Exquisite

Expressions researched:
"exquisite" |"exquisitely"

BG Chapters 7 - 12

BG 10.35, Translation and Purport:

Of the hymns in the Sāma Veda I am the Bṛhat-sāma, and of poetry I am the Gāyatrī. Of months I am Mārgaśīrṣa (November-December), and of seasons I am flower-bearing spring.

It has already been explained by the Lord that amongst all the Vedas, He is the Sāma Veda. The Sāma Veda is rich with beautiful songs played by the various demigods. One of these songs is the Bṛhat-sāma, which has an exquisite melody and is sung at midnight.

SB Canto 1

SB 1.13.3-4, Purport:

A demon of the name Jaṭāsura kidnapped her, but her second husband, Bhīmasena, killed the demon and saved her. She saved the Pāṇḍavas from the curse of Maharṣi Durvāsā by the grace of Lord Kṛṣṇa. When the Pāṇḍavas lived incognito in the palace of Virāṭa, Kīcaka was attracted by her exquisite beauty, and by arrangement with Bhīma the devil was killed and she was saved. She was very much aggrieved when her five sons were killed by Aśvatthāmā.

SB Canto 3

SB 3.15.42, Translation:

The exquisite beauty of Nārāyaṇa, being many times magnified by the intelligence of His devotees, was so attractive that it defeated the pride of the goddess of fortune in being the most beautiful. My dear demigods, the Lord who thus manifested Himself is worshipable by me, by Lord Śiva and by all of you. The sages regarded Him with unsated eyes and joyously bowed their heads at His lotus feet.

SB 3.28.24, Translation:

Next, the yogi should fix his mind in meditation on the Personality of Godhead's thighs, the storehouse of all energy. The Lord's thighs are whitish blue, like the luster of the linseed flower, and appear most graceful when the Lord is carried on the shoulders of Garuḍa. Also the yogī should contemplate His rounded hips, which are encircled by a girdle that rests on the exquisite yellow silk cloth that extends down to His ankles.

SB 3.28.25, Translation:

The yogī should then meditate on His moonlike navel in the center of His abdomen. From His navel, which is the foundation of the entire universe, sprang the lotus stem containing all the different planetary systems. The lotus is the residence of Brahmā, the first created being. In the same way, the yogī should concentrate his mind on the Lord's nipples, which resemble a pair of most exquisite emeralds and which appear whitish because of the rays of the milk-white pearl necklaces adorning His chest.

SB Canto 4

SB 4.15.13, Translation:

Thus the great King Pṛthu, exquisitely dressed with garments and ornaments, was coronated and placed on the throne. The King and his wife, Arci, who was also exquisitely ornamented, appeared exactly like fire.

SB 4.24.45-46, Translation:

The Lord's beauty resembles a dark cloud during the rainy season. As the rainfall glistens, His bodily features also glisten. Indeed, He is the sum total of all beauty. The Lord has four arms and an exquisitely beautiful face with eyes like lotus petals, a beautiful highly raised nose, a mind-attracting smile, a beautiful forehead and equally beautiful and fully decorated ears.

SB Canto 8

SB 8.8.9, Translation:

Because of her exquisite beauty, her bodily features, her youth, her complexion and her glories, everyone, including the demigods, the demons and the human beings, desired her. They were attracted because she is the source of all opulences.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.33.6, Translation:

In the midst of the dancing gopīs, Lord Kṛṣṇa appeared most brilliant, like an exquisite sapphire in the midst of golden ornaments.

SB 10.42.8, Translation:

Simply by Lord Mukunda's touch, Trivakrā was suddenly transformed into an exquisitely beautiful woman with straight, evenly proportioned limbs and large hips and breasts.

SB 10.54.55, Translation:

All the men and women, full of joy and adorned with shining jewels and earrings, brought wedding presents, which they reverently offered to the exquisitely dressed groom and bride.

SB 10.65.34, Translation:

Thus for Lord Balarāma all the nights passed like a single night as He enjoyed in Vraja, His mind enchanted by the exquisite charm and beauty of Vraja's young ladies.

SB 10.75.33, Translation:

Lord Madhupati's thousands of queens were also staying in the palace. Their feet moved slowly, weighed down by their hips, and the bells on their feet tinkled charmingly. Their waists were very slender, the kuṅkuma from their breasts reddened their pearl necklaces, and their swaying earrings and flowing locks of hair enhanced the exquisite beauty of their faces.

