Craftsmanship

Expressions researched:
"craft" |"craftmanship" |"crafts" |"craftsmanship"

SB Canto 3

As cities are constructed in the modern age with great engineering and architectural craftsmanship, so in days gone by there were neighborhoods called ṛṣi-kulas, where great saintly persons resided.

SB 3.22.26-27, Translation and Purport:

After asking and obtaining the great sage's permission to leave, the monarch mounted his chariot with his wife and started for his capital, followed by his retinue. Along the way he saw the prosperity of the tranquil seers' beautiful hermitages on both the charming banks of the Sarasvatī, the river so agreeable to saintly persons.

As cities are constructed in the modern age with great engineering and architectural craftsmanship, so in days gone by there were neighborhoods called ṛṣi-kulas, where great saintly persons resided. In India there are still many magnificent places for spiritual understanding; there are many ṛṣis and saintly persons living in nice cottages on the banks of the Ganges and Yamunā for purposes of spiritual cultivation. While passing through the ṛṣi-kulas the King and his party were very much satisfied with the beauty of the cottages and hermitages. It is stated here, paśyann āśrama-sampadaḥ. The great sages had no skyscrapers, but the hermitages were so beautiful that the King was very much pleased at the sight.

SB Canto 7

SB 7.12.26-28, Translation:

Thereafter, the object of speech, along with the sense of speech (the tongue), should be bestowed upon fire. Craftsmanship and the two hands should be given to the demigod Indra. The power of movement and the legs should be given to Lord Viṣṇu. Sensual pleasure, along with the genitals, should be bestowed upon Prajāpati. The rectum, with the power of evacuation, should be bestowed, in its proper place, unto Mṛtyu. The aural instrument, along with sound vibration, should be given to the deities presiding over the directions. The instrument of touch, along with the sense objects of touch, should be given to Vāyu. Form, with the power of sight, should be bestowed upon the sun. The tongue, along with the demigod Varuṇa, should be bestowed upon water, and the power of smell, along with the two Aśvinī-kumāra demigods, should be bestowed upon the earth.

CC Madhya-lila

There is also a temple to Devī called the Mīnākṣī-devī temple, which displays very great architectural craftsmanship.

CC Madhya 9.178, Translation and Purport:

When Śrī Caitanya Mahāprabhu arrived at southern Mathurā from Kāmakoṣṭhī, He met a brāhmaṇa.

Southern Mathurā, presently known as Madurai, is situated on the banks of the Bhāgāi River. This place of pilgrimage is specifically meant for the devotees of Lord Śiva; therefore it is called Śaiva-kṣetra, that is, the place where Lord Śiva is worshiped. In this area there are mountains and forests. There are also two Śiva temples, one known as Rāmeśvara and the other known as Sundareśvara. There is also a temple to Devī called the Mīnākṣī-devī temple, which displays very great architectural craftsmanship. It was built under the supervision of the kings of the Pāṇḍya Dynasty, and when the Muslims attacked this temple, as well as the temple of Sundareśvara, great damage was done.

CC Antya-lila

The temple of Lord Sūrya was constructed of black stone in the beginning of the thirteenth century of the Śaka Era, and it shows expert craftsmanship and architecture.

CC Antya 18.31, Translation and Purport:

Keeping the Lord sometimes submerged and sometimes afloat, the waves carried Him toward the Koṇārka temple.

Koṇārka, generally known as Arka-tīrtha, is a temple of Lord Sūrya, the sun-god. It is situated on the seashore, nineteen miles north of Jagannātha Purī. It was constructed of black stone in the beginning of the thirteenth century of the Śaka Era, and it shows expert craftsmanship and architecture.

Teachings of Lord Caitanya

Although Kṛṣṇa, the son of Devakī, is the last word in superexcellence and beauty, when He is amongst the gopīs it appears that He is a sublime jewel set amongst divine golden craftsmanship.

