Curved

Expressions researched:
"curve" |"curved" |"curves" |"curving"

SB Canto 1

SB 1.15.20, Purport:

In these Purāṇas it is said that once the fair denizens of heaven pleased Aṣṭāvakra Muni by their service and were blessed by the muni to have the Supreme Lord as their husband. Aṣṭāvakra Muni was curved in eight joints of his body, and thus he used to move in a peculiar curved manner. The daughters of the demigods could not check their laughter upon seeing the movements of the muni, and the muni, being angry at them, cursed them that they would be kidnapped by rogues, even if they would get the Lord as their husband. Later on, the girls again satisfied the muni by their prayers, and the muni blessed them that they would regain their husband even after being robbed by the rogues. So, in order to keep the words of the great muni, the Lord Himself kidnapped His wives from the protection of Arjuna, otherwise they would have at once vanished from the scene as soon as they were touched by the rogues.

SB Canto 3

SB 3.13.33, Translation:

Then the Lord, playing like an elephant, suspended the earth on the edge of His curved white tusks. He assumed a bluish complexion like that of a tamāla tree, and thus the sages, headed by Brahmā, could understand Him to be the Supreme Personality of Godhead and offered respectful obeisances unto the Lord.

SB Canto 4

SB 4.21.35, Purport:

The example given herein is very appropriate. Fire is always the same, but according to the size of the fuel or burning wood, the fire appears to be straight, curved, small, big, etc.

According to the development of consciousness, God realization is present. In the human form of life it is recommended, therefore, that one undergo the different types of penances and austerities described in Bhagavad-gītā (karma-yoga, jñāna-yoga, dhyāna-yoga and bhakti-yoga). Like a staircase, yoga has different steps for reaching the topmost floor, and according to one's position upon the staircase, he is understood to be situated in karma-yoga, jñāna-yoga, dhyāna-yoga or bhakti-yoga. Of course, bhakti-yoga is the topmost step on the staircase of realization of the Supreme Personality of Godhead. In other words, according to one's development in consciousness, one realizes his spiritual identity, and thus when one's existential position is purified fully, he becomes situated in brahmānanda, which is ultimately unlimited.

SB Canto 5

SB 5.9.18, Translation:

Intolerant of the offenses committed, the infuriated goddess Kālī flashed her eyes and displayed her fierce, curved teeth. Her reddish eyes glowed, and she displayed her fearsome features. She assumed a frightening body, as if she were prepared to destroy the entire creation. Leaping violently from the altar, she immediately decapitated all the rogues and thieves with the very sword with which they had intended to kill Jaḍa Bharata. She then began to drink the hot blood that flowed from the necks of the beheaded rogues and thieves, as if this blood were liquor. Indeed, she drank this intoxicant with her associates, who were witches and female demons. Becoming intoxicated with this blood, they all began to sing very loudly and dance as though prepared to annihilate the entire universe. At the same time, they began to play with the heads of the rogues and thieves, tossing them about as if they were balls.

SB 5.22.15, Translation:

Situated 1,600,000 miles above Mars, or 10,400,000 miles above earth, is the planet Jupiter, which travels through one sign of the zodiac within the period of a Parivatsara. If its movement is not curved, the planet Jupiter is very favorable to the brāhmaṇas of the universe.

SB 5.24 Summary:

This chapter describes the planet Rāhu, which is 10,000 yojanas (80,000 miles) below the sun, and it also describes Atala and the other lower planetary systems. Rāhu is situated below the sun and moon. It is between these two planets and the earth. When Rāhu conceals the sun and moon, eclipses occur, either total or partial, depending on whether Rāhu moves in a straight or curving way.

Below Rāhu by another 1,000,000 yojanas are the planets of the Siddhas, Cāraṇas and Vidyādharas, and below these are planets such as Yakṣaloka and Rakṣaloka. Below these planets is the earth, and 70,000 yojanas below the earth are the lower planetary systems-Atala, Vitala, Sutala, Talātala, Mahātala, Rasātala and Pātāla. Demons and Rakṣasas live in these lower planetary systems with their wives and children, always engaged in sense gratification and not fearing their next births. The sunshine does not reach these planets, but they are illuminated by jewels fixed upon the hoods of snakes.

