in the rāsa dance."

Nectar of Devotion 27:

It is said that when the full moon rises, the lotus petals become expanded. Similarly, when Kṛṣṇa used to appear before Rādhārāṇī, Her face, which is compared to the lotus flower, would expand by Her yawning.

Nectar of Devotion 43:

The description of Nanda Mahārāja's bodily features is as follows. The hairs on his head are generally black, but some of them are gray. His garments are of greenish color, like the new-grown leaves of a banyan tree. His belly is fatty, his complexion is exactly like the full moon, and he has a beautiful mustache. When Kṛṣṇa was a baby, one day He was walking in the courtyard, capturing the finger of His father, and because He could not walk steadily He appeared to be almost falling down. While Nanda Mahārāja was giving protection to His transcendental son in this way, all of a sudden there were drops of tears in his eyes, and he became overwhelmed with joy. Let us all offer our respectful obeisances unto the lotus feet of King Nanda!

Krsna, The Supreme Personality of Godhead

Krsna Book 2:

Thus the eternal form of the Supreme Personality of Godhead with full potencies was transferred from the mind of Vasudeva to the mind of Devakī, exactly as the setting sun's rays are transferred to the full moon rising in the east.

Kṛṣṇa, the Supreme Personality of Godhead, thus entered the body of Devakī from the body of Vasudeva without being subject to any of the conditions of an ordinary living entity. Since Kṛṣṇa was there, it is to be understood that all His plenary expansions, such as Nārāyaṇa, and incarnations like Lord Nṛsiṁha and Varāha, were with Him, and They also were not subject to the conditions of material existence. In this way, Devakī became the residence of the Supreme Personality of Godhead, who is one without a second and the cause of all creation.

Krsna Book 3:

When things were adjusted like this, Lord Viṣṇu, who is residing within the heart of every living entity, appeared in the darkness of night as the Supreme Personality of Godhead before Devakī, who appeared as one of the demigoddesses. The appearance of Lord Viṣṇu at that time could be compared to the rising of the full moon over the eastern horizon. The objection may be raised that since Lord Kṛṣṇa appeared on the eighth day of the waning moon, there could be no rising of the full moon. In answer to this it may be said that Lord Kṛṣṇa appeared in the dynasty which is in the hierarchy of the moon; therefore, although the moon was incomplete on that night, because of the Lord's appearance in the dynasty wherein the moon is himself the original person, the moon was in an overjoyous condition, so by the grace of Kṛṣṇa he could appear just like a full moon.

Krsna Book 28:

The Govardhana-pūjā ceremony took place on the new-moon day. After this, there were torrents of rain and hailstorms imposed by King Indra for seven days. Nine days of the waxing moon having passed, on the tenth day King Indra worshiped Lord Kṛṣṇa, and thus the matter was satisfactorily settled. After this, on the eleventh day of the full moon, Ekādaśī, Mahārāja Nanda observed fasting for the whole day, and just early in the morning of the next day, Dvādaśī, he went to take a bath in the river Yamunā. He entered deep into the water of the river, but he was arrested immediately by one of the servants of Varuṇadeva. This servant brought Nanda Mahārāja before the demigod Varuṇa and accused him of taking a bath in the river at the wrong time. According to astronomical calculations, the time in which he took a bath was considered demoniac. The fact was that Nanda Mahārāja wanted to take a bath in the river Yamunā early in the morning before the sunrise, but somehow or other he was a little too early, and he bathed at an inauspicious time. Consequently he was arrested.

Krsna Book 29:

In Śrīmad-Bhāgavatam it is stated that the rāsa dance took place on the full-moon night of the śarat season. From the statements of previous chapters, it appears that the festival of Govardhana-pūjā was performed just after the dark-moon night of the month of Kārttika, and thereafter the ceremony of Bhrātṛ-dvitīyā was performed; then the wrath of Indra was exhibited in the shape of torrents of rain and hailstones, and Lord Kṛṣṇa held up Govardhana Hill for seven days, until the ninth day of the moon. Thereafter, on the tenth day, the inhabitants of Vṛndāvana were talking amongst themselves about the wonderful activities of Kṛṣṇa, and the next day, Ekādaśī, was observed by Nanda Mahārāja.

Krsna Book 29:

On the next day, Dvādaśī, Nanda Mahārāja went to take a bath in the Ganges and was arrested by one of the men of Varuṇa; then he was released by Lord Kṛṣṇa. Then Nanda Mahārāja, along with the cowherd men, was shown the spiritual sky.

