Forehead (CC and Other Books)

Expressions researched:
"forehead" |"foreheads"

CC Adi-lila

CC Adi 14.15, Translation and Purport:

“"There are thirty-two bodily symptoms of a great personality: five of his bodily parts are large, five fine, seven reddish, six raised, three small, three broad and three grave."

The five large parts are the nose, arms, chin, eyes and knees. The five fine parts are the skin, fingertips, teeth, hair on the body and hair on the head. The seven reddish parts are the eyes, soles, palms, palate, nails and upper and lower lips. The six raised parts are the chest, shoulders, nails, nose, waist and mouth. The three small parts are the neck, thighs and male organ. The three broad parts are the waist, forehead and chest. The three grave parts are the navel, voice and existence. Altogether these are the thirty-two symptoms of a great personality. This is a quotation from the Sāmudrika.

CC Adi 17.69, Translation:

Murāri Gupta was a great devotee of Lord Rāmacandra. When Lord Caitanya heard Lord Rāmacandra's glories from his mouth, He immediately wrote on his forehead "rāmadāsa" (the eternal servant of Lord Rāmacandra).

CC Madhya-lila

CC Madhya 1.208, Purport:

"After initiation, the disciple's name must be changed to indicate that he is a servant of Lord Viṣṇu. The disciple should also immediately begin marking his body with tilaka (ūrdhva-puṇḍra), especially his forehead. These are spiritual marks, symptoms of a perfect Vaiṣṇava." This is a verse from the Padma Purāṇa, Uttara-khaṇḍa. A member of the sahajiyā-sampradāya does not change his name; therefore he cannot be accepted as a Gauḍīya Vaiṣṇava. If a person does not change his name after initiation, it is to be understood that he will continue in his bodily conception of life.

CC Madhya 8.166, Purport:

The ecstasy of love for Kṛṣṇa is known as dhīrā and adhīrā, sober and restless. Such ecstasy constitutes the covering of Śrīmatī Rādhārāṇī’s body, and it is adorned by camphor. Her transcendental anger toward Kṛṣṇa is embodied as the arrangement of the hair on Her head, and the tilaka of Her great fortune shines on Her beautiful forehead. Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame. Her lips are always reddish due to the betel nut of ecstatic affection for Kṛṣṇa. The black ointment around Her eyes is Her tricky behavior with Kṛṣṇa brought about by love.

CC Madhya 8.176, Translation:

“The tilaka of good fortune is on Her beautiful broad forehead. Her various loving affairs are a gem, and Her heart is the locket.

CC Madhya 20.202, Purport:

"When one marks the forehead with tilaka, he must remember Keśava. When one marks the lower abdomen, he must remember Nārāyaṇa. For the chest, one should remember Mādhava, and when marking the hollow of the neck one should remember Govinda. Lord Viṣṇu should be remembered while marking the right side of the belly, and Madhusūdana should be remembered when marking the right arm. Trivikrama should be remembered when marking the right shoulder, and Vāmana should be remembered when marking the left side of the belly. Śrīdhara should be remembered while marking the left arm, and Hṛṣīkeśa should be remembered when marking the left shoulder. Padmanābha and Dāmodara should be remembered when marking the back."

CC Madhya 21.126, Purport:

Kṛṣṇa's face is considered the king of moons, and His body is considered the throne. All the other candras (moons) are considered to be subordinate moons. His left cheek is a moon, and His right cheek is a moon. His forehead is considered a half moon, the spot of sandalwood pulp on His forehead is considered a moon, and His fingernails and toenails are also different moons.

CC Madhya 21.127, Translation:

“Kṛṣṇa has two cheeks that shine like glowing gems. Both are considered full moons. His forehead is considered a half moon, and the spot of sandalwood there is considered a full moon.

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 7:

Just as the months of the year are known according to the twelve different names of the Supreme Lord, the Vaiṣṇava community marks twelve parts of the body according to these names. For instance, the tilaka mark on the forehead is called Keśava, and on the stomach, breast and arms the other names are also given. These are the same names as those given the months.

