Bs 05.30 venum kvanantam aravinda-dalayataksam... cited

Expressions researched:
"Brahma-samhita" |"He is decorated with peacock plumes" |"His bodily color resembles a fresh black cloud" |"His bodily features are more beautiful than millions of cupids" |"His eyes are like lotus flowers" |"I worship Govinda, the primeval Lord, who plays on His transcendental flute" |"Kandarpa-koti-kamaniya-visesa-sobham" |"barhavatamsam asitambuda-sundarangam" |"kandarpa-koti-kaminiya-visesa-sobham" |"venum kvanantam aravinda-dalayataksam"

Notes from the compiler: VedaBase query: "Bs 5.30" or "He is decorated with peacock plumes" or "His bodily color resembles a fresh black cloud" or "His bodily features are more beautiful than millions of cupids" or "His eyes are like lotus flowers" or "I worship Govinda, the primeval Lord, who plays on His transcendental flute" or "barhavatamsam asitambuda-sundarangam" or "kandarpa-koti-kaminiya-visesa-sobham" or "venum kvanantam aravinda-dalayataksam"

SB Canto 3

SB 3.2.29, Purport:

Over and above all, the Lord used to play His celebrated flute. The sound vibrated by His flute would give His friends such transcendental pleasure that they would forget all the talks of the brahmānanda which is so praised by the impersonalists. These cowherd boys, as will be explained by Śukadeva Gosvāmī, were living entities who had accumulated heaps of pious acts and thus were enjoying with the Lord in person and were hearing His transcendental flute. The Brahma-saṁhitā (5.30) confirms the Lord's blowing His transcendental flute.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kaminīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

Brahmājī said, "I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes, and His bodily color resembles a fresh black cloud although His bodily features are more beautiful than millions of cupids." These are the special features of the Lord.

SB Canto 4

SB 4.24.44, Purport:

The jñānīs want to see Him to become one with Him, and the yogīs want to see Him partially represented within their heart as Paramātmā, but the bhaktas, or the devotees, want to see Him in His complete perfection. As stated in Brahma-saṁhitā (5.30):

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

"I worship Govinda, the primeval Lord, who is adept at playing on His flute, whose eyes are blooming like lotus petals, whose head is bedecked with peacock feathers, whose beauty is tinged with the hue of blue clouds, and whose unique loveliness charms millions of Cupids."

SB 4.24.45-46, Purport:

After the scorching heat of the summer season, it is very pleasing to see dark clouds in the sky. As confirmed in Brahma-saṁhitā: barhāvataṁsam asitāmbuda-sundarāṅgam. The Lord wears a peacock feather in His hair, and His bodily complexion is just like a blackish cloud. The word sundara, or snigdha, means "very pleasing." Kandarpa-koṭi-kamanīya. Kṛṣṇa's beauty is so pleasing that not even millions upon millions of Cupids can compare to it. The Lord's form as Viṣṇu is decorated in all opulence; therefore Lord Śiva is trying to see that most opulent form of Nārāyaṇa, or Viṣṇu.

SB Canto 5

SB 5.3.2, Purport:

sOne can understand and see the Supreme Personality of Godhead through the process of devotional service, and not in any other way. Although Mahārāja Nābhi performed prescribed duties and sacrifices, it should still be considered that the Lord appeared before him not due to his sacrifices but because of his devotional service. It was for this reason that the Lord agreed to appear before him in His beautiful bodily features. As stated in Brahma-saṁhitā (5.30), the Supreme Lord in His original nature is very beautiful. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam: the Supreme Personality of Godhead, although blackish, is very, very beautiful.

SB Canto 10.1 to 10.13

SB 10.2.36, Purport:

Although Kṛṣṇa's transcendental form is presented as black, devotees who are in love with the Supreme Personality of Godhead appreciate the Lord as Śyāmasundara, having a very beautiful blackish form. The Lord's form is so beautiful that the Brahma-saṁhitā (5.30) also states:

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

"I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes, and His bodily color resembles the color of a fresh black cloud, although His bodily features are more beautiful than millions of Cupids." This beauty of the Supreme Lord can be seen by devotees who are in love with Him, devotees whose eyes are anointed with love of Godhead (premāñjana-cchurita-bhakti-vilocanena (Bs. 5.38)).

