Māyā has many ways to entrap us, and her strongest shackle is the female. Of course, in actuality we are neither male nor female, for these designations refer only to the outer dress, the body. We are all actually Kṛṣṇa's servants. But in conditioned life we are shackled by iron chains in the form of beautiful women. Thus every male is bound by sex, and therefore one who wishes to gain liberation from the material clutches must first learn to control the sex urge. Unrestricted sex puts one fully in the clutches of illusion. Lord Caitanya Mahāprabhu officially renounced this illusion at the age of twenty-four, although His wife was sixteen and His mother seventy and He was the only male in the family. Although He was a brāhmaṇa and was not rich, He took sannyāsa, the renounced order of life, and thus extricated Himself from family entanglement.
Dress (Other Books)
Expressions researched:
"dress"
|"dressed"
|"dresser"
|"dresses"
|"dressing"
|"dressless"
|"dressmakers"
|"dresswalla"
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
Lord Caitanya then sang a nice song to Sanātana Gosvāmīabout the opulences of Kṛṣṇa: "All the pastimes of Kṛṣṇa are exactly like the activities of human beings. Therefore it is to be understood that His form is like that of a human being. Indeed, the human form is an imitation of His form. Kṛṣṇa is dressed just like a cowherd boy. He has a flute in His hand, and He seems to be just like a newly grown youth. He is always playful, and He plays just like an ordinary boy."
Thus Kṛṣṇa has sixty-four transcendental qualities. Śrīmatī Rādhārāṇī has twenty-five transcendental qualities, with which She can control even Kṛṣṇa. Her transcendental qualities are as follows: (1) She is sweetness personified; (2) She is a fresh young girl; (3) Her eyes are always moving; (4) She is always brightly smiling; (5) She possesses all auspicious marks on Her body; (6) She can agitate Kṛṣṇa by the aroma of Her person; (7) She is expert in the art of singing; (8) She speaks very nicely and sweetly; (9) She is expert in presenting feminine attractions; (10) She is modest and gentle; (11) She is always very merciful; (12) She is transcendentally cunning; (13) She knows how to dress nicely; (14) She is always shy; (15) She is always respectful; (16) She is always patient; (17) She is very grave; (18) She is enjoyed by Kṛṣṇa; (19) She is always situated on the highest devotional platform; (20) She is the abode of love of the residents of Gokula; (21) She can give shelter to all kinds of devotees; (22) She is always affectionate to superiors and inferiors; (23) She is always obliged by the dealings of Her associates, (24) She is the greatest among Kṛṣṇa's girlfriends; (25) She always keeps Kṛṣṇa under Her control.
There are many pseudo-devotees, claiming to belong to Lord Caitanya Mahāprabhu's sect, who artificially dress themselves as the damsels of Vraja. This is not approved by advanced spiritualists, or advanced students of devotional service. Such people dress the outward material body because they foolishly confuse the body with the soul. They are mistaken when they think that the spiritual bodies of Kṛṣṇa, Rādhārāṇī and Their associates, the damsels of Vraja, are composed of material nature. One should know perfectly well that all such manifestations are expansions of the eternal bliss and knowledge in the transcendental world. They have nothing to do with these material bodies; thus the bodies, dresses, decorations and activities of the damsels of Vṛndāvana do not belong to this material cosmic manifestation. The damsels of Vṛndāvana are not a subject for the attraction of those in the material world; they are the transcendental attractions for the all-attractive Kṛṣṇa. Because the Lord is all-attractive, He is called Kṛṣṇa, but the damsels of Vṛndāvana are attractive even to Kṛṣṇa. Therefore they are not of this material world.
Thinking in this way, such pseudo-transcendentalists dress themselves as the damsels of Vraja. Such activities are not acceptable in devotional service. Śrīla Jīva Gosvāmī, the most authoritative ācārya in the Gauḍīya-sampradāya, has condemned these imitators. The process of transcendental realization is to follow in the footsteps of the associates of the Supreme Lord; therefore to think oneself a direct associate of the Supreme Lord is condemned. According to authorized Vaiṣṇava principles, one should follow a particular devotee and not think of himself as Kṛṣṇa's associate.
In this way Rāmānanda Rāya explained that one should accept the mood of the damsels of Vraja. In the Caitanya-caritāmṛta it is clearly said that one should accept the emotional activities of the associates of Kṛṣṇa, not imitate their dress. One should also always meditate upon the dealings between Rādhā and Kṛṣṇa in the transcendental world. One should think of Rādhā and Kṛṣṇa twenty-four hours a day and engage in Their service within one's mind, not externally change one's dress. By adopting the mood of the associates and friends of Rādhārāṇī and following in their footsteps, one can ultimately achieve the perfectional stage of being transferred to Goloka Vṛndāvana, the transcendental abode of Kṛṣṇa.
Upon seeing this unique feature of Lord Caitanya, Rāmānanda Rāya fainted and fell to the floor. Lord Caitanya then touched him, and he came to his senses. Rāmānanda Rāya was surprised to see Lord Caitanya in His mendicant dress again. Lord Caitanya embraced him and pacified him and said that Rāmānanda was the only one to have seen this form. "Because you have understood the purpose of My incarnation, you are privileged to have seen this particular feature of My personality," the Lord said. "My dear Rāmānanda, I am not a different person with a fair complexion, a gaura-puruṣa. I am the selfsame Kṛṣṇa, the son of Mahārāja Nanda, and due to contact with the body of Śrīmatī Rādhārāṇī I have now assumed this form. Śrīmatī Rādhārāṇī does not touch anyone but Kṛṣṇa; therefore She has influenced Me with Her complexion, mind and words. In this way I am just trying to understand the transcendental flavor of Her relationship with Kṛṣṇa."
Nectar of Devotion
That is called vaidhi, or regulated. One has to do it without argument. Another part of sādhana-bhakti is called rāgānugā. Rāgānugā refers to the point at which, by following the regulative principles, one becomes a little more attached to Kṛṣṇa and executes devotional service out of natural love. For example, a person engaged in devotional service may be ordered to rise early in the morning and offer ārati, which is a form of Deity worship. In the beginning, by the order of his spiritual master, one rises early in the morning and offers ārati, but then he develops real attachment. When he gets this attachment, he automatically tries to decorate the Deity and prepare different kinds of dresses and thinks of different plans to execute his devotional service nicely. Although it is within the category of practice, this offering of loving service is spontaneous. So the practice of devotional service, sādhana-bhakti, can be divided into two parts—namely, regulative and spontaneous.
Śrīla Rūpa Gosvāmī specifically mentions herein that every man has the birthright to accept devotional service and to become Kṛṣṇa conscious. He has given many evidences from many scriptures, and he has especially quoted one passage from Padma Purāṇa, wherein the sage Vasiṣṭha tells King Dilīpa, "My dear King, everyone has the right to execute devotional service, just as he has the right to take early bath in the month of Māgha (December-January)." There is more evidence in the Skanda Purāṇa, in the Kāśī-khaṇḍa portion, where it is said, "In the country known as Mayūradhvaja, the lower-caste people who are considered less than śūdras are also initiated in the Vaiṣṇava cult of devotional service. And when they are properly dressed, with tilaka on their bodies and beads in their hands and on their necks, they appear to be coming from Vaikuṇṭha. In fact, they look so very beautiful that immediately they surpass the ordinary brāhmaṇas."
Caraṇāmṛta is obtained in the morning while the Lord is being washed before dressing. Scented with perfumes and flowers, the water comes gliding down through His lotus feet and is collected and mixed with yogurt. In this way this caraṇāmṛta not only becomes very tastefully flavored, but also has tremendous spiritual value. As described in the Padma Purāṇa, even a person who has never been able to give in charity, who has never been able to perform a great sacrifice, who has never been able to study the Vedas, who has never been able to worship the Lord—or, in other words, even one who has never done any pious activities—will become eligible to enter into the kingdom of God if he simply drinks the caraṇāmṛta which is kept in the temple. In the temple it is the custom that the caraṇāmṛta be kept in a big pot. The devotees who come to visit and offer respects to the Deity take three drops of caraṇāmṛta very submissively and feel themselves happy in transcendental bliss.
That is the result of the breathing exercises and also of the different sitting postures of yoga. Formerly, even quite ordinary persons used to know how to fix the mind upon the remembrance of the Lord, and so the brāhmaṇa was doing this. When he had fixed the form of the Lord in his mind, he began to imagine in his meditations that he was dressing the Lord very nicely in costly clothing, with ornaments, helmets and other paraphernalia. Then he offered his respectful obeisances by bowing down before the Lord. After finishing the dressing, he began to imagine that he was cleaning the temple very nicely. After cleansing the temple, he imagined that he had many water jugs made of gold and silver, and he took all those jugs to the river and filled them with the holy water. Not only did he collect water from the Godāvarī, but he collected from the Ganges, Yamunā, Narmadā and Kāverī. Generally a Vaiṣṇava, while worshiping the Lord, collects water from all these rivers by mantra chanting.
Personal features can be divided into two: one feature is covered, and the other feature is manifested. When Kṛṣṇa is covered by different kinds of dress, His personal feature is covered. There is an example of His covered personal feature in Śrīmad-Bhāgavatam in connection with His dvārakā-līlā (His residence in Dvārakā as its king). Sometimes Lord Kṛṣṇa began to play by dressing Himself like a woman. Seeing this form, Uddhava said, "How wonderful it is that this woman is attracting my ecstatic love exactly as Lord Kṛṣṇa does. I think she must be Kṛṣṇa covered by the dress of a woman!"
Beautiful bodily features which automatically attract the eyes are called rucira (pleasing). Kṛṣṇa possesses this attractive feature of rucira in His personal features. In the Third Canto, Second Chapter, verse 13, of Śrīmad-Bhāgavatam, there is a statement about this. "The Supreme Personality of Godhead, in His pleasing dress, appeared at the scene of the sacrificial arena when King Yudhiṣṭhira was performing the Rājasūya sacrifice. All important personalities from different parts of the universe had been invited to the sacrificial arena, and all of them, upon beholding Kṛṣṇa there, considered that the Creator had ended all of His craftsmanship in the creation of this particular body of Kṛṣṇa."
At this age Kṛṣṇa is described as follows: "The force of Kṛṣṇa's youth was combined with His beautiful smile, which defeated even the beauty of the full moon. He was always nicely dressed, in beauty surpassing even Cupid, and He was always attracting the minds of the gopīs, who were thereby always feeling pleasure."
She said, "Even the sunshine may one day become cool and the moonshine one day become hot, but still Your promise will not fail." Similarly, when Kṛṣṇa, along with Bhīma and Arjuna, went to challenge Jarāsandha, He plainly told Jarāsandha that He was the eternal Kṛṣṇa, present along with two of the Pāṇḍavas. The story is that both Kṛṣṇa and the Pāṇḍavas—in this case Bhīma and Arjuna—were kṣatriyas (warrior-kings). Jarāsandha was also a kṣatriya and was very charitable toward the brāhmaṇas. Thus Kṛṣṇa, who had planned to fight with Jarāsandha, went to him with Bhīma and Arjuna in the dress of brāhmaṇas. Jarāsandha, being very charitable toward the brāhmaṇas, asked them what they wanted, and they expressed their desire to fight with him. Then Kṛṣṇa, dressed as a brāhmaṇa, declared Himself to be the same Kṛṣṇa who was the King's eternal enemy.
A person is called a genius when he can refute any kind of opposing element with newer and newer arguments. In this connection there is a statement in Padyāvalī which contains the following conversation between Kṛṣṇa and Rādhā. One morning, when Kṛṣṇa came to Rādhā, Rādhā asked Him, "My dear Keśava, where is Your vāsa at present?" The Sanskrit word vāsa has three meanings: one meaning is residence, one meaning is fragrance, and another meaning is dress.
Actually Rādhārāṇī inquired from Kṛṣṇa, "Where is Your dress?" But Kṛṣṇa took the meaning as residence, and He replied to Rādhārāṇī, "My dear captivated one, at the present moment My residence is in Your beautiful eyes."
To this Rādhārāṇī replied, "My dear cunning boy, I did not ask You about Your residence. I inquired about Your dress."