SB Canto 7

SB 7.5.23-24, Purport:

In other places, the following offenses are listed: (a) to be against the scriptural injunctions of the Vedic literature or to disrespect within one's heart the Śrīmad-Bhāgavatam while externally falsely accepting its principles, (b) to introduce differing śāstras, (c) to chew pan and betel before the Deity, (d) to keep flowers for worship on the leaf of a castor oil plant, (e) to worship the Deity in the afternoon, (f) to sit on the altar or to sit on the floor to worship the Deity (without a seat), (g) to touch the Deity with the left hand while bathing the Deity, (h) to worship the Deity with a stale or used flower, (i) to spit while worshiping the Deity, (j) to advertise one's glory while worshiping the Deity, (k) to apply tilaka to one's forehead in a curved way, (l) to enter the temple without having washed one's feet, (m) to offer the Deity food cooked by an uninitiated person, (n) to worship the Deity and offer bhoga to the Deity within the vision of an uninitiated person or non-Vaiṣṇava, (o) to offer worship to the Deity without worshiping Vaikuṇṭha deities like Gaṇeśa, (p) to worship the Deity while perspiring, (q) to refuse flowers offered to the Deity, (r) to take a vow or oath in the holy name of the Lord.

SB 7.5.46, Translation and Purport:

Although he is very near to me and is merely a child, he is situated in complete fearlessness. He resembles a dog's curved tail, which can never be straightened, because he never forgets my misbehavior and his connection with his master, Lord Viṣṇu.

The word śunaḥ means "of a dog," and śepa means "tail." The example is ordinary. However one may try to straighten a dog's tail, it is never straight but always curved. Śunaḥ śepa is also the name of the second son of Ajīgarta. He was sold to Hariścandra, but he later took shelter of Viśvāmitra, Hariścandra's enemy, and never left his side.

SB Canto 9

SB 9.4.43, Translation:

Still hungry, Durvāsā Muni, his body trembling, his face curved and his eyebrows crooked in a frown, angrily spoke as follows to King Ambarīṣa, who stood before him with folded hands.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.20.18, Translation:

When the curved bow of Indra (the rainbow) appeared in the sky, which had the quality of thundering sound, it was unlike ordinary bows because it did not rest upon a string. Similarly, when the Supreme Lord appears in this world, which is the interaction of the material qualities, He is unlike ordinary persons because He remains free from all material qualities and independent of all material conditions.

CC Adi-lila

CC Adi 17.14, Translation:

Thereafter the Lord showed Him His four-armed form, standing in a three-curved posture. With two hands He played upon a flute, and in the other two He carried a conchshell and disc.

CC Adi 17.279, Translation:

He has a bluish complexion, a peacock feather on His head, a guñjā garland and the decorations of a cowherd boy. His body is curved in three places, and He holds a flute to His mouth.

CC Madhya-lila

CC Madhya 1.86, Translation:

Absorbed in the ecstasy of the gopīs, Lord Caitanya Mahāprabhu wished to see Lord Jagannātha in His original form as Kṛṣṇa, the son of Nanda Mahārāja, standing in Vṛndāvana and appearing very beautiful, His body curved in three places. His desire to see that form was always increasing.

CC Madhya 2.56, Translation:

Śrī Caitanya Mahāprabhu used to lament by saying, "Where is Śrī Kṛṣṇa, whose form is curved in three places? Where is the sweet song of His flute, and where is the bank of the Yamunā? Where is the rāsa dance? Where is that dancing, singing, and laughing? Where is My Lord, Madana-mohana, the enchanter of Cupid?"

CC Madhya 14.181, Translation:

“"Agitated by tears, Śrīmatī Rādhārāṇī"s eyes were tinged with red, just like the eastern horizon at sunrise. Her lips began to move with jubilation and lusty desire. Her eyebrows curved, and Her lotuslike face smiled mildly. Seeing Rādhārāṇī’s face exhibit such emotion, Lord Śrī Kṛṣṇa felt a million times happier than when He embraced Her. Indeed, Lord Śrī Kṛṣṇa's happiness is not at all mundane.’”