SB 10.3.9-10, Purport:

To support the word adbhutam, meaning "wonderful," the decorations and opulences of the newborn child are fully described. As confirmed in the Brahma-saṁhitā (5.30), barhāvataṁsam asitāmbuda-sundarāṅgam: the hue of the Lord's beautiful form resembles the blackish color of dense clouds (asita means "blackish," and ambuda means "cloud"). It is clear from the word catur-bhujam that Kṛṣṇa first appeared with four hands, as Lord Viṣṇu. No ordinary child in human society has ever been born with four hands. And when is a child born with fully grown hair? The descent of the Lord, therefore, is completely distinct from the birth of an ordinary child. The Vaidūrya gem, which sometimes appears bluish, sometimes yellow and sometimes red, is available in Vaikuṇṭhaloka. The Lord's helmet and earrings were decorated with this particular gem.

Renunciation Through Wisdom

Renunciation Through Wisdom 2.6:

Gradually they progress to jñāna-yoga, and finally, in meditation, they realize the transcendental and supreme position of the Lord. Such highly fortunate realized souls can see in their hearts the eternal, transcendental, two-handed form of the Supreme Lord, known as Śyāmasundara, playing His flute. The description of the Lord in Śrī Brahma-saṁhitā (5.30) reads,

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

I worship Govinda, the primeval Lord, who is adept at playing on His flute, with blooming eyes like lotus petals, with head bedecked with peacock's feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of cupids.

Those who are committing sins like illicit sex, fault-finding, and unjustified violence rarely attain spiritual knowledge or realization. Sinful activities deepen the dark gloom of ignorance, while pious activities bring the light of transcendental knowledge into one's life.

Bhagavad-gita As It Is Lectures

Lecture on BG 1.21-22 -- London, July 18, 1973:

Perhaps, in this Kṛṣṇa conscious, except this Kṛṣṇa conscious movement, all rascals, they do not know what is God. They have no clear conception of God. Because they are sinful. We can give the name, address and everything of God, clear conception, not vague idea, "God may be like this, God may be like that." Why maybe? He is God.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Clear conception. The śāstra, Brahma-saṁhitā, clear description of God, veṇuṁ kvaṇantam. He is playing on flute. It is not that the Muralīdhara, Śyāmasundara, Kṛṣṇa, has been imagined by some poet. No, it is described in the śāstra, the form of the Lord. He is busy in playing flute, veṇuṁ kvaṇantam. Aravinda dalāyatākṣaṁ (Bs. 5.30), His eyes are just like petals of the lotus flower. Veṇuṁ kvaṇantam aravinda, barhāvataṁsa, there is a peacock feather on His head. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ, and He is so beautiful that His beauty can cut down thousands of Cupids. Cupid is supposed to be the most beautiful in this material world. Kandarpa-koti-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30). Clear conception.

Lecture on BG 2.18 -- Hyderabad, November 23, 1972:

That is Caitanya Mahāprabhu. Caitanya Mahāprabhu preached this Hare Kṛṣṇa mantra. Therefore kṛṣṇaṁ varṇayati, iti kṛṣṇa-varṇam. Kṛṣṇa-varṇaṁ tviṣā akṛṣṇam. Tviṣā, by complexion, He's akṛṣṇa, not kṛṣṇa, not black. Kṛṣṇa appeared blackish. Not blackish as we imagine. Kandarpa-koṭi-kamanīya. Kṛṣṇa, although He's blackish, He is attractive more than millions of Cupids. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30).

Lecture on BG 7.1 -- Upsala University Stockholm, September 8, 1973:

Attachment is there; simply you have to transfer the object of attachment. So here it is said: mayy āsakta-manāḥ pārtha yogaṁ yuñjan mad-āśrayaḥ. This is yoga. This is meditation. If you are fond of meditation, then you meditate upon Kṛṣṇa, on the form of Kṛṣṇa, playing flute, bluish color, having a peacock on His head. The description is there. Barhāvataṁsam asitāmbuda-sundarāṅgam.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Veṇuṁ kvaṇantam. Kṛṣṇa is, you'll see, Kṛṣṇa's picture, always a flute in His hand. Always joyful. Because He's the Supreme Lord, there is nothing moroseness. Always joyful. That is the symptom of spiritual life. You'll see Kṛṣṇa always smiling, always playing on His flute.