One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."
When the great sage Nārada was chanting the glories of the Lord, the bluish line on the neck of Lord Śiva disappeared. Upon seeing this, Gaurī, the wife of Lord Śiva, suspected Lord Śiva of being someone else disguised as her husband, and out of fear she immediately left his company. Upon hearing the chanting of Kṛṣṇa's name, Lord Balarāma saw that His dress had become white, although He was generally accustomed to a bluish dress. And the cowherd girls saw all of the water of the Yamunā River turn into milk, so they began to churn it into butter. In other words, by the spreading of Kṛṣṇa consciousness, or the glories of Kṛṣṇa, everything became white and pure.
This was verified by Bilvamaṅgala Ṭhākura when in Kṛṣṇa-karṇāmṛta he addressed Kṛṣṇa thus: "My dear Lord, what can I say about the opulence of Your Vṛndāvana? Simply the ornaments on the legs of the damsels of Vṛndāvana are more than cintāmaṇi, and their dresses are as good as the heavenly pārijāta flowers. And the cows exactly resemble the surabhi cows in the transcendental abode. Therefore Your opulence is just like an ocean that no one can measure."
After describing the different opulences of Kṛṣṇa, Śrīla Rūpa Gosvāmī tries to further describe the transcendental beauties and qualities of the Lord as decorated, enjoying, pleasing, dependable, steady and predominating. He is also described as a meticulous dresser and a magnanimous personality. These are generally considered to be the qualities of great personalities.
A person who is very fond of dressing himself is called lalita, or a meticulous dresser. This characteristic was found in Kṛṣṇa in two ways: sometimes He used to decorate Śrīmatī Rādhārāṇī with various marks, and sometimes, when He was preparing to kill demons like Ariṣṭāsura, He would take care to arrange His belt very nicely.
In this connection, in the Tenth Canto, Twenty-first Chapter, verse 5, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, I shall try to describe how the minds of the gopīs became absorbed in thought of Kṛṣṇa. The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls. They also meditated on Kṛṣṇa's blowing His flute and on all the cowherd boys' singing of the glories of the Lord." That is the description of the meditation which the gopīs used to perform.
Generally, there are four kinds of garments on the body of Kṛṣṇa: His shirt, turban, belt and wearing garments. In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates. This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa's gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.
Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.
Kṛṣṇa is sometimes called vana-mālī. Vana means "forest," and mālī means "gardener," so vana-mālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the Battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the Battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence."
When Uddhava was describing Kṛṣṇa's pastimes to Vidura, he said, "One day the gopīs became stunned when Kṛṣṇa, in the dress of a gardening maid, entered the greenhouse and enlivened them with joking and laughter. Then when Kṛṣṇa left the greenhouse, the gopīs were seeing Kṛṣṇa so ecstatically that it was as though both their minds and eyes were following Him." These symptoms signify that although the gopīs' business was not finished, they had become stunned with ecstatic love.
Perspiration caused by fearfulness was exhibited by Raktaka, one of the servants of Kṛṣṇa. One day Kṛṣṇa dressed Himself just like Abhimanyu, the husband of Rādhārāṇī. Abhimanyu did not like Rādhārāṇī's association with Kṛṣṇa, and therefore when Raktaka saw Kṛṣṇa in the dress of Abhimanyu and thus mistook His identity, he began to strongly rebuke Him. As soon as Raktaka finally understood that it was Kṛṣṇa in the dress of Abhimanyu, he began perspiring. This perspiration was caused by fearfulness.
Perspiration due to anger was exhibited by Garuḍa, the eagle who is the carrier of Viṣṇu. Once the heavenly king, Indra, was sending torrents of rain over Vṛndāvana. Garuḍa was observing the incident from above the clouds, and because of his anger, he began perspiring.
There is a class of professional brāhmaṇas who take to Deity worship as a means of earning their livelihood. Brāhmaṇas in this class are not very interested in the Deity; they are interested mainly in the money they can earn as holy men. So the Deities worshiped by such professional brāhmaṇas are not properly decorated, Their dress is not changed, and Their bodies are not cleaned. They look dirty and are not very attractive. Actually, Deity worship should be done very carefully: the dress should be changed daily, and as far as possible there should be ornaments. Everything should be so clean that the Deity is attractive to all visitors. Here the example is given of the Deities in the house of a professional brāhmaṇa because such Deities are not at all attractive. The friends of Kṛṣṇa, in the absence of Kṛṣṇa, were appearing like such neglected Deities.
In the Tenth Canto, Seventy-first Chapter, verse 33, of Śrīmad-Bhāgavatam, it is said, "When Kṛṣṇa first came from His kingdom, Dvārakā, to Indraprastha, the young females of the city became so eager to see Him that even at night, when they were lying down with their husbands, they could not restrain their eagerness. Even though they were not properly dressed and although their hair was loose and there were many household duties to perform, they still gave up everything and immediately went into the street to see Kṛṣṇa." This is an instance of eagerness in ecstatic love.
Once Brahmā was watching all the cows and the cowherd boys dressed in yellow garments and decorated with valuable jewels. The boys were expanding their four arms and were being worshiped by many hundreds of other Brahmās. All the cowherd boys began to express their joyfulness for being with Kṛṣṇa, the Supreme Brahman. At that time, Brahmā showed his astonishment by exclaiming, "What am I seeing here?" This is an instance of astonishment in ecstatic love.
A saintly person thinks like this: "When shall I be able to live alone in the caves of the mountains? When shall I be dressed simply with undergarments? When shall I be satisfied by eating simply a little fruit and vegetables? When will it be possible for me to think always of the lotus feet of Mukunda, who is the source of the Brahman effulgence? When, in such a spiritual condition of life, shall I fully understand my days and nights to be insignificant moments in eternal time?"
Devotees engaged in servitude are attached to Kṛṣṇa in the affection of reverence. Some of the inhabitants of Gokula (Vṛndāvana as exhibited on earth) are attached to Kṛṣṇa on this platform of affection in reverence. The inhabitants of Vṛndāvana used to say, "Kṛṣṇa is always manifest before us with a complexion like a blackish cloud. He holds His wonderful flute in His lotus hands. He is dressed in yellow silks and bedecked with a peacock feather on His head. When Kṛṣṇa walks near Govardhana Hill with these personal features, all the inhabitants of the heavenly planets, as well as the inhabitants of this earth, feel transcendental bliss and consider themselves the eternal servants of the Lord." Sometimes the devotee becomes filled with the same awe and reverence by seeing a picture of Viṣṇu, who is dressed like Kṛṣṇa and who has a similar complexion. The only difference is that Viṣṇu has four hands, in which He holds the conchshell, the disc, the club and the lotus flower. Lord Viṣṇu is always decorated with many valuable jewels, such as the candrakānta stone and the sūryakānta stone.
In Padyāvalī a devotee says, "Persons who are attached to speculative knowledge for self-realization, who have decided that the supreme truth is beyond meditation and who have thus become situated in the mode of goodness—let them peacefully execute their engagement. As for us, we are simply attached to the Supreme Personality of Godhead, who is by nature so pleasing, who possesses a complexion like a blackish cloud, who is dressed in yellow garments and who has beautiful lotuslike eyes. We wish only to meditate upon Him."
Out of the many close associates of Lord Kṛṣṇa, Uddhava is considered the best. The following is a description of him: "His body is blackish like the color of the Yamunā River, and it is similarly as cool. He is always decorated with flower garlands first used by Lord Kṛṣṇa, and he is dressed with yellow silk clothing. His two arms are just like the bolts of a door, his eyes are just like lotus flowers, and he is the most important devotee among all the associates. Let us therefore offer our respectful obeisances unto Uddhava's lotus feet.
Those who are constantly engaged in the personal service of the Lord are called anugas, or followers. Examples of such followers are Sucandra, Maṇḍana, Stamba and Sutamba. They are all inhabitants of the city of Dvārakā, and they are dressed and ornamented like the other associates. The specific services entrusted to the anugas are varied. Maṇḍana always bears the umbrella over the head of Lord Kṛṣṇa. Sucandra is engaged in fanning with the white cāmara bunch of hair, and Sutamba is engaged in supplying betel nuts. All of them are great devotees, and they are always busy in the transcendental loving service of the Lord.
As there are anugas in Dvārakā, so there are many anugas in Vṛndāvana also. The names of the anugas in Vṛndāvana are as follows: Raktaka, Patraka, Patrī, Madhukaṇṭha, Madhuvrata, Rasāla, Suvilāsa, Premakanda, Marandaka, Ānanda, Candrahāsa, Payoda, Bakula, Rasada and Śārada.
Descriptions of the bodily features of the anugas in Vṛndāvana are given in the following statement: "Let us offer our respectful obeisances unto the constant associates of the son of Mahārāja Nanda. They always stay in Vṛndāvana, and their bodies are decorated with garlands of pearls and with bangles and bracelets of gold. Their colors are like black bees and the golden moon, and they are dressed just to suit their particular special bodily features. Their specific duties can be understood from a statement by mother Yaśodā, who said, 'Bakula, please cleanse the yellowish dress of Kṛṣṇa. Vārika, you just flavor the bathing water with aguru scent. And Rasāla, you just prepare the betel nuts. You can all see that Kṛṣṇa is approaching. There is dust overhead, and the cows can be seen very distinctly.'"
The eternal associates of the Lord in Vṛndāvana have described this as follows: "The Lord, Hari, whose bodily hue is like the indranīla jewel, whose smiling is as beautiful as the kunda flower, whose silk dress is as yellow as golden autumn foliage, whose chest is beautified with garlands of flowers and who is always playing upon His flute—this enemy of the Agha demon is always attracting our hearts by wandering about Vṛndāvana."
There are similar statements of fraternal love expressed outside the jurisdiction of Vṛndāvana. When the sons of Pāṇḍu, headed by Mahārāja Yudhiṣṭhira, saw Kṛṣṇa in His four-handed form on the Battlefield of Kurukṣetra, holding His conchshell, disc, club and lotus flower, they completely forgot themselves and became merged in the ocean of nectarean happiness. This shows how the sons of Pāṇḍu—King Yudhiṣṭhira, Bhīma, Arjuna, Nakula and Sahadeva—were all caught up in fraternal love for Kṛṣṇa.
Sometimes the different names, forms, paraphernalia and transcendental qualities provoke fraternal love. For instance, Kṛṣṇa's nice dress, His strongly built body, the all-auspicious symptoms on His body, His knowledge of different languages, His learned teachings in Bhagavad-gītā, His uncommon genius in all fields of endeavor, His exhibition of expert knowledge, His mercy, His chivalry, His behavior as a conjugal lover, His intelligence, His forgiveness, His attraction for all kinds of men, His opulence and His happiness—all provoke fraternal love.
The impetus to fraternal love upon seeing the associates of Kṛṣṇa in Vṛndāvana is also very natural, for their personal bodily features, their qualities and their dress are all equal to Kṛṣṇa's. These associates are always happy in their service to Kṛṣṇa, and they are generally known as vayasyas, or friends of the same age.
There is the following prayer by a devotee for the vayasyas in Vṛndāvana: "All glories to Kṛṣṇa's vayasyas, who are just like Kṛṣṇa in their age, qualities, pastimes, dress and beauty. They are accustomed to playing on their flutes made of palm leaves, and they all have buffalo-horn bugles ornamented like Kṛṣṇa's with jewels such as indranīla and with gold and coral. They are always jubilant like Kṛṣṇa. May these glorious companions of Kṛṣṇa always protect us!"
Among the well-wisher friends, Maṇḍalībhadra and Balabhadra are the chiefs. Maṇḍalībhadra is described as follows. His complexion is yellowish, and his dress is very attractive. He always carries a stick of various colors. He wears a peacock feather on his head and always looks very beautiful. Maṇḍalībhadra's attitude is revealed in this statement: "My dear friends, our beloved Kṛṣṇa is now very tired from working with the cows in the pasturing grounds and from traveling all over the forests. I can see that He is very fatigued. Let me massage His head silently while He is taking rest in His house. And you, Subala—you just massage His thighs."