CC Madhya 14.189, Translation:

“"When Śrīmatī Rādhārāṇī saw Lord Kṛṣṇa just before Her, Her progress stopped and She assumed an attitude of opposition. Although Her face was slightly covered by a blue garment, Her two starry eyes were agitated, being wide and curved. Thus She was decorated with the ornaments of vilāsa, and Her beauty increased to give pleasure to Śrī Kṛṣṇa, the Supreme Personality of Godhead."

CC Madhya 14.192, Translation:

“"When the bodily features are delicate and expertly curved, and when the eyebrows are very beautifully agitated, the ornament of feminine charm, called lalita alaṅkāra, is manifest."

CC Madhya 14.194, Translation:

“"When Śrīmatī Rādhārāṇī was decorated with the ornament of lalita alaṅkāra, just to increase Śrī Kṛṣṇa"s love, an attractive curve was manifested by Her neck, knees and waist. This was brought about by Her timidity and apparent desire to avoid Kṛṣṇa. The flickering movements of Her eyebrows could conquer the powerful bow of Cupid. To increase the joy of Her beloved, Her body was decorated with the ornaments of lalita alaṅkāra.’

CC Madhya 18.60, Translation:

"There are a father and mother with well-built bodies, and between them is a very beautiful child who is curved in three places."

CC Madhya 19.102, Purport:

Lord Kṛṣṇa has many forms, as stated in the Brahma-saṁhitā (5.33): advaitam acyutam anādim ananta-rūpam. Śrī Caitanya Mahāprabhu asked Raghupati Upādhyāya which form was the best of Lord Kṛṣṇa's millions of forms, and he immediately replied that the supreme form was the Śyāmasundara form. In that form, Kṛṣṇa stands curved in three places and holds His flute. The Śyāmasundara form is also described in the Brahma-saṁhitā (5.38):

premāñjana-cchurita-bhakti-vilocanena

santaḥ sadaiva hṛdayeṣu vilokayanti

yaṁ śyāmasundaram acintya-guṇa-svarūpaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

"I worship the primeval Lord, Govinda, who is always seen by the devotee whose eyes are anointed with the pulp of love. He is seen in His eternal form of Śyāmasundara, situated within the heart of the devotee."

CC Madhya 21.105, Translation:

“Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa's body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three-curved style of standing. Above all these beautiful features, Kṛṣṇa's eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.

CC Antya-lila

CC Antya 1.166, Translation:

“"O most beautiful friend, please accept the Supreme Personality of Godhead, who is standing before You full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there."

CC Antya 14.18, Translation:

Śrī Caitanya Mahāprabhu saw Lord Kṛṣṇa standing with His beautiful body curved in three places, holding His flute to His lips. Wearing yellow garments and garlands of forest flowers, He was enchanting even to Cupid.

CC Antya 19.107, Purport:

"O collector of honey, Kṛṣṇa must be very sorry not to see us gopīs. Surely He is afflicted by memories of our pastimes. Therefore He has sent you as a messenger to satisfy us. Do not speak to us! All the women in the three worlds where death is inevitable—the heavenly, middle and lower planets—are very easily available to Kṛṣṇa because His curved eyebrows are so attractive. Moreover, He is always served very faithfully by the goddess of fortune. In comparison with her, we are most insignificant. Indeed, we are nothing. Yet although He is very cunning, Kṛṣṇa is also very charitable. You may inform Him that He is praised for His kindness to unfortunate persons and that He is therefore known as Uttamaśloka, one who is praised by chosen words and verses."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 9:

In other words, Kṛṣṇa appears in the material world to satisfy His devotees. His qualities are so attractive that Kṛṣṇa Himself becomes eager to understand Himself. When He is fully decorated and stands with His body curved in three ways, with His eyebrows always moving and His eyes so attractive, the gopīs become enchanted. His special abode is at the top of the spiritual sky, and He resides there with His associates—the cowherd boys, the gopīs and all the goddesses of fortune. It is there that He is known as Madana-mohana.