Teachings of Lord Caitanya, Chapter 30:

Although Śrī Kṛṣṇa, the Supreme Personality of Godhead, embodies all superexcellence and beauty, when He is amongst the damsels of Vraja, He is known as Gopījanavallabha. The devotees cannot relish the beauty of the Supreme Lord more than the damsels of Vraja. In Śrīmad-Bhāgavatam (10.33.7) it is confirmed that although Kṛṣṇa, the son of Devakī, is the last word in superexcellence and beauty, when He is amongst the gopīs it appears that He is a sublime jewel set amongst divine golden craftsmanship.

Nectar of Devotion

"All important personalities from different parts of the universe had been invited to the sacrificial arena, and all of them, upon beholding Kṛṣṇa there, considered that the Creator had ended all of His craftsmanship in the creation of this particular body of Kṛṣṇa."

Nectar of Devotion 21:

Beautiful bodily features which automatically attract the eyes are called rucira (pleasing). Kṛṣṇa possesses this attractive feature of rucira in His personal features. In the Third Canto, Second Chapter, verse 13, of Śrīmad-Bhāgavatam, there is a statement about this. "The Supreme Personality of Godhead, in His pleasing dress, appeared at the scene of the sacrificial arena when King Yudhiṣṭhira was performing the Rājasūya sacrifice. All important personalities from different parts of the universe had been invited to the sacrificial arena, and all of them, upon beholding Kṛṣṇa there, considered that the Creator had ended all of His craftsmanship in the creation of this particular body of Kṛṣṇa."

"He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."

Nectar of Devotion 21:

One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."

Krsna, The Supreme Personality of Godhead

No ordinary architect could construct such a fort within the sea, but an architect like Viśvakarmā, who is considered to be the engineer among the demigods, can execute such wonderful craftsmanship anywhere in the universe.

Krsna Book 50:

Kṛṣṇa first of all constructed a very strong wall covering ninety-six square miles, and the wall itself was within the sea. It was certainly wonderful and was planned and constructed by Viśvakarmā. No ordinary architect could construct such a fort within the sea, but an architect like Viśvakarmā, who is considered to be the engineer among the demigods, can execute such wonderful craftsmanship anywhere in the universe. If huge planets can float in weightlessness in outer space by the arrangement of the Supreme Personality of Godhead, surely the architectural construction of a fort covering ninety-six square miles within the sea was not very wonderful.

By the craftsmanship of the demon Maya, the palace was so decorated in different places that one who did not know the tricks would consider water to be land and land to be water. Duryodhana was illusioned by this craftsmanship, and when crossing water, thinking it to be land, he fell in.

Krsna Book 75:

Once upon a time, King Yudhiṣṭhira was sitting on his golden throne in the palace constructed by the demon Maya. His four brothers and other relatives, as well as his great well-wisher Kṛṣṇa, the Supreme Personality of Godhead, were present, and the material opulence of King Yudhiṣṭhira seemed no less than that of Lord Brahmā. When he was sitting on the throne surrounded by his friends and the reciters were offering prayers to him in the form of nice songs, Duryodhana came to the palace with his younger brothers. Duryodhana was decorated with a helmet, and he carried a sword in his hand. He was always in an envious and angry mood, and therefore on a slight provocation he spoke sharply with the doorkeepers and became angry. By the craftsmanship of the demon Maya, the palace was so decorated in different places that one who did not know the tricks would consider water to be land and land to be water. Duryodhana was illusioned by this craftsmanship, and when crossing water, thinking it to be land, he fell in.

Bhagavad-gita As It Is Lectures

The modern education means simply a craftsmanship.

Lecture on BG 9.1 -- Melbourne, April 19, 1976:

The modern education means simply a craftsmanship. If you can prepare a nice motor car, oh, that is advancement of the... And what is this? This is craftsmanship. It is the blacksmith's work. It is not knowledge. Knowledge is different. Therefore it is called jñānaṁ vijñāna-sahitam. This is knowledge,"What I am? I am this body or something else? Why I am suffering? If there is any remedy? I do not wish to die, neither I am subjected to death." Nityaḥ śāśvato 'yaṁ na hanyate han... This is knowledge, that "If I am eternal, if I do not die after annihilation of this body, then why I am subjected to this body?" This is knowledge. And to manufacture a motor car, that is not knowledge. That is craftsmanship. Knowledge is here, that "I am eternal. Why I am put into this condition of temporary body, not only one kind of body, but there are 8,400,000 different forms of body, and I have to accept one of them, tathā dehāntara-prāptiḥ (BG 2.13), according to my karma. This is my position. How to get out of it, to inquire about it? If there is any science to accept it?" That is knowledge.