Teachings of Lord Caitanya, Chapter 10:

"The gopīs used to relish the beauty of Kṛṣṇa as a ceremony of perpetual enjoyment. They enjoyed the beautiful face of Kṛṣṇa, His beautiful ears with earrings, His broad forehead and His smile, and when enjoying this sight of Kṛṣṇa's beauty, they used to criticize the creator Brahmā for causing their vision of Kṛṣṇa to be momentarily impeded by the blinking of their eyelids."

Teachings of Lord Caitanya, Chapter 31:

The decorative transcendental pleasure potency manifests nine symptoms. Five of these are manifested by the expansion of Her personal beauty, which is adorned with garlands of flowers. Her patient calmness is compared with a covering of cloths which have been cleansed by camphor. Her confidential agony for Kṛṣṇa is the knot in Her hair, and the mark of tilaka on Her forehead is Her fortune. Rādhārāṇī's sense of hearing is eternally fixed on Kṛṣṇa's name and fame. One's lips become red from chewing betel nuts. Similarly, the borders of Rādhārāṇī's eyes are blackened due to Her complete attachment to Kṛṣṇa. This darkness might be compared to ointment used by nature when nature jokes with Rādhā and Kṛṣṇa. Rādhārāṇī's smile is just like the taste of camphor. The garland of separation moves on Her body when She lies down on the bed of pride within the room of aroma. Out of ecstatic affection for Kṛṣṇa, Her breast is covered by the blouse of anger.

Teachings of Lord Caitanya, Chapter 31:

The tilaka of fortune is on the forehead of Śrīmatī Rādhārāṇī, and She also has a locket of prema-vaicittya. Prema-vaicittya is manifest when a lover and beloved meet and fear separation.

Nectar of Devotion

Nectar of Devotion 8:

Besides these, there are a number of offenses which are mentioned in the Varāha Purāṇa. They are as follows: (1) One should not touch the Deity in a dark room. (2) One should not fail to strictly follow the rules and regulations in worshiping the Deity. (3) One should not enter the temple of the Deity without first making some sound. (4) One should not offer any foodstuff to the Deity which has been seen by dogs or other lower animals. (5) One should not break silence while worshiping. (6) One should not pass urine or evacuate while engaged in worshiping. (7) One should not offer incense without offering some flower. (8) Useless flowers without any fragrance should not be offered. (9) One should not fail to wash his teeth very carefully every day. (10) One should not enter the temple directly after sexual intercourse. (11) One should not touch a woman during her menstrual period. (12) One should not enter the temple after touching a dead body. (13) One should not enter the temple wearing garments of red or blue color or garments which are unwashed. (14) One should not enter the temple after seeing a dead body. (15) One should not pass air within the temple. (16) One should not be angry within the temple. (17) One should not enter the temple after visiting a crematorium. (18) One should not belch before the Deity. So, until one has fully digested his food, he should not enter the temple. (19) One should not smoke marijuana, or gañjā. (20) One should not take opium or similar intoxicants. (21) One should not enter the Deity room or touch the body of the Deity after having smeared oil over his body. (22) One should not show disrespect to a scripture teaching about the supremacy of the Lord. (23) One should not introduce any opposing scripture. (24) One should not chew betel before the Deity. (25) One should not offer a flower which was kept in an unclean pot. (26) One should not worship the Lord while sitting on the bare floor; one must have a sitting place or carpet. (27) One should not touch the Deity before one has completed taking bath. (28) One should not decorate his forehead with the three-lined tilaka. (29) One should not enter the temple without washing his hands and feet.

Nectar of Devotion 9:

In the Padma Purāṇa there is a statement describing how a Vaiṣṇava should decorate his body with tilaka and beads: "Persons who put tulasī beads on the neck, who mark twelve places of their bodies as Viṣṇu temples with Viṣṇu's symbolic representations (the four items held in the four hands of Lord Viṣṇu—conch, mace, disc and lotus), and who have viṣṇu-tilaka on their foreheads, are to be understood as the devotees of Lord Viṣṇu in this world. Their presence makes the world purified, and anywhere they remain, they make that place as good as Vaikuṇṭha."

Nectar of Devotion 21:

He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities."

Nectar of Devotion 26:

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṁkum red spots on His body and the tilaka on His forehead.

