The inhabitants of Vṛndāvana, Vrajabhūmi, are living examples of devotional service. Theirs is ideal devotional service with attachment, and such devotion cannot be found anywhere except Vṛndāvana. Developing devotional service and attachment by following in the footsteps of the Vrajavāsīs is called rāga-mārga-bhakti, or devotional service in pursuance of attachment to the Lord. According to the Bhakti-rasāmṛta-sindhu (1.2.272), "The ecstatic attachment for the Lord experienced in the course of the devotional service that is natural for the devotee is called rāga, or transcendental attachment. The devotional service discharged with such deep attachment, and with consequent deep absorption in the object of love, is called rāgātmikā." Examples of such devotional service can be seen in the activities of the residents of Vrajabhūmi.
Ecstatic (Other Books)
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
Persons who have been thoroughly cleansed by devotional service and are always joyful, being situated in elevated consciousness, who are very much attached to studying Śrīmad-Bhāgavatam, who are always cheerful in the association of devotees, who have accepted the lotus feet of Kṛṣṇa as the ultimate shelter of their lives, and who are pleased to perform all details of devotional service—such devotees have in their pure hearts the transcendental ecstasy of attachment, which has been developed through old and new reformatory practices. That ecstatic state of being, enriched with love of Kṛṣṇa and transcendental experience, gradually develops into the mature bliss of spiritual life. Tasting such spiritual bliss is not possible for those who are not situated in Kṛṣṇa consciousness and devotional service. This fact is further corroborated in the Bhakti-rasāmṛta-sindhu (2.5.131), where it is said: "It is very difficult for the nondevotee to understand the taste of devotional service. Only one who has completely taken shelter of the lotus feet of Kṛṣṇa and whose life is merged in the ocean of devotional service can understand this transcendental pleasure."
Bhāva is the transcendental ecstatic attachment for Kṛṣṇa which results from perfectly understanding that the person Kṛṣṇa and the name Kṛṣṇa are identical. One who has attained bhāva is certainly not contaminated by material nature. He enjoys transcendental pleasure from bhāva, and when bhāva is intensified it is called love of Godhead. Lord Caitanya told Prakāśānanda Sarasvatī that the holy name of Kṛṣṇa—the mahā-mantra, or "great chant"—enables anyone who chants it to attain the stage of love of Godhead, or intensified bhāva. Love of Godhead is the ultimate human necessity, for when one compares it with other necessities (namely religion, economic development, sense gratification and liberation), one can see that these others are most insignificant. When one is absorbed in temporary, conditioned existence, he hankers after sense gratification and liberation.
Lord Caitanya next explained that His spiritual master had confirmed the validity of the ecstasy He had felt from chanting the holy name of God, and he had also confirmed that the essence of all Vedic literature is the attainment of love of Godhead. Lord Caitanya's spiritual master had said that the Lord was fortunate to have attained love of Godhead. The heart of one who attains such transcendental love becomes very anxious to attain direct contact with the Lord. Feeling such transcendental sentiment, one sometimes laughs, sometimes cries, sometimes sings, sometimes dances like a madman, and sometimes runs hither and thither. In this way there are various ecstatic symptoms manifest: crying, changing bodily color, madness, bereavement, silence, pride, ecstasy and gentleness. Often the person who has attained love of God dances, and such dancing places him in the ocean of the nectar of love of Kṛṣṇa.
When the Lord sang in this way, chanting and dancing, thousands of people gathered around Him, and when the Lord chanted, they roared. The vibration was so tumultuous that Prakāśānanda Sarasvatī, who was sitting nearby, immediately joined the crowd with his disciples. As soon as he saw the beautiful body of Lord Caitanya and saw how He was dancing with His associates, Prakāśānanda Sarasvatī joined and began to sing: "Hari! Hari!" All the inhabitants of Benares were struck with wonder upon seeing the ecstatic dancing of Lord Caitanya. But Lord Caitanya checked His continuous ecstasy and stopped dancing when He saw the Māyāvādī sannyāsīs. As soon as the Lord stopped chanting and dancing, Prakāśānanda Sarasvatī fell at His feet. Trying to stop him, Lord Caitanya said, "Oh, you are the spiritual master of the whole world, jagad-guru, and I am not even equal to your disciples. You should therefore not worship an inferior like Me, for actually I am not even equal to the disciple of your disciple. You are exactly like the Supreme Brahman, and if I allow you to fall down at My feet, I will commit a very great offense. Although you have no vision of duality, for the sake of teaching the people in general you should not do this."
The next day, after visiting the Jagannātha temple early in the morning, the Bhaṭṭācārya went to see Lord Caitanya, and he offered his respects by falling down before the Lord. He then began to explain his past undesirable behavior. When he asked the Lord to speak something about devotional service, the Lord began to elaborately explain the verse in the Bṛhan-nāradīya Purāṇa beginning harer nāma harer nāma. While hearing this explanation, the Bhaṭṭācārya became more and more ecstatic. Seeing the condition of his brother-in-law, Gopīnātha Ācārya said, "My dear Bhaṭṭācārya, previously I had said that when one is favored by the Supreme Lord he will understand the techniques of devotional service. Today I am seeing this fulfilled."
The decorative transcendental pleasure potency manifests nine symptoms. Five of these are manifested by the expansion of Rādhārāṇī’s personal beauty, which is adorned with garlands of flowers. Her patient calmness is compared to a covering of cloths which have been cleansed by camphor. Her confidential agony for Kṛṣṇa is the knot in Her hair, and the mark of tilaka on Her forehead is Her good fortune. Rādhārāṇī’s sense of hearing is eternally fixed on Kṛṣṇa's name and fame. Chewing betel nuts makes one's lips reddish. Similarly, Rādhārāṇī’s complete attachment to Kṛṣṇa has blackened the borders of Her eyes. This darkness might be compared to ointment produced by Rādhā’s joking with Kṛṣṇa. Rādhārāṇī’s smile is just like the taste of camphor. The garland of separation moves on Her body when She lies down on the bed of pride within the room of aroma. Her breasts are covered by the blouse of anger born of Her ecstatic affection for Kṛṣṇa. Her reputation as the best of all Kṛṣṇa's girlfriends is the stringed instrument She plays. When Kṛṣṇa stands in His youthful posture, She puts Her hand on His shoulder. Although She possesses so many transcendental qualities, She is still always engaged in the service of Kṛṣṇa.
"It is very difficult for me to express anything beyond this," Rāmānanda Rāya replied. "I can only say that there is an emotional activity called prema-vilāsa-vivarta, which I may try to explain. But I do not know whether You will be happy to hear of it." In prema-vilāsa there are two kinds of emotional activities—meeting and separation. This transcendental separation is so acute that it is actually more ecstatic than meeting. Rāmānanda Rāya was expert in understanding these highly elevated dealings between Rādhā and Kṛṣṇa, and in this regard he had composed a nice song, which he narrated to the Lord. The purport of the song is that the lover and the beloved, before meeting, generate a kind of emotion by the exchange of their transcendental activities. That emotion is called rāga, or attraction. Śrīmatī Rādhārāṇīnoted that "this attraction and affection between Us has risen to the highest extent," but the cause of this attraction is Rādhārāṇī Herself. "Whatever the cause may be," Rādhārāṇī said, "that affection between You and Me has mixed Us in oneness. Now that it is the time of separation, I cannot see the history of the evolution of this love. There was no cause or mediator in Our love save Our meeting itself and the exchange of feelings through Our glances."
Nectar of Devotion
There are many symptoms of ecstatic love caused by remembering Kṛṣṇa. For example, one friend of Kṛṣṇa informed Him, "My dear Mukunda, just after observing a bluish cloud in the sky, the lotus-eyed Rādhārāṇī immediately began to remember You. And simply by observing this cloud She became lusty for Your association." This is an instance of remembering Kṛṣṇa in ecstatic love because of seeing something resembling Him. Kṛṣṇa's bodily complexion is very similar to the bluish hue of a cloud, so simply by observing a bluish cloud, Śrīmatī Rādhārāṇī remembered Him.
Śrīla Rūpa Gosvāmī says that devotional service in friendship and devotional service in self-surrender are two difficult processes. Therefore such relationships with the Lord can very rarely be seen. Only for the advanced devotees are these two processes easily executed. The purport is that it is very rare to see surrender which is mixed with sincere ecstatic devotion. One must give himself completely to the will of the Lord.
The author of Śrī Caitanya-caritāmṛta, Kavirāja Kṛṣṇadāsa, has explained the distinction between lusty desire and the service attitude in this statement: " 'Lusty desire' refers to the desire to gratify one's personal senses, and 'transcendental desire' refers to the desire for serving the senses of the Lord." In the material world there is no such thing as a lover's wanting to please the senses of his beloved. Actually, in the material world, everyone wants mainly to gratify his own personal senses. The gopīs, however, wanted nothing at all but to gratify the senses of the Lord, and there is no instance of this in the material world. Therefore the gopīs' ecstatic love for Kṛṣṇa is sometimes described by scholars as being like the "lusty desire" of the material world, but actually this should not be taken as a literal fact. It is simply a way of trying to understand the transcendental situation.
On the other hand, the lusty desire of Kubjā is described by learned scholars as being "almost lusty desire." Kubjā was a hunchbacked woman who also wanted Kṛṣṇa with a great ecstatic love. But her desire for Kṛṣṇa was almost mundane, and so her love cannot be compared to the love of the gopīs. Her loving affection for Kṛṣṇa is called kāma-prāyā, or almost like the gopīs' love for Kṛṣṇa.
There is a statement in Govinda-vilāsa to this effect: "Śrīmatī Rādhārāṇī was looking for Kṛṣṇa very anxiously and almost disappointedly." When there is such an indirect expression of conjugal love, there is smiling, astonishment, enthusiasm, lamentation, anger, dread and sometimes ghastliness. These seven exchanges of conjugal love form another state of ecstatic love.
In a direct relationship of conjugal love, there is laughter, astonishment, chivalry, lamentation, anger and dread, but there is no ghastliness. These expressions are considered to be great reservoirs of pleasure. When these seven kinds of ecstatic loving exchanges are manifested, they attain the status of steadiness by which the taste of conjugal love expands.
By the process of executing regulated devotional service, one is actually elevated onto the transcendental stage, beyond the material modes of nature. At that time one's heart becomes illuminated like the sun. The sun is far above the planetary systems, and there is no possibility of its being covered by any kind of cloud; similarly, when a devotee is purified like the sun, from his pure heart there is a diffusion of ecstatic love which is more glorious than the sunshine. Only at that time is the attachment to Kṛṣṇa perfect. Spontaneously, the devotee becomes eager to serve the Lord in his ecstatic love. At this stage the devotee is on the platform of uttama-adhikārī, perfect devotion. Such a devotee has no agitation from material affections and is interested only in the service of Rādhā and Kṛṣṇa.
hey are visible in the shivering of the body and the shedding of tears. After the outward appearance of these ecstatic symptoms, they stay within the mind, and continuation of the ecstasy is called samādhi. This stage of appreciation becomes the cause of future exchanges of loving affairs with Kṛṣṇa.
Elevation to this stage of ecstasy can be possible in two ways. One way is by constant association with pure devotees. The other way is by the special mercy of Kṛṣṇa or by the mercy of a pure devotee of Kṛṣṇa. Elevation to the ecstatic stage of life is generally attained through association with pure devotees, while elevation to that stage by the special mercy of Kṛṣṇa or His devotee is very rare. The purport is that one should execute devotional service rigidly in the association of devotees so that there will be certainty in raising oneself to that ecstatic position.
An example of rising to the stage of ecstatic love by executing the regulative principles of devotional service is given in the life story of Nārada, which is described to Vyāsadeva in Śrīmad-Bhāgavatam. Nārada tells there of his previous life and how he developed to the stage of ecstatic love. He was engaged in the service of great devotees and used to hear their talks and songs. Because he had the opportunity to hear these pastimes and songs of Kṛṣṇa from the mouths of pure devotees, he became very attracted within his heart. Because he had become so eager to hear these topics, he gradually developed within himself an ecstatic love for Kṛṣṇa. This ecstatic love is prior to the pure love of Kṛṣṇa, because in the next verse Nārada confirms that by the gradual process of hearing from the great sages he developed love of Godhead. In that connection, Nārada continues to say in the First Canto, Fifth Chapter, verse 28, of the Bhāgavatam, "First I passed my days in the association of the great sages during the rainy autumn season. Every morning and evening I heard them while they were singing and chanting the Hare Kṛṣṇa mantra, and thus my heart gradually became purified. As soon as I heard them with great attention, the influence of the modes of material ignorance and passion disappeared, and I became firmly fixed in devotional service to the Lord."
These are practical examples of how one can develop to the stage of ecstatic love simply by the association of pure devotees. It is essential, therefore, that one constantly associate with pure devotees who are engaged morning and evening in chanting the Hare Kṛṣṇa mantra. In this way one will get the chance to purify his heart and develop this ecstatic pure love for Kṛṣṇa.
In the Padma Purāṇa there is the story of a neophyte devotee who, in order to raise herself to the ecstatic platform, danced all night to invoke the Lord's grace upon her.
Sometimes, however, it is found that without undergoing any devotional process, one all of a sudden develops devotion for Lord Kṛṣṇa. This sudden development of the devotional attitude in a person must be understood as a special mercy of Kṛṣṇa or of His devotee. This apparently accidental development of ecstatic feelings through the causeless mercy of Kṛṣṇa can be divided into three groups: simply by speaking, simply by glancing and simply by good wishes.
In the Nāradīya Purāṇa there is a statement about development of ecstatic love simply by speaking. Lord Kṛṣṇa said to Nārada, "O best of the brāhmaṇas, I wish that you may develop unalloyed devotional service to Me, which is full of transcendental bliss and all auspiciousness."
In the Skanda Purāṇa there is a statement about developing ecstatic love toward Kṛṣṇa simply by glancing. It is stated there, "When the inhabitants of Jāṅgala Province saw the Personality of Godhead, Kṛṣṇa, they were so stricken with feeling that they could not withdraw their glance from Him."
As for ecstatic love of Kṛṣṇa, there is a statement in the Seventh Canto, Fourth Chapter, verse 36, of Śrīmad-Bhāgavatam, in which Nārada addresses King Yudhiṣṭhira, "My dear King, it is very difficult to describe the character of Prahlāda. He developed a natural attraction for Kṛṣṇa, and whatever I can explain about his character will simply be an arrangement of words; his actual character is impossible to describe." This means that Nārada himself admitted that the natural development of Prahlāda's ecstatic love was by the grace of Lord Kṛṣṇa.
This ecstatic love for Kṛṣṇa can be divided into five divisions, which will be described by Śrī Rūpa Gosvāmī later on.
ūpa Gosvāmī next describes the characteristics of a person who has actually developed his ecstatic love for Kṛṣṇa. The characteristics are as follows:
(1) He is always anxious to utilize his time in the devotional service of the Lord. He does not like to be idle. He wants service always, twenty-four hours a day, without deviation.
(2) He is always reserved and perseverant.
(3) He is always detached from all material attraction.
(4) He does not long for any material respect in return for his activities.
(5) He is always certain that Kṛṣṇa will bestow His mercy upon him.
(6) He is always very eager to serve the Lord faithfully.
(7) He is very much attached to the chanting of the holy names of the Lord.
(8) He is always eager to describe the transcendental qualities of the Lord.
(9) He is very pleased to live in a place where the Lord's pastimes are performed, e.g., Mathurā, Vṛndāvana or Dvārakā.