Education means to enquire about the living force which is moving this body. That is education. This is not education, that we have manufactured nice car or nice machine. That is called craftsmanship, that is not education.

Lecture on BG 13.1-2 -- Miami, February 25, 1975:

There are so many advancement of knowledge department, but where is the department to understand that the living force which is driving this machine, what is that living force? How it is working? There is no enquiry and no education. Therefore this education has no value. They do not know what is education. Education means to enquire about the living force which is moving this body. That is education. This is not education, that we have manufactured nice car or nice machine. That is called craftsmanship, that is not education.

Just like one electrician. He knows how to join the two wire and bring current. In India it is called mistri. Mistri means worker. Because he knows that technical art how to bring electric current, that does not mean he is educated. Education is different thing. The worker, they are just working so many wonderfully, but that does not mean they are educated. That is... In Sanskrit it is called... What is called? The English is "craftsmanship." He knows the art, how to do it. So at the present moment the technical education is there.

Even a small herb and vegetable, you will find there is craftsmanship. You cannot say it is chance.

Lecture on BG 16.8 -- Tokyo, January 28, 1975:

You study everything. You study even one plant. You can see so many arrangement, so many fibers. Fine fibers are coming out, and from one fiber to another. Even a small herb and vegetable, you will find there is craftsmanship. You cannot say it is chance. You cannot do it. So there is brain. That is right conclusion, "There is brain behind it," and that is theism.

Srimad-Bhagavatam Lectures

Fight means I show some expert fighting craft or experiencing.

Lecture on SB 1.7.19 -- Vrndavana, September 16, 1976:

Brahmāstra is the last weapon. Just like it is similar to modern nuclear weapon, brahmāstra. As by releasing nuclear weapon there is radiation, similarly, we have got description that when Aśvatthāmā released his brahmāstra, there was a big radiation, people were feeling very terrible heat. And then Kṛṣṇa informed that "This heat is due to the Aśvatthāmā's release of brahmāstra," and Arjuna was advised counteract it. Now they do not know how to counteract this nuclear weapon. Formerly they knew. I throw one kind of weapon, and if you are expert, you can counteract it. Now they have discovered the nuclear weapon, but they have not yet discovered the counteraction. Fight means I show some expert fighting craft or experiencing. The opposite party must also show something better than that. That was fighting. And in this way when one party fails, he's killed. And if he's killed then war stops. No more war. This was the system.

You have seen sometimes in the book you'll find one insect is running. The shape is smaller than the full stop. This is Kṛṣṇa's craftsmanship.

Lecture on SB 1.8.30 -- Los Angeles, April 22, 1973:

You have seen sometimes in the book you'll find one insect is running. The shape is smaller than the full stop. This is Kṛṣṇa's craftsmanship. Aṇor aṇīyān mahato mahīyān. He can create bigger than the biggest and the smaller than the smallest. Now human being, according to their conception, they have manufactured the 747 airplane, supposed to be very big. All right. According to your consciousness, you have produced something big. But can you produce a small airplane like insect flying? That is not possible. Therefore greatness means that who can become greater than the greatest and smaller than the smallest. That is greatness.

This technology means craftsmanship. That is not knowledge.

Lecture on SB 1.15.27 -- New York, March 6, 1975:

Technology is not the occupation for the brāhmaṇas, kṣatriyas, or vaiśyas, no. In our country still, there are blacksmith, weaver, oil crusher. Still they are in the village. But they are śūdras. So this technology means craftsmanship. That is not knowledge. That is not knowledge. Just like I do not know how this microphone is working. If it is wrong, some man who knows the art, he repairs it immediately. That does not mean he has got knowledge. That particular department, he has got knowledge, that's all. Knowledge means that one who knows God. That is knowledge.

The Supreme Absolute Truth has got so many varieties of energies. For each and every variety, particular, finer craftsmanship, there is different energy.