Nectar of Devotion 30:

In the Padyāvalī, one of the friends of Rādhārāṇī once addressed Her thus: "My dear friend, please do not be too puffed up because Kṛṣṇa has decorated Your forehead with His own hand. It may be that Kṛṣṇa is yet attracted by some other beautiful girl. I see that the decoration on Your forehead is very nicely made, and so it appears that Kṛṣṇa was not too disturbed in painting it. Otherwise, He could not have painted such exact lines!" This is an instance of envy caused by Rādhā's good fortune.

Nectar of Devotion 42:

At the end of Kṛṣṇa's paugaṇḍa age, Kṛṣṇa's hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends. Subala once addressed Him in this way: "My dear Keśava, Your round turban, the lotus flower in Your hand, the vertical marks of tilaka on Your forehead, Your kuṁkum-flavored musk and all of Your beautiful bodily features are defeating me today, although I am usually stronger than You or any of our friends. Since this is so, I do not know how these features of Your body can fail to defeat the pride of all the young girls of Vṛndāvana. When I am so defeated by this beauty, what chance is there for those who are naturally very simple and flexible?"

Nectar of Devotion 43:

There is the following description of mother Yaśodā's affection for Kṛṣṇa. After rising early in the morning, mother Yaśodā first of all offered her breast milk to Kṛṣṇa, and then she began to chant various mantras for His protection. Then she would decorate His forehead very nicely and bind His arms with protective talismans. By all of these activities, it is definitely understood that she is the emblem of all maternal affection for Kṛṣṇa.

Nectar of Devotion 43:

Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing parental love for Kṛṣṇa. The childhood ages of Kṛṣṇa are divided into three periods: the beginning of kaumāra age, the middle of kaumāra age and the end of kaumāra age. During the beginning and middle of the kaumāra age, Kṛṣṇa's thighs are fatty, and the inner part of His eyes are whitish. There are signs of teeth coming out, and He is very mild and gentle. He is described as follows: "When Kṛṣṇa had only three or four teeth coming out of His gums, His thighs were fatty, His body was very, very short, and He began to enhance the parental love of Nanda Mahārāja and mother Yaśodā with the activities of His childish body. He was sometimes stepping with His legs again and again, sometimes crying, sometimes smiling, sometimes sucking His thumb and sometimes lying down flat. These are some of the different activities of the child Kṛṣṇa. When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upward, sometimes crying and sometimes smiling, mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes." In the beginning of Kṛṣṇa's kaumāra age, the nails of tigers were set in a golden necklace about His neck. There was protective tilaka on His forehead, black mascara around His eyes and silk thread around His waist. These are the descriptions of Kṛṣṇa's dress at the beginning of the kaumāra age.

Krsna, The Supreme Personality of Godhead

Krsna Book 20:

During the rainy season, all living entities in the land, sky and water become very much refreshed, exactly like one who engages in the transcendental loving service of the Lord. We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty-looking, although they had naturally beautiful personal features; due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by their following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they have come directly from Vaikuṇṭha.

Krsna Book 22:

The unmarried gopīs desired Kṛṣṇa as their husband, and He fulfilled their desire in this way. Being pleased with them, He took their garments on His shoulder and began to speak as follows: "My dear girls, you have committed a great offense by going naked in the river Yamunā. Because of this, the predominating deity of the Yamunā, Varuṇadeva, has become displeased with you. Please, therefore, just touch your foreheads with folded palms and bow down before the demigod Varuṇa in order to be excused from this offensive act." The gopīs were all simple souls, and whatever Kṛṣṇa said they took to be true. In order to be freed from the wrath of Varuṇadeva, as well as to fulfill the desired end of their vows and ultimately to please their worshipable Lord, Kṛṣṇa, they immediately abided by His order.

Krsna Book 38:

"That Supreme Personality of Godhead has now come just like an ordinary human being, and it is my great fortune to be able to see Him face to face," Akrūra thought. He was thrilled with expectations of seeing the very lotus feet which are worshiped by great demigods like Brahmā, Nārada and Lord Śiva, which traverse the ground of Vṛndāvana, and which touch the breasts of the gopīs, covered with tinges of kuṅkuma. He thought, "I am so fortunate that I will be able to see those very lotus feet on this day, and certainly I shall be able to see the beautiful face of Kṛṣṇa, which is marked on the forehead and the nose with tilaka. And I shall also see His smile and His curling black hair. I can be sure of this opportunity because I see that today the deer are passing on my right side. Today it will be possible for me to actually see the beauty of the spiritual kingdom of Viṣṇuloka because Kṛṣṇa is the Supreme Viṣṇu and He has advented Himself out of His own good will. He is the reservoir of all beauty; therefore today my eyes will achieve perfection."

