Prabhupāda: So there are mention of various types of musical instruments. Those instruments are no longer in use. But different types of bugles, drums, kettledrums, as they use in modern days. So the same principle. By musical instruments, the soldiers are kept alive so they can fight nicely. Sa śabdas tumulo 'bhavat: "When simultaneously all the instruments were sounded, it become tumultuous." Next verse. Tataḥ śvetair hayair yukte mahati syandane sthitau. Read it.
Pradyumna (leads chanting, etc.):
- tataḥ śvetair hayair yukte
- mahati syandane sthitau
- mādhavaḥ pāṇḍavaś caiva
- divyau śaṅkhau pradadhmatuḥ
- (BG 1.14)
Translation: "On the other side, both Lord Kṛṣṇa and Arjuna, stationed on a great chariot drawn by white horses, sounded their transcendental conchshells."
Prabhupāda: So you have seen the picture. Kṛṣṇa is driving four white horses. (reads from purport:) "In contrast with the conchshell blown by Bhīṣmadeva, the conchshells in the hands of Kṛṣṇa and Arjuna are described as transcendental." Kṛṣṇa is transcendental. Nārāyaṇaḥ paro 'vyaktāt. Kṛṣṇa is not of this material world. Kṛṣṇa's body, Kṛṣṇa's activities, everything of Kṛṣṇa, they are transcendental. They are not of this material world. Divyam. In the catuḥ-śloki Bhāgavatam it is said when Kṛṣṇa was instructing Brahmā, aham evāsam evāgre: (SB 2.9.33/34/35/36) "Before this material creation, I was existing." In the Vedas also, it is said, eko nārāyaṇa āsīt. "Before creation, only Nārāyaṇa was there."