Lecture on SB 3.26.45 -- Bombay, January 20, 1975:

The Supreme Absolute Truth has got so many varieties of energies. For each and every variety, particular, finer craftsmanship, there is different energy. They are working. Just like we require to present some varieties a specialist, so Kṛṣṇa Himself has got all the special varieties of energy, and they are working in such a nice way as svābhāvikī. He hasn't got to learn it.

Now five hundred passengers, they can float in the air. So there is no need of such yoga, yoga-siddhi. The science, the material science of craftsmanship, mechanical, they have done it.

Lecture on SB 7.6.14 -- New Vrindaban, June 28, 1976:

So in the modern age, advancement of material civilization, they also do not care for these siddhis, material siddhis. Just like laghimā. Laghimā-siddhi, the yogis, they become so light that they can float in the air. So nowadays you have got airplane. The yogi can float alone in the air. Now five hundred passengers, they can float in the air. So there is no need of such yoga, yoga-siddhi. The science, the material science of craftsmanship, mechanical, they have done it.

Just like another example: if you find some beautiful doll in the shopkeeper's window, oh, it appears, oh, just like, exactly a beautiful, nice girl. But it is not. But how it looks so nice? It is the craftmanship of the person who has manufactured that doll.

Lecture on SB 7.7.22-26 -- San Francisco, March 10, 1967:

God, from God's inconceivable potencies, this energy has come out, this material energy. And it is acting mechanically, just like the same way, tape recorder. Nobody has got power to change it, but it is working. It is working. And it is working so nicely because it is emanated from the Absolute Truth. It is appearing just like truth. Just like another example: if you find some beautiful doll in the shopkeeper's window, oh, it appears, oh, just like, exactly a beautiful, nice girl. But it is not. But how it looks so nice? It is the craftmanship of the person who has manufactured that doll. Similarly, this separated energy, material energy, it is false, just like the doll. Nobody's attracted. Nobody's going to love offer, offer love to that doll girl because everyone knows, "This is false." Similarly, those who are intelligent, they are not interested to take any serious part in this material world because it is separated energy, and it is acting so nicely, with the complication of three modes of nature, goodness, passion and ignorance...

General Lectures

A devotee does not see anything except Kṛṣṇa because he sees the craftsmanship, hands of Kṛṣṇa, how He is preparing.

Lecture Excerpt -- Tokyo, April 28, 1972:

There is no question of chance. There is nothing like chance. This is foolish proposition. Everything... Just like this flower is coming. So there is immense manufacturing process. Suppose if you want to manufacture a flower like this, you have to secure so many things—the color, the ingredient, the paper, the brush, so many. Still, you cannot do like this. So if your nonsense, artificial flower takes so many instrumental assistance, brain, how do you think that this has come automatically? There is brain. It is not chance. You have no eyes to see. Therefore you call "chance." But a devotee, he sees. He does not see this flower; He sees the hand of Kṛṣṇa, how He is preparing, how He is preparing, Kṛṣṇa. Therefore a devotee does not see anything except Kṛṣṇa because he sees the craftsmanship, hands of Kṛṣṇa, how He is preparing. He sees Kṛṣṇa. He does not see this flower. The rascal sees this flower, and he thinks that it is coming out by chance. No chance. There is no question of chance. Parāsya śaktir vividhaiva śrūyate (Cc. Madhya 13.65, purport). His intelligence, His energies, are so subtle and working.

1974 Conversations and Morning Walks

Kṛṣṇa's craftsmanship, from one seed, a small, such a big tree has come, and within that seed there are the potency of demonstrating how variegatedness, nicely, within that seed.

Morning Walk -- January 15, 1974, Hawaii:

Prabhupāda: ...Kṛṣṇa's craftsmanship, from one seed, a small, such a big tree has come, and within that seed there are the potency of demonstrating how variegatedness, nicely, within that seed. You produce such things? Make by chemical composition something and sow it and a tree will come out like this?

Little arts and crafts can be trained up to the śūdras. They, at the present moment, they have given too much stress on the arts and crafts.

Morning Walk 'Varnasrama College' -- March 14, 1974, Vrndavana:

Yaduvara: What class does the arts and crafts come under?