An unalloyed devotee who has developed ecstatic love for Kṛṣṇa is always engaging his words in reciting prayers to the Lord. Within the mind he is always thinking of Kṛṣṇa, and with his body he either offers obeisances by bowing down before the Deity or engages in some other service. During these ecstatic activities he sometimes sheds tears. In this way his whole life is engaged in the service of the Lord, with not a moment wasted on any other engagement.
When a devotee, in spite of possessing all the qualities of pure realization, is not proud of his position, he is called prideless. In the Padma Purāṇa it is stated that King Bhagīratha was the emperor above all other kings, yet he developed such ecstatic love for Kṛṣṇa that he became a mendicant and went out begging even to the homes of his political enemies and untouchables. He was so humble that he respectfully bowed down before them.
If one can gradually advance his status in devotional service, this is understood to be due to the causeless mercy of Kṛṣṇa Himself. If a person is completely detached from material enjoyment and has developed pure ecstatic devotion, even if he is sometimes accidentally found not living up to the standard of devotional service, one should not be envious of him. It is confirmed also in Bhagavad-gītā that a devotee who has unflinching faith in and devotion to the Lord, even if sometimes found to be accidentally deviated from pure devotional characteristics, should still be counted among the pure. Unflinching faith in devotional service, in Lord Kṛṣṇa and in the spiritual master makes one highly elevated in the activities of devotional service.
Ecstatic love of Godhead can be potently invoked simply by following the rules and regulations of devotional service as they are prescribed in scriptures, under the direction of a bona fide spiritual master. In the Eleventh Canto, Second Chapter, verse 40, of Śrīmad-Bhāgavatam, this ecstatic love, born of the execution of regulative devotional service, is explained: "A devotee, in the course of executing the regulative principles of devotional service, develops his natural Kṛṣṇa consciousness, and being thus softened at heart he chants and dances like a madman. While performing chanting of the holy name of the Lord, he sometimes cries, sometimes talks wildly, sometimes sings and sometimes—without caring for any outsider—dances like a madman."
In the Padma Purāṇa there is a statement about ecstatic love born of spontaneous affection. Candrakānti, a celebrated fair-faced girl, rigidly observed celibacy in order to obtain Kṛṣṇa as her husband. She always engaged herself in meditating on the transcendental form of the Lord and always chanted the glories of the Lord. She did not desire to
When a devotee is found to be always associated with the Lord in ecstatic love, it is to be understood that such a position has been awarded by the Lord Himself out of His causeless extraordinary mercy. An example of such extraordinary mercy is given in the Eleventh Canto, Twelfth Chapter, verse 7, of Śrīmad-Bhāgavatam, wherein Lord Kṛṣṇa tells Uddhava, "The gopīs in Vṛndāvana did not study the Vedas to achieve Me. Nor had they ever been in holy places of pilgrimage. Nor did they devoutly execute any regulative principle. Nor did they undergo any kind of austerity. It is simply by My association that they have attained the highest perfection of devotional service."
From the example of Candrakānti as found in the Padma Purāṇa and from the example of the gopīs as found in Śrīmad-Bhāgavatam, it appears that a devotee who always thinks of Kṛṣṇa and who always chants His glories in ecstatic love, regardless of his condition, will attain the highest perfection of unalloyed devotional love due to Lord Kṛṣṇa's extraordinary mercy.
Although many different processes for developing love of Godhead have been explained so far, Śrīla Rūpa Gosvāmī now gives us a general description of how one can best achieve such a high position. The beginning of ecstatic love of Godhead is basically faith. There are many societies and associations of pure devotees, and if someone with just a little faith begins to associate with such societies, his advancement to pure devotional service is rapid. The influence of a pure devotee is such that if someone comes to associate with him with a little faith, one gets the chance of hearing about the Lord from authoritative scriptures like Bhagavad-gītā and Śrīmad-Bhāgavatam. Thus, by the mercy of the Lord, who is situated in everyone's heart, one gradually develops his faith in the descriptions of such authoritative scriptures.
There are eight transcendental symptoms found in the body during ecstasy, and all of them are possible only by a mixture of the above—mentioned five ecstatic divisions. Without some mixture of these five ecstatic principles, one cannot relish transcendental bliss. The cause or basis for relishing transcendental mellow is exactly what we mean by vibhāva. This vibhāva is divided into two—namely, basic and impelling, or impetus—giving. In the Agni Purāṇa the description of vibhāva is given as follows: "The basis from which ecstatic love is born is called vibhāva, which is divided into two-basic and impelling." In other words, there are two kinds of ecstatic love. The object of basic ecstatic love is Kṛṣṇa and His devotee. Lord Kṛṣṇa is the object of basic ecstatic love, and His pure devotee, a reservoir of such love, is the object of impelling ecstatic love. Impelling ecstatic love, then, is that love which develops when one sees an object which reminds him of Kṛṣṇa.
Lord Kṛṣṇa, who is the possessor of inconceivable potencies and qualities of transcendental knowledge and bliss, is the basic cause of ecstatic love. Lord Kṛṣṇa also becomes the reservoir (impetus) of ecstatic love by His different incarnations and expansions. In Śrīmad-Bhāgavatam there is a statement in connection with the brahma-vimohana-līlā which demonstrates something of this impelling or impetus—giving feature of ecstatic love. When Brahmā was deluded by Kṛṣṇa, who expanded Himself into so many cowherd boys, calves and cows, Kṛṣṇa's elder brother, Śrī Baladeva (a direct expansion of Kṛṣṇa Himself), felt astonishment and said, "How wonderful it is that My ecstatic love for Kṛṣṇa is again being attracted to so many cowherd boys, calves and cows!" He was struck with wonder by thinking in this way. This is one of the examples in which Kṛṣṇa Himself becomes the object and reservoir of ecstatic love in the impelling aspect.
Personal features can be divided into two: one feature is covered, and the other feature is manifested. When Kṛṣṇa is covered by different kinds of dress, His personal feature is covered. There is an example of His covered personal feature in Śrīmad-Bhāgavatam in connection with His dvārakā-līlā (His residence in Dvārakā as its king). Sometimes Lord Kṛṣṇa began to play by dressing Himself like a woman. Seeing this form, Uddhava said, "How wonderful it is that this woman is attracting my ecstatic love exactly as Lord Kṛṣṇa does. I think she must be Kṛṣṇa covered by the dress of a woman!"
Kṛṣṇa is beautiful at His different ages—namely His childhood, His boyhood and His youth. Out of these three, His youth is the reservoir of all pleasures and is the time when the highest varieties of devotional service are acceptable. At that age, Kṛṣṇa is full with all transcendental qualities and is engaged in His transcendental pastimes. Therefore, devotees have accepted the beginning of His youth as the most attractive feature in ecstatic love.
Another instance of Kṛṣṇa's obligation to His devotee is described in the Tenth Canto, Ninth Chapter, verse 18, of Śrīmad-Bhāgavatam, where Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, when mother Yaśodā was perspiring, tired of trying to bind Kṛṣṇa up with rope, Kṛṣṇa agreed to allow her to bind Him." Kṛṣṇa, as a child, was disturbing His mother by His naughty activities, and she wanted to bind Him up. Mother Yaśodā brought some rope from the house and tried to tie up the child, but she could not tie a knot due to the shortness of the rope. She tied together many ropes, but when she finished still the rope was too short. After a while she felt very tired and began to perspire. At that time Kṛṣṇa agreed to be bound up by His mother. In other words, no one can bind Kṛṣṇa by any means other than love. He is bound only by obligation to His devotees, because of their ecstatic love for Him.
In the Tenth Canto, Thirty-first Chapter, verse 15, of Śrīmad-Bhāgavatam, the gopīs lament, "My dear Kṛṣṇa, during the daytime when You go out into the forest of Vṛndāvana with Your cows, we consider one moment to be twelve years, and it is very difficult for us to pass the time. And again when You come back at the end of the day, by seeing Your beautiful face we are so much attracted that we are unable to stop looking upon You constantly. At these times, when there is occasional blinking of our eyelids, we condemn the creator, Lord Brahmā, as a dunce, because he does not know how to make perfect eyes!" In other words, the gopīs were disturbed by the blinking of their eyes, because for the moment that their eyes were closed they could not see Kṛṣṇa. This means that the gopīs' love for Kṛṣṇa was so great and ecstatic that they were disturbed by even His momentary absence. And when they saw Kṛṣṇa, they were also disturbed. This is a paradox.
Some things which give impetus or stimulation to ecstatic love of Kṛṣṇa are His transcendental qualities, His uncommon activities, His smiling features, His apparel and garlands, His flute, His buffalo horn, His leg bells, His conchshell, His footprints, His places of pastimes (such as Vṛndāvana), His favorite plant (tulasī), His devotee and the periodical occasions for remembering Him. One such occasion for remembrance is Ekādaśī, which comes twice a month on the eleventh day of the moon, both waning and waxing. On that day all the devotees remain fasting throughout the night and continuously chant the glories of the Lord.
Kṛṣṇa's age, His transcendental bodily features, His beauty and His mildness are qualities pertaining to His body. There is no difference between Kṛṣṇa and His body, and therefore the transcendental features pertaining to His body are the same as Kṛṣṇa Himself. But because these qualities stimulate the devotee's ecstatic love, they have been analyzed as separate causes of that love. To be attracted by the qualities of Kṛṣṇa means to be attracted by Kṛṣṇa Himself, because there is no real distinction between Kṛṣṇa and His qualities. Kṛṣṇa's name is also Kṛṣṇa. Kṛṣṇa's fame is also Kṛṣṇa. Kṛṣṇa's entourage is also Kṛṣṇa. Kṛṣṇa and everything related with Kṛṣṇa which gives stimulation to love of Kṛṣṇa are all Kṛṣṇa, but for our understanding these items may be considered separately.
Kṛṣṇa's kaiśora age may be divided into three parts. In the beginning of His kaiśora age—that is, at the beginning of His eleventh year—the luster of His body becomes so bright that it becomes an impetus for ecstatic love. Similarly, there are reddish borders around His eyes, and a growth of soft hairs on His body. In describing this early stage of His kaiśora age, Kundalatā, one of the residents of Vṛndāvana, said to her friend, "My dear friend, I have just seen an extraordinary beauty appearing in the person of Kṛṣṇa. His blackish bodily hue appears just like the indranīla jewel. There are reddish signs on His eyes, and small soft hairs are coming out on His body. The appearance of these symptoms has made Him extraordinarily beautiful."
It is stated in Śrīmad-Bhāgavatam that when Akrūra, who drove Kṛṣṇa from Vṛndāvana to Mathurā, saw the footprints of Kṛṣṇa on the land of Vṛndāvana, his ecstatic love for Kṛṣṇa increased so much that the hairs on his body stood up. His eyes became overflooded with tears, and in such ecstasy he jumped out of the chariot and fell down on the ground and began to chant, "How wonderful this is! How wonderful this is!"
One may sometimes become overwhelmed with joy by seeing a devotee of the Lord. When Dhruva Mahārāja saw two associates of Nārāyaṇa approaching him, he immediately stood up out of sincere respect and devotion and remained before them with folded hands; but because of his ecstatic love, he could hardly offer them a proper reception.
There are many statements about the festive days in connection with Kṛṣṇa's different activities. One of these festive days is Janmāṣṭamī, the day of Kṛṣṇa's birth. This Janmāṣṭamī day is the most opulent festival day for the devotees, and it is still observed with great pomp in every Hindu house in India. Sometimes even the devotees of other religious groups take advantage of this auspicious day and enjoy the performance of the ceremony of Janmāṣṭamī. Ecstatic love for Kṛṣṇa is also aroused on the days of Ekādaśī, which are other festive days in connection with Kṛṣṇa.
The bodily symptoms manifested by a devotee in expressing ecstatic love for Kṛṣṇa are called anubhāva. Practical examples of anubhāva are as follows: dancing, rolling on the ground, singing very loudly, stretching the body, crying loudly, yawning, breathing very heavily, neglecting the presence of others, drooling, laughing like a madman, wheeling the head and belching. When there is an extraordinary excess of ecstatic love, with all of these bodily symptoms manifested, one feels relieved transcendentally.
In the Third Canto, First Chapter, verse 32, of Śrīmad-Bhāgavatam, Vidura inquires from Uddhava, "My dear friend, is Akrūra in an auspicious condition? Not only is he a learned scholar and sinless, but he is also a devotee of Lord Kṛṣṇa. He has such ecstatic love for Kṛṣṇa that I have seen him rolling upon Kṛṣṇa's footprints in the dust as if bereft of all sense." Similarly, one gopī gave a message to Kṛṣṇa that Rādhārāṇī, because of Her separation from Him and because of Her enchantment with the aroma of His flower garlands, was rolling on the ground, thereby bruising Her soft body.
One gopī informed Kṛṣṇa that when Śrīmatī Rādhārāṇī was singing about His glories, She enchanted all of Her friends in such a way that they became stonelike and dull. At the same time, the nearby stones began to melt away in ecstatic love.
In the Padyāvalī there is a statement by some devotees: "We shall not care for any outsiders. If they should deride us, we shall still not care for them. We shall simply enjoy the transcendental mellow of chanting Hare Kṛṣṇa, and thus we shall roll on the ground and dance ecstatically. In this way we shall eternally enjoy transcendental bliss."
When a devotee laughs very loudly like a madman, it is done out of an extraordinary agitation of ecstatic love within the heart. Such mad laughing is an expression of the condition of the heart which is technically called aṭṭa-hāsa. When a devotee becomes affected with this mental condition, his love is expressed through the lips. The laughing sounds, coming one after another, are compared to flowers falling from the creeper of devotion which grows within the heart of the devotee. In the Caitanya-caritāmṛta devotional service to the Lord is also compared to a creeper which rises up to the lotus feet of Kṛṣṇa in Goloka Vṛndāvana.
Sometimes belching also becomes a symptom of ecstatic love for Kṛṣṇa. There is evidence of this in Paurṇamāsī's address to one crying associate of Rādhārāṇī: "My dear daughter, don't be worried because Śrīmatī Rādhārāṇī is belching. I am about to offer a remedial measure for this symptom. Do not cry so loudly. This belching is not due to indigestion; it is a sign of ecstatic love for Kṛṣṇa. I shall arrange to cure this belching symptom immediately. Don't be worried." This statement by Paurṇamāsī is evidence that ecstatic love for Kṛṣṇa is sometimes manifested through belching.
Sometimes trembling of the whole body and hemorrhaging from some part of the body are also manifested in response to ecstatic love for Kṛṣṇa, but such symptoms are very rare, and therefore Śrīla Rūpa Gosvāmī does not discuss any further on this point.
When a devotee is always intensely affected by love for Kṛṣṇa in a direct relationship with Him—or even a little apart from Him—his status is called existential ecstatic love. The symptoms originating from such existential ecstatic love are divided into three headings—namely moist, burnt and dried-up.
Moist existential ecstatic love aroused in connection with Kṛṣṇa is divided into two: direct and indirect. Rādhārāṇī was weaving a garland of kunda flowers, and upon hearing the vibration of Kṛṣṇa's flute, She immediately stopped Her work. This is an example of direct moistened existential ecstatic love. Indirect moistened existential ecstatic love is described in the following statement: Kṛṣṇa, who is also called Puruṣottama, is to the eyes of mother Yaśodā just like the cloud is to the eyes of the cātakī bird. When Kṛṣṇa had been brought to Mathurā, mother Yaśodā, being very anxious and angry, began to rebuke the King of Mathurā.