In this way, the full-moon night of the śarat season came to an end. The full-moon night of Āśvina is called śarat-pūrṇimā. It appears from the statements of Śrīmad-Bhāgavatam that Kṛṣṇa had to wait another year for such a moon before enjoying the rāsa dance with the gopīs. At the age of seven years He lifted Govardhana Hill. Therefore the rāsa dance took place during His eighth year.

Krsna Book 29:

From the Vedic literature it appears that when a theatrical actor dances among many dancing girls, the group dance is called a rāsa dance. When Kṛṣṇa saw the full-moon night of the śarat season, decorated with various seasonal flowers—especially the mallikā flowers, which are very fragrant—He remembered the gopīs' prayers to Goddess Kātyāyanī, wherein they prayed for Kṛṣṇa to be their husband. He thought that the full-moon night of the śarat season was just suitable for a nice dance. So their desire to have Kṛṣṇa as their husband would then be fulfilled.

Krsna Book 29:

When Kṛṣṇa, the supreme enjoyer, desired to enjoy the company of the gopīs on that full-moon night of the śarat season, exactly at that very moment the moon, the lord of the stars, appeared in the sky, displaying its most beautiful features. The full-moon night of the śarat season is the most beautiful night in the year. In the Indian city of Agra, in Uttar Pradesh Province, there is a great monument called the Taj Mahal, which is a tomb made of first-class marble stone. During the night of the full moon of the śarat season, many foreigners go to see the beautiful reflections of the moon on the tomb. Thus this full-moon night is celebrated even today for its beauty.

Krsna Book 29:

When the full moon rose in the east, it tinged everything with a reddish color. With the rising of the moon, the whole sky appeared smeared by red kuṅkuma. When a husband long separated from his wife returns home, he decorates the face of his wife with red kuṅkuma. This long-expected moonrise of the śarat season was thus smearing the eastern sky.

The appearance of the moon increased Kṛṣṇa's desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted.

Krsna Book 29:

The appearance of the moon increased Kṛṣṇa's desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted. Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere and the blossoming flowers. All the gopīs were by nature very much attracted to Kṛṣṇa's beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa.

Krsna Book 29:

Upon hearing the anxious plea of the gopīs, the Supreme Personality of Godhead smiled, and being very kind to the gopīs, the Lord, although self-sufficient, began to embrace them and kiss them as they desired. When Kṛṣṇa, smiling, looked at the faces of the gopīs, the beauty of their faces became a hundred times enhanced. When He was enjoying them in their midst, He appeared just like the full moon surrounded by millions of shining stars. Thus the Supreme Personality of Godhead, surrounded by hundreds of gopīs and decorated with a flower garland of many colors, began to wander within the Vṛndāvana forest, sometimes singing to Himself and sometimes singing with the gopīs. In this way the Lord and the gopīs reached the cool, sandy bank of the Yamunā, where there were lilies and lotus flowers. In such a transcendental atmosphere, the gopīs and Kṛṣṇa began to enjoy one another.

Krsna Book 41:

What they did not use remained there. Kṛṣṇa, Balarāma and the boys then proceeded along the main road. In the meantime, a devotee-tailor took the opportunity of service and prepared some nice clothes from the cloth for Kṛṣṇa and Balarāma. Thus being very nicely attired, Kṛṣṇa and Balarāma looked like elephants dressed with colored clothing on the full-moon day or the dark-moon day. Kṛṣṇa was very much pleased with the tailor and gave him the benediction of sārūpya-mukti, which means that after leaving his body he would be liberated and would attain a four-handed body exactly like that of Nārāyaṇa in the Vaikuṇṭha planets. Kṛṣṇa also granted him that as long as he would live he would earn sufficient opulence to be able to enjoy sense gratification. By this incident Kṛṣṇa proved that those who are Kṛṣṇa conscious devotees will not be lacking material enjoyment of sense gratification.

Krsna Book 61:

Rukmī again challenged Balarāma and made a bet of a hundred thousand gold coins, but fortunately this time Balarāma won. Nonetheless, out of cunningness Rukmī claimed that Balarāma was the loser and that he himself had won. Because of this lie, Balarāmajī became most angry with Rukmī. His agitation was so sudden and great that it appeared like a tidal wave in the ocean on a full-moon day. Balarāma's eyes are naturally reddish, and when He became agitated and angry His eyes became more reddish. This time He challenged and made a bet of a hundred million coins.