Prabhupāda: Eh? Śūdra.

Yaduvara: Śūdra.

Prabhupāda: They are śūdras. Little arts and crafts can be trained up to the śūdras. They, at the present moment, they have given too much stress on the arts and crafts.

Yaduvara: Hm. Yes.

Prabhupāda: Therefore the whole people, population, is śūdra.

Hṛdayānanda: It is a fact.

Prabhupāda: That is a... That is the difficulty. All people are being drawn by giving them, I mean to say, attraction for high salary, and they are taking so-called technical education, and all of them working in the factory. Nobody's working on the field. They are śūdras.

We are appreciating immediately Kṛṣṇa's craftsmanship, artistic sense, and we are glorifying. So that should be done by everyone.

Room Conversation -- June 28, 1974, Melbourne:

Prabhupāda: ...a strong flavor, and it is continually, continues. So long it is alive, the flavor is there. So where is that art, where is that science? When you have... Where is that scientist amongst the human society? They are very much proud of their scientific advancement. Everything see, the flowers and leaves, so artistically, beautifully manufactured that simply by seeing them you'll feel pleased. How the man can manufacture it? And still, they are denying the existence of God and taking all the credit. How foolish they are. Mūḍha. (laughter) Yes. Yes, they have been described as mūḍha. Now, we are appreciating immediately Kṛṣṇa's craftsmanship, artistic sense, and we are glorifying. So that should be done by everyone. But the mūḍhas, they will not do that. They'll explain away. They'll never admit God's hand, intelligence, brain is there. They'll never admit.

1975 Conversations and Morning Walks

That is craftsmanship. That is not knowledge.

Room Conversation with Svarupa Damodara -- March 1, 1975, Atlanta:

Prabhupāda: How the scorpion is coming out of rice, that they do not know. Such a foolish person, he is scientist.

Rūpānuga: They're thinking because they are able by different methods like synthetics and through chemistry that they can produce...

Prabhupāda: That is craftsmanship. That is not knowledge.

Rūpānuga: But still, they are thinking because they can do, make the background a little...

Prabhupāda: Just like if you paint a picture, rose, you are a painter, not that you know the knowledge. A painter is not a man of knowledge. Man of knowledge means he knows how things are being done. That is man of knowledge. Painter imitates some painting, that's all. He may be a good painter, but a painter is never taken as man of knowledge. I think, therefore, two departments, art and science. So this knowledge, this technical knowledge... Suppose one man has created an aeroplane. That is an art; that is not knowledge.

Rūpānuga: So if they create some synthetic, that is an art.

Prabhupāda: That is an art.

Craftmanship. Hundred years, could not produce motor car. But that does not mean you have become God, you rascal.

Morning Walk -- April 2, 1975, Mayapur:

Prabhupāda: There, that the, this grass is coming out of the earth. Wherefrom it is coming? Who has put the chemicals? And the eggs of the birds, they are produced in the womb of the birds, and from there the life is coming, the bird is coming. Where is the chemical?

Pañcadraviḍa: Well, that's just a complex chemical reaction. We can't explain it yet...

Prabhupāda: But "Can't explain"—that means you are fool. You remain fool. Don't try to expose yourself, nonsense. You are a rascal number one; you remain rascal number one. When the neck is caught up, he says, "Yes, it is complex. We shall see in the future." Why "future?" What about now?

Pañcadraviḍa: Well, a hundred years ago we couldn't make this movie camera either. But now they are producing easily.

Prabhupāda: That's all right. But you cannot do this business. This is an art. Hundred years ago, people could not produce electricity by mixing two wire.

Pañcadraviḍa: Yes.

Prabhupāda: That is an art. It is artist's... What is called? Craftmanship. Hundred years, could not produce motor car. But that does not mean you have become God, you rascal.

Pañcadraviḍa: :Well, isn't God just a craftsman also? He's just an...

Prabhupāda: Yes, He is everything. He's everything—but not a fool like you. That's all.

Kalā means craftsmanship. Why it is not here, lacking? No money. The kalā cannot be shown without money.

Morning Walk -- November 29, 1975, Delhi:

Prabhupāda: ...here. Kalā, kalā?