All of these sakhā friends of Kṛṣṇa seek only to serve Him. Sometimes some of them would rise early in the morning and immediately go to Kṛṣṇa's place and wait at the door to see Kṛṣṇa and to accompany Him to the pasturing grounds. In the meantime, Kṛṣṇa would be dressed by mother Yaśodā, and when she would see a boy standing at the door, she would call him, "Well, Viśāla, why are you standing there? Come here!" So with the permission of mother Yaśodā, he would immediately enter the house. And while mother Yaśodā was dressing Kṛṣṇa, he would try to help put on Kṛṣṇa's ankle bells, and Kṛṣṇa would jokingly strike him with His flute. Then mother Yaśodā would call, "Kṛṣṇa, what is this? Why are You teasing Your friend?" And Kṛṣṇa would laugh, and the friend would also laugh. These are some of the activities of Kṛṣṇa's sakhās. Sometimes the sakhās would take care of the cows who were going hither and thither. They would tell Kṛṣṇa, "Your cows were going off here and there," and Kṛṣṇa would thank them.
One of the sakhās, known as Devaprastha, is described as follows. He is very strong, a ready scholar, and is very expert in playing ball. He wears a white dress, and he ties his hair into a bunch with a rope. Whenever there is a fight between Kṛṣṇa and the demons, Devaprastha is the first to help, and he fights just like an elephant.
Out of all these confidential friends, Śrīdāmā is considered to be the chief. Śrīdāmā used to put on a yellow-colored dress. He would carry a buffalo horn, and his turban was of reddish, copper color. His bodily complexion was blackish, and around his neck there was a nice garland. He would always challenge Kṛṣṇa in joking friendship. Let us pray to Śrīdāmā to bestow his mercy upon us!
At this age Kṛṣṇa was garlanded with various kinds of flowers. He used to put on a silk dress, colored with various kinds of dye. Such beautiful decorations are considered cosmetics for Kṛṣṇa. Kṛṣṇa would wear this dress when He used to go into the forest to tend the cows. Sometimes He would wrestle there with His different friends, and sometimes they would dance all together in the forest. These are some of the specific activities of the paugaṇḍa age.
The cowherd boyfriends of Kṛṣṇa felt very proud of their association with Him. At that time the tip of His nose defeated the beauty of sesame flowers, the luster of His cheeks defeated the glow of pearls, and the two sides of His body were exquisitely beautiful. In this age Kṛṣṇa wore a silk dress that glittered like lightning, His head was decorated with a silk turban covered with gold lace, and in His hand He carried a stick about fifty-six inches long.* Seeing this exquisitely beautiful dress of Kṛṣṇa, one devotee addressed his friend in this manner: "My dear friend, just look at Kṛṣṇa! See how He is carrying in His hand a stick which is bound up and down with golden rings, how His turban with golden lace is showing such a beautiful luster, and how His dress is giving His friends the highest transcendental pleasure!"
At this age Kṛṣṇa took pleasure in whispering into the ears of His friends, and the subject of His talks was the beauty of the gopīs, who were just tarrying before them. Subala once addressed Kṛṣṇa thus: "My dear Kṛṣṇa, You are very cunning. You can understand the thoughts of others; therefore I am whispering within Your ear that all of these five gopīs, who are most beautiful, have been attracted by Your dress. And I believe that Cupid has entrusted them with the responsibility of conquering You." In other words, the beauty of the gopīs was capable of conquering Kṛṣṇa, although Kṛṣṇa is the conqueror of all universes.
At this age, Kṛṣṇa once dressed Himself up exactly like Rādhārāṇī, just to create fun among His friends. He put on golden earrings, and because He was blackish, He smeared the pulp of kuṅkuma all over His body in order to become as fair as She. By seeing this dress, Kṛṣṇa's friend Subala became very astonished.
There is another description of mother Yaśodā in a devotee's prayer: "Let me be given protection by mother Yaśodā, whose curly hairs are bound with thread, whose hair is very brightly beautified by the vermilion placed in the part and whose bodily frame derides all her ornaments. Her eyes are always engaged in seeing the face of Kṛṣṇa, and thus they are always filled with tears. Her complexion, which resembles the bluish lotus flower, is enhanced in beauty by her dressing herself with many colorful garments. Let her merciful glance fall on all of us so that we may be protected from the clutches of māyā and smoothly progress in our devotional service!"
Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing parental love for Kṛṣṇa. The childhood ages of Kṛṣṇa are divided into three periods: the beginning of kaumāra age, the middle of kaumāra age and the end of kaumāra age. During the beginning and middle of the kaumāra age, Kṛṣṇa's thighs are fatty, and the inner part of His eyes are whitish. There are signs of teeth coming out, and He is very mild and gentle. He is described as follows: "When Kṛṣṇa had only three or four teeth coming out of His gums, His thighs were fatty, His body was very, very short, and He began to enhance the parental love of Nanda Mahārāja and mother Yaśodā with the activities of His childish body.
These are some of the different activities of the child Kṛṣṇa. When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upward, sometimes crying and sometimes smiling, mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes." In the beginning of Kṛṣṇa's kaumāra age, the nails of tigers were set in a golden necklace about His neck. There was protective tilaka on His forehead, black mascara around His eyes and silk thread around His waist. These are the descriptions of Kṛṣṇa's dress at the beginning of the kaumāra age.
While Kṛṣṇa was in the middle of His kaumāra age, His waist became thinner, His chest became broader, and His head was decorated with His curly hairs, resembling the falling of the wings of a crow. These wonderful features of Kṛṣṇa's body never failed to astonish mother Yaśodā. At the end of His kaumāra age, Kṛṣṇa carried a small stick in His hand, His clothing was a little longer, and He had a knot around His waist, resembling the hood of a snake. In that dress He used to take care of the calves near the house, and sometimes He played with cowherd boys of about the same age. He had a slender flute and a buffalo-horn bugle, and sometimes He played on a flute made from the leaves of trees. These are some of the symptoms of the end of Kṛṣṇa's kaumāra age.
The steady ecstasy of conjugal love is the original cause of bodily enjoyment. In the Padyāvalī this original cause of union is described when Rādhārāṇī tells one of Her constant companions, "My dear friend, who is this boy whose eyelids, dancing constantly, have increased the beauty of His face and attracted My desire for conjugal love? His ears are decorated with buds of aśoka flowers, and He has dressed Himself in yellow robes. By the sound of His flute, this boy has already made Me impatient."
Smiling in which the teeth are slightly visible is called hasita smiling. One day Abhimanyu, the so-called husband of Rādhārāṇī, was returning home, and at that time he could not see that Kṛṣṇa was there in his house. Kṛṣṇa immediately changed His dress to look exactly like Abhimanyu and approached Abhimanyu's mother, Jaṭilā, addressing her thus: "My dear mother, I am your real son Abhimanyu, but just see—Kṛṣṇa, dressed up like me, is coming before you!" Jaṭilā, the mother of Abhimanyu, immediately believed that Kṛṣṇa was her own son and thus became very angry at her real son who was coming home. She began to drive away her real son, who was crying, "Mother! Mother! What are you doing?" Seeing this incident, all the girl friends of Rādhārāṇī, who were present there, began to smile, and a portion of their teeth was visible. This is an instance of hasita smiling.
In a state of smiling when the nose becomes puffed and the eyes squint, the smiling is called avahasita. Once, early in the morning when Kṛṣṇa returned home after performing His rāsa dance, mother Yaśodā looked upon Kṛṣṇa's face and addressed Him thus: "My dear son, why do Your eyes look like they have been smeared with some oxides? Have You dressed Yourself with the blue garments of Baladeva?" When mother Yaśodā was addressing Kṛṣṇa in that way, a girl friend who was nearby began to smile with a puffed nose and squinting eyes. This is an instance of avahasita smiling. The gopī knew that Kṛṣṇa had been enjoying the rāsa dance and that mother Yaśodā could not detect her son's activities or understand how He had become covered with the gopīs' makeup. Her smiling was in the avahasita feature.
The following example contains a mixture of ecstatic fraternity and laughter, taken respectively as the whole and part. When Kṛṣṇa saw that Subala, in the dress of Rādhārāṇī, was silently hiding under the shade of a beautiful aśoka tree on the bank of the Yamunā, He immediately arose from His seat in surprise. Upon seeing Kṛṣṇa, Subala tried to hide his laughter by covering his cheeks.
There is an example of a mixture of conjugal love and fraternal affection when Śrīmatī Rādhārāṇī said, "My dear friends, just see how Kṛṣṇa is resting His hand on the shoulder of Subala, who is dressed up just like a young girl! I think He must be sending some message to Me through Subala." The purport is that the superiors of Rādhārāṇī do not like Kṛṣṇa or His cowherd friends to associate with Her; therefore these friends sometimes clothe themselves in female dress so they can give Rādhārāṇī a message from Kṛṣṇa. In this example the whole is conjugal love, and the part is fraternity.
The following is an example of a mixture of conjugal love and laughter in devotional service. Kṛṣṇa, in the dress of a young girl, told Rādhārāṇī, "Oh, You hardhearted girl! Don't You know that I am Your sister? Why are You unable to recognize Me? Be merciful upon Me and please capture My shoulders and embrace Me with love!" While Kṛṣṇa was dressed up exactly like Rādhārāṇī, He was speaking these nice words, and Śrīmatī Rādhārāṇī could understand His purpose. But because She was in front of many of Her superiors, She simply smiled and did not say anything. In this instance, the ecstasy of conjugal love is taken as the whole, and the ecstasy of laughter is taken as the part.
Nectar of Instruction
As stated before, the tongue, belly and genitals are all situated in a straight line, and they fall in the same category. Lord Caitanya has said, bhāla nā khāibe āra bhāla nā paribe: "Do not dress luxuriously and do not eat delicious foodstuffs." (CC Antya 6.236)
Those who suffer from diseases of the stomach must be unable to control the urges of the belly, at least according to this analysis. When we desire to eat more than necessary we automatically create many inconveniences in life. However, if we observe fasting days like Ekādaśī and Janmāṣṭamī, we can restrain the demands of the belly.
My dear brother, you are in the renounced order of life and should not listen to talk about ordinary worldly things, nor should you talk about worldly things when you meet with others. Do not think of women even in dreams. You have accepted the renounced order of life with a vow that forbids you to associate with women. If you wish to associate with Caitanya Mahāprabhu, you must always remember the incident of Choṭa Haridāsa and how he was rejected by the Lord. Do not eat luxurious dishes or dress in fine garments, but always remain humble and serve Their Lordships Śrī Śrī Rādhā-Kṛṣṇa in your heart of hearts."
Easy Journey to Other Planets
For the perfect yogī who has attained success in the method of leaving his body in perfect consciousness, transferring from one planet to another is as easy as an ordinary man's walking to the grocery store. As already discussed, the material body is just a covering of the spiritual soul. Mind and intelligence are the undercoverings, and the gross body of earth, water, air, etc., is the overcoating of the soul. As such, any advanced soul who has realized himself by the yogic process, who knows the relationship between matter and spirit, can leave the gross dress of the soul in perfect order and as he desires. By the grace of God, we have complete freedom. Because the Lord is kind to us, we can live anywhere—either in the spiritual sky or in the material sky, upon whichever planet we desire. However, misuse of this freedom causes one to fall down into the material world and suffer the threefold miseries of conditioned life. The living of a miserable life in the material world by dint of the soul's choice is nicely illustrated by Milton in Paradise Lost. Similarly, by choice the soul can regain paradise and return home, back to Godhead.
If one wants to go to the higher material planets, he can keep his finer dress of mind, intelligence and ego, but has to leave his gross dress (body) made of earth, water, fire, etc. When one goes to a transcendental planet, however, it is necessary to change both the finer and gross bodies, for one has to reach the spiritual sky completely in a spiritual form. This change of dress will take place automatically at the time of death if one so desires. But this desire is possible at death only if the desire is cultivated during life. Where one's treasures are, there also is one's heart. When one practices devotional service, one cultivates a desire for the kingdom of God. The following details outline a general practice by which one can prepare himself for an easy journey to the Vaikuṇṭha (anti-material) planets, where life is free from birth, old age, disease and death.