Burnt existential ecstatic love is divided into three, and one example is as follows: One day, mother Yaśodā was dreaming that the gigantic demon Pūtanā was lying on the courtyard of her house, and she immediately became anxious to seek out Kṛṣṇa.
When there are manifestations of ecstatic symptoms in the body of a nondevotee, these are called dried-up symptoms of ecstatic love. The nondevotees are actually materialistic, but in contact with some pure devotee, they sometimes may manifest some symptoms of ecstasy. Devotional scholars call these dried-up symptoms.
There are eight symptoms of existential ecstatic love: becoming stunned, perspiring, standing of the hairs on the body, faltering of the voice, trembling of the body, changing of bodily colors, shedding of tears and devastation.
The symptom of being stunned is caused by ecstatic tribulation, fearfulness, astonishment, lamentation and anger. This symptom is exhibited by a stoppage of talking, a stoppage of movement, a feeling of voidness and an extreme feeling of separation.
When Uddhava was describing Kṛṣṇa's pastimes to Vidura, he said, "One day the gopīs became stunned when Kṛṣṇa, in the dress of a gardening maid, entered the greenhouse and enlivened them with joking and laughter. Then when Kṛṣṇa left the greenhouse, the gopīs were seeing Kṛṣṇa so ecstatically that it was as though both their minds and eyes were following Him." These symptoms signify that although the gopīs' business was not finished, they had become stunned with ecstatic love.
Another example of being stunned took place when Kṛṣṇa was surrounded by various wrestlers in the sacrificial arena of Kaṁsa. His mother, Devakī, then became stunned, and her eyes dried up when she saw Kṛṣṇa among the wrestlers.
When the lotus-eyed Rukmiṇī, the first queen of Kṛṣṇa in Dvārakā, was shedding tears out of ecstatic jubilation, she did not like the tears. There is a passage in the Hari-vaṁśa wherein Satyabhāmā begins to shed tears because of her great affection for Kṛṣṇa.
When a person is confused by simultaneous happiness and tribulation and does not know what to do, this state of confusion is called pralaya, or devastation. In this condition of pralaya one sometimes falls down on the ground, and all the symptoms of ecstatic love become manifest. When the gopīs were searching after Kṛṣṇa and all of a sudden He came out from the bushes and creepers, all of them became stunned and almost senseless. In this state the gopīs appeared very beautiful. This is an example of pralaya, or devastation, in happiness.
Out of the many ecstatic symptoms of the body, the symptom of being stunned is especially significant. According to the degree of being stunned, the vital force within the body becomes agitated, and due to such a state, the other ecstatic loving symptoms sometimes become altered. These transcendental ecstatic symptoms gradually develop, and in the course of such development they are sometimes called smoky, sometimes called blazing, and sometimes called shining. These three degrees are experienced for many, many years, and they extend to different parts of the body. Unlike the shedding of tears and faltering of the voice, the condition of being stunned is spread all over the body. The shedding of tears and faltering of the voice are simply localized symptoms.
The shedding of tears, however, sometimes makes the eyes become swollen and whitish, and sometimes the lenses of the eyes become differently focused. Faltering of the voice may sometimes cause choking in the throat and extreme anxiety. As the different symptoms of these ecstatic manifestations are localized, they are accompanied by different local reactions; e.g., when the throat is choked up because of a faltering voice, there may be a sound like "ghura." Such sounds choke the voice, and with extreme mental anxiety they may be manifest in different ways. All these symptoms are listed under the dried-up existential condition known as smoky, and they are exhibited in different ways.
Sometimes, while participating in ceremonies celebrating Kṛṣṇa's pastimes, or in the society of devotees, there is dancing ecstasy. Such sentiments are called blazing.
None of the above symptoms can be manifested without the basic principle of strong attachment for Kṛṣṇa. In the smoky condition of such ecstatic expressions, the symptoms could otherwise be hidden. This type of symptom was experienced by Priest Gargamuni, who was performing some ritualistic ceremony in the house of Nanda Mahārāja. When he heard about Kṛṣṇa's killing of the Aghāsura demon, there were some tears visible in his eyes, his throat was trembling, and perspiration covered his whole body. In this way Priest Gargamuni's beautiful face assumed a nice condition.
When several such ecstatic symptoms are visible, the condition is called blazing. For example, one of Kṛṣṇa's friends told Him, "My dear friend, as soon as I heard the sound of Your flute from within the forest, my hands became almost motionless, and my eyes became full of tears—so much so, in fact, that I could not recognize Your peacock feather. My thighs became almost completely stunned so that I could not move even an inch. Therefore, my dear friend, I must acknowledge the wonderful vibration of Your transcendental flute."
Similarly, one gopī said to another, "My dear friend, when I heard the sound of Kṛṣṇa's flute, I tried to hide myself from the reaction of the vibrations. But still I could not check the trembling of my body, and therefore all of my friends in the house could detect my attachment for Kṛṣṇa without any doubt."
When the ecstatic symptoms cannot be checked and they simultaneously appear in four or five different categories, this stage of ecstatic love is called shining. The example is cited, in this connection, that when the sage Nārada saw Lord Kṛṣṇa standing before him, his body became so stunned that he stopped playing on his vīṇā. Because of his faltering voice, he could not offer any prayers to Kṛṣṇa, and his eyes filled with tears. Thus, Nārada's ability to see Kṛṣṇa was also obstructed.
There is a supreme symptom of ecstatic love which is called mahābhāva. This mahābhāva expression was possible only in Rādhārāṇī, but later on when Śrī Kṛṣṇa Caitanya appeared to feel the mode of love of Rādhārāṇī, He also expressed all of the symptoms of mahābhāva. Śrī Rūpa Gosvāmī says in this connection that when the symptoms of ecstatic love become the most bright, that stage is accepted as mahābhāva.
Śrīla Rūpa Gosvāmī further analyzes the ecstatic loving expression into four divisions which are called sāttvikābhāsā.
Sometimes impersonalists, who are not actually in devotional service, may also exhibit such symptoms of ecstatic love, but this is not accepted as actual ecstasy. It is a reflection only. For example, sometimes in Vārāṇasī, a holy city for impersonalist scholars, there may be seen a sannyāsī crying from hearing the glories of the Lord. Impersonalists also sometimes chant the Hare Kṛṣṇa mantra and dance, but their aim is not to serve the Lord. It is to become one with the Lord and merge into His existence.
The chanting of Hare Kṛṣṇa, however, is so nice and transcendental that it will eventually melt even the hearts of persons who are impersonalists. Rūpa Gosvāmī says that the impersonalists' symptoms are simply reflections of ecstatic love, not the real thing.
Sometimes it is found that when staunch logicians, without any trace of devotional service and without actually understanding the transcendental glories of the Lord, sit down to hear the glories of the Lord, they appear to be melting and shedding tears. In this connection there is a statement by a devotee who addresses the Lord thus: "My dear Mukunda, I cannot properly express the glories of Your pastimes. Even when the nondevotees hear of Your glorious pastimes they become affected and shed tears and start to tremble." Such nondevotees are not actually melted; they are hardhearted. But the influence of the glories of the Lord is so great that even the nondevotees sometimes shed tears.
Sometimes it is found that a nondevotee who has practically no taste for Kṛṣṇa and who follows no rules or regulations can, by practice, make a show of devotional symptoms, even crying in an assembly of devotees. This shedding of tears is not actually an ecstatic loving expression, however. It is done simply by practice. Although there is no need to describe these reflections of ecstatic love, Rūpa Gosvāmī gives some instances where there is no actual devotional service and such expressions are manifested.
According to Bharata Muni, this disappointment is inauspicious. But there are other learned scholars who have accepted such disappointment as being in the mood of neutrality and as being a preservative of ecstatic love.
In the Tenth Canto, Seventh Chapter, verse 25, of Śrīmad-Bhāgavatam, there is a description of Kṛṣṇa's being taken away by the whirlwind demon, Tṛṇāvarta. As Kṛṣṇa was being thus carried up into the sky, all the gopīs began to cry aloud. They approached mother Yaśodā, stating that they could not find the son of Nanda. He had been taken away by a whirlwind. This is an instance of lamentation in ecstatic love.
When Kṛṣṇa was fighting with Kāliya, mother Yaśodā exclaimed, "Kṛṣṇa is now entrapped within the hoods of the Kāliya snake, and yet I am not tattered to pieces! So I must admit how wonderful is the preserving power of this material body!" This is another instance of lamentation in ecstatic love.
Sometimes all of the cowherd friends of Kṛṣṇa, along with Balarāma, danced together in some ceremony. At these times the garlands on their necks would move, and the boys would begin to perspire. Their whole bodies became wet from their ecstatic dancing. This is an instance of fatigue caused by dancing.
There is another description of the symptoms of intoxication in the person of Śrī Rādhārāṇī after She saw Kṛṣṇa. Sometimes She was walking hither and thither, sometimes She was laughing, sometimes She was covering Her face, sometimes She was talking without any meaning, and sometimes She was praying to Her associate gopīs. Seeing these symptoms in Rādhārāṇī, the gopīs began to talk among themselves: "Just see how Rādhārāṇī has become intoxicated simply by seeing Kṛṣṇa before Her!" This is an instance of ecstatic love in intoxication.
Expressions of ecstatic love in pride may be the result of excessive wealth, exquisite beauty, a first-class residence or the attainment of one's ideal goal. One is also considered proud when he does not care about the neglect of others.
Bilvamaṅgala Ṭhākura said, "My dear Kṛṣṇa, You are leaving me, forcibly getting out of my clutches. But I shall be impressed by Your strength only when You can go forcibly from the core of my heart." This is an instance of feeling pride in ecstatic love for Kṛṣṇa.
Similarly, in the Tenth Canto, Second Chapter, verse 33, of Śrīmad-Bhāgavatam, Lord Brahmā says, "My dear Madhusūdana, persons who are pure devotees of Your Lordship actually feel Your ecstatic friendship, and as such they are never vanquished by enemies. They know they are always protected by You, and so they can matter-of-factly pass over the heads of their enemies without any care." In other words, one who has taken complete shelter under the lotus feet of the Lord is always proud of being able to conquer all enemies.
After Lord Brahmā had stolen all of the calves, cows and cowherd boys from Kṛṣṇa, he was trying to go away. But all of a sudden he became doubtful about his stealing affairs and began to watch on all sides with his eight eyes. Lord Brahmā has four heads, and therefore he has eight eyes. This is an instance of ecstatic love in doubt, caused by stealing.
Similarly, just to please Kṛṣṇa, Akrūra stole the Syamantaka maṇi, a stone which can produce unlimited quantities of gold, but later on he repented his stealing. This is another instance of ecstatic love for Kṛṣṇa in doubt caused by stealing.
In the Padyāvalī there is the following statement: "My dear friend, Kṛṣṇa's residence in the demoniac circle at Mathurā, under the supremacy of the king of demons, Kaṁsa, is causing me much worry." This is one instance of apprehending some danger to Kṛṣṇa in ecstatic love for Him.
When Vṛṣāsura appeared in Vṛndāvana as a bull, all of the gopīs became greatly affected with fear. Being perturbed in that way, they began to embrace the tamāla trees. This is an instance of fear caused by a ferocious animal and of the search for shelter while remembering Kṛṣṇa in ecstatic love. Upon hearing the jackals crying in the forest of Vṛndāvana, mother Yaśodā sometimes became very careful about keeping Kṛṣṇa under her vigilance, fearing that Kṛṣṇa might be attacked by them. This is an instance of ecstatic love for Kṛṣṇa in fear caused by a tumultuous sound. This kind of fear is a little different from being actually afraid. When one is afraid of something, he can still think of past and future. But when there is this kind of ecstatic apprehension, there is no scope for such thinking.
Śrīla Bilvamaṅgala Ṭhākura prays in his book as follows: "Let Śrīmatī Rādhārāṇī purify the whole world, because She has surrendered Herself completely unto Kṛṣṇa. Out of Her ecstatic love for Him, She sometimes acted just like an addled person and attempted to churn yogurt, although there was no yogurt in the pot. And seeing this, Kṛṣṇa became so enchanted by Rādhārāṇī that He began to milk a bull instead of a cow." These are some of the instances of insanity or madness in connection with the love affairs of Rādhā and Kṛṣṇa. In Śrīmad-Bhāgavatam it is said that when Kṛṣṇa entered the poisonous waters of the Yamunā, Śrīmatī Yaśodā-devī went insane. Instead of searching for curative herbs, she began to speak to the trees as if they were snake chanters. With folded hands she began to bow down to the trees, asking them, "What is the medicinal herb which can check Kṛṣṇa's dying from this poisonous water?" This is an instance of insanity caused by some great danger.
How a devotee can be in a state of insanity because of ecstatic love is described in the Tenth Canto, Thirtieth Chapter, verse 4, of Śrīmad-Bhāgavatam, wherein the gopīs were searching for Kṛṣṇa in the forests of Vṛndāvana. The gopīs were loudly singing the glories of Kṛṣṇa and wandering from one forest to another in search of Him. They knew that Kṛṣṇa is not localized, but all-pervading. He is in the sky, He is in the water, He is in the air, and He is the Supersoul in everyone's heart. Thus the gopīs began to inquire from all kinds of trees and plants about the Supreme Personality of Godhead. This is an instance of ecstatic madness on the part of devotees.
Similarly, there are symptoms of diseases caused by ecstatic love. This condition is credited by learned scholars as being mahābhāva. This highly elevated condition is also called divyonmāda, or transcendental madness.
When Kṛṣṇa was absent from Vṛndāvana and was staying in Mathurā, Śrīmatī Rādhārāṇī sent news to Him that His mother, the Queen of Vraja, was feeling such separation from Him that there was foam coming from her mouth, like the foam on the shore of the ocean. And sometimes she was raising her arms like the waves of the ocean, and because of her intense feelings of separation, she was rolling on the ground and creating a tumultuous roaring sound. And sometimes she was remaining completely silent, like a calm sea. These symptoms of separation from Kṛṣṇa are called apasmāra, or forgetfulness. One completely forgets his position when he manifests these symptoms in ecstatic love.
In the Tenth Canto, Twelfth Chapter, verse 44, of Śrīmad-Bhāgavatam, Mahārāja Parīkṣit asked about Lord Ananta, and upon hearing this question, Śukadeva Gosvāmī began to show symptoms of collapsing. Yet he checked himself and answered King Parīkṣit's question in a mild voice. This collapsing condition is described as a feverish state resulting from ecstatic pleasure.
When, because of self-satisfaction or dislike of excessive labor, a person does not perform his duty in spite of having the energy, he is called lazy. This laziness also is manifested in ecstatic love of Kṛṣṇa. For example, when some brāhmaṇas were requested by Nanda Mahārāja to circumambulate Govardhana Hill, they told him that they were more interested in offering benedictions than in circumambulating Govardhana Hill. This is an instance of laziness caused by self-satisfaction.
When Rādhārāṇī was first introduced to Kṛṣṇa, She felt very bashful. One of Her friends addressed Her in this way: "My dear friend, You have already sold Yourself and all Your beauty to Govinda. Now You should not be bashful. Please look upon Him cheerfully. One who has sold an elephant to another person should not make a miserly quarrel about selling the trident which controls the elephant." This kind of bashfulness is due to a new introduction in ecstatic love with Kṛṣṇa.