Lecture on BG 7.1 -- Upsala University Stockholm, September 8, 1973:

As you see in this material world also, somebody, he has got a flute and he's playing, enjoying. So this is imitation. That enjoyment will not last. But Kṛṣṇa's flute-playing is eternal. He's enjoying eternally. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). And His eyes are just like lotus petals. Very beautiful. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam, barhāvataṁsam asitāmbuda-su... Barhāvataṁsam, a peacock feather, He's very fond of a peacock feather. So that is on His head. Barhāvataṁsam asitāmbuda-sundarāṅgam. Very beautiful body like new, blackish cloud. But very beautiful. Blackish cloud. Asitāmbuda-sundarāṅgam. Kandarpa-koṭi-kamanīya. But, although he's blackish, He is more beautiful than millions and trillions of Cupids. Kandarpa... Therefore, He's all-beautiful.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Viśeṣa-śobham. Specifically beautiful. Viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi.

Lecture on BG 7.1 -- Nairobi, October 27, 1975:

So yaśasaḥ śriyaḥ. Śriya, beauty. Kṛṣṇa is so beautiful, nobody can surpass Him. Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). Although He is blackish, but He is so beautiful, He enchants the most beautiful, Rādhārāṇī. So aiśvaryasya samagrasya vīryasya yaśasaḥ śriyaḥ (Viṣṇu Purāṇa 6.5.47). Śrī means beauty. He is so beautiful. Therefore His name is Kṛṣṇa. On account of His beauty, He attracts everyone. Beauty attracts.

Lecture on BG 7.1 -- Bombay, December 20, 1975:

That is Vṛndāvana. So this is replica, this Vṛndāvana, and there is real Vṛndāvana. This is also real. In the absolute there is no difference. But for our understanding there is original Vṛndāvana,

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

This is the description, Goloka Vṛndāvana.

So there is dhāma, panthās tu koṭi-śata-vatsara, beyond this material world, so if we like, we can go there. Mad-yājino 'pi yānti mām, Kṛṣṇa says. You can go to the higher planetary system,

yānti deva-vratā devān

pitṟn yānti pitṛ-vratāḥ

bhūtāni yānti bhūtejyā

yānti mad-yājino 'pi mām

(BG 9.25)

Lecture on BG 8.5 -- New York, October 26, 1966:

The sound, name Kṛṣṇa, that is also Kṛṣṇa. But just to give us facility to understand... You do not think that this picture of Kṛṣṇa is painted by some artist's imagination. No. It is not imagination. There is description in the scripture what is the form of Kṛṣṇa.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Veṇu means flute. He is playing on flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam. Aravinda means lotus petal. His eyes are so nice, like lotus petal. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam (Bs. 5.30). Barhāvataṁsam means the peacock feather. You'll find Kṛṣṇa and Viṣṇu, He is very fond of this peacock feather. Everywhere you'll find the peacock feather. Barhāvataṁsam asitāmbuda-sundarāṅgam. And His color is a cloud, darkish cloud. Asita, asitāmbuda. Ambuda means cloud and asita means blackish. Sundarāṅgam. But still, He is so beautiful... Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam, kandarpa-koṭi (Bs. 5.30). He is so beautiful that He surpasses the beauty of millions of Cupid. Cupid is supposed to be very beautiful. It impels lust, Cupid. So He is many more thousands times beautiful than Cupid. Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). Viśeṣa-śobham. He has got His particular beauty. Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **. In this way there are description.

Lecture on BG 13.19 -- Bombay, October 13, 1973:

Yaṁ śyāmasundaram. Kṛṣṇa's another name is Śyāmasundara. He's blackish, but very beautiful. Generally, we don't like to see blackish people. But Kṛṣṇa is so nice. Although He's blackish, He's kandarpa-koṭi-kamanīya. Barhāvataṁsam asitāmbuda-sundarāṅgam. These are described in the Vedic literature. Although He's blackish, He is more beautiful than millions of millions of cupids. Kandarpa-koṭi-kamanīya. So Kṛṣṇa is so beauty. That is His Godliness. Because beauty is also... We don't worship nirākāra. Beautiful, the most beautiful. The most beautiful. Kṛṣṇa is the most beautiful, Rādhārāṇī is the most beautiful. Couple, young couple. Our object of worship when we see how nice Rādhārāṇī, how nice Kṛṣṇa, beauty. Yes.