There are many different pastimes of Kṛṣṇa, such as His pastimes in the forms of Vāsudeva and Saṅkarṣaṇa. In the material sky He performs pastimes as the first puruṣa incarnation, the creator of the material world. There are also pastimes in which He incarnates as a fish or a tortoise or takes the forms of Lord Brahmā and Lord Śiva, incarnations of the material qualities. In His pastimes as an empowered incarnation, He takes the form of King Pṛthu, and He also performs pastimes as the Supersoul in everyone's heart and as the impersonal Brahman as well.

Teachings of Lord Caitanya, Chapter 9:

The manifestation of Kṛṣṇa's internal potency (yogamāyā) is not exhibited in the part of the kingdom of God comprising the Vaikuṇṭha planets, but Kṛṣṇa does exhibit that internal potency within the universe when He descends from His personal abode out of His inconceivable mercy. Kṛṣṇa is so wonderful and attractive that He Himself becomes attracted by His own beauty, and this is proof that He is full of all inconceivable potencies. As far as the ornaments decorating Kṛṣṇa's body are concerned, it appears that they do not beautify Him but that they themselves become beautiful simply by being on His body. Always standing in a three-curved way, He attracts all living entities, including the demigods. Indeed, He even attracts the Nārāyaṇa form who presides in every Vaikuṇṭha planet.

Teachings of Lord Caitanya, Chapter 31:

They also merge into the Brahman existence of the Supreme Lord. But the damsels of Vṛndāvana worship Śrī Kṛṣṇa, having been bitten by Him just as a person is bitten by a snake, for Kṛṣṇa's body is compared with the body of a snake. A snake's body is never straight; it is always curved. Similarly, Kṛṣṇa often stands in a three-curved posture, and He has bitten the gopīs with transcendental love. The gopīs are certainly better situated than all mystic yogīs and others who desire to merge into the Supreme Brahman. Therefore the sages known as the śrutis followed in the footsteps of the damsels of Vraja in order to attain a similar position. One cannot attain that position simply by following the regulative principles. Rather, one must seriously follow the principles of the gopīs. This is confirmed in Śrīmad-Bhāgavatam (10.9.21), wherein it is stated that Lord Śrī Kṛṣṇa, the son of Śrīmatī Yaśodā, is not easily available to those following the principles of mental speculation but is very easily available to all kinds of living beings who follow the path of spontaneous devotional service.

Nectar of Devotion

Nectar of Devotion 49:

There is the following example of a mixture of parental love and laughter. A friend of mother Yaśodā told her, "My dear Yaśodā, your son has very cunningly stolen a lump of butter from my home. And to make me blame my own son for His mischief, He has smeared some of the butter on my son's face while he was sleeping!" Upon hearing this, mother Yaśodā shook her curved eyebrows. She could only look at her friend with a smiling face. May mother Yaśodā bless everyone with this smiling attitude. In this example the whole is the parental love, and the part is the laughter.

Krsna, The Supreme Personality of Godhead

Krsna Book 20:

Sometimes, in addition to the roaring thunder of the clouds, there is an appearance of a rainbow, which stands as a bow without a string. Actually, a bow is in the curved position because it is tied at its two ends by the bowstring; but in the rainbow there is no such string, and yet it rests in the sky so beautifully. Similarly, when the Supreme Personality of Godhead descends to this material world, He appears just like an ordinary human being, but He is not resting on any material condition. In the Bhagavad-gītā, the Lord says that He appears by His internal potency, which is free from the bondage of the external potency. What is bondage for the ordinary creature is freedom for the Personality of Godhead. In the rainy season, the moonlight is covered by clouds but is visible at intervals.

Krsna Book 29:

When Kṛṣṇa spoke in such a discouraging way to the gopīs, they became very sad, for they thought that their desire to enjoy the rāsa dance with Kṛṣṇa would be frustrated. Thus they became full of anxiety. Out of great sadness, the gopīs began to breathe very heavily. Instead of looking at Kṛṣṇa face to face, they bowed their heads and looked at the ground, and they began to draw various types of curved lines on the ground with their toes. They were shedding heavy tears, and their cosmetic decorations were being washed from their faces. The water from their eyes mixed with the kuṅkuma on their breasts and fell to the ground. They could not say anything to Kṛṣṇa but simply stood there silently. By their silence they expressed that their hearts were grievously wounded.