There is a symptom of ecstatic love known as concealment, or trying to hide one's real mental condition by externally showing another attitude. In this state of mind one tries to hide his mind by looking away in different directions, by unnecessarily trying for something which is impossible, or by using words which cover one's real thoughts. According to ācāryas expert in the study of psychological activities, these attempts at hiding one's real affections are another part of ecstatic feeling for Kṛṣṇa.
In the Tenth Canto, Thirty-second Chapter, verse 15, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī states, "My dear King, the gopīs were always beautiful and decorated with confidential smiles and alluring garments. In their movements, intended to give impetus to lusty feelings, they would sometimes press Kṛṣṇa's hand on their laps, and sometimes they would keep His lotus feet on their breasts. After doing this, they would talk with Kṛṣṇa as if they were very angry with Him."
There is another instance of this concealment in ecstatic love. When Kṛṣṇa, the supreme joker, planted the pārijāta tree in the courtyard of Satyabhāmā, Rukmiṇī, the daughter of King Vidarbha, became very angry, but due to her natural gentle behavior, she did not express anything. No one could understand Rukmiṇī's real mental condition. This is an instance of competitive concealment.
This Madhumaṅgala one day addressed Kṛṣṇa in this fashion: "My dear friend, I can see that You are not aware of the peacock feathers that are falling on the ground, and at the same time You are unmindful of the flower garlands which are offered to You. I think I can guess the reason for Your absentmindedness when I see Your two eyes flying over to the eyes of Śrīmatī Rādhārāṇī, just like black drones flying to lotus flowers." This is an instance of an argumentative suggestion in ecstatic love.
Once while Kṛṣṇa was out walking, one of the associates of Rādhārāṇī told Her, "My dear friend, do You think that this walking personality is a tamāla tree? If He is a tamāla tree, then how is it possible for Him to walk and be so beautiful? Then, this personality might be a cloud. But if He's a cloud, then where is the beautiful moon within? Under the circumstances, I think it may be granted that this person is the same enchanting Personality of Godhead by whose flute vibration the three worlds are captivated. He must be the same Mukunda who is standing before Govardhana Hill." This is another instance of an argumentative presentation of ecstatic love.
In the Tenth Canto, Twenty-ninth Chapter, verse 29, of Śrīmad-Bhāgavatam, when Kṛṣṇa asked all the gopīs to go back to their homes, they did not like it. Because of their grief at this, they were sighing heavily, and their beautiful faces appeared to be drying up. In this condition they remained, without making a sound. They began to draw lines on the ground with their toes, and with their tears they washed the black ointment from their eyes onto their breasts, which were covered with red kuṅkuma powder. This is an instance of anxiety in ecstatic love.
One of the friends of Kṛṣṇa once informed Him, "My dear killer of the demon Mura, Your kind and gentle mother is very anxious because You have not returned home, and with great difficulty she has passed the evening constantly sitting on the balcony of Your home. It is certainly astonishing how You could forget Your mother while You are off somewhere engaged in Your playful activities!" This is another instance of deep anxiety in ecstatic love.
When mother Yaśodā was very anxiously waiting for Kṛṣṇa to return from Mathurā, Mahārāja Nanda gave her this solace: "My dear Yaśodā, please don't be worried. Please dry your beautiful lotuslike face. There is no need for you to breathe so hotly. I will go immediately with Akrūra to the palace of Kaṁsa and get your son back for you." Here is an instance of anxiety in ecstatic love caused by Kṛṣṇa's awkward position.
In the Vaiśākha-māhātmya section of the Padma Purāṇa a devotee states that though in some of the eighteen Purāṇas the process of glorifying Lord Viṣṇu is not mentioned and the glorifying of some demigod is offered, such glorification must be continued for millions of years. For when one studies the Purāṇas very scrutinizingly, he can see that ultimately Lord Viṣṇu is the Supreme Personality of Godhead. This is an instance of ecstatic love developed out of thoughtfulness.
In the Tenth Canto, Sixtieth Chapter, verse 39, of Śrīmad-Bhāgavatam, there is an account of Rukmiṇīdevī's writing a letter to Kṛṣṇa requesting Him to kidnap her before her marriage to another person. At that time the specific attachment of Rukmiṇī for Kṛṣṇa was expressed by Rukmiṇī as follows: "My dear Lord Kṛṣṇa, Your transcendental glories are chanted by great sages who are free from material contamination, and in exchange for such glorification You are so kind that You freely distribute Yourself to such devotees. As one can elevate oneself simply by Your grace, so also by Your direction alone one may be lost to all benedictions, under the influence of eternal time. Therefore I have selected Your Lordship as my husband, brushing aside personalities like Brahmā and Indra—not to mention others." Rukmiṇī enhanced her love for Kṛṣṇa simply by thinking of Him. This is an instance of thoughtfulness in ecstatic love.
According to the opinion of Bhartṛhari, a learned scholar, when a person is elevated to this state of endurance, he thinks as follows: "I do not wish to be a highly posted government servant. I shall prefer to remain naked, without proper garments. I shall prefer to lie down on the ground without any mattress. And despite all these disadvantages, I shall refuse to serve anyone, even the government." In other words, when one is in ecstatic love with the Personality of Godhead, he can endure any kind of disadvantages calculated under the material concept of life.
It is described in the Viṣṇu Purāṇa that when Akrūra came to take Kṛṣṇa and Balarāma to Mathurā, just by seeing Their faces he became so cheerful that all over his body there were symptoms of ecstatic love. This state is called happiness.
It is stated in the Tenth Canto, Thirty-third Chapter, verse 11, of Śrīmad-Bhāgavatam, "Upon seeing that Kṛṣṇa's arm was placed on her shoulder, one of the gopīs engaged in the rāsa dance became so ecstatically happy that she kissed Kṛṣṇa on His cheek." This is an instance of feeling happiness because of achieving a desired goal.
In the Tenth Canto, Seventy-first Chapter, verse 33, of Śrīmad-Bhāgavatam, it is said, "When Kṛṣṇa first came from His kingdom, Dvārakā, to Indraprastha, the young females of the city became so eager to see Him that even at night, when they were lying down with their husbands, they could not restrain their eagerness. Even though they were not properly dressed and although their hair was loose and there were many household duties to perform, they still gave up everything and immediately went into the street to see Kṛṣṇa." This is an instance of eagerness in ecstatic love.
In his book Stavāvalī, Śrī Raghunātha dāsa Gosvāmī has prayed for the mercy of Rādhārāṇī, who was so captivated by the flute vibrations of Kṛṣṇa that She immediately asked information of His whereabouts from residents in the Vṛndāvana forest. Upon first seeing Kṛṣṇa, She was filled with such ecstatic love and pleasure that She began to scratch Her ears. The damsels of Vraja and Rādhārāṇī were very expert in talking cunningly, so as soon as they saw Kṛṣṇa they began their talkings; and Kṛṣṇa, pretending to go for some flowers for them, immediately left that place and entered into a mountain cave. This is another instance of eager loving exchanges on the parts of both the gopīs and Kṛṣṇa.
When Kṛṣṇa was fighting with the Kāliya snake by dancing on his heads, Kāliya bit Kṛṣṇa on the leg. At that time Garuḍa became infuriated and began to murmur, "Kṛṣṇa is so powerful that simply by His thundering voice the wives of Kāliya have had miscarriages. Because my Lord has been insulted by this snake, I wish to devour him immediately, but I cannot do so in the presence of my Lord, because He may become angry with me." This is an instance of eagerness to act in ecstatic love as a result of dishonor to Kṛṣṇa.
Similarly, some of the gopīs once began to address Kṛṣṇa with these dishonorable words: "My dear Kṛṣṇa, You are a first-class thief. So please leave this place immediately. We know You love Candrāvalī more than us, but there is no use in praising her in our presence! Kindly do not contaminate the name of Rādhārāṇī in this place!" This is another instance of dishonorable words cast upon Kṛṣṇa in ecstatic love.
There is another statement in the Tenth Canto, Thirty-first Chapter, verse 16, of Śrīmad-Bhāgavatam. When all the gopīs came out of their homes to meet Kṛṣṇa in the Vṛndāvana forest, Kṛṣṇa refused to accept them and asked them to go home, giving them some moral instruction. At that time the gopīs spoke as follows: "Dear Kṛṣṇa, there is extreme distress in being out of Your presence, and there is extreme happiness simply in seeing You. Therefore we have all left our husbands, relatives, brothers and friends and have simply come to You, being captivated by the sound of Your transcendental flute. O infallible one, You had better know the reason for our coming here. In plain words, we are here simply because we have been captivated by the sweet sound of Your flute. We are all beautiful girls, and You are so foolish that You are rejecting our association. We do not know anyone, other than Yourself, who would miss this opportunity to associate with young girls in the dead of night!" This is another instance of indirect insults used against Kṛṣṇa in ecstatic love.
Sometimes when the cowherd boys used to play in the forests of Vṛndāvana, Kṛṣṇa would play on one side, and Balarāma would play on another. There would be competition and mock fighting between the two parties, and when Kṛṣṇa's party was defeated by Balarāma, the boys would say, "If Balarāma's party remains victorious, then who in the world can be weaker than ourselves?" This is another instance of envy in ecstatic love.
According to the Vedic system there are eight kinds of marriages, one of which is called rākṣasa-vivāha. Rākṣasa-vivāha refers to kidnapping a girl and marrying her by force. This is considered to be a demoniac method. When Rukmiṇī was going to be married to Śiśupāla by the choice of her elder brother, she wrote the above letter to Kṛṣṇa requesting Him to kidnap her. This is an instance of impudence in ecstatic love for Kṛṣṇa.
Every evening at sunset Kṛṣṇa used to return from the pasturing ground where He herded cows. Sometimes when mother Yaśodā could not hear the sweet vibration of His flute she would become very anxious, and because of this she would feel dizzy. Thus, dizziness caused by anxiety in ecstatic love for Kṛṣṇa is also possible.
When Yaśodā had tied Kṛṣṇa up one time, she began to think, "Kṛṣṇa's body is so soft and delicate. How could I have tied Him with rope?" Thinking this, her brain became puzzled, and she felt dizziness.
The gopīs were advised by their superiors to bolt the doors at night, but they were so carefree that they did not carry out this order very rigidly. Sometimes, by thinking of Kṛṣṇa, they became so confident of being out of all danger that they would lie down at night in the courtyards of their houses. This is an instance of dizziness in ecstatic love due to natural affection for Kṛṣṇa.
Once Lord Baladeva began to talk in His sleep as follows:"O lotus-eyed Kṛṣṇa, Your childhood adventures are manifest simply according to Your own will. Therefore, please immediately dispose of the stubborn pride of this Kāliya serpent." By saying this, Lord Baladeva astonished the assembly of the Yadus and made them laugh for some time. Then, yawning so hard as to make ripples on His abdomen, Lord Baladeva, the bearer of the plow, returned to His deep sleep. This is an instance of sleepiness in ecstatic love.
A devotee once stated, "I have already conquered the mode of ignorance, and I am now on the platform of transcendental knowledge. Therefore I shall be engaged only in searching after the Supreme Personality of Godhead." This is an instance of alertness in ecstatic love. Transcendental alertness is possible when the illusory condition is completely overcome. At that stage, when in contact with any reaction of material elements, such as sound, smell, touch or taste, the devotee realizes the transcendental presence of the Supreme Personality of Godhead. In this condition the ecstatic symptoms (e.g., standing of the hair on the body, rolling of the eyeballs and getting up from sleep) are persistently visible.
All the previously mentioned thirty-three symptoms of ecstatic love are called vyabhicārī, or disturbing. All these symptoms refer to apparently disturbed conditions, but even in such disturbed conditions there is acute ecstatic love for Kṛṣṇa. These symptoms, however, can be divided into three groups: first class, second class and third. There are many disturbing symptoms in ecstatic love, such as envy, anxiety, pride, jealousy, conclusion, cowardliness, forgiveness, impatience, hankering, regret, doubtfulness and impudence. These are included in the thirty-three conditions of ecstatic love. Śrīla Rūpa Gosvāmī has very nicely analyzed the different kinds of disturbing symptoms, and although it is very difficult to find the exact English equivalents for many Sanskrit words used here, his analysis will now be presented.
When all such symptoms are included in ecstatic love, they are called sañcārī, or continuously existing ecstatic symptoms. All of these symptoms are transcendental, and they are exhibited in different ways, acting and interacting under different conditions. They are like the reciprocation of love between the lover and beloved.
When a person is envious or defamed, there may be a change in the color of the body. This may be classified as vibhāva, or subecstasy. Sometimes illusion, collapse and strong anxiety are also considered to be vibhāva. When there are many such symptoms, they can simply be grouped together under ecstatic love.
Śrīla Rūpa Gosvāmī says that fright, sleep, fatigue, laziness and the madness of intoxication are sometimes grouped under continuous symptoms of ecstatic love, and they are due to a strong attraction.
False argument, determination, steadiness, remembrance, joyfulness, ignorance, humility and unconsciousness are also different symptoms of ecstatic love. Dependence is also grouped under ecstatic love, and this can be divided into superior dependence and inferior dependence. The direct differentiations between superior and inferior dependence are ascertained by Rūpa Gosvāmī and will be presented in due course.
Sometimes ghastly activities also support strong ecstatic love for Kṛṣṇa. This state of mind is called ecstatic fearfulness under illusion. In the Tenth Canto, Twenty-third Chapter, verse 40, of Śrīmad-Bhāgavatam, there is the following statement by the brāhmaṇas who were performing sacrifices: "We have all been born into three advantageous conditions: we are in high brāhmaṇa families, we have ceremoniously received the sacred thread, and we are also properly initiated by a spiritual master. But, alas, in spite of all these advantages, we are condemned. Even our observance of brahmacarya is condemned." The brāhmaṇas thus began to condemn their own activities. They realized that in spite of being so elevated by birth, education and culture, they still were under the spell of the illusory energy. They also admitted that even great yogīs who are not devotees of the Lord are covered by the influence of material energy.
When the Keśī demon was assassinated by Kṛṣṇa, Kaṁsa became hopeless. He said, "Keśī-daitya was as dear to me as my own life, but he has been killed by some cowherd boy who is crude, uneducated and ignorant in fighting. Even though I have defeated the King of heaven without difficulty, still I do not know the value of life." Because this hopelessness has a slight touch of attraction for Kṛṣṇa, it is considered to be a reflection of ecstatic love in hopelessness.
Kaṁsa once rebuked Akrūra by saying, "You are such a fool that you are accepting a cowherd boy to be the Supreme Personality of Godhead simply because He has defeated some harmless water snake! The boy may have lifted one pebble called Govardhana Hill, but what is more surprising than that is your statement that this boy is the Personality of Godhead!" This is an instance of a maliciously opposing element, caused by hopelessness in ecstatic love for Kṛṣṇa.
One devotee tried to console a kadamba tree when the tree was lamenting because Kṛṣṇa had not touched even its shadow. The devotee said, "My dear kadamba tree, do not be worried. Just after defeating the Kāliya snake in the Yamunā River, Kṛṣṇa will come and satisfy your desire." This is an instance of inappropriate hopelessness in ecstatic love for Kṛṣṇa.
Garuḍa the eagle, the carrier of Viṣṇu, once said, "Who can be more pure than I? Where is there a second bird like me, so able and competent? Kṛṣṇa may not like me, He may not wish to join my party, but still He has to take advantage of my wings!" This is an instance of hopelessness in the neutral mood of ecstatic love.
The symptoms of ecstatic love are sometimes grouped under four headings—namely generation, conjunction, aggregation and satisfaction.