SB 11.6.18, Translation:

My Lord, You are living with sixteen thousand exquisitely beautiful, aristocratic wives. By their irresistible coy and smiling glances and by their lovely arching eyebrows, they send You messages of eager conjugal love. But they are completely unable to disturb the mind and senses of Your Lordship.

CC Adi-lila

CC Adi 3.49, Purport:

In his commentary on the Viṣṇu-sahasra-nāma, called the Nāmārtha-sudhā, Śrīla Baladeva Vidyābhūṣaṇa, commenting upon this verse, asserts that Lord Caitanya is the Supreme Personality of Godhead according to the evidence of the Upaniṣads. He explains that suvarṇa-varṇaḥ means a golden complexion. He also quotes the Vedic injunction yadā paśyaḥ paśyate rukma-varṇaṁ kartāram īśaṁ puruṣaṁ brahma-yonim (Muṇḍaka Up. 3.1.3). Rukma-varṇaṁ kartāram īśam refers to the Supreme Personality of Godhead as having a complexion the color of molten gold. Puruṣam means the Supreme Lord, and brahma-yonim indicates that He is also the Supreme Brahman. This evidence, too, proves that Lord Caitanya is the Supreme Personality of Godhead Kṛṣṇa. Another meaning of the description of the Lord as having a golden hue is that Lord Caitanya's personality is as fascinating as gold is attractive. Śrīla Baladeva Vidyābhūṣaṇa has explained that the word varāṅga means "exquisitely beautiful."

CC Madhya-lila

CC Madhya 1.166, Translation:

Lord Caitanya Mahāprabhu eventually arrived at a village named Rāmakeli. This village is situated on the border of Bengal and is very exquisite.

CC Madhya 4.16, Translation:

All the servants of the Deity were struck with wonder due to Śrī Caitanya Mahāprabhu's intense love, His exquisite beauty and His transcendental qualities.

CC Madhya 9.279, Purport:

The Apsarās, denizens of the heavenly planets, are generally known as dancing girls. The girls in the heavenly planets are exquisitely beautiful, and if a woman on earth is found to be very beautiful, she is compared to the Apsarās. There were five Apsarās named Latā, Budbudā, Samīcī, Saurabheyī and Varṇā. It is said that these five beautiful dancing girls were sent by Indra to break the severe austerity of a saintly person called Acyuta Ṛṣi.

CC Madhya 11.1, Translation:

Śrī Caitanya Mahāprabhu merged the entire world into the ocean of ecstatic love by performing His beautiful dances within the temple of Jagannātha. He danced exquisitely and jumped high.

CC Madhya 17.212, Translation:

The female parrot said, “Śrīmatī Rādhārāṇī’s affection, Her exquisite beauty and good behavior, Her artistic dancing and chanting and Her poetic compositions are all so attractive that they attract the mind of Kṛṣṇa, who attracts the mind of everyone in the universe.”

Nectar of Devotion

Nectar of Devotion 21:

A person who can control his senses fully is called vaśī, or self-controlled. In this connection it is stated in Śrīmad-Bhāgavatam, "All the sixteen thousand wives of Kṛṣṇa were so exquisitely beautiful that their smiling and shyness were able to captivate the minds of great demigods like Lord Śiva. But still they could not even agitate the mind of Kṛṣṇa, in spite of their attractive feminine behavior." Every one of the thousands of wives of Kṛṣṇa was thinking that Kṛṣṇa was captivated by her feminine beauty, but this was not the case. Kṛṣṇa is therefore the supreme controller of the senses, and this is admitted in Bhagavad-gītā, where He is addressed as Hṛṣīkeśa—the master of the senses.

Nectar of Devotion 26:

In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa's arms, legs and thighs became marked with three divisional lines. At that time Kṛṣṇa's chest challenged a hill of marakata jewels, His arms challenged pillars of the indranīla jewel, the three lines of His waist challenged the waves of the River Yamunā, and His thighs challenged beautiful bananas. One gopī said, "With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me, because He is the killer of all demons."