Srimad-Bhagavatam Lectures

Lecture on SB 1.2.12 -- Los Angeles, August 15, 1972:

And He's so beautiful that especially during full moon night, please do not go there." (laughter) Why? "Now, because if you have got intention to enjoy in this material world with your family members, wife, children, husband, please do not go there." Smerān bhaṅgī-traya-paricitāṁ sāci-vistīrṇa-dṛṣṭim. Bhaṅgī-traya. "Kṛṣṇa always stands in three-curved way with His flute. That is Kṛṣṇa's tri-bhaṅga-murāri." Tri-bhaṅga. Three places, He is bent. So,

smerān bhaṅgī-traya-paricitāṁ sāci-vistīrṇa-dṛṣṭiṁ

vaṁśīnyastādhara-kiśalayām ujjvalāṁ candrakeṇa

govindākhyāṁ haritanumitaḥ keśi-tīrthopakaṇṭhe

mā prekṣiṣṭhāstava yadi sakhe! bandhu-saṅge 'sti raṅgaḥ

"If you think that you will enjoy more your life in this material world, then you do not go there. You do not go there."

Lecture on SB 1.16.24 -- Hawaii, January 20, 1974:

Kṛṣṇa has got independence, full independence; we have got independence, but not full independence. But we have got independence. So that is the difference. Advaitam acyutam anādim ananta-rūpam (Bs. 5.33). Kṛṣṇa has got various forms, but His real form is Kṛṣṇa. God has got many forms, but the original form is that, playing on flute, curved in three places with barhāvataṁsam asitāmbuda-sundarāṅgam, with a feather on the head. These are Vedic description of Kṛṣṇa. It is not an artistic paint, but it is taken from the Vedic literature, what is the original form of Kṛṣṇa. Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **. That is original form. Kṛṣṇas tu bhagavān svayam (SB 1.3.28).

Lecture on SB 7.12.1 -- Bombay, April 12, 1976:

"Since I have begun to understand Kṛṣṇa consciousness and getting relish, then, since then, when I think of...," bata nārī-saṅgame, "sex pleasure with woman, I spite on it and my mouth becomes curved, 'Eh,' like that."

Actually it is the position, but because we are under the spell of māyā, we are captivated, bewildered, that after sex life, not only human being, but anyone who is living within this material world, beginning from Brahmā down to the smallest insect, everyone is after sex life. We have heard that even Lord Śiva, Lord Brahmā, they became sexually excited. It is said that Lord Brahmā was enchanted by daughter, what to speak of others. This material world is so, I mean to say, bewildering, that sometimes the first-class person also becomes bewildered by sex life. Therefore it is strictly prohibited that one should not remain in a solitary place with woman even though the woman is mother, sister or daughter.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 7.91-2 -- Vrndavana, March 13, 1974:

Māyāvādī sannyāsīs why He was not engaged in reading Vedānta-sūtra, and why He was indulging in chanting Hare Kṛṣṇa mantra, that in this age, Kali-yuga, Vedānta-sūtra, to study Vedānta-sūtra and to understand the purport of Vedānta-sūtra, is very difficult. It requires a very good Sanskrit scholarship. Although it is not very difficult to understand if it is taken by the paramparā system, but because people try to understand Vedānta-sūtra by scholastic demeanor (?), therefore it becomes difficult. It was discussed by Śrī Caitanya Mahāprabhu and Sārvabhauma Bhaṭṭācārya. He was a very learned scholar. Sārvabhauma Bhaṭṭācārya... (aside, about fan:) Make little curved. (someone turns fan off)

Initiation Lectures

Initiations -- Los Angeles, January 10, 1974:

You know the rules and regulation? Here, take. Your spiritual name Gambhīra dāsa. Very grave. That is Kṛṣṇa. (pause)

Bāṅke-bihārī. Bāṅke means curved. Kṛṣṇa stands always this. That is Bāṅke-bihārī. He is not very straight, Kṛṣṇa. People are crooked, so He is the most crooked. (pause)

Hari-sevikā. Hari-sevikā, "maidservant of Kṛṣṇa." (break)

Greedy for Kṛṣṇa. Tatra leulyam eka laulyam. To get Kṛṣṇa, you have only one price: to become greedy for Kṛṣṇa. That's all. That is the only... (break) Tatra laulyam ekalaṁ mūlyaṁ na janma-koṭibhiḥ sukṛtibhir labhyate. (pause)

Divya. Divya. Your spiritual name is Divya. Divya means spiritual. (pause)

Dhīra-sevā. Dhīra-lalitā. Dhīra-sevā? No. Dhīra-sevī. She is woman.