Again Balarāma was the winner according to the rules of chess, but Rukmī again cunningly claimed that he had won. Rukmī appealed to the princes present, and he especially mentioned the name of the King of Kaliṅga. During the dispute there was a voice from the sky, and it announced that for all honest purposes Balarāma was the actual winner of this game, that He was being abused, and that the statement of Rukmī that he had won was absolutely false.

Krsna Book 70:

After entering the assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence. In the midst of all the great heroes of the Yadu dynasty, Kṛṣṇa resembled the full moon in the sky surrounded by multiluminaries. In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood. First of all the jokers would talk in such a way that the Lord and His associates would enjoy their humor, which would refresh the morning mood. The dramatic actors would then play their parts, and the dancing ballet girls would separately display their artistic movements.

Krsna Book 71:

Pleased to see Lord Śrī Kṛṣṇa passing with His thousands of queens, they showered flowers on the procession, embraced Lord Kṛṣṇa within their minds and gave Him a hearty reception. When they saw Him in the midst of His many queens, like the full moon situated amidst many luminaries, they began to talk amongst themselves.

One girl said to another, "My dear friend, it is very difficult to guess what kind of pious activities these queens have performed, for they are always enjoying the smiling face and loving glances of Kṛṣṇa." While Lord Kṛṣṇa was thus passing on the road, at intervals some of the citizens, who were all rich, respectable and freed from sinful activities, presented auspicious articles to the Lord, just to offer Him a reception to the city. Thus they worshiped Him as humble servitors.

Krsna Book 78:

The brāhmaṇas could understand the purpose of the Lord, and thus they suggested that He atone in a manner beneficial to them. They said, "Our dear Lord, there is a very powerful demon of the name Balvala. He is the son of Ilvala, and he visits this sacred place of sacrifice every fortnight on the full moon and moonless days and creates a great disturbance to the discharge of our duties in the sacrifice. O descendant of the Daśārha family, we all request You to kill this demon. We think that if You kindly kill him, that will be Your atonement on our behalf. The demon occasionally comes here and profusely throws upon us contaminated, impure things like pus, blood, stool, urine and wine; he pollutes this sacred place by showering such filth upon us. After killing Balvala, You may continue touring all the sacred places of pilgrimage for twelve months, and in that way You will be completely freed from all contamination. That is our prescription."

Krsna Book 79:

Lord Balarāma then took the avabhṛtha bath, which is taken after finishing sacrificial performances. After taking His bath, He dressed Himself in new silken garments and decorated Himself with beautiful jewelry. Amidst His relatives and friends, He appeared to be a shining full moon amidst the luminaries in the sky. Lord Balarāma is the Personality of Godhead Ananta Himself; therefore He is beyond the scope of understanding by mind, intelligence or body. He descended exactly like a human being and behaved in that way for His own purposes; we can only explain His activities as the Lord's pastimes. No one can even estimate the extent of the unlimited demonstrations of His pastimes because He is all-powerful. Lord Balarāma is the original Viṣṇu; therefore anyone remembering these pastimes of Lord Balarāma in the morning and evening will certainly become a great devotee of the Supreme Personality of Godhead, and thus his life will be successful in all respects.

Krsna Book 86:

When it was disclosed to Lord Balarāma that the so-called sannyāsī was Arjuna, who had planned such a device simply to take away Subhadrā, and that he had actually taken her, He became very angry. Just as the waves of the ocean become agitated on a full-moon day, Lord Balarāma became greatly disturbed.

Lord Kṛṣṇa was in favor of Arjuna; therefore, along with other members of the family, He tried to pacify Balarāma by falling at His feet and begging Him to pardon Arjuna. Kṛṣṇa convinced Lord Balarāma that Subhadrā was attached to Arjuna, and thus Balarāma became pleased to know that she wanted Arjuna as her husband. The matter was settled, and to please the newly married couple Lord Balarāma arranged to send a dowry consisting of an abundance of riches, including elephants, chariots, horses, menservants and maidservants.

Page Title:Full moon (CC and Other Books)
Compiler:Visnu Murti, RupaManjari
Created:01 of Jun, 2012
Totals by Section:BG=0, SB=0, CC=33, OB=27, Lec=0, Con=0, Let=0
No. of Quotes:60