Krsna, The Supreme Personality of Godhead
Vasudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder. How could a newly born child be so decorated? Vasudeva could therefore understand that Lord Kṛṣṇa had now appeared, and he became overpowered by the occasion. Vasudeva very humbly wondered that although he was an ordinary living entity conditioned by material nature and was externally imprisoned by Kaṁsa, the all-pervading Personality of Godhead, Viṣṇu, or Kṛṣṇa, was appearing as a child in his home, exactly in His original position.
“My Lord, You are the supreme controller, the Personality of Godhead, the supreme great, maintaining the order of this cosmic manifestation. Yet in spite of Your being the supreme controller, You have so kindly appeared in my home. The purpose of Your appearance is to kill the followers of the demoniac rulers of the world, who are in the dress of royal princes but are actually demons. I am sure that You will kill all of them and their followers and soldiers.
Another ceremony takes place after the birth of the child: the family members take baths, cleanse themselves and decorate themselves with ornaments and nice garments; then they come before the child and the astrologer to hear of the future life of the child. Nanda Mahārāja and other members of the family dressed and sat down in front of the birthplace. All the brāhmaṇas who were assembled there on this occasion chanted auspicious mantras, according to the rituals, while the astrologers performed the birth ceremony. All the demigods are also worshiped on this occasion, as well as the forefathers of the family. Nanda Mahārāja distributed to the brāhmaṇas 200,000 cows, which were well decorated with cloth and ornaments. He gave the brāhmaṇas not only cows in charity but also hills of grain decorated with ornaments and golden-bordered cloth.
When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.
As soon as they heard that Mother Yaśodā had given birth to a child, all the cowherd women became overwhelmed with joy, and they also dressed themselves with various kinds of costly garments and ornaments and smeared scented cosmetics on their bodies.
It is very important to note in this connection how wealthy the inhabitants of Vṛndāvana were simply by raising cows. All the cowherd men belonged to the vaiśya community, and their business was to protect the cows and cultivate crops. By their dress and ornaments, and by their behavior, it appears that although they were in a small village, they still were rich in material possessions. They possessed such an abundance of various kinds of milk products that they were throwing butter lavishly on each other's bodies without restriction. Their wealth was in milk, yogurt, clarified butter and many other milk products, and by trading their agricultural products, they were rich in various kinds of jewelry, ornaments and costly garments. Not only did they possess all these things, but they could give them away in charity lavishly, as did Nanda Mahārāja.
Rohiṇīdevī, the mother of Balarāma, was the most fortunate wife of Vasudeva. She was away from her husband, yet just to congratulate Mahārāja Nanda on the occasion of the birth ceremony of his son, Kṛṣṇa, she dressed herself very nicely. Wearing a garland, a necklace and other bodily ornaments, she appeared on the scene and moved hither and thither. According to the Vedic system, a woman whose husband is not at home does not dress herself very nicely. But although Rohiṇī’s husband was away, she still dressed herself very nicely on this occasion.
Pūtanā entered the county of Gokula, the residential quarter of Nanda Mahārāja, without permission. Dressing herself just like a beautiful woman, she entered the house of Mother Yaśodā. She appeared very beautiful, with raised hips, nicely swollen breasts, earrings, and flowers in her hair. She looked especially beautiful on account of her thin waist. She was glancing at everyone with very attractive looks and smiling face, and all the residents of Vṛndāvana were captivated. The innocent cowherd women thought that she was the goddess of fortune appearing in Vṛndāvana with a lotus flower in her hand. It seemed to them that she had personally come to see Kṛṣṇa, who is her husband. Because of her exquisite beauty, no one checked her movement, and therefore she freely entered the house of Nanda Mahārāja. Pūtanā, the killer of many, many children, found baby Kṛṣṇa lying on a small bed, and she could at once perceive that the baby was hiding His unparalleled potencies, which resembled fire covered by ashes. Pūtanā thought, "This child is so powerful that He can destroy the whole universe immediately."
When Pūtanā was taking baby Kṛṣṇa on her lap, both Yaśodā and Rohiṇī were present, but because she was so beautifully dressed and showed motherly affection toward Kṛṣṇa, they did not forbid her. They could not understand that she was a sword within a decorated case. Pūtanā had smeared a very powerful poison on her breasts, and immediately after taking the baby on her lap, she pushed her breastly nipple within His mouth. She was hoping that as soon as He would suck her breast, He would die. But baby Kṛṣṇa very quickly took the nipple in anger. He sucked the milk-poison along with the life air of the demon. In other words, Kṛṣṇa simultaneously sucked the milk from her breast and killed her by sucking out her life.
On this occasion, Mother Yaśodā arranged to distribute a large quantity of grain, and first-class cows decorated with golden ornaments were made ready to be given in charity to the learned, respectable brāhmaṇas. Yaśodā took her bath and dressed herself nicely, and taking child Kṛṣṇa, duly dressed and bathed, on her lap, she sat down to hear the Vedic hymns chanted by the brāhmaṇas. While mother Yaśodā was listening to the chanting of the Vedic hymns, the child appeared to be falling asleep, and therefore she very silently laid Him down on the bed. Being engaged in receiving all the friends, relatives and residents of Vṛndāvana on that holy occasion, she forgot to feed the child milk. He was crying, being hungry, but Mother Yaśodā could not hear Him cry because of the various noises.
I see that Your body has become very dirty from playing since early morning. Now come home and take Your bath. Besides, today is Your birthday ceremony; therefore You should come back home and give cows in charity to the brāhmaṇas. Don’t You see how Your playmates are decorated with ornaments by their mothers? You should also be cleansed and decorated with nice dress and ornaments. Please, therefore, come back, take Your bath, dress Yourself nicely, and then again You may go on playing.”
In this way Mother Yaśodā called back Lord Kṛṣṇa and Balarāma, who are worshipable by great demigods like Lord Brahmā and Lord Śiva. She was thinking of Them as her children.
When Mother Yaśodā’s children, Kṛṣṇa and Balarāma, came home, she bathed Them very nicely and dressed Them with ornaments. She then called for the brāhmaṇas, and through her children she gave many cows in charity for the occasion of Kṛṣṇa's birthday. In this way she performed the birthday ceremony of Kṛṣṇa at home.
And who can describe the damsels of Vraja? They were all seated on the carts and were very beautifully dressed with ornaments and costly saris. They chanted the pastimes of child Kṛṣṇa as usual. Mother Yaśodā and Mother Rohiṇī were seated on a separate cart, and Kṛṣṇa and Balarāma were seated on their laps. While Mother Rohiṇī and Yaśodā were riding on the cart, they talked to Kṛṣṇa and Balarāma, and feeling the pleasure of such talks, they looked very, very beautiful.
In order to convince Brahmā that all those calves and boys were not the original ones, the calves and boys who were playing with Kṛṣṇa transformed into Viṣṇu forms. Actually, the original ones were sleeping under the spell of Brahmā’s mystic power, but the present ones, seen by Brahmā, were all immediate expansions of Kṛṣṇa, or Viṣṇu. Viṣṇu is the expansion of Kṛṣṇa, so the Viṣṇu forms appeared before Brahmā. All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells. Their legs were decorated with bells, Their waists with golden belts, and Their fingers with jeweled rings.
Lord Brahmā continued: “My Lord, sometimes I am puzzled as to how Your Lordship will be able to repay, in gratitude, the devotional service of these residents of Vṛndāvana. Although I know that You are the supreme source of all benediction, I am puzzled to know how You will be able to repay all the service that You are receiving from these residents of Vṛndāvana. I think of how You are so kind, so magnanimous, that even Pūtanā, who came to cheat You by dressing herself as a very affectionate mother, was awarded liberation and the actual post of a mother. And other demons belonging to the same family, such as Aghāsura and Bakāsura, were also favored with liberation and achieved You. Under the circumstances, I am puzzled. These residents of Vṛndāvana have given You everything—their bodies, their minds, their love, their homes, their possessions. Everything is being utilized for Your purpose.
Then Kṛṣṇa and Balarāma were immediately received by Their affectionate mothers, Yaśodā and Rohiṇī, who, according to the time's demands, began to fulfill the desires of their affectionate sons. Simultaneously, the mothers rendered service and bestowed benediction upon their transcendental sons. They took care of their children by bathing Them and dressing Them very nicely. Kṛṣṇa was dressed in yellowish garments, and Balarāma was dressed in bluish garments, and They were given all sorts of ornaments and flower garlands. Being relieved of the fatigue of Their day's work in the pasturing ground, They looked refreshed and very beautiful.
While Kṛṣṇa danced, some of the cowherd boys sang and others played on flutes; some bugled on buffalo horns or clapped their hands, praising Kṛṣṇa, "Dear brother, You are dancing very nicely." Actually, all these boys were demigods descended from higher planets to assist Kṛṣṇa in His pastimes. The demigods garbed in the dress of the cowherd boys were encouraging Kṛṣṇa in His dancing, just as one artist encourages another with praise. Up to that time, neither Balarāma nor Kṛṣṇa had undergone the haircutting ceremony; therefore Their hair was clustered like crows' feathers. They were always playing hide-and-seek with Their boyfriends or jumping or fighting with them. Sometimes, while His friends were chanting and dancing, Kṛṣṇa would praise them, "My dear friends, you are dancing and singing very nicely." The boys played at catching ball with fruits such as bael and āmalaka. They played blindman's buff, challenging and touching one another. Sometimes they imitated the forest deer and various kinds of birds.
During the rainy season, all living entities in the land, sky and water become very much refreshed, exactly like one who engages in the transcendental loving service of the Lord. We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty-looking, although they had naturally beautiful personal features; due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by their following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they have come directly from Vaikuṇṭha.
After hearing the vibration of the flute of Kṛṣṇa, the gopīs in Vṛndāvana remembered Him and began to talk amongst themselves about how nicely Kṛṣṇa was playing His flute. When the gopīs were describing the sweet vibration of Kṛṣṇa's flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibration. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.
Another gopī expressed her opinion that Kṛṣṇa and Balarāma, while tending the cows with the cowherd boys, appeared just like actors going to play on a dramatic stage. Kṛṣṇa was dressed in glowing garments of yellow, Balarāma in blue, and They held new twigs of mango tree, peacock feathers and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopī told her friends, "How is it Kṛṣṇa and Balarāma are looking so beautiful?" Another gopī said, "My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?" Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa's lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”
Another gopī said, "My dear friends, just see the deer! Although they are dumb animals, they have approached the son of Mahārāja Nanda, Kṛṣṇa. Not only are they attracted by the dress of Kṛṣṇa and Balarāma, but as soon as they hear the playing of the flute, the deer, along with their husbands, offer respectful obeisances unto the Lord by looking at Him with great affection." The gopīs were envious of the deer because the deer were able to offer their service to Kṛṣṇa along with their husbands. The gopīs thought themselves not so fortunate because whenever they wanted to go to Kṛṣṇa, their husbands were not very happy.
Another gopī said, “My dear friends, Kṛṣṇa is so nicely dressed that He appears to be the impetus to various kinds of ceremonies held by the womenfolk. Even the wives of the denizens of heaven become attracted after hearing the transcendental sound of His flute.
The honest and simple cowherd men, headed by Nanda Mahārāja, accepted Kṛṣṇa's proposal and executed in detail everything He advised. They performed Govardhana worship and circumambulation of the hill. (Following the inauguration of Govardhana-pūjā, people in Vṛndāvana still dress nicely and assemble near Govardhana Hill to offer worship and circumambulate the hill, leading their cows all around.) According to the instruction of Lord Kṛṣṇa, Nanda Mahārāja and the cowherd men called in learned brāhmaṇas and began to worship Govardhana Hill by chanting Vedic hymns and offering prasādam. The inhabitants of Vṛndāvana assembled together, decorated their cows and gave them grass. Keeping the cows in front, they began to circumambulate Govardhana Hill. The gopīs dressed themselves very luxuriantly and sat in bull-driven carts, chanting the glories of Kṛṣṇa's pastimes. The brāhmaṇas, assembled there to act as priests for Govardhana-pūjā, offered their blessings to the cowherd men and their wives, the gopīs.