Lecture on BG 16.8 -- Hyderabad, December 16, 1976:

You haven't got to manufacture ideas what kind of Kṛṣṇa He is. He is present, dvi-bhuja-muralīdhara-kṛṣṇa. Kṛṣṇa when He was present in the, upon this earth, everyone has seen. Kṛṣṇa has His temple, thousands and millions of temples, Kṛṣṇa. You can see His picture. Description is there, veṇuṁ kvaṇantam, in the Vedic literature.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Why? What is the difficulty to understand Kṛṣṇa? And simply if you understand Kṛṣṇa... Janma karma ca me divyam (BG 4.9). They are not ordinary activities. Janma karma ca me divyam-transcendental. If you simply understand Kṛṣṇa, then we can save from this botheration of repetition of birth and death. Tyaktvā dehaṁ punar janma naiti (BG 4.9).

Srimad-Bhagavatam Lectures

Lecture on SB 1.1.1 -- London, August 7, 1971:

So our Kṛṣṇa consciousness movement is against all this rascaldom, all this rascaldom. We present, "Here is God." Here is God. Take His name. Take His address also. That is also... It is so perfect. They are searching after God. We are giving the name, address, activity, everything, quality, all. Nāma-rūpa-līlā-parikara-vaiśiṣṭhyam, everything. Nāma means name. Here is Kṛṣṇa, God's name. Form, here is the form. He is engaged in enjoyment with Rādhārāṇī and playing on His flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ bar... (Bs. 5.30). We are not imagining. Not that this artist imagines, the poet imagines. No. We don't do that rascaldom. We don't do that. We take information from the Vedas. Kṛṣṇa, when He was present personally, He played on His flute. The gopīs saw and the cowherds boys saw five thousand years ago. And the ācāryas took information. Even if you don't believe in the history, then come to śāstra. The śāstra says veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "Kṛṣṇa, the Supreme Personality of Godhead, is always engaged in playing on His flute." This is Vedic statement. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "His eyes are just like lotus petals." Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam: (Bs. 5.30) "He has got a peacock feather on His head." These are the description in the Vedas. "He has got a peacock feather on His head." Barhāvataṁsam asitāmbuda: "His color is blackish." What kind of blackish? Asitāmbuda: "Just like new cloud." Asitāmbuda-sundarāṅgam: "But don't think because He is blackish, He is not beautiful. He is most beautiful." How much beautiful? Kandarpa-koṭi-kamanīya-viśeṣa-śobham: (Bs. 5.30) "He is so beautiful that if you gather millions of Cupids, still He is more beautiful." These descriptions are there.

Lecture on SB 1.5.35 -- Vrndavana, August 16, 1974:

God means the wisest, the richest, the most powerful, the most beautiful. So He was so beautiful that 16,108 very, very beautiful women... And this is married. And unmarried, many millions, they were attracted by Kṛṣṇa, the most beautiful. Śyāmasundara. His name is sundara, very beautiful. Although śyāma, blackish, still He's so attractive. Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). Kandarpa-koṭi, He's so beautiful that He can surpass in His beauty the Cupids, millions and millions of Cupids. His name is Madana-mohana. Madana-mohana, Madana is Cupid. Cupid enchants everyone, but he is enchanted by Kṛṣṇa. Therefore His name is Madana-mohana.

Lecture on SB 1.8.21 -- Mayapura, October 1, 1974:

Yes, my Kṛṣṇa is black, but at the same time all-attractive. So many beautiful gopīs all became attracted. So many queens all became attracted. So this blackness of Kṛṣṇa is not this ordinary. Therefore in the Brahma-saṁhitā it is said that kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). Kṛṣṇa's blackness is not ordinary blackness. Asitāmbuda-sundarāṅgam. Although He's blackish like the black cloud, but sundara, very, very beautiful. How much beautiful? Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). He's so beautiful that if you bring millions and millions of Cupids... Cupid is supposed to be very beautiful. Still, He will surpass. So Kṛṣṇa... Śyāmasundaram. Śyāma means black, and still, very, very beautiful. That is the understanding of Kṛṣṇa.