Tejās: Stones.

Prabhupāda: Yes. Kalā means craftsmanship. Why it is not here, lacking? No money. The kalā cannot be shown without money. I never saw New Delhi in such nasty condition.

Tejās: It's deteriorating.

Prabhupāda: Yes, very much deteriorating. It means finished. The kalā is finished now. You see? Now, "Natural History." So many dead stone they have brought, and so costly building, and showing "natural history." This is going on, simply cheating and bluffing at the cost of poor man's blood. Against this principle the communist movement is good. There are so many buildings, but there is not a single building where spiritual culture is discussed, although it is the real basis of life.

1976 Conversations and Morning Walks

How many different colors and set up, craftsmanship. It is not chance. In this particular tree, this flower will grow. Color will not change.

Room Conversation -- April 4, 1976, Vrndavana:

Prabhupāda: If you see only to the flowers, you become invigorated.

Puṣṭa Kṛṣṇa: If you see only?

Prabhupāda: Invigorated, get a refreshment.

Hari-śauri: If you just see a flower. Yes, just to walk through a nice garden, it's very pacifying.

Prabhupāda: How many different colors and set up, craftsmanship. There is no brain behind.

Hari-śauri: Chance.

Prabhupāda: It is not chance. In this particular tree, this flower will grow. Color will not change.

They make spice nicest. That is India's craftsmanship.

Room Conversation -- August 2, 1976, New Mayapur (French farm):

Prabhupāda: Kacuri is made first class in Mathurā. Agra and Mathurā. Very, very nice. The kacuri is being made, hundreds of customers waiting. At shops, there was many shops, waiting for purchasing. And as soon as it comes out of the pan, immediately sold. There is no question of waiting. They make spice nicest. That is India's craftsmanship. Nobody will starve. If you have no business, you prepare something palatable, and people will purchase, all over India.

Hari-śauri: There's so many people on the railway station selling.

Prabhupāda: There's no question of starvation for want of money. Anywhere sit down and do something palatable, and people will purchase. So your livelihood will go on. Pakorā, kacuri, jalebi, anything. You make some palatable, people are fond of eating some palatable things. That is their hobby.

We shall appreciate in every flower the craftsmanship of Kṛṣṇa, how He has done nicely.

Room Conversation -- August 3, 1976, New Mayapur (French farm):

Bhagavān: They are spending so much money for entertainment in material life, but no one is becoming enlivened. But this kind of discussion is so fresh. For a show they pay five dollars, to go to one movie for one hour, two hours.

Prabhupāda: That is another artificial agitation of the mind. It has, there is no practical benefit. Just see how many varieties of flowers, colorful. Can they make such colorful? "Yes, we're trying to overcome nature. Wait millions of years." And what about not? "Now you sleep." (laughter) These rascals are misleading other rascals. And they are, "Oh, a scientist!" Very misleading civilization. We shall appreciate in every flower the craftsmanship of Kṛṣṇa, how He has done nicely. Unnecessarily puffed up by so-called advancement of knowledge, misleading themselves and misleading others.

1977 Conversations and Morning Walks

Education... This is craftsmanship.

Morning Walk -- January 4, 1977, Bombay:

Dr. Patel: The highest evolved man, the brain trust of the country, has got to be poor and has to be protected by other men. That is the highest. Otherwise, if a man with the brain becomes rascal, that is...

Prabhupāda: Miscreant. They are called duṣkṛti. They have got merit, but engaged in sinful activities. That is called duṣkṛti. Kṛti means meritorious. But duṣkṛtina. There are now... The education is there, but their brain is misused. That is called duṣkṛtina. Therefore they do not believe in God. Big, big men, they are nirākāra-vādī.

Dr. Patel: This co-education is no education at all. Education, that was really imparted by (indistinct) and ...

Prabhupāda: Education... This is craftsmanship.

Suppose a mechanic has constructed this car far better than me. That is not civilization. A good craftsmanship.

Room Conversation -- January 15, 1977, Allahabad:

Rāmeśvara: Formerly civilization did not have so many technological devices.