Some of them were breast-feeding their small babies, and some were engaged in distributing food to the members of their families, but they left all such engagements and immediately rushed toward the spot where Kṛṣṇa was playing His flute. Some were engaged in serving their husbands, and some were themselves engaged in eating, but caring neither to serve their husbands nor eat, they immediately left. Some of them wanted to decorate their faces with cosmetic ointments and to dress themselves very nicely before going to Kṛṣṇa, but unfortunately they could not finish their cosmetic decorations or put on their clothes in the right way because of their anxiety to meet Kṛṣṇa immediately. Their faces were decorated hurriedly and were haphazardly finished; some even put the lower part of their clothes on the upper part of their bodies and the upper part on the lower part.
We do not wish to ask You to accept us as Your wives. Simply accept us as Your maidservants. Since You are the Supreme Personality of Godhead and like to enjoy the parakīya-rasa and are famous as a transcendental woman hunter, we have come to satisfy Your transcendental desires. We are also after our own satisfaction, for simply by looking at Your smiling face we have become very lusty. We have come before You decorated with all ornaments and dress, but until You embrace us, all our garments and beautiful features remain incomplete. You are the Supreme Person, and if You complete our dressing attempt as the puruṣa-bhūṣaṇa, or the male ornament, then all our desires and bodily decorations are complete.
After this incident, on a very pleasant night Kṛṣṇa and His elder brother, Balarāma, who are inconceivably powerful, went into the forest of Vṛndāvana. They were accompanied by the damsels of Vrajabhūmi, and They began to enjoy their company. The young damsels of Vraja were very nicely dressed and anointed with pulp of sandalwood and decorated with flowers. The moon was shining in the sky, surrounded by glittering stars. The breeze was blowing, bearing the aroma of mallikā flowers, and the bumblebees were mad after the aroma. Taking advantage of the pleasing atmosphere, Kṛṣṇa and Balarāma began to sing very melodiously. The damsels became so absorbed in Their rhythmical song that they almost forgot themselves; their hair loosened, their clothes slackened, and their garlands began to fall to the ground.
One gopī said, "My dear friends, Kṛṣṇa and Balarāma are nicely dressed with earrings and pearl necklaces. They enjoy Themselves on the top of Govardhana Hill, and everything becomes absorbed in transcendental pleasure when Kṛṣṇa plays on His flute, charming the whole created manifestation. When He plays, the clouds stop their loud thundering out of fear of Him. Rather than disturb the vibration of His flute, they respond with mild thunder and so congratulate Kṛṣṇa, their friend."
According to Your perfect plan, this material world is created by the interaction of the modes of nature, and by You it is maintained and annihilated. Although You are unaffected by all these activities, You are the supreme controller eternally. My dear Lord, You have advented Yourself on the surface of this earth just to kill all the so-called kings who are actually demons. These hobgoblins are cheating people in the dress of the princely order. You have advented Yourself to fulfill Your own statement that You come within this material world just to protect the principles of religion and annihilate unwanted miscreants. My dear Lord, I am therefore sure that the day after tomorrow I shall see demons like Cāṇūra, Muṣṭika and the other wrestlers and elephants, as well as Kaṁsa himself, killed by You. I shall see this with my own eyes. After this I shall be able to see the killing of other demons, like Śaṅkha, Yavana, Mura and Narakāsura. I shall also see how You take away the pārijāta flower from the kingdom of heaven and how You defeat the King of heaven himself.
When Akrūra entered Vṛndāvana, he saw Kṛṣṇa and Balarāma engaged in supervising the milking of the cows. Kṛṣṇa was dressed in yellow garments and Balarāma in bluish. Akrūra also saw that Their eyes were exactly like the beautiful lotus flower that grows during the autumn season. He saw Kṛṣṇa and Balarāma in the spring of Their youth. Although They had the same bodily features, Kṛṣṇa was blackish in complexion, whereas Balarāma was whitish. Both were the shelter of the goddess of fortune. They had well-constructed bodies, beautiful hands and pleasing faces, and They were as strong as elephants. Now, after seeing Their footprints, marked with flag, trident, thunderbolt and lotus, Akrūra actually saw Kṛṣṇa and Balarāma face to face. Although They were the most influential personalities, They were glancing at him with smiling faces. Akrūra could understand that both Kṛṣṇa and Balarāma had returned from tending cows in the forest; They had taken Their baths and were dressed with fresh clothing and garlanded with flowers and with necklaces made of valuable jewels. Their bodies were smeared with the pulp of sandalwood. Akrūra greatly appreciated the aroma of the flowers and sandalwood and Their bodily presence. He considered himself very fortunate to see Kṛṣṇa, the Supreme Personality of Godhead, and His plenary expansion, Balarāma, face to face, for he knew that They were the original personalities of the creation.
While Akrūra was offering his prayers to the Supreme Personality of Godhead, the Lord disappeared from the water, exactly as an expert dramatic actor changes his dress and assumes his original feature. After the viṣṇu-mūrti disappeared, Akrūra got out of the water. Finishing the rest of his ritualistic performance, he went near the chariot of Balarāma and Kṛṣṇa and was struck with wonder. Kṛṣṇa asked whether he had seen something wonderful within the water or in space. Akrūra said, "My dear Lord, all wonderful things that are happening within this world, either in the sky or in the water or on the land, are factually appearing in Your universal form. So when I have seen You, what wonderful things have I not seen?" This statement confirms the Vedic version that one who knows Kṛṣṇa knows everything and that one who has seen Kṛṣṇa has seen everything, regardless of how wonderful a thing may be. "My dear Lord," Akrūra continued, "there cannot be anything more wonderful than Your transcendental form. When I have seen Your transcendental form, what is there left to see?"
When the news spread that Kṛṣṇa, Balarāma and the cowherd boys were within Mathurā City, all the inhabitants gathered, and the ladies and girls immediately went up to the roofs of the houses to see Them. They had been awaiting the arrival of Kṛṣṇa and Balarāma with great anxiety, and in their extreme eagerness to see Kṛṣṇa and Balarāma, the ladies did not dress themselves very properly. Some of them placed their clothes in the wrong place. Some anointed their eyes on one side only, and some wore ankle bells only on one leg or wore only one earring. Thus in great haste, not even decorated properly, they went to see Kṛṣṇa from the roofs. Some of them had been taking their lunch, but as soon as they heard that Kṛṣṇa and Balarāma were in the city, they left their eating and ran to the roofs.
After this ghastly incident, the employees of the washerman immediately dispersed, leaving the clothing. Kṛṣṇa and Balarāma took possession of it and dressed according to Their choice; the rest of the clothes were offered to the cowherd boys, who also used them as they desired. What they did not use remained there. Kṛṣṇa, Balarāma and the boys then proceeded along the main road. In the meantime, a devotee-tailor took the opportunity of service and prepared some nice clothes from the cloth for Kṛṣṇa and Balarāma. Thus being very nicely attired, Kṛṣṇa and Balarāma looked like elephants dressed with colored clothing on the full-moon day or the dark-moon day. Kṛṣṇa was very much pleased with the tailor and gave him the benediction of sārūpya-mukti, which means that after leaving his body he would be liberated and would attain a four-handed body exactly like that of Nārāyaṇa in the Vaikuṇṭha planets. Kṛṣṇa also granted him that as long as he would live he would earn sufficient opulence to be able to enjoy sense gratification. By this incident Kṛṣṇa proved that those who are Kṛṣṇa conscious devotees will not be lacking material enjoyment of sense gratification. They will have sufficient opportunity for such things, but after leaving this body they will be allowed to enter the spiritual planets of Vaikuṇṭhaloka or Kṛṣṇaloka, Goloka Vṛndāvana.
After dressing nicely, Kṛṣṇa and Balarāma went to a florist of the name Sudāmā. As soon as They reached the precinct of his house, the florist immediately came out and with great devotion fell down on his face to offer his respectful obeisances. He offered a nice seat to Kṛṣṇa and Balarāma and asked his assistant to bring out flowers, betel nuts and pulp of candana. The florist's welcome greatly satisfied the Lord.
The woman replied to Kṛṣṇa, "My dear Śyāmasundara, dear beautiful dark boy, You may know that I am engaged as a maidservant of Kaṁsa. I am supplying him pulp of sandalwood daily. The King is very much pleased with me for supplying this nice thing, but now I see that there is no one who can better be served by this pulp of sandalwood than You two brothers." Being captivated by the beautiful features of Kṛṣṇa and Balarāma, Their talking, Their smiling, Their glancing and Their other activities, the hunchbacked woman began to smear all the pulp of sandalwood over Their bodies with great satisfaction and devotion. The two transcendental brothers, Kṛṣṇa and Balarāma, were naturally beautiful and had beautiful complexions, and They were nicely dressed in colorful garments. The upper portions of Their bodies were already very attractive, and when the hunchbacked woman smeared Their bodies with sandalwood pulp, They looked even more beautiful. Kṛṣṇa was very much pleased by this service, and He began to consider how to reward her. In other words, in order to draw the attention of the Lord, the Kṛṣṇa conscious devotee has to serve Him in great love and devotion. Kṛṣṇa cannot be pleased by any action other than transcendental loving service unto Him.
When everything was complete, the wrestlers who were to exhibit their skills before the assembly walked into the arena. They were decorated with nice ornaments and dress. Some of the famous wrestlers were Cāṇūra, Muṣṭika, Śala, Kūṭa and Tośala. Being enlivened by the musical concert, they passed through with great alacrity. All the respectable cowherd men who came from Vṛndāvana, headed by Nanda, were also welcomed by Kaṁsa. After presenting Kaṁsa with the milk products they had brought with them, the cowherd men also took their respective seats by the side of the King, on a platform especially meant for them.
The impious kṣatriya kings who were present saw Him as the strongest ruler and their chastiser. To the parents of Kṛṣṇa, Nanda and Yaśodā, He appeared to be the most loving child. To Kaṁsa, the king of the Bhoja dynasty, He appeared to be death personified. To the unintelligent, He appeared to be an incapable personality. To the yogīs present, He appeared to be the Supersoul. To the members of the Vṛṣṇi dynasty He appeared to be the most celebrated descendant. Thus appreciated differently by different kinds of people present, Kṛṣṇa entered the wrestling arena with Balarāma and His cowherd boyfriends. Having heard that Kṛṣṇa had already killed the elephant Kuvalayāpīḍa, Kaṁsa knew beyond doubt that Kṛṣṇa was formidable. He thus became very much afraid of Him. Kṛṣṇa and Balarāma had long arms. They were beautifully dressed, and They were attractive to all the people assembled there. They were dressed as if They were going to act on a dramatic stage, and They drew the attention of all people.
On account of good government in the presence of Kṛṣṇa and Balarāma, the inhabitants of Mathurā felt complete satisfaction in the fulfillment of all their material desires and necessities, and because they saw Kṛṣṇa and Balarāma daily, face to face, they soon forgot all material miseries completely. As soon as they saw Kṛṣṇa and Balarāma coming out on the street, very nicely dressed and smiling and looking at the citizens with grace, the citizens were immediately filled with loving ecstasies simply by seeing the personal presence of Mukunda. The name Mukunda refers to one who can award liberation and transcendental bliss. Kṛṣṇa's presence acted as such a vitalizing tonic that not only the younger generation but even the old men of Mathurā became fully invigorated with youthful energy and strength by regularly seeing Him.
Kṛṣṇa and Balarāma learned the art of dressing hair in various styles and fixing a helmet in different positions on the head. They also learned how to set up a theatrical stage, how to decorate dramatic actors with costumes and with flower ornaments over the ear, and how to sprinkle sandalwood pulp and water to produce a nice fragrance. They also learned the art of performing magical feats. Within the magical field there is an art called bahu-rūpī, by which a person dresses himself in such a way that when he approaches a friend he cannot be recognized. Kṛṣṇa and Balarāma also learned how to make various syrups and beverages required at various times, having various tastes and intoxicating effects. They also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets.