Krsna Book 39:

“O Providence, you are so cruel! It appears that you do not know how to show mercy to others. By your arrangement, friends contact one another, but without fulfilling their desires you separate them. This is exactly like a child's game that has no meaning. It is very abominable that you arrange to show us beautiful Kṛṣṇa, whose bluish curling hair beautifies His broad forehead and sharp nose, and who is always smiling to minimize all grief in this material world, and then arrange to separate Him from us. O Providence, you are so cruel! But most astonishingly you appear now as Akrūra, which means "not cruel." In the beginning we appreciated your workmanship in giving us these eyes to see the beautiful face of Kṛṣṇa, but now, just like a foolish creature, you are taking away our eyes by not letting us see Kṛṣṇa here anymore. Kṛṣṇa, the son of Nanda Mahārāja, is also very cruel! He must always have new friends; He does not like to keep friendship for a long time with anyone. We gopīs of Vṛndāvana, having left our homes, friends and relatives, have become Kṛṣṇa's maidservants, but He is neglecting us and going away. He does not even look upon us, although we are completely surrendered unto Him. Now all the young girls in Mathurā will have the opportunity. They are expecting Kṛṣṇa's arrival, and they will enjoy His sweet smiling face and will drink its honey.

Krsna Book 39:

In other words, after returning to the Yamunā, Akrūra saw Balarāma turned into Śeṣa Nāga and Kṛṣṇa turned into Mahā-Viṣṇu. He saw the four-handed Supreme Personality of Godhead, smiling very beautifully. He was very pleasing to all and was looking toward everyone with a merciful glance. He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands. All in all, He was very beautiful to look at.

Krsna Book 44:

The wives of Kaṁsa and his eight brothers were aggrieved at the sudden death of their husbands, and all of them struck their foreheads and shed torrents of tears. Crying loudly and embracing the bodies of their husbands, which lay on the wrestling dais, the wives of Kaṁsa and his brothers lamented, addressing the dead bodies: "Our dear husbands, you are so kind and are the protectors of your dependents. Now, after your death, we are also dead, along with your homes and children. We no longer look auspicious. On account of your death, the auspicious functions to take place, such as the sacrifice of the bow, have all been spoiled. Our dear husbands, you treated persons ill who were faultless, and as a result you have been killed. This is inevitable because a person who torments an innocent person must be punished by the laws of nature. We know that Lord Kṛṣṇa is the Supreme Personality of Godhead. He is the supreme master and supreme enjoyer of everything; therefore, one who neglects His authority can never be happy, and ultimately, as you have, he meets death."

Krsna Book 45:

First of all They learned how to sing, how to compose songs and how to recognize the different tunes; They learned the favorable and unfavorable accents and meters, how to sing different kinds of rhythms and melodies, and how to follow them by beating different kinds of drums. They learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, beginning from simple village arts up to the highest perfectional stage. They also learned how to paint tilaka on the face by making different kinds of dots on the forehead and cheeks. Then They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple. They learned how to make a resting place with flowers and how to decorate clothing and limbs with colorful paintings. They also learned how to set valuable jewels in ornaments. They learned the art of ringing waterpots. Waterpots are filled with water to a certain measurement so that as one beats on the pots, different tones are produced, and when the pots are beaten together they produce a melodious sound. They also learned how to splash water in the rivers or lakes while taking a bath among friends. They learned how to decorate with flowers. This art of decorating can still be seen in various temples of Vṛndāvana during the summer season. It is called phulla-bāḍi. The dais, the throne, the walls and the ceiling are all fully decorated, and a small, aromatic fountain of flowers is fixed in the center. Because of these floral decorations, the people, fatigued from the heat of the summer, become refreshed.