Lecture on SB 1.8.31 -- Mayapura, October 11, 1974:

He's not śyāma-śyāma means blackish—but at the same time, the most beautiful. Here in this material world, if somebody is blackish, he cannot be called beautiful. But Kṛṣṇa, although He is blackish, He is sundaram, very, very beautiful. How much sundaram? Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). Kandarpa-koṭi. If you keep one side millions of Cupids, still, Kṛṣṇa will appear more beautiful. Just like we sing, nitāi-pada-kamala, koṭi-candra-suśītala. Koṭi, millions of moons together, they cannot be so peaceful and cool as the lotus feet of Lord Nityānanda. These examples are given in the śāstra. They are not exaggeration but actual fact. And we have to take it in good faith. Then we'll make advance in spiritual life. Otherwise, if we think these things are exaggeration in the śāstras or by the devotees, that is aparādha, offense.

Lecture on SB 1.16.24 -- Hawaii, January 20, 1974:

So that is the difference. Advaitam acyutam anādim ananta-rūpam (Bs. 5.33). Kṛṣṇa has got various forms, but His real form is Kṛṣṇa. God has got many forms, but the original form is that, playing on flute, curved in three places with barhāvataṁsam asitāmbuda-sundarāṅgam, with a feather on the head. These are Vedic description of Kṛṣṇa. It is not an artistic paint, but it is taken from the Vedic literature, what is the original form of Kṛṣṇa. Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **. That is original form. Kṛṣṇas tu bhagavān svayam (SB 1.3.28).

Lecture on SB 3.25.29 -- Bombay, November 29, 1974:

Just like Kṛṣṇa says yad gatvā na nivartante tad dhāma paramaṁ mama (BG 15.6). When you get spiritual varieties, that you can get when you enter into the spiritual world, either in the Vaikuṇṭha world, planet or in the Goloka Vṛndāvana planet, there are varieties. The varieties are mentioned in the śāstra.

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). Don't think that Kṛṣṇa figure is the imagination of some artist or painter. No, no. These are the description in the Vedas. Veṇuṁ kvaṇantam, the Supreme Personality of Godhead, Govinda, is playing on His flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). And His eyes are like the petals of lotus flower. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam. There is a feather of peacock, asitāmbuda-sundarāṅgam, His complexion is like black cloud but very, very beautiful. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam, kandarpa-koṭi-kamanīya. He is so beautiful that more attractive than many, many hundreds and thousands of Cupid. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam aham bhajāmi (Bs. 5.30). This is the Govinda's description. There are so many descriptions.

Lecture on SB 3.25.35 -- Bombay, December 4, 1974:

Favorable talking—if you want to talk with Kṛṣṇa, then you must consult the Vedic literature, how Kṛṣṇa is worshiped.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

"My Lord, Kṛṣṇa, Govinda, is playing on His flute." Veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "His eyes are just like petals of the lotus flower." Aravinda-dalāyatākṣaṁ barhāvataṁsam: "Oh, He has some nice peacock feather." These are the Vedic description of Kṛṣṇa, not that the devotees have imagined some...

Lecture on SB 3.25.39-40 -- Bombay, December 8, 1974:

The Māyāvādīs, they say kalpana. Brahma-rūpa-kalpanaḥ: "Brahma has no rūpa, but you imagine some rūpa, or form." That is Māyāvāda. That is not. Kṛṣṇa has got rūpa. Kṛṣṇa is present here with His original rūpa, as it is described in the Vedic literature.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

His form. Īśvaraḥ paramaḥ kṛṣṇaḥ (Bs. 5.1). Paramaḥ. Īśvaraḥ paramaḥ. We may be īśvara; you may is īśvara. That's all right. But you are not Parameśvara; I am not Parameśvara. Īśvaraḥ paramaḥ kṛṣṇaḥ (Bs. 5.1). The Parameśvara is Kṛṣṇa. Paramātmā is Kṛṣṇa. We are not.