Nectar of Devotion 26:

This kaiśora age can be translated as adolescence. At the end of this period all the gopīs said, "Kṛṣṇa is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly married girls. Kṛṣṇa's bodily features have become so exquisite—it is as if they were all manifesting an artistic sense of the highest sort. His dancing eyes have dimmed the brilliance of the most expert dancer, and so there is no longer any comparison to the beauty of Kṛṣṇa." Learned scholars therefore describe the features of His body at this time as nava-yauvana, newly invented youthfulness. At this stage of Kṛṣṇa's bodily features, the conjugal love affairs with the gopīs and similar pastimes become very prominent.

Nectar of Devotion 29:

Expressions of ecstatic love in pride may be the result of excessive wealth, exquisite beauty, a first-class residence or the attainment of one's ideal goal. One is also considered proud when he does not care about the neglect of others.

Nectar of Devotion 29:

Once during the rāsa dance, when Rādhārāṇī left the arena and Kṛṣṇa went to seek Her out, one of the dear friends of Rādhārāṇī addressed Kṛṣṇa thus: "My dear Kṛṣṇa, You have been very much obliging in serving the form of our Śrī Rādhārāṇī, and now You have left all the other gopīs to search for Her. Please allow me to inquire how You want Her to treat You." This is an instance of feeling pride on account of exquisite beauty.

Nectar of Devotion 42:

The cowherd boyfriends of Kṛṣṇa felt very proud of their association with Him. At that time the tip of His nose defeated the beauty of sesame flowers, the luster of His cheeks defeated the glow of pearls, and the two sides of His body were exquisitely beautiful. In this age Kṛṣṇa wore a silk dress that glittered like lightning, His head was decorated with a silk turban covered with gold lace, and in His hand He carried a stick about fifty-six inches long.* Seeing this exquisitely beautiful dress of Kṛṣṇa, one devotee addressed his friend in this manner: "My dear friend, just look at Kṛṣṇa! See how He is carrying in His hand a stick which is bound up and down with golden rings, how His turban with golden lace is showing such a beautiful luster, and how His dress is giving His friends the highest transcendental pleasure!"

Krsna, The Supreme Personality of Godhead

Krsna Book 5:

As the dust on the lotus flower exhibits the exquisite beauty of the flower, all the gopīs (cowherd women) applied the dust of kuṅkuma on their lotuslike faces.

Krsna Book 6:

Pūtanā entered the county of Gokula, the residential quarter of Nanda Mahārāja, without permission. Dressing herself just like a beautiful woman, she entered the house of mother Yaśodā. She appeared very beautiful, with raised hips, nicely swollen breasts, earrings, and flowers in her hair. She looked especially beautiful on account of her thin waist. She was glancing at everyone with very attractive looks and smiling face, and all the residents of Vṛndāvana were captivated. The innocent cowherd women thought that she was the goddess of fortune appearing in Vṛndāvana with a lotus flower in her hand. It seemed to them that she had personally come to see Kṛṣṇa, who is her husband. Because of her exquisite beauty, no one checked her movement, and therefore she freely entered the house of Nanda Mahārāja. Pūtanā, the killer of many, many children, found baby Kṛṣṇa lying on a small bed, and she could at once perceive that the baby was hiding His unparalleled potencies, which resembled fire covered by ashes. Pūtanā thought, "This child is so powerful that He can destroy the whole universe immediately."

Krsna Book 29:

All of the gopīs there were exquisitely beautiful. They are described by the word sumadhyamā; the standard of beauty of a woman is said to be sumadhyamā, when the middle portion of the body is slender.

Krsna Book 34:

It is a misconception that after reaching the human body one is never degraded. Vidyādhara himself stated that even though he was a demigod he was condemned to become a serpent. But because he was touched by the lotus feet of Kṛṣṇa, he immediately came to Kṛṣṇa consciousness. He admitted, however, that in his previous life he was actually sinful. A Kṛṣṇa conscious person knows that he is always the servant of the servant of Kṛṣṇa; he is most insignificant, and whatever good he does is by the grace of Kṛṣṇa and the spiritual master (CC Madhya 13.80).

The demigod Vidyādhara continued to speak to Śrī Kṛṣṇa. "Because I was very proud of the exquisite beauty of my body," he said, “I derided the ugly features of the great sage Aṅgirā. He cursed me for my sin, and I became a snake.