Krsna Book 51:

When Kṛṣṇa came out of the city, Kālayavana, who had never seen Kṛṣṇa before, saw Him to be extraordinarily beautiful, dressed in yellow garments. Passing through Kālayavana's assembly of soldiers, Kṛṣṇa appeared like the moon in the sky passing through the assembled clouds. Kālayavana was fortunate enough to see the lines of Śrīvatsa, a particular impression on the chest of Śrī Kṛṣṇa, and the Kaustubha jewel He was wearing. Kālayavana saw Him, however, in His Viṣṇu form, with a well-built body, four hands, and eyes like the petals of a newly blooming lotus. Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings. Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features. He concluded that this beautiful personality must be Vāsudeva, for every description he had previously heard from Nārada was substantiated by the presence of Kṛṣṇa. Kālayavana was astonished to see Kṛṣṇa passing through his army without any weapon in His hands and without any chariot. He was simply walking on foot. Kālayavana had come to fight with Kṛṣṇa, and yet he had sufficient principles not to take up any kind of weapon. He decided to fight with Him hand to hand. Thus he prepared to capture Kṛṣṇa and fight.

Krsna Book 79:

Lord Balarāma prepared Himself to meet the demon Balvala. At the time when the demon usually attacked the sacred place, there appeared a great hailstorm, the whole sky became covered with dust, and the atmosphere became surcharged with a filthy smell. Just after this, the mischievous demon Balvala began to shower torrents of stool and urine and other impure substances on the arena of sacrifice. After this onslaught, the demon himself appeared with a great trident in his hand. He was a gigantic person, and his black body was like a huge mass of carbon. His hair, his beard and his mustache appeared reddish like copper, and because of his great beard and mustache, his mouth appeared dangerous and fierce. As soon as He saw the demon, Lord Balarāma prepared to attack him. He first considered how He could smash the great demon to pieces. Lord Balarāma then called for His plow and club, and they immediately appeared before Him. The demon Balvala was flying in the sky, and at the first opportunity Lord Balarāma dragged him down with His plow and angrily smashed the demon's head with His club. Balarāma's striking fractured the demon's forehead, making blood flow profusely. Screaming loudly, the demon, who had been such a great disturbance to the pious brāhmaṇas, fell to the ground like a great mountain with a red oxide peak being struck and smashed to the ground by a thunderbolt.

Krsna Book 87:

Kṛṣṇa is actually present everywhere. The Vaiṣṇava, therefore, marks his body with temples of Viṣṇu: he first marks a tilaka temple on the abdomen, then on the chest, then between the collarbones, then on the forehead, and gradually he marks the top of the head, the brahma-randhra. The thirteen temples of tilaka marked on the body of a Vaiṣṇava are known as follows: On the forehead is the temple of Lord Keśava, on the belly is the temple of Lord Nārāyaṇa, on the chest is the temple of Lord Mādhava, and on the throat, between the two collarbones, is the temple of Lord Govinda. On the right side of the waist is the temple of Lord Viṣṇu, on the right arm the temple of Lord Madhusūdana, and on the right side of the collarbone the temple of Lord Trivikrama. Similarly, on the left side of the waist is the temple of Lord Vāmanadeva, on the left arm the temple of Śrīdhara, on the left side of the collarbone the temple of Hṛṣīkeśa, on the upper back the temple called Padmanābha, and on the lower back the temple called Dāmodara. On the top of the head is the temple called Vāsudeva. This is the process of meditation on the Lord's situation in the different parts of the body, but for those who are not Vaiṣṇavas, great sages recommend meditation on the bodily concept of life—meditation on the intestines, on the heart, on the throat, on the eyebrows, on the forehead and then on the top of the head. Some of the sages in the disciplic succession from the great saint Aruṇa meditate on the heart, because the Supersoul stays within the heart along with the living entity. This is confirmed in the Bhagavad-gītā, Fifteenth Chapter, wherein the Lord states, “I am situated in everyone's heart.”

Light of the Bhagavata

Light of the Bhagavata 10, Purport:

We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty looking, although they had naturally beautiful personal features; but due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they come directly from Vaikuṇṭha.

Mukunda-mala-stotra (mantras 1 to 6 only)

Mukunda-mala-stotra mantra 2, Purport:

The present verse of the Mukunda-mālā-stotra states that the color of the Lord's body is blackish, like that of a new cloud. Also, His body is very soft. Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.