Lecture on SB 3.26.1 -- Bombay, December 13, 1974:

That is the original form. Avajānanti māṁ mūḍhā mānuṣīṁ tanum āśritam (BG 9.11). Because Kṛṣṇa has got the form exactly, the dvibhuja-muralī-līlā, two hands with flute. That is Kṛṣṇa's original form.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

So we have to understand Bhagavān and we have to hear from Him. And He's speaking perfectly in the Bhagavad-gītā, Śrīmad-Bhāgavatam. And if you take it yad viditvā, if you are fortunate enough to understand the words of Kṛṣṇa and Kapiladeva, then the result will be vimucyeta: immediately become liberated. If you are fortunate enough, if you are intelligent enough to understand the words of Kapiladeva or Kṛṣṇa or Ṛṣabhadeva—there are so many incarnations—then puruṣaḥ prākṛtair vimucyeta.

Lecture on SB 3.26.10 -- Bombay, December 22, 1974:

Just like here is Kṛṣṇa, Bhagavān, He is not alone. He is with Rādhārāṇī and the gopīs and the cowherds boy and His friends. That is described in the Brahma-saṁhitā. Bhagavān is not alone.

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

ālola-candraka-lasad-vanamālya-vaṁśī-

ratnāṅgadaṁ praṇaya-keli-kalā-vilāsam

śyāmaṁ tribhaṅga-lalitaṁ niyata-prakāśaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.31)

There are hundreds of verses like this.

So Kṛṣṇa is not alone. Kṛṣṇa is always in varieties. Ānandamayo 'bhyāsāt (Vedānta-sūtra 1.1.12). He is ānandamaya.

ānanda-cinmaya-rasa-pratibhāvitābhis

tābhir ya eva nija-rūpatayā kalābhiḥ

goloka eva nivasaty akhilātma-bhūto

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.37)

Lecture on SB 3.26.39 -- Bombay, January 14, 1975:

That is permanent rūpa. Virāḍ-rūpa, as it was shown to Arjuna, it is called naimittika, "under certain conditions." That is not eternal rūpa. Advaitam acyutam anādim ananta... Anādi, eternal.

The eternal rūpa is described in the śāstra,

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

The eternal form is veṇuṁ kvaṇantam. Kṛṣṇa is always playing on His flute. That is eternal form. His eternal pastimes and eternal form is in Vṛndāvana. He does not go anywhere personally, leaving Vṛndāvana. Padam ekaṁ na gacchati. He is always in Vṛndāvana, but at the same time, He is everywhere. Goloka eva nivasaty akhilātma-bhūtaḥ: (Bs. 5.37) "Although He is always in His abode, Goloka Vṛndāvana, still, He is present everywhere." How He is present? Aṇḍāntara-stha-paramāṇu-cayāntara-sthaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.35). Īśvaraḥ sarva-bhūtānāṁ hṛd-deśe 'rjuna tiṣṭhati: (BG 18.61) "He is situated in everyone's heart." He is situated in each and every universe. The universe is created by His breathing.

Lecture on SB 3.26.43 -- Bombay, January 18, 1975:

The same feature of Kṛṣṇa, two hands, playing on the flute, and anywhere you will see Kṛṣṇa He has got this flute. Because that is His most beloved, favorite instrument. That is stated in the śāstra, not imagination. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asita... (Bs. 5.30). In the Vedic language it is said that Kṛṣṇa, He has got a flute in His hand. He likes to play on flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam (Bs. 5.30). Barhāvataṁsa means the peacock. He likes peacock feather. These symptoms are described in the Vedic literature, and when Kṛṣṇa was present on this earth, the same feature was there. So this picture, this photo, or this statue of Kṛṣṇa, this arcā-mūrti, is not different from the original Kṛṣṇa.

Lecture on SB 3.28.20 -- Nairobi, October 30, 1975:

A common man can say, "If God is everywhere, why not in the temple?" And if we have to worship God, why not in His original form? The original form, Kṛṣṇa, when He was present, the original form so many people have seen. They have got photograph..., not photograph, paintings. And it is confirmed in the śāstras, in the Brahma-saṁhitā, veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam (Bs. 5.30). Kṛṣṇa is described in the Brahma-saṁhitā from so millions and millions of years ago described by Lord Brahma, that veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ. He is always playing His flute, veṇuṁ. Venu means flute. Kvaṇantam. And eyes are like the petals of lotus flower. Venum kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam (Bs. 5.30). And on the head He has got the plume of peacock feather. In this way the description is there in the śāstra. And when Kṛṣṇa came... (aside:) Let him... Why do you disturb? Let him do that. Sit down. So śāstra says Kṛṣṇa is like this. And when Kṛṣṇa appeared on this planet the exactly the same description was there in His form.