Kṛṣṇa once told Rādhārāṇī, "My dear friend, when You tried to meet Me alone in the morning, Your friend Mekhalā remained hungry with envy. Just look at her!" When Kṛṣṇa was joking with Rādhārāṇī in this way, Rādhārāṇī moved Her beautiful eyebrows crossly. Rūpa Gosvāmī prays that everyone may become blessed by this movement of Śrīmatī Rādhārāṇī's eyebrows. This is an instance of the generation of malice in ecstatic love of Kṛṣṇa.
One night, after the Pūtanā demon had been killed, baby Kṛṣṇa could be seen playing upon her breast. Upon seeing this, Yaśodā became stunned for some time. This is an example of a conjunction of various symptoms of ecstatic love. The conjunction can be auspicious or inauspicious. That the Pūtanā demon had been killed was auspicious, but that Kṛṣṇa was playing on her breast in the dead of night, with no one to help Him in case of trouble, was inauspicious.
When Devakī, the mother of Kṛṣṇa, saw her son very jubilant in the presence of the wrestlers in Kaṁsa's arena, two kinds of tears were simultaneously gliding down her cheeks: sometimes her tears were warm, and sometimes they were cold. This is an instance of a conjunction of jubilation and lamentation due to different causes of ecstatic love.
Once when Śrīmatī Rādhārāṇī was standing on the bank of the Yamunā River in the forest of Vṛndāvana, She was attacked by Kṛṣṇa, who was stronger than She. Although She externally expressed a disturbed mood from this incident, within Herself She was smiling and feeling great satisfaction. Externally She moved Her eyebrows and made a show of rejecting Kṛṣṇa. In this mood Rādhārāṇī looked very beautiful, and Śrīla Rūpa Gosvāmī glorifies Her beauty. This is an instance of exhibiting varying feelings in ecstatic love, although the cause is one only—Kṛṣṇa.
Sometimes there were great festivals in the house of Nanda Mahārāja, and all of the inhabitants of Vṛndāvana would assemble for these festivals. During one such festival, Śrīmatī Rādhārāṇī was seen wearing a golden necklace given Her by Kṛṣṇa. This was immediately detected by mother Yaśodā as well as by Rādhārāṇī's mother, because the necklace was too long for Rādhārāṇī's neck. At the same time Rādhārāṇī could see Kṛṣṇa nearby, as well as Her own husband, Abhimanyu. So all of these things combined to make Rādhārāṇī feel very much ashamed, and with Her face shriveled She began to look very beautiful. In this case there was a combination of bashfulness, anger, jubilation and lamentation. This is an instance of an aggregate of symptoms of ecstatic love.
Kaṁsa once said, "What harm can this boy do to me? He has no power." The next moment Kaṁsa was informed that all of his friends had been killed by the boy. Then Kaṁsa began to think in perplexity, "Shall I go immediately and surrender unto Him? But how can a great warrior do this?" The next moment he thought, "Why should I be afraid of Him? There are still so many wrestlers standing to support me." But the next moment he began to consider, "The boy is certainly not common, because He has lifted Govardhana Hill with His left hand. So what can I do in this connection? Let me go to Vṛndāvana and inflict pains on all the residents there. But still I cannot even go out, because my heart is trembling from fear of this boy!" This condition of Kaṁsa's mind reveals an instance of pride, lamentation, humility, determination, remembrance, doubtfulness, anger and fear. Actually eight different symptoms comprised the mental condition of Kaṁsa. This is another instance of an aggregate of symptoms in hopeless ecstatic love.
This is an instance of hopelessness, pride, doubt, patience, lamentation, determination and eagerness—an aggregation of seven different symptoms in ecstatic love for Kṛṣṇa.
There is a proverb in Sanskrit which says, "Disappointment gives rise to the greatest satisfaction." In other words, when one's sentiment or ambition becomes too great and is not fulfilled until after seemingly hopeless tribulation, that is taken as the greatest satisfaction. Once the cowherd boys in Vṛndāvana were vainly searching after Kṛṣṇa for a long time, and for that reason their faces became blackened, and their complexions appeared faded. Just then they could hear on the hill a faint vibration from Kṛṣṇa's flute. Immediately all of them became very much gladdened. This is an instance of satisfaction in the midst of disappointment.
Śrīla Rūpa Gosvāmī says that although he has no expert knowledge about the sounds and meanings and mellows of the symptoms of ecstatic love, he has tried to give some examples of different varieties of love of Kṛṣṇa. He further states that the thirty-three disturbing symptoms of ecstatic love, plus eight other symptoms, all taken together equal forty-one primary symptoms of ecstatic love.
As one can detect the color of dye a cloth was soaked in by looking at the cloth, so, simply by understanding the different signs of these symptomatic features, one can understand the actual position. In other words, attachment for Kṛṣṇa is one, but because there exist different kinds of devotees, such attachment is manifested in many varieties. As clothing tinged red appears red, so the temporary appearance of a certain type of feeling can be detected or observed by the specific ecstatic symptom. In fact, all the different humors and mellows of the devotees produce various specific feelings within the mind. And according to these differences, the symptoms of ecstatic love appear in different forms and degrees. If one's heart is highly elevated, grave and magnanimous, or if one's heart is rough and crude, different symptoms of ecstatic love will appear, influenced by the condition of the heart. Actually, people cannot generally understand such different qualities of mentality, but when one's heart is very soft or gentle, these symptoms become very easily visible, and one can understand them very clearly. The heart of one who is highly elevated and grave is compared to gold. If one's heart is very soft and gentle, his heart is compared to a cotton swab. When there is an ecstatic sensation within the mind, the golden heart or grave heart is not agitated, but the soft heart immediately becomes agitated.
A hard heart is compared to a lightning bolt, to gold and to shellac. The lightning bolt is very strong and never becomes soft. Similarly, the hearts of those who are engaged in severe austerities and penances do not become very easily softened. The golden heart becomes melted at high temperature, as in ecstatic love. And the shellac heart is very easily melted in slight temperature.
A soft heart is compared to honey, to butter and to nectar. And the condition of the mind is compared to sunshine. As honey and butter become melted even in slight sunshine, softhearted persons become easily melted. Nectar, however, is by its nature always liquid. And the hearts of those who are in pure ecstatic love with Kṛṣṇa are by nature always liquified, just like nectar.
The continuous ecstasy of love can remain like a powerful king, subduing all temporary manifestations of love as well as any opposing elements of anger. It can be exhibited directly or indirectly, and thus ecstatic love can be described as direct or indirect. These symptoms of ecstatic love are possible only when one is fully situated in a transcendental position. Direct ecstatic love can be divided into two groups—namely, selfish and selfless.
When noncontradictory symptoms of ecstatic love are distinctly manifest, any contradictory symptoms create a sense of abomination. Contradictory ecstatic love is called selfish. That ecstatic love which can adjust all contradictory or noncontradictory symptoms is called direct selfless love. These selfless symptoms can again be divided into five groups: neutrality, servitude, fraternity, parenthood and conjugal love. Such ecstatic love assumes a particular mode in contact with different objects of love.
One old man was told by a young man, "Just see how this child—only three years old—is so jubilant! Simply by seeing Kṛṣṇa he is running so swiftly, making a tumultuous sound. Just see!" This is an instance of neutral ecstatic love in the heart of a child, without any specific subdivision.
Due to the different types of attraction for Kṛṣṇa, there are different varieties of devotees. Their symptoms are manifested transparently, just like jewels. It is said that a great devotee brāhmaṇa would sometimes address the Supreme Personality of Godhead as master and sometimes joke with the Lord, using different kinds of familiar words. Sometimes he would protect the Lord with a filial affection, sometimes he would cry out to the Lord, addressing the Lord as his beloved, and sometimes he would meditate on the Lord as the Supersoul. This means that the brāhmaṇa expressed his ecstatic loving symptoms in different ways at different times. But in each instance, because of ecstatic love, the brāhmaṇa merged himself in the ocean of happiness and became situated in pure love. Thus he was a transparent medium, like a jewel that shows reality in varying colors according to its own nature.
Generally, a devotee of Lord Kṛṣṇa may be placed into one of three groups. One group consists of those who are completely dependent on the merciful affection of the Supreme Personality of Godhead, another group consists of devotees who are dealing with Kṛṣṇa on friendly terms, and the third group consists of those who are dealing with Kṛṣṇa as His superiors, with parental affection. These three classes of devotees gradually develop different relationships of transcendental mellow with the Personality of Godhead. When the attraction for Kṛṣṇa is based on only one particular humor, that humor is called kevalā, or the pure state. One in this pure state of devotional service gradually develops the desire to follow in the footsteps of an eternal associate of Kṛṣṇa, e.g., to follow in the footsteps of Rasāla, the personal attendant of Kṛṣṇa in Goloka Vṛndāvana, or to follow Kṛṣṇa's friends, like Śrīdāmā and Sudāmā, or to follow Nanda and Yaśodā, devotees in parenthood. Ecstatic love for Kṛṣṇa is never manifested directly with Kṛṣṇa Himself. The devotee has to follow in the footsteps of the eternal associates of Kṛṣṇa in Goloka Vṛndāvana.
The devotees who always think of Kṛṣṇa as a superior are in subordinate ecstatic love. To such a devotee the concept of inferiority to the Lord is very prominent, and he rarely takes interest in any other kind of transcendental loving humor with the Lord.
After He had stolen some yogurt from the pots of two gopīs, Kṛṣṇa told one of His gopī friends, "My dear beautiful friend, I can take oath that I have not stolen even a drop of yogurt from your pot! But still your friend Rādhārāṇī is very shamelessly smelling the flavor of My mouth. Kindly forbid Her from this devious policy of putting Her face near Mine." When Kṛṣṇa was speaking like this, the friends of Rādhārāṇī could not check their laughter. This is an instance of laughter in ecstatic love.
On the bank of the Yamunā, once there was the crackling sound of dry leaves, giggling from the cowherd boys and thundering from the sky. Śrīdāmā was tightening his belt to fight with Kṛṣṇa, the conqueror of the demon Agha. This is an instance of chivalry in ecstatic love.
When Jaṭilā, the mother of Abhimanyu, saw Kṛṣṇa wearing a necklace, she could understand that the jeweled ornament had been given to Him by Rādhārāṇī. She therefore became absorbed in anger and began to move her eyebrows, expressing her anger in ecstatic love.
In ecstatic loving service to Kṛṣṇa in anger, Kṛṣṇa is always the object. In Vidagdha-mādhava, Second Act, verse 37, Lalitā-gopī expressed her anger, which was caused by Kṛṣṇa, when she addressed Śrīmatī Rādhārāṇī thus: "My dear friend, my inner desires have been polluted. Therefore I shall go to the place of Yamarāja. But I am sorry to see that Kṛṣṇa has still not given up His smiling over cheating You. I do not know how You could repose all Your loving propensities upon this lusty young boy from the neighborhood of the cowherds."
After seeing Kṛṣṇa, Jaratī sometimes said, "O You thief of young girls' properties! I can distinctly see the covering garment of my daughter-in-law on Your person." Then she cried very loudly, addressing all the residents of Vṛndāvana to inform them that this son of King Nanda was setting fire to the household life of her daughter-in-law.
Similar ecstatic love for Kṛṣṇa in anger was expressed by Rohiṇī-devī when she heard the roaring sound of the two falling arjuna trees to which Kṛṣṇa had been tied. The whole neighborhood proceeded immediately toward the place where the accident had taken place, and Rohiṇī-devī took the opportunity to rebuke mother Yaśodā as follows: "You may be very expert in giving lessons to your son by binding Him with rope, but don't you look to see if your son is in a dangerous spot? The trees are falling on the ground, and He is simply loitering there!" This expression of Rohiṇī-devī's anger toward Yaśodā is an example of ecstatic love in anger caused by Kṛṣṇa.
When Kṛṣṇa was insulted by Śiśupāla in the assembly of the Rājasūya yajña convened by Mahārāja Yudhiṣṭhira, there was a great turmoil among the Pāṇḍavas and Kurus, involving grandfather Bhīṣma. At that time Nakula said with great anger, "Kṛṣṇa is the Supreme Personality of Godhead, and the nails of His toes are beautified by the light emanating from the jeweled helmets of the authorities of the Vedas. If He is derided by anyone, I declare herewith as a Pāṇḍava that I will kick his helmet with my left foot and I will strike him with my arrows, which are as good as yama-daṇḍa, the scepter of Yamarāja!" This is an instance of ecstatic love for Kṛṣṇa in anger.
In such a transcendental angry mood sometimes sarcastic remarks, unfavorable glances and insulting words are exhibited. Sometimes there are other symptoms, like rubbing of the two hands, clacking of the teeth, clamping of the lips, moving of the eyebrows, scratching of the arms, lowering of the head, rapid breathing, uttering of strong words, nodding of the head, yellowishness at the corners of the eyes, and trembling lips. Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence. All these symptoms of anger may be divided into two parts: constitutional and unconstitutional, or permanent and temporary symptoms. Sometimes great emotion, bewilderment, pride, frustration, illusion, impotence, jealousy, dexterity, negligence and signs of hard labor are also manifest as unconstitutional symptoms.
In all these humors of ecstatic love, the feeling of anger is accepted as the steady factor.
Natural jealousy of Kṛṣṇa by persons like Śiśupāla cannot be accepted as ecstatic love in anger with Kṛṣṇa.
There is a statement by Yāmunācārya to this effect: "Since I have begun to enjoy these transcendental exchanges of love, which are always newer and newer, whenever I remember the pleasure of past sex life, my lips curl and I wish to spit on the idea." This is an instance of ecstatic love in ghastliness.
It is understood from authoritative sources that an attachment for Kṛṣṇa because of feelings of disgust sometimes presents a ghastly ecstasy in devotional service. The person experiencing such ecstatic love for Kṛṣṇa is almost always in the neutral stage of devotional service, or śānta-rasa. A description of ecstatic love caused by ghastliness is found in the following statement: "This person was formerly interested solely in the matter of lust and sense gratification, and he had perfected the greatest skill in exploiting women to fulfill his lusty desires. But now how wonderful it is that this same man is chanting the names of Kṛṣṇa with tears in his eyes, and as soon as he sees the face of a woman, he immediately becomes disgusted. From the indication of his face, I would think that now he hates sex life."
There are so many insects and worms, surrounded by the stools left by different kinds of diseased persons. And after seeing this horrible scene, my eyes have become sore, and I am becoming nearly blind. I therefore pray, O my Lord, O deliverer from the hellish conditions of life. I have fallen into this hell, but I shall try to remember Your holy name always, and in this way I shall try to keep my body and soul together." This is another instance of ecstatic love for Kṛṣṇa in an abominable situation.
It is to be understood that any person who is constantly engaged in chanting the holy names of the Lord—Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare—has attained a transcendental affection for Kṛṣṇa, and as such, in any condition of life, he remains satisfied simply by remembering the Lord's name in full affection and ecstatic love.
In conclusion, it may be stated that ecstatic love for Kṛṣṇa in ghastliness appears during the development of dormant neutrality into developed affection.
One old devotee said, "My dear Lord, when we are away from You we become so anxious to see You again, and there is great misery in our lives. But then when we do see You, there immediately comes the fear of separation. Under the circumstances, both when we see You and when we do not see You, we are subjected to different kinds of tribulation." This is an instance of a contradictory mixture of ecstatic love for Kṛṣṇa. Such ecstatic love is palatable, and expert critics have compared such ecstatic love to a mixture of curd, sugar candy and a little black pepper. The combined taste is very palatable.