He was dressed in yellow garments and wore a garland of lotus flowers. His face was very beautiful. Having achieved the liberation of sārūpya and thus having the same bodily features as the Lord, Uddhava looked almost like Kṛṣṇa. In Kṛṣṇa's absence, the gopīs had been coming dutifully to visit Mother Yaśodā’s house early in the morning. They knew that Nanda Mahārāja and Mother Yaśodā were always grief-stricken, and they had made it their first duty to come and pay their respects to the most exalted elder personalities of Vṛndāvana. Seeing the friends of Kṛṣṇa, Nanda and Yaśodā would remember Kṛṣṇa Himself and be satisfied, and the gopīs also would be pleased by seeing Nanda and Yaśodā.
When the gopīs saw that Uddhava was representing Kṛṣṇa even in his bodily features, they thought he must be a soul completely surrendered unto the Supreme Personality of Godhead. They began to contemplate, "Who is this boy who looks just like Kṛṣṇa? He has the same eyes like lotus petals, the same raised nose and beautiful face, and he is smiling in the same way. In all respects he resembles Kṛṣṇa, Śyāmasundara, the beautiful blackish boy. He is even dressed exactly like Kṛṣṇa. Where has this boy come from? Who is the fortunate girl who has him for her husband?" Thus they talked among themselves. They were very anxious to know about him, and because they were simple, unsophisticated village girls, they surrounded Uddhava.
As one usually does in such situations, Kṛṣṇa entered the bedroom of Kubjā without wasting time. In the meantime, Kubjā took her bath and smeared her body with sandalwood pulp. She dressed herself with nice garments, valuable jewelry, ornaments and flower garlands. After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune. When Kṛṣṇa saw Kubjā hesitating to come before Him, He immediately caught hold of her hand, which was decorated with bangles. With great affection, He dragged her near Him and made her sit by His side. Simply by having previously supplied pulp of sandalwood to the Supreme Lord, Kṛṣṇa, Kubjā became free from all sinful reactions and eligible to enjoy with Him. She then took Kṛṣṇa's lotus feet and placed them on her breasts, which were burning with the blazing fire of lust.
After equipping Themselves with military dress, Kṛṣṇa and Balarāma mounted Their chariots. Kṛṣṇa rode the chariot of which Dāruka was the driver. With a small army They came out of the city of Mathurā, blowing Their respective conchshells. Curiously enough, although the other party was equipped with greater military strength, when they heard the vibration of Kṛṣṇa's conchshell their hearts were shaken. When Jarāsandha saw Balarāma and Kṛṣṇa, he was a little bit compassionate because They happened to be related to him as grandsons. He specifically addressed Kṛṣṇa as puruṣādhama, meaning "the lowest among men." Actually Kṛṣṇa is known in all Vedic scriptures as Puruṣottama, the highest among men. Jarāsandha had no intention of addressing Kṛṣṇa as Puruṣottama, but great scholars have determined the true meaning of the word puruṣādhama to be "one who makes all other personalities go downward." Actually no one can be equal to or greater than the Supreme Personality of Godhead.
When Kṛṣṇa came out of the city, Kālayavana, who had never seen Kṛṣṇa before, saw Him to be extraordinarily beautiful, dressed in yellow garments. Passing through Kālayavana's assembly of soldiers, Kṛṣṇa appeared like the moon in the sky passing through the assembled clouds. Kālayavana was fortunate enough to see the lines of Śrīvatsa, a particular impression on the chest of Śrī Kṛṣṇa, and the Kaustubha jewel He was wearing. Kālayavana saw Him, however, in His Viṣṇu form, with a well-built body, four hands, and eyes like the petals of a newly blooming lotus. Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings. Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features.
When Lord Kṛṣṇa appeared before Mucukunda, the King saw Him dressed in a yellow garment, His chest marked with the symbol of Śrīvatsa, and the Kaustubha jewel hanging around His neck. Kṛṣṇa appeared before him with four hands, as viṣṇu-mūrti, with a garland called Vaijayantī hanging from His neck down to His knees. He looked lustrous, His face was beautifully smiling, and He wore nice jeweled earrings on His ears. Kṛṣṇa appeared more beautiful than a human can conceive. Not only did He appear in this feature, but He glanced over Mucukunda with great affection, attracting the King's mind. Although He was the Supreme Personality of Godhead, the oldest of all, He looked like a fresh young boy, and His movements were just like those of a free deer. Still, He appeared extremely powerful; His influence and vast power are so great that every human being should be afraid of Him.
The whole city was decorated very nicely. The beauty of the city was enhanced by the inhabitants, both men and women, who were dressed in fresh, washed clothes and decorated with sandalwood pulp, pearl necklaces and flower garlands. Incense burned everywhere, and fragrances like aguru scented the air. Priests and brāhmaṇas were sumptuously fed and, according to ritualistic ceremony, were given sufficient wealth and cows in charity. In this way, they were engaged in chanting Vedic hymns. The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda. Then they chanted mantras from the Atharva Veda and offered oblations in the fire to pacify the influence of different stars.
He was hospitable not only to Kṛṣṇa, Balarāma and kings such as Jarāsandha but also to many other kings and princes according to their personal strength, age and material possessions. Out of curiosity and eagerness, the people of Kuṇḍina assembled before Kṛṣṇa and Balarāma to drink the nectar of Their beauty. With tearful eyes, they offered Kṛṣṇa and Balarāma their silent respects. They were very much pleased, considering Lord Kṛṣṇa the suitable match for Rukmiṇī. They were so eager to unite Kṛṣṇa and Rukmiṇī that they prayed to the Personality of Godhead: "Our dear Lord, if we have performed any pious activities with which You are satisfied, kindly be merciful upon us and accept the hand of Rukmiṇī." It appears that Rukmiṇī was a very popular princess, and all the citizens, out of intense love for her, prayed for her best fortune. In the meantime, Rukmiṇī, being very nicely dressed and protected by bodyguards, came out of the palace to visit the temple of Ambikā, Goddess Durgā.
As Rukmiṇī proceeded toward the temple, she was silent and grave. Her mother and her girlfriends were by her side, and the wife of a brāhmaṇa was in the center; surrounding her were royal bodyguards. (This custom of a would-be bride's going to the temple of a demigod is still practiced in India.) As the procession continued, various musical sounds were heard. Conchshells, drums such as paṇavas, and bugles of different sizes, such as tūryas and bherīs, combined to make a sound which was not only auspicious but very sweet to hear. Thousands of wives of respectable brāhmaṇas were present, all dressed very nicely with suitable ornaments. They presented Rukmiṇī with flower garlands, sandalwood pulp and a variety of colorful garments to assist her in worshiping Lord Śiva and Goddess Durgā. Some of these ladies were very old and knew perfectly well how to chant prayers to Goddess Durgā and Lord Śiva; so, followed by Rukmiṇī and others, they led these prayers before the deity.
After defeating all the opposing elements and forcibly carrying away Rukmiṇī, Kṛṣṇa brought her to His capital city, Dvārakā, and then married her according to the Vedic ritualistic principles. After this marriage, Kṛṣṇa became the King of the Yadus at Dvārakā. On the occasion of His marriage with Rukmiṇī, all the inhabitants were happy, and in every house there were great ceremonies. The inhabitants of Dvārakā City were so much pleased that they dressed themselves with the nicest possible ornaments and garments and went to present gifts, according to their means, to the newly married couple, Kṛṣṇa and Rukmiṇī. All the houses of Yadupurī (Dvārakā) were decorated with flags, festoons and flowers. Each and every house had an extra gate specifically prepared for this occasion, and on both sides of the gate were big water jugs filled with water. The whole city was made fragrant by the burning of fine incense, and at night there was illumination from thousands of lamps, which decorated every building.
Pradyumna's wife, Māyāvatī, could travel in outer space, and therefore they directly reached his father's capital, Dvārakā, by the airways. They passed above the palace of Lord Kṛṣṇa and came down as a cloud comes down with lightning. The inner section of a palace is known as the antaḥ-pura (private apartments). Pradyumna and Māyāvatī could see many women there, and they set down among them. When the women saw Pradyumna, dressed in yellowish garments, with very long arms, curling hair, beautiful reddish eyes, a smiling face, jewelry and ornaments, they at first could not recognize him as a personality different from Kṛṣṇa. They all felt very bashful at the sudden presence of Kṛṣṇa and wanted to hide in a different corner of the palace.
One day, while Kṛṣṇa was staying with the Pāṇḍavas, He and Arjuna prepared themselves to go to the forest to hunt. Both of them sat down on Arjuna's chariot, which flew a flag with a picture of Hanumān. Arjuna's special chariot is always marked with the picture of Hanumān, and therefore he is also named Kapidhvaja. (Kapi means Hanumān, and dhvaja means "flag.") Thus Arjuna prepared to go to the forest with his bow and infallible arrows. He dressed himself with suitable protective garments, for he was to practice for the time when he would be killing many enemies on the battlefield. He specifically entered that part of the forest where there were many tigers, deer and various other animals. The reason Kṛṣṇa went with Arjuna was not to practice animal-killing, for He doesn’t have to practice anything; He is self-sufficient.
Since the King and queens were very much pleased on this auspicious occasion, there was a celebration all over the city in honor of the marriage. Everywhere were heard the sounds of the conchshell and kettledrum and various other vibrations of music and song. The learned brāhmaṇas showered their blessings upon the newly married couple. In jubilation, all the inhabitants of the city dressed themselves with colorful garments and ornaments. King Nagnajit was so much pleased that he gave a dowry to his daughter and son-in-law, as follows.
First of all he gave them 10,000 cows and 3,000 well-dressed young maidservants, ornamented up to their necks. This system of dowry is still current in India, especially for kṣatriya princes. When a kṣatriya prince is married, at least a dozen maidservants of similar age are given along with the bride. After giving the cows and maidservants, the King enriched the dowry by giving 9,000 elephants and a hundred times more chariots than elephants. This means that he gave 900,000 chariots.
When they came before Lord Kṛṣṇa, they began to shower Him with many kinds of weapons, like swords, clubs, lances, arrows and tridents. But they did not know that the strength of the Supreme Personality of Godhead is unlimited and invincible. Kṛṣṇa, with His arrows, cut all the weapons of the men of Bhaumāsura into pieces, like grains. Kṛṣṇa then threw His weapons, and Bhaumāsura's commander in chief, Pīṭha, along with his assistants, fell down, their military dress cut off and their heads, legs, arms and thighs severed. All of them were sent to the superintendent of death, Yamarāja.
In their dealings as husband and wife, Kṛṣṇa and His queens would smile, talk, joke, embrace and so on, and their conjugal relationship ever-increasingly developed. In this way, Kṛṣṇa and the queens enjoyed transcendental happiness in their household life. Although each and every queen had thousands of maidservants engaged for her service, the queens were all personally attentive to serving Kṛṣṇa. Each one of them used to receive Kṛṣṇa personally when He entered the palace. They engaged in seating Him on a nice couch, worshiping Him with all kinds of paraphernalia, washing His lotus feet with Ganges water, offering Him betel nuts and massaging His legs. In this way, they gave Him relief from the fatigue He felt after being away from home. They fanned Him nicely, offered Him fragrant essential floral oil, decorated Him with flower garlands, dressed His hair, asked Him to lie down to take rest, bathed Him personally and fed Him palatable dishes. Each queen did all these things herself and did not wait for the maidservants. In other words, Kṛṣṇa and His different queens displayed on this earth an ideal household life.
All the princesses who were wives of Kṛṣṇa were exquisitely beautiful, and each one of them was attracted by Kṛṣṇa's eyes, which were just like lotus petals, and by His beautiful face, long arms, beautiful ears, pleasing smile, humorous talk and sweet words. Influenced by these features of Kṛṣṇa, they all used to dress themselves very attractively, desiring to attract Him by their feminine bodily appeal. They exhibited their feminine characteristics by smiling and moving their eyebrows, thus shooting sharp arrows of conjugal love just to awaken Kṛṣṇa's lusty desires for them. Still, they could not arouse Kṛṣṇa's mind or His sexual appetite. This means that Kṛṣṇa never had any sexual relations with any of His many wives, save and except to beget children.