Philosophy Discussions

Philosophy Discussion on Jeremy Bentham:

Śyāmasundara: Someone might raise the point, "Well, the man is hungry and he has no food, therefore in order to feel pleasure he must steal it and cause displeasure to someone else." But this Bentham says that there are four natural curves or preventions, preventative forces to keep people from egoistic over-indulgence. One is the physical consequences of over-indulgence. If I eat too much, I get sick. One is political, that I will be imprisoned if I transgress. I will be punished. One is moral, or popular opinion, the public will think badly of me if I over-indulge. And the fourth one is religious, that God will punish me if I am an evil-doer. These four preventions he says, keep us from over-indulging in pleasure.

Prabhupāda: But if there is some happiness, why there is no prevention. That is real happiness. There is no prevention, simply go on increasing.

1972 Conversations and Morning Walks

Room Conversation with Gaurachand Gosvami At the Radha-Damodara Temple (Mostly Bengali) -- March 11, 1972, Vrndavana:

Indian man (2): Away from the town hustle and bustle and...

Prabhupāda: What is their demand?

Indian man (2): Which one? I showed him... I showed two places. Which one?

Guru dāsa: The very large one right next to the road. The road curves like this. It is still part of that property.

Prabhupāda: You have not given that? Then change little. Not change—we have got addition that that portion cannot be used...

Indian man: Yes, I do the draft work before I put it (indistinct).

Śyāmasundara: The name of that place was Parasurama.

Indian man (2): Parasurama?

1973 Conversations and Morning Walks

Morning Walk -- April 27, 1973, Los Angeles:

Prabhupāda: Eh?

Karandhara: It's not really a well-traveled route. The ones that do travel are usually out farther in the channel. There's a big point. So they just go farther out so they don't have to curve around, all around the coast. (break)

Prabhupāda: ...animals, goes like this?

Karandhara & Svarūpa Dāmodara: Crabs?

Karandhara: Crabs and lobsters, yeah.

Brahmānanda: Birds. (pause)

Prabhupāda: They have got suitable beak, suitable beak to capture. Yes. (pause) What is this big bird?

Conversation with Mr. Wadell -- July 10, 1973, London:

Prabhupāda: But when it is true, it is complete.

Mr. Wadell: I don't think so. You see, I could... If I say, "This wall is white," that is a true statement, but it is not a complete statement. Because this wall is not like all white walls. There are many white walls which have not got curves in the corners or decoration at that particular point. Do you understand what I am trying to say?

Prabhupāda: But when... Just like when we say God, Kṛṣṇa, this word conveys the meaning "all-attractive." So what is the wrong? This Kṛṣṇa means all-attractive. So unless God is all-attractive, how He can become God? It is not that God is for me God. God is for you also. God is for him also. Therefore He must be all-attractive. This is perfect...

Mr. Wadell: But not necessarily in the same way. Because....

1974 Conversations and Morning Walks

Reporters Interview -- June 29, 1974, Melbourne:

Prabhupāda: Yes. Subject is there, that "Kṛṣṇa's color is bluish, Kṛṣṇa has got in His hand a flute, Kṛṣṇa has got a peacock feather on His head, Kṛṣṇa stands, little curving." Tri-bhaṅga-lalitam. Tri-bhaṅga means in three ways He is curved. You see. Tri-bhaṅga. Three, three times He is curved. Śyāmaṁ tri-bhaṅga-lalitaṁ niyata-prakāśam (Bs. 5.31). These are the description of the Vedas. Just like my students, they have painted so many pictures, so I have given simply the hints that "This picture should be like this." So they take note and make the picture, and people very much appreciate our picture. So you can paint pictures by taking hints from the authority. That is going on. So if you are intelligent, you can make almost like that.