In ecstatic love for Kṛṣṇa in dread, there are two causes of fear: either Kṛṣṇa Himself or some dreadful situation for Kṛṣṇa. When a devotee feels himself to be an offender at Kṛṣṇa's lotus feet, Kṛṣṇa Himself becomes the object of dreadful ecstatic love. And when, out of ecstatic love, friends and well-wishers of Kṛṣṇa apprehend some danger for Him, that situation becomes the object of their dread.
When Ṛkṣarāja was in front of Kṛṣṇa fighting and suddenly realized that Kṛṣṇa is the Supreme Personality of Godhead, Kṛṣṇa addressed him thus: "My dear Ṛkṣarāja, why is your face so dry? Please do not feel threatened by Me. There is no need for your heart to tremble like this. Please calm yourself down. I have no anger toward you. You may, however, become as angry as you like with Me—to expand your service in fighting with Me and to increase My sporting attitude." In this dreadful situation in ecstatic love for Kṛṣṇa, Kṛṣṇa Himself is the object of dread.
In the ecstasy of devotional service in dread, the unconstitutional symptoms are drying up of the mouth, exuberance, glancing behind oneself, concealing oneself, bewilderment, searching after the endangered lovable object and crying very loudly. Some other unconstitutional symptoms are illusion, forgetfulness and expectation of danger. In all such circumstances the ecstatic dread is the steady or constant factor. Such dread is caused either by offenses committed or by dreadful circumstances. Offenses may be committed in varieties of ways, and the dread is felt by the person who has committed the offense. When dread is caused by a fearful object, this fearful object is generally a person who is fearsome in his features, nature and influence. An example of an object which caused ecstatic dread is the Pūtanā witch. Dread may be caused by mischievous demoniac characters, such as King Kaṁsa, and it may be caused by great powerful demigods, such as Indra or Śaṅkara.
Demons like Kaṁsa feared Kṛṣṇa, but their feelings cannot be described as ecstatic dread in devotional service.
The particular type of ecstatic loving sentiment that develops within the heart of a particular devotee is considered to be vibhāva. And the resultant manifestations such as moving of the eyebrows, fear, astonishment and smiling, which have been explained hereinbefore, are called anubhāva. The different causes for developing anubhāva and vibhāva are called steady ecstasy, or sañcāri-bhāva.
Sustenance, manifestation, expansion, reflection and lamentation are the five visible symptoms in exchanges of ecstatic love. The test of devotional service can therefore be made in terms of these five symptoms. In the devotional service of neutrality there is sustenance, in chivalrous devotional service there is expansion, in compassionate devotional service there is reflection, in angry devotional service there is lamentation, and so on.
An apparently pitiable condition in devotional service may appear distressing to the inexperienced student, but the feelings of the devotee in this pitiable condition are considered to be ecstatic by expert devotees. For example, the subject matter of the Rāmāyaṇa is sometimes considered pitiable and distressing to the heart, but actually that is not the fact.
When one transcends the status of ecstatic love and thus becomes situated on the highest platform of pure goodness, one is understood to have cleansed the heart of all material contamination. In that pure stage of life, one can taste this nectar, and this tasting capacity is technically called rasa, or transcendental mood.
Thus ends the Bhaktivedanta summary study of the second division of Bhakti-rasāmṛta-sindhu, in the matter of general devotional service.
The devotees and self-realized persons who are engaged in preaching the glories of the Lord always maintain an ecstatic love for the Lord within their hearts. Thus they are benefited by the rays of the ecstatic moon, and they are called saintly persons.
The impulse of a saintly person is to be engaged in the study of the Vedas, especially the Upaniṣadic portions, to live always in a place where there is no disturbance from the common people, to think always of the eternal form of Kṛṣṇa, to be ready to consider and understand the Absolute Truth, to be always prominent in exhibiting knowledge, to see the Supreme Lord in His universal form (viśva-rūpa), to associate always with learned devotees and to discuss the conclusion of the Vedas with similarly elevated persons. All of these qualifications of a saintly person serve to raise him to the status of śānta-rasa.
In the Bhakti-rasāmṛta-sindhu it is stated that all those who attended the pious meeting held by Lord Brahmā for the study of Vedic literature like the Upaniṣads became overwhelmed with ecstatic love for Kṛṣṇa, the chief of the Yadu dynasty. Actually, the result of studying the Upaniṣads is to understand the Supreme Personality of Godhead. Negation of material existence is only one of the subjects of the Upaniṣads. The next subject concerns becoming situated in the impersonal realization. And then, after penetrating through the impersonal Brahman, when one comes to the platform of associating with the Supreme Personality of Godhead, one reaches the ultimate goal in studying the Upaniṣads.
Sometimes a devotee in śānta-rasa yawns, stretches his limbs, instructs on devotional service, offers respectful obeisances unto the form of the Lord, offers nice prayers to the Lord and has a desire to give direct service with his body. These are some of the common symptoms of the devotee who is situated in neutrality. One devotee, after observing the yawning of another devotee, addressed him thus: "My dear mystic, I think that within your heart there is some ecstatic devotional love which is causing you to yawn." It is sometimes found that a devotee in the śānta-rasa falls down on the ground, his hairs stand up on his body, and he trembles all over. In this way, different symptoms of ecstatic trance are exhibited automatically by such devotees.
When a great mystic was once awakened from his meditative trance by hearing the vibration of Kṛṣṇa's Pāñcajanya conchshell, the mystic became overpowered—so much so, in fact, that he began to bash his head on the ground, and with eyes full of tears of ecstatic love, he violated all the rules and regulations of his yoga performances. Thus he at once neglected the process of Brahman realization.
Sometimes the vibration of Lord Kṛṣṇa's flute, His bugling, His smiling, His footmarks on the ground, the transcendental fragrance of His body and the appearance of a new cloud in the sky also become impetuses for ecstatic love of Him.
In the Vidagdha-mādhava there is the following statement: "When Kṛṣṇa was playing on His flute, Baladeva very anxiously declared, 'Just see how, after hearing the transcendental sound of Kṛṣṇa's flute, Indra, the King of heaven, is crying in his heavenly kingdom! And from his teardrops falling on the ground, Vṛndāvana appears to have become a celestial residence for the demigods.' "
Ecstatic love for Kṛṣṇa, which is known as anubhāva, is symptomized by the following signs: one becomes engaged exclusively in the service of the Lord, being attentive to carry out the orders of the Lord faithfully; one becomes undisturbed and nonenvious in full transcendental loving service to the Lord; and one makes friendship with the devotees of the Lord who are situated in faithful service to Him. All of these symptoms are called anubhāva, ecstatic love.
The first symptom of anubhāva, or engagement in a particular type of service, is exemplified by Dāruka, a servant of Kṛṣṇa who used to fan Kṛṣṇa with a cāmara, a bunch of hair. When he was engaged in such service, he was filled with ecstatic love, and the symptoms of ecstatic love became manifest in his body. But Dāruka was so serious about his service that he checked all of these manifestations of ecstatic love and considered them hindrances to his engagement. He did not care very much for these manifestations, although they automatically developed.
In Śrīmad-Bhāgavatam, Tenth Canto, Eighty-sixth Chapter, verse 38, there is a statement of how Śrutadeva, a brāhmaṇa from the country called Mithilā in northern India, became so overpowered with joy as soon as he saw Kṛṣṇa that immediately after bowing to the Lord's lotus feet he stood up and began to dance, raising his two arms above his head.
One of the devotees of Lord Kṛṣṇa once addressed Him in this manner: "My dear Lord, although You are not a professional dancer, by Your dancing You have so astonished us that we can understand that You are personally the master of all dancing. Certainly You must have learned this dancing art directly from the goddess of love." When a devotee dances in ecstatic love, there are manifestations of symptoms which are called sāttvika. Sāttvika means that they are from the transcendental platform. They are not symptoms of material emotion; they come from the soul proper.
In Śrīmad-Bhāgavatam, Tenth Canto, Eighty-fifth Chapter, verse 38, Śukadeva Gosvāmī tells Mahārāja Parīkṣit that after surrendering everything unto the lotus feet of Vāmanadeva, Bali Mahārāja immediately caught hold of the lotus feet of the Lord and pressed them to his heart. Being overwhelmed with joy, he manifested all the symptoms of ecstatic love, with tears in his eyes and a faltering voice.
In such expressions of ecstatic love there are many other subsidiary symptoms, such as jubilation, withering, silence, disappointment, moroseness, reverence, thoughtfulness, remembrance, doubtfulness, confidence, eagerness, indifference, restlessness, impudence, shyness, inertness, illusion, madness, ghastliness, contemplation, dreaming, disease and signs of death. When a devotee meets Kṛṣṇa, there are symptoms of jubilation, pride and perseverance, and when he is feeling great separation from Kṛṣṇa, the symptoms of ghastliness, disease and signs of death become prominent.
In the Skanda Purāṇa a devotee tells Lord Kṛṣṇa, "My dear Lord, as the sun evaporates all the water on the ground by its scorching heat, so my mental state has dried away the luster of my face and body, due to separation from You." This is an example of withering in ecstatic love.
An expression of disappointment was made by Indra, the King of heaven. When he saw the sun-god, Indra told him, "My dear sun-god, your sunshine is very glorious because it reaches unto the lotus feet of Lord Kṛṣṇa, the master of the Yadu dynasty. I have thousands of eyes, but they have proved to be useless because not even for a moment are they able to see the lotus feet of the Lord."
Reverential devotion for the Lord gradually increases and transforms itself into ecstatic love, then affection and then attachment. In the Tenth Canto of Śrīmad-Bhāgavatam, Thirty-eighth Chapter, verse 6, Akrūra says, "Because I am going to see Lord Kṛṣṇa today, all symptoms of inauspiciousness have already been killed. My life is now successful, because I shall be able to offer my respects unto the lotus feet of the Supreme Personality of Godhead!"
Another devotee in ecstatic reverential affection once said, "When will that glorious day in my life come when it will be possible for me to go to the bank of the Yamunā and see Lord Śrī Kṛṣṇa playing there as a cowherd boy?"
When there is no diminishing of this ecstatic love and when it is freed from all kinds of doubt, the devotee has reached the stage called steady love for Kṛṣṇa. In this stage, all expressions of unhappiness by the devotee are called anubhāva, or ecstatic loving symptoms.
The symptom of ecstatic affection with reverence felt by Bali Mahārāja was expressed as follows: "My dear Lord, You have simultaneously punished me and showed me Your causeless mercy. My conclusion is that when I have taken shelter of Your lotus feet I shall never be disturbed in any condition of life. Whether You give me the opportunity to enjoy all the yogic perfections or You put me into the most abominable condition of hellish life, I shall never be disturbed."
When affection is symptomized by direct happiness and distress, it is called attraction. In such an attracted state of ecstatic love, one can face all kinds of disadvantages calmly. Even at the risk of death such a devotee is never bereft of the transcendental loving service of the Lord. A glorious example of this ecstatic love was exhibited by King Parīkṣit when he was at the point of death. Although he was bereft of his entire kingdom, which spread over all the world, and although he was accepting not even a drop of water in the seven days remaining to him, because he was engaged in hearing the transcendental pastimes of the Lord from Śukadeva Gosvāmī he was not in the least distressed. On the contrary, he was feeling direct transcendental ecstatic joy in association with Śukadeva Gosvāmī.
One devotee has confidently expressed this opinion: "If a drop of Lord Kṛṣṇa's mercy can be bestowed upon me, then I shall feel completely carefree, even in the midst of a fire or an ocean. But if I become bereft of His causeless mercy, then even if I became the King of Dvārakā, I would be simply an object for pinpricks."
Devotees such as Mahārāja Parīkṣit and Uddhava are all situated in ecstatic attraction on the basis of affection, and in that state of affection a feeling of friendship becomes manifest. When Uddhava was freed from all material contamination, he saw the Lord, and his throat became choked up, and he could not speak. By the movements of his eyebrows alone he was embracing the Lord. Such ecstatic love has been divided by great scholars into two groups—addition and subtraction. If a devotee is not directly associated with the Lord, it is called subtraction. In this state of love, one is constantly fixed with his mind at the lotus feet of the Lord. A devotee in this state becomes very eager to learn of the transcendental qualities of the Lord. The most important business of such a devotee is attaining the association of the Lord.
In the Nṛsiṁha Purāṇa there is a statement about King Ikṣvāku which illustrates this state of ecstatic love. Because of his great affection for Kṛṣṇa, King Ikṣvāku became greatly attached to the black cloud, the black deer, the deer's black eyes and the lotus flower, which is always compared to the eyes of the Lord. In the Tenth Canto, Thirty-eighth Chapter, verse 10, of the Bhāgavatam, Akrūra thinks, "Since the Lord has now appeared to diminish the great burden of the world and is now visible to everyone's eyes in His personal transcendental body, when we see Him before us, is that not the ultimate perfection of our eyes?" In other words, Akrūra realized that the perfection of the eyes is fulfilled when one is able to see Lord Kṛṣṇa. Therefore, when Lord Kṛṣṇa was visible on the earth by direct appearance, everyone who saw Him surely attained perfection of sight.
In the Kṛṣṇa-karṇāmṛta, written by Bilvamaṅgala Ṭhākura, there is this expression of eagerness in ecstatic love: "How miserable it is, my dear Kṛṣṇa, O friend of the hopeless!
The following statement is about a brāhmaṇa devotee: "This brāhmaṇa is very expert in all kinds of activities, but I do not know why he is looking up without moving his eyes. It appears that his body is fixed motionless just like a doll's. I can guess that in this condition he has been captivated by the transcendental beauty of that expert flute-player, Śrī Kṛṣṇa, and being attached to Him, he is simply staring at the black cloud, remembering the bodily hue of Śrī Kṛṣṇa." This is an example of how a devotee can become inert due to ecstatic love.
In Śrīmad-Bhāgavatam, Seventh Canto, Fourth Chapter, verse 40, Prahlāda Mahārāja says that even in his childhood, when he was loudly speaking the glories of the Lord, he used to dance just like a shameless madman. And sometimes, being fully absorbed in thought on the pastimes of the Lord, he used to imitate such pastimes. This is an instance of a devotee's being almost like a madman. Similarly, it is said that the great sage Nārada was so ecstatically in love with Kṛṣṇa that he would sometimes dance naked, and sometimes his whole body would become stunned. Sometimes he would laugh very loudly, sometimes he would cry very loudly, sometimes he would remain silent, and sometimes he would appear to be suffering from some disease, although he had no disease. This is another instance of becoming like a madman in the ecstasy of devotion.
When Śrī Kṛṣṇa left the city of Dvārakā to seek out the Syamantaka jewel and He was late returning home, Uddhava became so afflicted that the symptoms of disease became manifest on his body. Actually, due to his excessive ecstatic love for Kṛṣṇa, Uddhava became known in Dvārakā as crazy. To his great fortune, on that day Uddhava's reputation as a crazy fellow was firmly established. Uddhava's craziness was practically proved when he went to Raivataka Hill to minutely observe the congested black clouds. In his disturbed condition, he began to pray to these clouds, and he expressed his jubilation by bowing down before them.
Uddhava informed Kṛṣṇa, "My dear leader of the Yadu dynasty, Your servants in Vṛndāvana cannot sleep at night thinking of You, so now they are all lying down on the bank of the Yamunā almost paralyzed. And it appears that they are almost dead, because their breathing is very slow." This is an instance of becoming unconscious due to separation from Kṛṣṇa.