Lord Kṛṣṇa and His queens remained together as husband and wife, and Kṛṣṇa, as an ideal husband, treated them in such a way that at every moment there was an increase of transcendental bliss in their smiling exchanges, talking and mixing together. Each and every wife had hundreds and thousands of maidservants, yet when Kṛṣṇa entered the palaces of His thousands of wives, each one of them used to receive Kṛṣṇa personally by seating Him in a nice chair, worshiping Him with all requisite paraphernalia, personally washing His lotus feet, offering Him betel nuts, massaging His legs to relieve them of fatigue, fanning Him to make Him comfortable, offering all kinds of scented sandalwood pulp, oils and aromatics, putting flower garlands on His neck, dressing His hair, getting Him to lie down on the bed and assisting Him in taking His bath. Thus they served Kṛṣṇa always, in every respect, especially when He was eating. They always engaged in the service of the Lord.
On hearing Citralekhā’s inquiries, Ūṣā replied, "My dear friend, in my dream I saw a nice young man who is very, very beautiful. His complexion is swarthy, his eyes are just like lotus petals, and he is dressed in yellow garments. His arms are very long, and his general bodily features are so pleasing that any young girl would be attracted. I feel much pride in saying that this beautiful young man was kissing me, and I was very much enjoying the nectar of his kissing. But I am sorry to inform you that just after this he disappeared, and I have been thrown into the whirlpool of disappointment. My dear friend, I am very anxious to find this wonderful young man, the desired lord of my heart."
He appreciated the fact that Ūṣā could not have selected anyone in the three worlds more beautiful. Aniruddha's complexion was brilliant and swarthy. He was dressed in yellow garments and had eyes just like lotus petals. His arms were very long, and he had nice, curling, bluish hair. The glaring rays of his glittering earrings and the beautiful smile on his lips were certainly captivating. Still, Bāṇāsura was very angry.
When Bāṇāsura saw him, Aniruddha was engaged in playing with Ūṣā. Aniruddha was nicely dressed, and Ūṣā had garlanded him with various beautiful flowers. The reddish kuṅkuma powder put on the breasts of women was spotted here and there on the garland, indicating that Ūṣā had embraced him. Bāṇāsura was struck with wonder that, even in his presence, Aniruddha was peacefully sitting in front of Ūṣā. Aniruddha knew, however, that his would-be father-in-law was not at all pleased and that he was gathering many soldiers in the palace to attack him.
Upon displaying this submissive attitude, the Yamunā was forgiven, and when she came nearby, Lord Balarāma enjoyed the pleasure of swimming in her waters along with the gopīs in the same way that an elephant enjoys himself along with his many she-elephants. After a long time, when Lord Balarāma had enjoyed to His full satisfaction, He came out of the water, and immediately a goddess of fortune offered Him a nice blue garment and a valuable necklace made of gold. After bathing in the Yamunā, Lord Balarāma, dressed in blue garments and decorated with golden ornaments, looked very attractive to everyone. Lord Balarāma's complexion is white, and when He was properly dressed He looked exactly like the white elephant of King Indra in the heavenly planets. The river Yamunā still has many small branches due to being scratched by the plowshare of Lord Balarāma. And all these branches of the river Yamunā still glorify the omnipotence of Lord Balarāma.
His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.
When Lord Kṛṣṇa returned to the city of Dvārakā, all the Siddhas from the heavenly planets were singing His glories. As far as Pauṇḍraka was concerned, somehow or other he always thought of Lord Vāsudeva by falsely dressing himself in imitation of the Lord. Therefore Pauṇḍraka achieved sārūpya, one of the five kinds of liberation, and was thus promoted to the Vaikuṇṭha planets, where the devotees have the same bodily features as Viṣṇu, with four hands holding the four symbols. Factually, his meditation was concentrated on the Viṣṇu form, but because he thought himself Lord Viṣṇu, it was offensive. By his being killed by Kṛṣṇa, however, that offense was mitigated. Thus he was given sārūpya liberation, and he attained the same form as the Lord.
While creating such great disturbances all over the country, sometimes he heard very sweet musical sounds from Raivataka Mountain, and so he entered that mountainous region. There he saw Lord Balarāma in the midst of many beautiful young girls, enjoying their company while singing and dancing. Dvivida became captivated by the beauty of Lord Balarāma's body, whose every feature was very beautiful, decorated as He was with a garland of lotus flowers. Similarly, all the young girls present, dressed and garlanded with flowers, exhibited much beauty. Lord Balarāma seemed fully intoxicated from drinking the vāruṇī beverage, and His eyes appeared to be rolling in a drunken state. Lord Balarāma appeared just like the king of the elephants in the midst of many she-elephants.
The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.
These are some of the duties enjoined in the Vedas for householders for fulfillment of their material desires. Somewhere Kṛṣṇa was found as a kṣatriya king engaged in hunting animals in the forest and riding on a very beautiful Sindhī horse. According to Vedic regulations, the kṣatriyas were allowed to kill prescribed animals on certain occasions, either to maintain peace in the forests or to offer the animals in the sacrificial fire. Kṣatriyas are allowed to practice this killing art because they have to kill their enemies mercilessly to maintain peace in society. In one situation the great sage Nārada saw Lord Kṛṣṇa, the Supreme Personality of Godhead and master of mystic powers, acting as a spy by changing His usual dress in order to understand the motives of different citizens in the city and the palaces.
Thus He used to give cows in charity to the brāhmaṇas, with opulent decorations and paraphernalia. Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire. Although the Lord is by nature very beautiful due to the perfect figure of His transcendental body, He would dress Himself in yellow garments and put on His necklace of Kaustubha jewels. He would wear flower garlands, smear His body with the pulp of sandalwood and decorate Himself with similar cosmetics and ornaments. It is said that the ornaments themselves became beautiful upon being placed on the transcendental body of the Lord. After decorating Himself in this way, the Lord would then look at marble statues of the cow and calf and visit temples of God or demigods like Lord Śiva. There were many brāhmaṇas who would come daily to see the Supreme Lord before taking their breakfast; they were anxious to see Him, and He welcomed them.
The best thing would be for Bhīmasena to fight alone with him. Then there would be no unnecessary killing of many soldiers. In fact, Jarāsandha will be very difficult to conquer when he stands with his akṣauhiṇī divisions of soldiers. We may therefore adopt a policy more favorable to the situation. We know that King Jarāsandha is very much devoted to the brāhmaṇas and very charitably disposed toward them; he never refuses any request from a brāhmaṇa. I think, therefore, that Bhīmasena should approach Jarāsandha in the dress of a brāhmaṇa, beg charity from him and then personally engage in fighting him. And in order to assure Bhīmasena's victory, I think that Your Lordship should accompany him. If the fighting takes place in Your presence, I am sure Bhīmasena will emerge victorious, for Your presence makes everything impossible possible. Indeed, Lord Brahmā creates this universe and Lord Śiva destroys it simply through Your influence.
They were dressed in costly garments decorated with ornaments, and their bodies were smeared with sandalwood pulp and garlanded with fragrant flowers. Riding on palanquins nicely decorated with silks, flags and golden lace, they followed their exalted husband, Lord Kṛṣṇa. The infantry soldiers carried shields, swords and lances in their hands and acted as royal bodyguards to the queens. In the rear of the procession were the wives and children of all the other followers, and there were many society girls also following. Many beasts of burden like bulls, buffalo, mules and asses carried the camps, bedding and carpets, and the women who followed were seated in separate palanquins on the backs of camels. This panoramic procession was accompanied by the shouts of the people and was full with the display of different colored flags, umbrellas and whisks and different varieties of weapons, dress, ornaments, helmets and armaments. Shining in the sunlight, the procession appeared just like an ocean with high waves and sharks.
The roads, streets and lanes of Hastināpura were all sprinkled with fragrant water through the trunks of intoxicated elephants. In different places of the city there were colorful festoons and flags decorating the houses and streets. At important crossroads there were gates with golden decorations, and at the two sides of the gates there were golden water jugs. These beautiful decorations glorified the opulence of the city. Participating in this great ceremony, all the citizens gathered here and there, dressed in colorful new clothing and decorated with ornaments, flower garlands and fragrant scents. The houses were all illuminated by hundreds and thousands of lamps placed in different corners of the cornices, walls, columns, bases and architraves, and from far away the rays of the lamps appeared to be celebrating the festival of Dīpāvalī (a particular festival observed on the New Year's Day of the Hindu calendar). Within the walls of the houses, fragrant incense was burning, and smoke rose through the windows, making the entire atmosphere very pleasing. On the top of every house, flags were flapping, and the golden waterpots kept on the roofs shone brilliantly.
Seeing King Yudhiṣṭhira's anxiety, Lord Kṛṣṇa informed him of the plan explained by Uddhava for conquering King Jarāsandha. Bhīmasena, Arjuna and Lord Kṛṣṇa then started together for Girivraja, the capital city of Jarāsandha, dressing themselves in the garb of brāhmaṇas. This was the plan devised by Uddhava before Lord Kṛṣṇa started for Hastināpura, and now it was given practical application.
King Jarāsandha was a very dutiful householder, and he had great respect for the brāhmaṇas. He was a great fighter, a kṣatriya king, but he was never neglectful of the Vedic injunctions. According to the Vedic injunctions, the brāhmaṇas are considered to be the spiritual masters of all other castes. Lord Kṛṣṇa, Arjuna and Bhīmasena were actually kṣatriyas, but they dressed themselves as brāhmaṇas, and at the time when King Jarāsandha was to give charity to the brāhmaṇas and receive them as guests, they approached him.
Lord Kṛṣṇa, in the dress of a brāhmaṇa, said to the King, “We wish all glories to Your Majesty. We three guests at your royal palace have come from a great distance to ask you for charity, and we hope that you will kindly bestow upon us whatever we ask from you.
He also thought that he had seen them somewhere before. But although these three persons were kṣatriyas, they had come to his door begging alms like brāhmaṇas. Therefore he decided that he would fulfill their desires in spite of their being kṣatriyas, because they had already diminished their position by appearing before him as beggars. "Under the circumstances," he thought, "I am prepared to give them anything. Even if they ask for my body, I shall not hesitate to offer it to them." In this regard, he began to think of Bali Mahārāja. Lord Viṣṇu in the dress of a brāhmaṇa appeared as a beggar before Bali and snatched away all of his opulence and his kingdom. He did this for the benefit of Indra, who, having been defeated by Bali Mahārāja, was bereft of his kingdom. Although Bali Mahārāja was cheated, his reputation as a great devotee able to give anything and everything in charity is still glorified throughout the three worlds. Bali Mahārāja could guess that the brāhmaṇa was Lord Viṣṇu Himself and had come to him just to take away his opulent kingdom on behalf of Indra.
Lord Kṛṣṇa requested Sahadeva, the son of King Jarāsandha, to supply all necessities to the kings and show them all respect and honor. In pursuance of the order of Lord Kṛṣṇa, Sahadeva offered them all honor and presented them with ornaments, garments, garlands and other paraphernalia. After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses. After seeing that each was taken care of, Lord Kṛṣṇa, in a sweet voice, asked them to return to their respective kingdoms.
The demigods and the inhabitants of Pitṛloka and Gandharvaloka, as well as many sages, showered flowers from the sky. The men and women of Hastināpura, or Indraprastha, their bodies smeared with scents and floral oils, were nicely dressed in colorful garments and decorated with garlands, jewels and ornaments. Enjoying the ceremony, they threw on one another liquid substances like water, oil, milk, butter and yogurt. Some even smeared these on each other's bodies. In this way, they enjoyed the occasion. The professional prostitutes jubilantly smeared these liquid substances on the bodies of the men, and the men reciprocated in the same way. All the liquid substances had been mixed with turmeric and saffron, and their color was a lustrous yellow.
After taking his bath, King Yudhiṣṭhira dressed in a new silken cloth and wrapper and decorated himself with valuable jewelry. The King not only dressed himself and decorated himself but also gave clothing and ornaments to all the priests and the others who had participated in the yajñas. In this way, he worshiped them all. He constantly worshiped his friends, his family members, his relatives, his well-wishers and everyone present, and because he was a Vaiṣṇava, a great devotee of Lord Nārāyaṇa, he knew how to treat everyone well. The Māyāvādī philosophers' endeavor to see everyone as God is an artificial attempt at oneness, but a Vaiṣṇava, or a devotee of Lord Nārāyaṇa, sees every living entity as part and parcel of the Supreme Lord. Therefore, a Vaiṣṇava's treatment of other living entities is on the absolute platform. As one cannot treat one part of his body differently from another part, because they all belong to the same body, a Vaiṣṇava does not see a human being as distinct from an animal because in both he sees the soul and the Supersoul seated together.