1975 Conversations and Morning Walks

Morning Walk -- October 17, 1975, Johannesburg:

Puṣṭa Kṛṣṇa: Kṛṣṇa is always smiling, isn't He?

Prabhupāda: Yes. Smeran bhangi-traya-paricitam. Kṛṣṇa is always smiling and standing in curved position. That is jubilant. Why so near?

Harikeśa: Because the car makes so much noise that if I don't they'll never hear.

Prabhupāda: Smeran bhangi-traya-paricitam saci-drstir na drstim. (break) ...shows that people are prosperous. They are not cheap buildings like America. (break) ...termite, always attacked by termite. They have no taste for good building. (break) And fuming? Fuming process?

Puṣṭa Kṛṣṇa: Fumigation.

Prabhupāda: Ah, fumigation.

1976 Conversations and Morning Walks

Room Conversation -- December 7, 1976, Hyderabad:

Prabhupāda: No. Why there is use? We can manage there. Bhogilal may come, and he may be given here or wherever possible.

Mahāṁśa: I'll ask the carpenter to try and fix those doors by this evening in Bhogilal Patel's room. The inside doors are already finished. Only those curved doors take time. So I'll...

Prabhupāda: So you have made, cut fashion?

Mahāṁśa: Pardon?

Prabhupāda: Fashionable?

Mahāṁśa: Yes, it looks a little nice.

Prabhupāda: All right. So that room, if it is done, it is all right. If not, this room and that room. That's all. Better bring him. He'll be very useful.

1977 Conversations and Morning Walks

Room Conversation -- January 9, 1977, Bombay:

Prabhupāda: You do yourself?

Rāmeśvara: They do, yes.

Prabhupāda: So what is the benefit of rubber?

Rāmeśvara: It has something to do with the curves.

Prabhupāda: Oh. In clay, it cannot.

Rāmeśvara: They started manufacturing it, at a time. That's what they used. This is a doll of Kṛṣṇa speaking to Arjuna on the Battlefield of Kurukṣetra.

Prabhupāda: Very good. Nobody can think it is doll. How many men are engaged?

Rāmeśvara: I think thirty devotees. That includes all the carpenters and...

Prabhupāda: And they are becoming expert so that in future many other also.

Room Conversation -- January 9, 1977, Bombay:

Prabhupāda: Very good. So encourage them.

Rāmeśvara: This is inside one of the exhibits. This is part of the wall and this is a scene of the phalanxes at Kurukṣetra, and then behind them and above, there is this painting, and it is like a curve. In the middle will be Kṛṣṇa and Arjuna on the chariot.

Prabhupāda: Oh. (laughs) Very nice. People will so much appreciate it. Yes. They've never seen. From artistic point of view, it should be rewarded by government. And they are prosecuting us. This... What injustice... So many young men, they're exhibiting their talents in this art, and they are trying to harass us. What is this government? Put this matter before this government, that "Just see, your lordships, we are presenting culture, religion, knowledge, philosophy, art, and they are trying to condemn us. Do you think it is all right?" Simply ask. "It was never known in this country. And it is worthy. We are the first-class nation in the world, and we are still giving something more of our talent. Instead of encouraging government help, we have to suffer this harassment. Do you think it is justice?" Just put before him.

Discussion about Bhu-mandala -- July 5, 1977, Vrndavana:

Prabhupāda: Bhāgavatam, one portion may not be exactly like... Just like if you are in the midst of the petal, you cannot understand it is petal. You see it is flat. You have shown in the map, there is a point so many miles. So that petal, middle portion, you can take it flat. It is not flat. It is curved. Whatever conception you make, that is defective. Rascals. First of all you have to understand this. So don't make it like this, like this, like this, like... Whatever it is said, that is all right. Therefore Kṛṣṇa said aśraddadhānāḥ. No faith. Faithless. We have challenged, by chemical combination make a small egg, sparrow's egg, and produce.

Tamāla Kṛṣṇa: They can't do anything.

Prabhupāda: Then what is the value of your experiment? And still they are saying. This one point will kill them. Why do they not take this challenge? Huh?