Similarly, in the Seventh Canto of Śrīmad-Bhāgavatam, Chapter Seven, verse 34, Prahlāda Mahārāja says to his friends, "My dear friends, as soon as pure devotees of Lord Kṛṣṇa hear of the transcendental pastimes of the Lord, who is the eternal reservoir of pastimes, or hear about His transcendental qualities, they become overpowered with jubilation. Ecstatic symptoms are manifested in their bodies. They shed tears, talk falteringly, glorify the Lord in a loud voice and chant and dance in ecstasy. These ecstasies are always there, but sometimes they overcome all limits, and the symptoms become manifest to all."
When Cupid came on one occasion to visit Lord Kṛṣṇa, some devotee addressed him thus: "My dear Cupid, because you have been so fortunate as to have placed your eyesight on the lotus feet of Kṛṣṇa, the drops of perspiration on your body have become frozen, and they resemble kaṇṭakī fruits (a kind of small fruit found in thorny bushes)." These are signs of ecstasy and veneration for the Supreme Personality of Godhead. When the princes of the Yadu dynasty heard the vibration of Kṛṣṇa's Pāñcajanya conchshell, the hairs on their bodies immediately stood up in ecstatic jubilation. It seemed at that time that all the hairs on the bodies of the princes were dancing in ecstasy.
When Kṛṣṇa entered the lake of Kāliya, His intimate friends became so perturbed that their bodily colors faded, and they all produced horrible gurgling sounds. At that time all of them fell down on the ground as if unconscious. Similarly, when there was a forest fire, all of Kṛṣṇa's friends neglected their own protection and surrounded Kṛṣṇa on all sides to protect Him from the flames. This behavior of the friends toward Kṛṣṇa is described by thoughtful poets as vyabhicārī. In vyabhicārī ecstatic love for Kṛṣṇa there is sometimes madness, dexterity, fear, laziness, jubilation, pride, dizziness, meditation, disease, forgetfulness and humbleness. These are some of the common symptoms in the stage of vyabhicārī ecstatic love for Kṛṣṇa.
When there are dealings between Kṛṣṇa and His friends which are completely devoid of any feelings of respect and they all treat one another on an equal level, such ecstatic love in friendship is called sthāyī. When one is situated in this confidential friendly relationship with Kṛṣṇa, one shows symptoms of love such as attraction, affection, affinity and attachment. An example of sthāyī was exhibited when Arjuna told Akrūra, "My dear son of Gāndinī, please ask Kṛṣṇa when I shall be able to embrace Him in my arms."
These symptoms appear to be very inauspicious materially, but the beauty is that the Pāṇḍavas have not lost their faith and love for You, in spite of all these tribulations. In fact, they are always thinking of You and chanting Your name in ecstatic friendship."
Another example of acute affection for Kṛṣṇa is given in the Tenth Canto, Fifteenth Chapter, verse 18, of Śrīmad-Bhāgavatam. In the pasturing ground Kṛṣṇa felt a little tired and wanted to take rest, so He lay down on the ground. At that time, many cowherd boys assembled there and with great affection began to sing suitable songs so that Kṛṣṇa would rest very nicely.
There is a nice example of the friendship between Kṛṣṇa and Arjuna on the Battlefield of Kurukṣetra. When the fighting was going on, Aśvatthāmā, the son of Droṇācārya, unceremoniously attacked Kṛṣṇa, although according to the prevailing rules of chivalry one's chariot driver should never be attacked by the enemy. Aśvatthāmā behaved heinously in so many ways that he did not hesitate to attack Kṛṣṇa's body, although Kṛṣṇa was acting only as charioteer for Arjuna. When Arjuna saw that Aśvatthāmā was releasing various kinds of arrows to hurt Kṛṣṇa, he immediately stood in front of Kṛṣṇa to intercept all of them. At that time, although Arjuna was being harmed by those arrows, he felt an ecstatic love for Kṛṣṇa, and the arrows appeared to him like showers of flowers.
There is another instance of ecstatic love for Kṛṣṇa in friendship. Once when a cowherd boy named Vṛṣabha was collecting flowers from the forest to prepare a garland to be offered to Kṛṣṇa, the sun reached its zenith, and although the sunshine was scorching hot, Vṛṣabha felt it to be like the moonshine. That is the way of rendering transcendental loving service to the Lord; when devotees are put into great difficulties—even like the Pāṇḍavas, as described above—they feel all their miserable conditions to be great facilities for serving the Lord.
This particular type of ecstatic love shared between Kṛṣṇa and His confidential friends further develops into parental love, and on from there it may develop into conjugal love, the most exalted humor, or mellow, of ecstatic love between Lord Kṛṣṇa and His devotees.
When ecstatic love develops into the relationship of parenthood and becomes steadily established, the relationship is called vātsalya-rasa. The exhibition of this vātsalya-rasa standard of devotional service can be found in the dealings of Kṛṣṇa with His devotees who represent themselves as superior personalities like father, mother and teacher.
Learned scholars have described the impetuses for parental love for Kṛṣṇa, existing in the elderly personalities who are in relation with Him, as follows: "The Supreme Personality of Godhead, whose bodily complexion is just like a bluish, new-grown lotus flower, whose body is very delicate and whose lotus eyes are surrounded by scattered hair as black as bees, was walking on the streets of Vṛndāvana when mother Yaśodā, the beloved wife of Nanda Mahārāja, saw Him. Immediately the milk began to flow from her breasts, soaking her body." Some specific provocations for parental love of Kṛṣṇa are listed as His blackish bodily hue, which is very attractive and pleasing to see, His all-auspicious bodily features, His mildness, His sweet words, His simplicity, His shyness, His humility, His constant readiness to offer respect to the elderly and His charity. All of these qualities are considered ecstatic provocations for parental love.
In enjoying Kṛṣṇa's attitude of stealing butter very stealthily, mother Yaśodā experienced the ecstasy of maternal love by smelling His head, sometimes patting His body with her hand, sometimes offering blessings, sometimes ordering Him, sometimes gazing at Him, sometimes maintaining Him and sometimes giving Him good instructions not to become a thief. Such activities are in maternal ecstatic love. An important point to be observed in this connection is that the childish propensity of stealing is there even in the Supreme Personality of Godhead, and therefore this propensity is not artificial. However, in the spiritual relationship there is no inebriety to this stealing propensity, as there is in the material world.
The general activities of all the mothers of the cowherd boys were to kiss them, to embrace them, to call them by their names and sometimes to chastise them mildly for their stealing habits. These manifestations of parental love are called sāttvika ecstasy, wherein manifestations of eight kinds of ecstatic symptoms are visible in full. In Śrīmad-Bhāgavatam, Tenth Canto, Thirteenth Chapter, verse 22, Śukadeva Gosvāmī tells King Parīkṣit, "All the mothers of the cowherd boys were illusioned by the covering influence of the yogamāyā potency of the Personality of Godhead, and as soon as they heard the flute playing of their boys, they immediately stood up and mentally embraced their sons, who had been created by the direct internal potency of Kṛṣṇa. Accepting them as their born sons, they lifted them into their arms and began to embrace them, resting the children's bodies upon their own. The emotions created by this incident were sweeter than nectar turned into a palatable intoxicant, and the milk flowing out of their breasts was immediately drunk up by the children."
Sometimes there are examples of mother Yaśodā's becoming stunned in ecstasy. This was exhibited when she saw her son lifting Govardhana Hill. When Kṛṣṇa was standing, raising the hill, mother Yaśodā hesitated to embrace Him and became stunned. The dangerous position that Kṛṣṇa had accepted by lifting the hill brought tears to her eyes. With her eyes filled with tears she could not see Kṛṣṇa anymore, and because her throat was choked up by anxiety she could not even instruct Kṛṣṇa as to what He should do in that position. This is a symptom of becoming stunned in ecstatic love.
In Śrīmad-Bhāgavatam, Tenth Canto, Forty-sixth Chapter, verse 28, there is this statement: "When Uddhava was present at Vṛndāvana and was narrating the activities of Kṛṣṇa in Dvārakā, mother Yaśodā, while hearing this narration, began to pour milk from her breasts and shed tears from her eyes." Another incident demonstrating Yaśodā's extreme love for Kṛṣṇa occurred when Kṛṣṇa went to Mathurā, the kingdom of Kaṁsa. In separation from Kṛṣṇa, mother Yaśodā was looking at Kṛṣṇa's makeup utensils, and she fell down on the ground almost unconscious, with a great sound. When she was rolling over on the ground, there were many scratches on her body, and in that piteous condition she began to cry, "O my dear son! My dear son!" And she slapped her breasts with her two hands. This activity of mother Yaśodā is explained by expert devotees as ecstatic love in separation. Sometimes there are many other symptoms, such as great anxiety, lamentation, frustration, being stunned, humility, restlessness, madness and illusion.
When all the wives of Vasudeva were present in the arena of Kaṁsa, they saw the most pleasing bodily features of Kṛṣṇa, and immediately, out of parental affection, milk began to flow from their breasts, and the lower parts of their sārīs became wet. This symptom of ecstatic love is an example of the result of fulfillment of desire.
In the same Padyāvalī there is the following description, which is taken as a sign of frustration in conjugal love. Śrīmatī Rādhārāṇī said, "Dear Mr. Cupid, please do not excite Me by throwing your arrows at My body. Dear Mr. Air, please do not arouse Me with the fragrance of flowers. I am now bereft of Kṛṣṇa's loving attitude, and so, under the circumstances, what is the use of My sustaining this useless body? There is no need for such a body by any living entity." This is a sign of frustration in ecstatic love for Kṛṣṇa.
Similarly, in Dāna-keli-kaumudī, Śrīmatī Rādhārāṇī, pointing to Kṛṣṇa, says, "This clever boy of the forest has the beauty of a bluish lotus flower, and He can attract all the young girls of the universe. Now, after giving Me a taste of His transcendental body, He has enthused Me, and it is more than I can tolerate. I am now feeling like a female elephant who has been enthused by a male elephant!" This is an instance of jubilation in ecstatic love with Kṛṣṇa.
Another instance is described as follows: "On one side of the courtyard the dead body of Śaṅkhāsura was lying, surrounded by many jackals. On another side were many learned brāhmaṇas who were all self-controlled. They were offering nice prayers, which were as soothing as the cool breeze in summer. In front of Kṛṣṇa, Lord Baladeva was standing, causing a cooling effect. But even amid all these different circumstances of soothing and disturbing effects, the lotus flower of ecstatic conjugal love that Kṛṣṇa felt for Rādhārāṇī could not wither." This love of Kṛṣṇa for Rādhārāṇī is often compared to a blooming lotus; the only difference is that Kṛṣṇa's love remains ever-increasingly beautiful.
In the fourth division of Bhakti-rasāmṛta-sindhu, Śrīla Rūpa Gosvāmī has described seven kinds of indirect ecstasies of devotional service, known as laughing, astonishment, chivalry, compassion, anger, dread and ghastliness. In this portion, Śrīla Rūpa Gosvāmī further describes these ecstasies of devotional feelings, some being compatible and others incompatible with one another. When one kind of ecstatic devotional service overlaps with another in a conflicting way, this state of affairs is called rasābhāsa, or a perverted presentation of mellows.
Expert learned scholars say that laughing is generally found among youngsters or in the combination of old persons and young children. This ecstatic loving laughing is sometimes also found in persons who are very grave by nature. Once an old mendicant approached the door of mother Yaśodā's house, and Kṛṣṇa told Yaśodā, "My dear mother, I don't wish to go near this skinny villain. If I go there, he might put Me within his begging bag and take Me away from you!" In this way, the wonderful child, Kṛṣṇa, began to look at His mother, while the mendicant, who was standing in the door, tried to hide his smiling face, although he could not do so. He immediately expressed his smiling. In this instance, Kṛṣṇa Himself is the object of laughing affairs.
According to Śrīla Rūpa Gosvāmī's calculation, laughter in ecstatic love can be broken down into six divisions. These divisions, according to different degrees of smiling, are called in the Sanskrit language smita, hasita, vihasita, avahasita, apahasita and atihasita. These six classes of smiling can be classified as major and minor. The major division includes smita, hasita and vihasita smiling, and the minor division includes avahasita, apahasita and atihasita smiling.
In the Haṁsadūta, the following incident is described. The gopīs requested Haṁsadūta to search after the marks of Kṛṣṇa's lotus feet and to accept them as Lord Brahmā had accepted them on his helmet after he had stolen all Kṛṣṇa's cowherd boys. Regretting his challenge to Kṛṣṇa, Lord Brahmā had bowed down before the Lord, and his helmet became marked with the footprints of Kṛṣṇa. The gopīs reminded Haṁsadūta that sometimes even the great sage Nārada becomes very ecstatic by seeing these footprints, and sometimes great liberated sages also aspire to see them. "You should therefore seek very enthusiastically to find the footprints of Kṛṣṇa," they urged. This is another instance of devotional service in compassion.
There is an instance when Sahadeva, the younger brother of Nakula, became greatly gladdened at seeing the effulgent glowing of Kṛṣṇa's footprints. He began to cry and call out, "Mother Mādrī! Where are you now? Father Pāṇḍu! Where are you now? I am very sorry that you are not here to see these footprints of Kṛṣṇa!" This is another instance of devotional service in compassion.
In devotional service without strong attraction to the Lord, there may sometimes be smiling and other symptoms, but never the stress or lamentation that are symptoms of devotional service in compassion. The basic principle of this compassion is always ecstatic love.
As already described, there are twelve different kinds of rasas, or ecstatic relationships which are shared with Kṛṣṇa. Five of these rasas are direct, and they are listed as neutrality, servitude, fraternal love, parental love and conjugal love. Seven of the rasas are indirect, and they are listed as humor, astonishment, chivalry, compassion, anger, dread and ghastliness. The five direct rasas are eternally manifested in the Vaikuṇṭha world, the spiritual kingdom, whereas the seven indirect rasas are eternally manifesting and unmanifesting in Gokula Vṛndāvana, where Kṛṣṇa displays His transcendental pastimes in the material world.
Very often, in addition to one's regular rasa, there is found the presence of some other rasa, and the mixture of these loving humors is sometimes compatible, or palatable, and sometimes incompatible, or unpalatable. The following is a scientific analysis of the compatibility and incompatibility of the mixtures of these various rasas, or loving moods.
The above analysis is a sample of the study of rasābhāsa, or incompatible mixing of rasas. This transcendental science of rasābhāsa can thoroughly explain the humors in ecstatic love which are compatible and incompatible with one another. When Lord Caitanya Mahāprabhu was residing in Jagannātha Purī, many poets and devotees used to come to Him and offer their different kinds of poetry, but the regulation was that Lord Caitanya's secretary, Svarūpa Dāmodara, first examined all of these writings scrutinizingly, and if he would find that there were no incompatibilities in the rasas, or transcendental mellows, he would then allow the poet to approach Lord Caitanya and recite his poetry.
There is another quotation, from a devotee who laments as follows: "Alas, I am still trying to relish different pleasurable states from this body, which is simply some skin covering mucus, semen and blood. In this state of consciousness I am so condemned that I cannot relish the transcendental ecstasy of remembering the Supreme Personality of Godhead." In this statement there are two ecstatic loving humors, namely neutrality and ghastliness. Neutrality is taken here as the whole, whereas the ecstasy of ghastliness is the part.