Krsna Book 41:

The florist, Sudāmā, was greatly pleased within his heart by seeing Kṛṣṇa and Balarāma in his place, and thus, as his choicest desire, he made two exquisite garlands of various flowers and presented them to the Lord. Kṛṣṇa and Balarāma were very much pleased with his sincere service, and Kṛṣṇa offered the florist His salutation and benedictions, which He is always prepared to bestow upon the surrendered souls.

Krsna Book 42:

When the woman was turned by Kṛṣṇa's favor into an exquisitely beautiful young girl, she naturally felt very much obliged to Kṛṣṇa, and she was also attracted by His beauty. Without hesitation, she caught the rear part of His cloth and began to pull it. She smiled flirtatiously and admitted that she was agitated by lusty desires. She forgot that she was on the street and before the elder brother of Kṛṣṇa and His friends.

Krsna Book 52:

While Rukmiṇī was being given in charity to Śiśupāla, Kṛṣṇa snatched her from the marriage arena exactly as Garuḍa snatched a pot of nectar from the demigods. Rukmiṇī, the only daughter of King Bhīṣmaka, was exquisitely beautiful. She was known as Rucirānanā, which means "one who has a beautiful face expanded like a lotus flower."

Krsna Book 52:

Kṛṣṇa had also heard of Rukmiṇī. She was the reservoir of all transcendental qualities: intelligence, auspicious physical features, liberal-mindedness, exquisite beauty and righteous behavior. Kṛṣṇa therefore decided that she was fit to be His wife.

Krsna Book 53:

The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda. Then they chanted mantras from the Atharva Veda and offered oblations in the fire to pacify the influence of different stars.

Krsna Book 60:

The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows.

Krsna Book 61:

All the princesses who were wives of Kṛṣṇa were exquisitely beautiful, and each one of them was attracted by Kṛṣṇa's eyes, which were just like lotus petals, and by His beautiful face, long arms, beautiful ears, pleasing smile, humorous talk and sweet words. Influenced by these features of Kṛṣṇa, they all used to dress themselves very attractively, desiring to attract Him by their feminine bodily appeal.

Renunciation Through Wisdom

Renunciation Through Wisdom 5.1:

When a person fixes his mind on the eternal, exquisite form of Śyāmasundara, the blackish, beautiful Lord Kṛṣṇa, all distress and anguish are vanquished. In the initial stages, the attempt to fix the mind on Kṛṣṇa may be unsuccessful, but with regulated practice (abhyāsa-yoga) it becomes possible. Abhyāsa-yoga means sincere engagement in the ninefold process of bhakti, beginning with hearing and chanting the holy name, pastimes, and so on, of Lord Kṛṣṇa. Proper execution of abhyāsa-yoga culminates in the awakening of divine consciousness, or superconsciousness.

Srimad-Bhagavatam Lectures

Lecture on SB 1.2.12 -- Delhi, November 18, 1973:

Premāñjana-cchurita-bhakti-vilocanena santaḥ sadaiva hṛdayeṣu vilokayanti, yaṁ śyāmasundaram (Bs. 5.38). The question was, "Why Kṛṣṇa is black?" But that black is described in the Brahma-saṁhitā, śyāmasundara. Here one who is black, nobody likes to see, naturally. But Kṛṣṇa is black, at the same time the most exquisitely beautiful.

Festival Lectures

Janmastami Lord Sri Krsna's Appearance Day -- Montreal, August 16, 1968:

At this particular time in the world it is very much necessary that all people hear about Kṛṣṇa and that they should become attracted to chanting the name of Kṛṣṇa, to hearing about Kṛṣṇa's wonderful pastimes. So that by this exquisite attraction for Kṛṣṇa they might forget their lower desires, which are now leading everybody to a hellish condition of life in which it seems inevitable there are going to be wars and pestilences and starvation, diseases, all kinds of social injustice.

1972 Correspondence

Letter to Prajapati -- Mayapur 25 February, 1972:

Because your wife is fully trained as classical dancer, even she taught in such big university, so she can organize classical dancing to portray stories about Krishna and His Pastimes and that will be very nice proposal. Recently in Bombay we have held a benefit charity performance called "Hare Krishna Benefit" performed by the Javeri Sisters, a famous classical dancing group from Manipur. These dancers were depicting stories from Krishna's Pastimes, and the dancing was very nice. So this art of dancing, as any art, can be also employed in the service of glorifying the Supreme Lord. If she is expert dancer, your wife can organize a dancing group to depict very exquisitely stories from our Krishna Book.