Prabhupāda: This is not civilization. They do not know what is civilization. Suppose a mechanic has constructed this car far better than me. That is not civilization. A good craftsmanship. If you do not know what is the aim of life, what is your duty, then what is your civilization? That they do not know.

The Englishmen used to say these men, craft and technolo..., "educated laborer." They are laborer and little educated.

Conversation: 'How to Secure Brahmacaris' -- June 24, 1977, Vrndavana:

Prabhupāda: Respectable gentleman, big, big man, at least these big, big merchants, their student doesn't... Just like Birla family, other big, big... If they require some technologists, they can hire. There are so many tech... Technologist means śūdra. And actually they are doing that. They do not train their own sons to become technologist. They pay for that, the śūdras, as servants are... The Englishmen used to say these men, craft and technolo..., "educated laborer." They are laborer and little educated. There are uneducated laborer, just like carpenter. He doesn't require any education. If he knows how to rub on... What is called, that? That instrument? He doesn't require to become M.A., Ph.D. All these laborers are working so nicely. So why they should spend, waste their time in going to school and college? From the very be... As soon as he's ten years old only, let him learn practically how to weave cloth, how to become carpenter, how become other craftsman. And in due course of time he can earn his... How to cultivate land... Why so many big, big universities for inviting everyone? There is no need. Educated means brāhmaṇa, kṣatriya. Brāhmaṇa will give real knowledge, and kṣatriyas will govern.

1968 Correspondence

I have induced my younger son, Vrindaban De, to supply all kinds of Indian craftsmanship.

Letter to Brahmananda -- Los Angeles 1 March, 1968:

Regarding supplies from India: I have induced my younger son, Vrindaban De, to supply all kinds of Indian craftsmanship, namely ornaments, cloth, fine arts, dolls, saris, wooden slippers, linen shirts, or, anything that is sellable here, on 10% commission, and he has agreed.

If there is not possibility of selling our pictures immediately on presentation, I do not think there is any necessity to improve our artistic craftsmanship.

Letter to Jadurani -- San Francisco 13 April, 1968:

We have to finish our Krishna Consciousness during our lifetime, and we should not waste a single moment for anything else. According to Caitanya Caritamrta, a man is famous who is known as a great devotee of Krishna. So if there is not possibility of selling our pictures immediately on presentation, I do not think there is any necessity to improve our artistic craftsmanship. We should be satisfied with our pictures hanging in our different temples. But we may not sacrifice our valuable time for becoming famous artists so that pictures may be sold like hotcakes.

The highest perfectional stage of everyone's talent is to satisfy the Supreme Personality of Godhead, Hari, by his craftsmanship, scientific knowledge, philosophical research, or similar any other energy.

Letter to Syamasundara -- Montreal 15 July, 1968:

By Krishna's Grace you have got the talent of carpentermanship, and you have fully utilized your energy in the service of Krishna. You have carved so many Jagannatha Murtis, and the car also, so Krishna must have been very much satisfied with your service. Srimad-Bhagavatam says that the highest perfectional stage of everyone's talent is to satisfy the Supreme Personality of Godhead, Hari, by his craftsmanship, scientific knowledge, philosophical research, or similar any other energy. Please continue this attitude of service and success of life is assured for you. I have learned the description of the Rathayatra festival verbally from so many persons who came to see me from San Francisco, and I have received the photo album from Gurudasa. But I have not received any newspaper clippings, which I am very much anxious to see.

1971 Correspondence

Their dealing and craftsmanship has always been very good so we must keep good relationship with them.

Letter to Rupanuga -- Bombay 24 April, 1971:

So if you can send them another $10,000. immediately, they will be satisfied for the time being. I do not know exactly what the account is, but they are hesitating. They should be satisfied as much as possible. Their dealing and craftsmanship has always been very good so we must keep good relationship with them. Whatever BTG collection made should be quickly sent to Dai Nippon so that they will be pacified.

I have received your gifts also and they are so very nice. Especially the bookmarks are such wonderful craftsmanship.

Letter to Nandakisora, Jahnava -- Calcutta 27 May, 1971:

I have received your gifts also and they are so very nice. Especially the bookmarks are such wonderful craftsmanship. The Deities jewelry is also very nice, and I can always use new sacred thread.