The following example contains a mixture of ecstatic fraternity and laughter, taken respectively as the whole and part. When Kṛṣṇa saw that Subala, in the dress of Rādhārāṇī, was silently hiding under the shade of a beautiful aśoka tree on the bank of the Yamunā, He immediately arose from His seat in surprise. Upon seeing Kṛṣṇa, Subala tried to hide his laughter by covering his cheeks.
When Kubjā caught hold of Kṛṣṇa's yellow garment because she was feeling almost lusty with sex urge, Kṛṣṇa simply bowed down His head with His cheeks glowing in front of the many people who were standing there and laughing. This is an example of a mixture of ecstatic conjugal love and laughter. The laughter is taken as the whole, and the conjugal love is taken as the part.
Viśāla, a cowherd boy who was attempting to fight with Bhadrasena, was addressed by another cowherd boy as follows:"Why are you attempting to show your chivalrous spirit before me? Before this, you even attempted to fight with Śrīdāmā, but you must know that Śrīdāmā does not even care to fight with hundreds of Balarāmas. So why are you acting so enthusiastically when you actually have no importance at all?" This is an example of a mixture of devotional fraternity and chivalry. The chivalry is taken as the whole, and the fraternity is taken as the part.
Śiśupāla was habituated to calling Kṛṣṇa ill names, and by his insults he irritated the sons of Pāṇḍu more than he irritated Kṛṣṇa. The Pāṇḍavas therefore equipped themselves with all kinds of weapons to kill Śiśupāla. Their feelings were a mixture of ecstatic anger and fraternity, the anger being taken as the whole and fraternity as the part.
The purpose of the above analysis is to show that in the mixture of various mellows, or reciprocations of ecstatic love between Kṛṣṇa and the devotees, if the result is not pure there will be incompatibility. According to the opinion of stalwart devotees like Rūpa Gosvāmī, as soon as there are contradictory feelings, the result is incompatible.
In the Vidagdha-mādhava, Second Act, verse 17, Paurṇamāsī tells Nāndīmukhī, "Just see how wonderful it is! Great sages meditate upon Kṛṣṇa after being relieved from all material transactions, and with great difficulty they try to situate Kṛṣṇa in their hearts. And opposed to this, this young girl is trying to withdraw her mind from Kṛṣṇa so that she can apply it in the material activities of sense gratification. What a regrettable thing it is that this girl is trying to drive away from her heart the same Kṛṣṇa who is sought after by great sages through severe austerities and perseverance!" Although in this statement there are contradictory mellows of ecstatic devotion, the result is not incompatible, because the conjugal love is so elevated that it is defeating all other varieties of mellows. Śrīla Jīva Gosvāmī comments in this connection that such a loving state of mind is not possible for all. It is possible only in the case of the gopīs of Vṛndāvana.
Everything in connection with Kṛṣṇa is called ecstatic devotional love, although it may be exhibited in different ways: sometimes in right order and sometimes as a perverted reflection. According to the opinion of all expert devotees, anything that will arouse ecstatic love for Kṛṣṇa is to be taken as an impetus for transcendental mellow.
Nectar of Instruction
In the śāstra it is said that of all types of fruitive workers, he who is advanced in knowledge of the higher values of life is favored by the Supreme Lord Hari. Out of many such people who are advanced in knowledge (jñānīs), one who is practically liberated by virtue of his knowledge may take to devotional service. He is superior to the others. However, one who has actually attained prema, pure love of Kṛṣṇa, is superior to him. The gopīs are exalted above all the advanced devotees because they are always totally dependent upon Śrī Kṛṣṇa, the transcendental cowherd boy. Among the gopīs, Śrīmatī Rādhārāṇī is the most dear to Kṛṣṇa. Her kuṇḍa (lake) is as profoundly dear to Lord Kṛṣṇa as this most beloved of the gopīs. Who, then, will not reside at Rādhā-kuṇḍa and, in a spiritual body surcharged with ecstatic devotional feelings (aprākṛtabhāva), render loving service to the divine couple Śrī Śrī Rādhā-Govinda, who perform Their aṣṭakālīya-līlā, Their eternal eightfold daily pastimes. Indeed, those who execute devotional service on the banks of Rādhā-kuṇḍa are the most fortunate people in the universe.
Krsna, The Supreme Personality of Godhead
When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.
As soon as they heard that Mother Yaśodā had given birth to a child, all the cowherd women became overwhelmed with joy, and they also dressed themselves with various kinds of costly garments and ornaments and smeared scented cosmetics on their bodies.
As the dust on the lotus flower exhibits the exquisite beauty of the flower, all the gopīs (cowherd women) applied the dust of kuṅkuma on their lotuslike faces. These beautiful gopīs took their different presentations and very soon reached the house of Mahārāja Nanda. Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles.
When the demigods Nalakūvara and Maṇigrīva finished their prayers, the child, Lord Kṛṣṇa, the master and proprietor of Gokula, bound to the wooden grinding mortar by the ropes of Yaśodā, smiled and said, “It was already known to Me that My great devotee Nārada Muni had shown his causeless mercy by saving you from the abominable condition of pride due to possessing extraordinary beauty and opulence in a family of demigods. He has saved you from gliding down into the lowest condition of hellish life. All these facts are already known to Me. You are very fortunate because not only were you cursed by him, but you had the great opportunity to see him. If someone is able, by chance, to see face to face a great saintly person like Nārada, who is always serene and merciful to everyone, then immediately that conditioned soul becomes liberated. This is exactly like being situated in the full light of the sun: there cannot be any visionary impediment. Therefore, O Nalakūvara and Maṇigrīva, your lives have now become successful because you have developed ecstatic love for Me. This is your last birth within material existence. Now you can go back to your father's residence in the heavenly planets, and by remaining in the attitude of devotional service, you will be liberated in this very life.”
Although the residents of Vṛndāvana did not know much about Kṛṣṇa, their love for Him was beyond comparison. As soon as they saw that Kṛṣṇa was in the river Yamunā enveloped by the serpent Kāliya and that all the boys and cows were lamenting, they simply began to think of Kṛṣṇa's friendship, His smiling face, His sweet words and His dealings with them. Thinking of all these and seeing that their Kṛṣṇa was now within the clutches of Kāliya, they at once felt that the three worlds had become vacant. Lord Caitanya also said that He was seeing the three worlds as vacant for want of Kṛṣṇa. This is the highest stage of Kṛṣṇa consciousness. Almost all of the inhabitants of Vṛndāvana had the highest ecstatic love for Kṛṣṇa.
All the people gathered there began to clap in great ecstasy, and no one could estimate the bounds of their pleasure. The brāhmaṇas present began to praise Kṛṣṇa and Balarāma ecstatically. Only Kaṁsa was morose; he neither clapped nor offered benediction to Kṛṣṇa. Kaṁsa resented that the trumpets and drums should be played for Kṛṣṇa's victory, and he was very sorry that the wrestlers had been killed and had fled the assembly. He therefore immediately ordered the band to stop playing and addressed his men as follows: "I order that these two sons of Vasudeva be immediately driven out of Mathurā. The cowherd boys who have come with Them should be plundered and all their riches taken away. Nanda Mahārāja should immediately be arrested and killed for his cunning behavior, and that rascal Vasudeva should also be killed without delay. Also my father, Ugrasena, who has always supported my enemies against my will, should be killed."
Uddhava is described as the most exalted personality in the Vṛṣṇi dynasty, being almost equal to Kṛṣṇa. He was a great friend of Kṛṣṇa's, and being the direct student of Bṛhaspati, the teacher and priest of the heavenly planets, he was very intelligent and sharp in decision. Intellectually, he was highly qualified. Kṛṣṇa, being his very loving friend, wanted to send him to Vṛndāvana just to study the highly elevated ecstatic devotional service practiced there. Even if one is highly elevated in material education and is even the disciple of Bṛhaspati, he still has to learn from the gopīs and the other residents of Vṛndāvana how to love Kṛṣṇa to the highest degree. It was Kṛṣṇa's special favor to Uddhava to send him to Vṛndāvana with a message for the residents there, which was meant to pacify them.
My dear Mother Yaśodā and Nanda Mahārāja,” Uddhava continued, “you have thus fixed your minds wholly and solely upon that Supreme Personality of Godhead, Nārāyaṇa, whose transcendental form is the cause of impersonal Brahman. The Brahman effulgence is only the bodily rays of Nārāyaṇa, and because you are always absorbed in ecstatic thought of Kṛṣṇa and Balarāma, what pious activity remains for you to perform? I have brought a message from Kṛṣṇa that He will very soon come back to Vṛndāvana and satisfy you by His personal presence. Kṛṣṇa promised that He would come back to Vṛndāvana after finishing His business in Mathurā. This promise He will surely fulfill. I therefore request the two of you, who are the best among all who are fortunate, not to be aggrieved on account of Kṛṣṇa's absence.
These talks of Rādhārāṇī with the bumblebee messenger, including Her accusing Kṛṣṇa in so many ways and at the same time expressing Her inability to give up talking about Him, are signs of the topmost transcendental ecstasy, called mahā-bhāva. The ecstatic mahā-bhāva manifestation is possible only in the persons of Rādhārāṇī and Her associates. Great ācāryas like Śrīla Rūpa Gosvāmī and Viśvanātha Cakravartī Ṭhākura have analyzed these mahā-bhāva speeches of Śrīmatī Rādhārāṇī and described their different varieties, such as udghūrṇā, or bewilderment, and jalpa-pratijalpa, or talking in different ways. These are the signs of ujjvala-rasa, or the brightest jewel of love of God.
The gopīs have set the standard of devotion for the whole world. One who follows in the footsteps of the gopīs by constantly thinking of Kṛṣṇa can attain the highest perfectional stage of spiritual life. The gopīs were born not of any highly cultured family but of cowherd men, yet they developed the highest love of Kṛṣṇa, who is the Supersoul, the Supreme Personality of Godhead and the Supreme Brahman. For self-realization or God realization there is no need to take birth in a high family. The only thing needed is development of ecstatic love of God. For achieving perfection in Kṛṣṇa consciousness, no qualification is required other than to be constantly engaged in the loving service of Kṛṣṇa, the supreme nectar, the reservoir of all pleasure. The effect of taking up Kṛṣṇa consciousness is just like that of drinking nectar: with or without one's knowledge, it will act. The active principle of Kṛṣṇa consciousness will equally manifest itself everywhere; it does not matter how and where one has taken his birth. Kṛṣṇa will bestow His benediction upon anyone who takes to Kṛṣṇa consciousness, without any doubt.
When the gopīs were talking in this way, their feelings for Kṛṣṇa became more and more intense, and they were experiencing Kṛṣṇa's smiling, Kṛṣṇa's words of love, Kṛṣṇa's attractive features, Kṛṣṇa's characteristics and Kṛṣṇa's embraces. By the force of their ecstatic feelings, it appeared to them that Kṛṣṇa was personally present and dancing before them. Because of their sweet remembrance of Kṛṣṇa, they could not check their tears, and they cried without consideration.
Lord Balarāma, of course, could understand the ecstatic feelings of the gopīs, and therefore He wanted to pacify them.
They condemned Brahmā, the creator of the body, because he foolishly made eyelids which blinked and checked their seeing Kṛṣṇa. Because they had been separated from Kṛṣṇa for so many years, the gopīs, having come along with Nanda Mahārāja and Mother Yaśodā, felt intense ecstasy upon seeing Kṛṣṇa. No one can even imagine how eager the gopīs were to see Kṛṣṇa again. As soon as Kṛṣṇa became visible to them, they took Him inside their hearts through their eyes and embraced Him to their full satisfaction. Even though they were embracing Kṛṣṇa only mentally, they became so ecstatic and overwhelmed with joy that for the time being they completely forgot themselves. The ecstatic trance they achieved simply by mentally embracing Kṛṣṇa is impossible to achieve even for great yogīs constantly engaged in meditation on the Supreme Personality of Godhead. Kṛṣṇa could understand that the gopīs were rapt in ecstasy by embracing Him in their minds, and therefore, since He is present in everyone's heart, He reciprocated the embracing from within.
“At that time, I entered the arena of competition, and the ankle bells on my legs sounded very melodious as I walked. I was nicely dressed with new silken garments, flowers decorated my hair, and because of Lord Kṛṣṇa's victory I was in ecstatic joy and smiling very pleasingly. I carried in my hands a golden necklace bedecked with jewels, which glittered at intervals. My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.
After thus informing the King of the demons, Kṛṣṇa stopped speaking, and Bali Mahārāja understood the Lord's purpose. He duly worshiped the Lord, and thereafter Lord Kṛṣṇa and Lord Balarāma took away the six conditioned souls and returned to the city of Dvārakā, where Lord Kṛṣṇa presented them as little babies before His mother, Devakī. Mother Devakī was overwhelmed with joy and was so ecstatic in motherly feeling that milk immediately began to flow from her breasts, and she fed the babies with great satisfaction. She took them on her lap again and again, smelling their heads and thinking, "I have gotten my lost children back!" For the time being she was overpowered by the energy of Viṣṇu, and in great motherly affection she enjoyed the company of her lost children.
Actually, ecstatic samādhi, or absorption in the Supreme Personality of Godhead, can be achieved by constant engagement in His service, and this constant engagement in devotional service can be performed only when one works under the direction of a bona fide spiritual master. The Vedas therefore instruct that in order to know the science of devotional service one has to submit himself unto the bona fide spiritual master. The bona fide spiritual master is he who knows the science of devotional service in disciplic succession.
Renunciation Through Wisdom
When Lord Kṛṣṇa desires to manifest His earthly pastimes, He appears through His eternal parents, Śrīmatī Devakī and Śrī Vasudeva, and is later brought up by His foster parents, Mother Yaśodā and Nanda Mahārāja. Saintly souls who perfect their devotional service by following in the footsteps of the Lord's eternal parents are elevated to the highest position as eternal associates of the Supreme Lord. Once having entered into the Lord's eternal transcendental pastimes, these great souls relish superexcellent devotional mellows in ecstatic love of Godhead.
I worship Govinda, the primeval Lord, residing in His own realm, Goloka, with Rādhā, resembling His own spiritual figure, the embodiment of the ecstatic potency possessed of the sixty-four artistic activities, in the company of Her confidantes (sakhīs), embodiments of the extensions of Her bodily form, permeated and vitalized by His ever-blissful spiritual rasa.
The material elements, such as fire, water, ether, and mind, along with the directions, the soul, and time—everything material and spiritual, personal and impersonal—all reflect Kṛṣṇa, the Supreme Being. When one reaches this state of realization, the dualities and illusion of sin and piety, happiness and distress, are dissolved by the ecstatic harmony of transcendence.
Narada-bhakti-sutra (sutras 1 to 8 only)
One who becomes affected by the pleasure potency of the Supreme Lord manifests various symptoms of ecstasy, such as slackening of the heart, laughing, crying, shivering, and dancing. These symptoms are not material. However, exhibiting such ecstatic symptoms just to get credit from the public is not approved by pure devotees. Śrīla Bhaktisiddhānta Sarasvatī Prabhupāda says, "Persons without attainment of the highest perfectional stage of loving service cannot achieve any auspiciousness simply by artificially laughing, crying, or dancing without any spiritual understanding. Artificial movement of the body... must always be rejected. One should wait for the natural sequence within devotional service, and at that time, when one cries or dances or sings, it is approved. A person artificially showing symptoms of the pleasure potency creates many disturbances in the ordinary way of life."
| Page Title: | Ecstatic (Other Books) |
| Compiler: | SunitaS, Mayapur |
| Created: | 25 of Aug, 2011 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=170, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 170 |