When everyone was refreshed after bathing and was dressed in silken clothing with jeweled earrings, flower garlands, turbans, long wrappers and pearl necklaces, they looked, all together, like the demigods from heaven. This was especially true of the women, who were very nicely dressed. Each wore a golden belt around the waist. They were all smiling, with spots of tilaka and curling hair scattered here and there. This combination was very attractive.
The learning of such a person is as good as a valuable jewel decorating the hood of a serpent. Despite the valuable jewel on the hood, a serpent is still a serpent and is as fearful as an ordinary serpent. If a person does not become meek and humble, all his studies of the Vedas and Purāṇas and his vast knowledge of the śāstras are simply outward dress, like the costume of a theatrical artist dancing on the stage. Lord Balarāma considered, "I have appeared in order to chastise false persons who are internally impure but externally pose themselves as very learned and religious. My killing of such persons is proper, to check them from further sinful activity."
Lord Balarāma then took the avabhṛtha bath, which is taken after finishing sacrificial performances. After taking His bath, He dressed Himself in new silken garments and decorated Himself with beautiful jewelry. Amidst His relatives and friends, He appeared to be a shining full moon amidst the luminaries in the sky. Lord Balarāma is the Personality of Godhead Ananta Himself; therefore He is beyond the scope of understanding by mind, intelligence or body. He descended exactly like a human being and behaved in that way for His own purposes; we can only explain His activities as the Lord's pastimes. No one can even estimate the extent of the unlimited demonstrations of His pastimes because He is all-powerful. Lord Balarāma is the original Viṣṇu; therefore anyone remembering these pastimes of Lord Balarāma in the morning and evening will certainly become a great devotee of the Supreme Personality of Godhead, and thus his life will be successful in all respects.
The brāhmaṇa, being very poor, was not dressed nicely; his clothing was torn and dirty, and his body was very lean and thin. He appeared not very clean, and because of his weak body, his bones were distinctly visible. The goddess of fortune Rukmiṇīdevī personally began to fan him with the cāmara fan, but the other women in the palace were astonished at Lord Kṛṣṇa's behavior in receiving the brāhmaṇa in that way. They were surprised to see how eager Lord Kṛṣṇa was to welcome this particular brāhmaṇa. They wondered how Lord Kṛṣṇa could personally receive a brāhmaṇa who was poor, not very neat or clean, and poorly dressed; but at the same time they could realize that the brāhmaṇa was not an ordinary living being. They knew that he must have performed great pious activities; otherwise why was Lord Kṛṣṇa, the husband of the goddess of fortune, taking care of him so much? They were still more surprised to see that the brāhmaṇa was seated on the bedstead of Lord Kṛṣṇa. They were especially surprised to see that Lord Kṛṣṇa had embraced him exactly as He embraced His elder brother, Balarāmajī, because Lord Kṛṣṇa used to embrace only Rukmiṇī or Balarāma, and no one else.
All the members of the Yadu dynasty were naturally very beautiful, yet on this occasion, when they appeared duly decorated with gold necklaces and flower garlands, dressed in valuable clothing and properly armed with their respective weapons, their natural beauty and personalities were a hundred times enhanced. The members of the Yadu dynasty came to Kurukṣetra in their gorgeously decorated chariots, which resembled the airplanes of the demigods and which were pulled by big horses that moved like the waves of the ocean. Some Yadus rode on sturdy, stalwart elephants that moved like the clouds in the sky. Their wives were carried on beautiful palanquins by beautiful men whose features resembled those of the Vidyādharas. The entire assembly looked as beautiful as an assembly of the demigods of heaven.
After arriving in Kurukṣetra, the members of the Yadu dynasty took their baths ceremoniously, with self-control, as enjoined in the śāstras, and they observed fasting for the whole period of the eclipse in order to nullify the reactions of their sinful activities. Since it is a Vedic custom to give in charity as much as possible during the hours of the eclipse, the members of the Yadu dynasty distributed many hundreds of cows in charity to the brāhmaṇas. All those cows were fully decorated with nice dress and ornaments. The special feature of these cows was that they had golden ankle bells and flower garlands on their necks.
“At that time, I entered the arena of competition, and the ankle bells on my legs sounded very melodious as I walked. I was nicely dressed with new silken garments, flowers decorated my hair, and because of Lord Kṛṣṇa's victory I was in ecstatic joy and smiling very pleasingly. I carried in my hands a golden necklace bedecked with jewels, which glittered at intervals. My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.
When Vasudeva was thus persuaded to start to perform the yajñas, all the members of the Yadu dynasty took their baths, dressed themselves very nicely, decorated themselves beautifully and garlanded themselves with lotus flowers. Vasudeva's wives, dressed with nice garments and ornaments and golden necklaces, approached the arena of sacrifice carrying in their hands the required articles to offer in the sacrifice.
When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.
After offering the used articles to the singers and reciters, Vasudeva and his wives, dressed with new ornaments and garments, fed everyone very sumptuously, from the brāhmaṇas down to the dogs. After this, all the friends, family members, wives and children of Vasudeva assembled together, along with all the kings and members of the Vidarbha, Kośala, Kuru, Kāśī, Kekaya and Sṛñjaya dynasties. The priests, the demigods, the people in general, the forefathers, the ghosts and the Cāraṇas were all sufficiently remunerated by being offered ample gifts and respectful honor. Then all the persons assembled there took permission from Lord Kṛṣṇa, the husband of the goddess of fortune, and while glorifying the perfection of the sacrifice made by Vasudeva, they departed to their respective homes.
Thus Śukadeva Gosvāmī began to narrate the story as follows: Once upon a time, King Parīkṣit's grandfather Arjuna, the great hero, was visiting several holy places of pilgrimage, and while thus traveling all over he happened to come to Prabhāsa-kṣetra. In Prabhāsa-kṣetra he heard the news that Lord Balarāma was negotiating the marriage of Subhadrā, the daughter of Arjuna's maternal uncle, Vasudeva. Although her father, Vasudeva, and her brother Kṛṣṇa were not in agreement with Him, Balarāma was in favor of marrying Subhadrā to Duryodhana. Arjuna, however, desired to gain Subhadrā’s hand himself. As he thought of Subhadrā and her beauty, Arjuna became more and more captivated with the idea of marrying her, and with a plan in mind he dressed himself like a Vaiṣṇava sannyāsī, carrying a tridaṇḍa in his hand.
Arjuna, in the dress of a tridaṇḍi-sannyāsī, remained in the city of Dvārakā for the four months of the rainy season, devising a plan whereby he could get Subhadrā as his wife. None of the inhabitants of Dvārakā, including Lord Balarāma, could recognize the sannyāsī to be Arjuna; therefore all of them offered their respects and obeisances to the sannyāsī without knowing the actual situation.
Lord Śiva finally entered Śvetadvīpa Vaikuṇṭha. In Śvetadvīpa there are great saintly persons who are completely freed from the envious nature of the material world and are beyond the jurisdiction of the four principles of material activity, namely religiosity, economic development, sense gratification and liberation. Anyone who enters into that Vaikuṇṭha planet never returns to this material world. Lord Nārāyaṇa is celebrated as a lover of His devotees, and as soon as He understood that Lord Śiva was in great danger, He appeared as a brahmacārī and personally approached Lord Śiva to receive him from a distant place. The Lord appeared as a perfect brahmacārī, with a belt around His waist, a sacred thread, a deerskin, a brahmacārī stick and raudra beads. (Raudra beads are different from tulasī beads. Raudra beads are used by the devotees of Lord Śiva). Dressed as a brahmacārī, Lord Nārāyaṇa stood before Lord Śiva. The shining effulgence emanating from His body attracted not only Lord Śiva but also the demon Vṛkāsura.
The Mahā-Viṣṇu form of the Lord is also called Puruṣottama (Puruṣa-uttama) because He is beyond the material world. Tama means "darkness," and ut means "above, transcendental"; therefore, uttama means "above the darkest region of the material world." Arjuna saw that the bodily color of Puruṣottama, Mahā-Viṣṇu, was as dark as a new cloud in the rainy season. He was dressed in very nice yellow clothing, His face was beautifully smiling, and His eyes, which were like lotus petals, were very attractive. Lord Mahā-Viṣṇu's helmet was bedecked with valuable jewels, and His beautiful earrings enhanced the beauty of the curling hair on His head. Lord Mahā-Viṣṇu had eight arms, all very long, reaching to His knees. His neck was decorated with the Kaustubha jewel, and His chest was marked with the symbol of Śrīvatsa, which means "the resting place of the goddess of fortune." The Lord wore a garland of lotus flowers down to His knees. This long garland is known as a Vaijayantī garland.
Although Kṛṣṇa had grandchildren and great-grandchildren, neither Kṛṣṇa nor His queens looked older than sixteen or twenty years of age. The young queens were so beautiful that when they moved they appeared like lightning moving in the sky. They were always dressed with excellent ornaments and garments and were always engaged in sportive activities like dancing, singing or playing ball on the roofs of the palaces. The dancing and tennis playing of girls in the material world are perverted reflections of the original pastimes of the original Personality of Godhead, Kṛṣṇa, and His wives.
Message of Godhead
We are more or less absorbed in the external material designations, the external dresses that now cover the eternally living soul. And because we have absorbed ourselves in these external designations of the spirit soul, we encounter so much disunity and turmoil. When we are free from such designations—when our real nature will be uncovered—then and only then will we attain our dream of real happiness and peace. Our present attempts to remove the difficulties of the material world—through the pretensions of erudite scientists, great statesmen, and mahātmās—do not reach the spiritual, transcendental plane, but simply garb the body and mind with various colorful dresses. And thus these attempts will be always frustrated. That is the intrinsic instruction of Bhagavad-gītā.
Even after abdicating all work and accepting the life of a sannyāsī, or renunciant, one still has to work, if only for his hungry stomach. And thus Śaṅkarācārya, the great monist philosopher and religious reformer, said that simply for the matter of the stomach, one may not adopt the dress of a renunciant. Therefore, there is no way out—no way to avoid doing work, if only for the belly's sake.
As a result, the Personality of Godhead, Śrī Kṛṣṇa, advises Marshal Arjuna in the following words: "O Arjuna, you must always do your duty. To do something is far better than to do nothing. You cannot even secure your everyday sustenance without doing any work."
"Work" means the work that is ordered in the scriptures and sacred law books. It means standard, prescribed duties. Such work is far better than laziness under the pretension of being a renunciant or mystic. To earn a living, one can honorably adopt the profession of a street sweeper, but one must not change his dress to the saffron robes of a renunciate simply to fill up his empty stomach.
Light of the Bhagavata
We have practical experience of this with our students in the International Society for Krishna Consciousness. Before becoming students, they were dirty looking, although they had naturally beautiful personal features; but due to having no information of Kṛṣṇa consciousness they appeared very dirty and wretched. Since they have taken to Kṛṣṇa consciousness, their health has improved, and by following the rules and regulations, their bodily luster has increased. When they are dressed with saffron-colored cloth, with tilaka on their foreheads and beads in their hands and on their necks, they look exactly as if they come directly from Vaikuṇṭha.
Sri Isopanisad
The temporary material body is certainly a foreign dress. The Bhagavad-gītā (2.20) clearly says that after the destruction of the material body the living entity is not annihilated, nor does he lose his identity. The identity of the living entity is never impersonal or formless; on the contrary, it is the material dress that is formless and that takes a shape according to the form of the indestructible person. No living entity is originally formless, as is wrongly thought by those with a poor fund of knowledge. This mantra verifies the fact that the living entity exists after the annihilation of the material body.
| Page Title: | Dress (Other Books) |
| Compiler: | Mayapur |
| Created: | 01 of Oct, 2011 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=140, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 140 |