Lecture on SB 5.5.19 -- Vrndavana, November 7, 1976:

So, God, whether impersonal or personal, that we cannot conclude by our speculation. It is not possible. Durvibhāvyam. Durvibhāvyam means beyond your conception, beyond your speculation. But He says that idaṁ śarīram. He has got His body;He is not impersonal. He comes sometimes as incarnation. We can see Kṛṣṇa with two hands, two legs, one head. Veṇuṁ kvaṇantam aravinda dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam (Bs. 5.30). This is described in the Vedic literature. He has two hands and He is playing on flute. He has got the peacock feather on His head. It is not imagination. The Kṛṣṇa arcā-mūrti, it is not imagination, as rascals think, that they have imaginated an idol. This is not idol worship. This is actually... I have several times explained that here is Kṛṣṇa, personally present. We should always think like that, not that it is idol worship. But durvibhāvyam means although He is present, the less intelligent class of men, they will think that "They are worshiping one statue." But that is not possible.

Lecture on SB 5.5.26 -- Vrndavana, November 13, 1976:

God means śyāmasundaram. This is also..., appears to be contradictory. Śyāmasundaram. We have got idea: what is black is not beautiful. But here Kṛṣṇa, Śyāmasundaram. Although He is black, He is sundaram. Barhāvataṁsam asitāmbuda-sundarāṅgam. Asitāmbuda, black cloud. Black cloud, like that, color, but He is very sundaram. Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). He's so beautiful that if you compare with millions of Kandarpa, Cupid Cupid is supposed to be very beautiful. So if you bring together millions of Cupids, still, their combined beauty cannot be compared with Kṛṣṇa's beauty. But He's still Barhāvataṁsam asitāmbuda-sundarāṅgaṁ, kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30).

Lecture on SB 6.1.15 -- London, August 3, 1971:

Indian lady: What does the peacock feather mean to Kṛṣṇa?

Śyāmasundara: What does a peacock feather mean to Kṛṣṇa?

Prabhupāda: Kṛṣṇa likes it. Yes.

Indian lady: Is it a symbol of love, or what it is?

Prabhupāda: No. Kṛṣṇa likes peacock feather. Barhāvataṁsam asitāmbuda-sundarāṅgam. We cannot check Kṛṣṇa's liking. (laughter) Yes? First of all, yes...

Indian man: I am very much thankful to you for giving this divine knowledge to our crippled people, who are suffering in this material world. But... And I'm also convinced by this of kīrtana. I am somewhat surprised and I feel very much grateful about... Or the world, it is not grateful for Kṛṣṇa consciousness(?). And there were many Kṛṣṇa devotees in that part of the world which is now called Bangaladesh. And millions of Kṛṣṇa devotees, all sons of Kṛṣṇa, are being butchered by the..., and butcher of their family or... I'm talking about west Pakistan. What is your answer to this sort of the genocide or greatest man-made disaster.

Lecture on SB 7.6.1 -- Boston, May 8, 1968:

Prabhupāda: Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi. (repeats, devotees respond)

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

Repeat. (devotees respond, repeats, response)

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Repeat.

Devotees: Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi.

Lecture on SB 7.9.9 -- Mayapur, February 16, 1976:

Kṛṣṇa, He's not after beauty, but beauty is after Him. That is Kṛṣṇa. Not Kṛṣṇa is after beauty. The materialistic person, they think that Kṛṣṇa was so much fond of beautiful woman. No, no. That is not the fact. The beautiful women were after Kṛṣṇa. That is Kṛṣṇa. Kṛṣṇa is so beautiful... Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Kandarpa. Kandarpa means Cupid. We have heard the name of Cupid, very beautiful, attractive. But He is kandarpa-koṭi-kamanīya viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi. Kṛṣṇa does not want any beauty for His satisfaction. He's self-satisfied. But devotees, beautiful devotees, rich devotees, aristocratic devotees, perfect devotees, they are after... That is... He's self-satisfied. He doesn't require. These... Just like when these foolish people read Śrīmad-Bhāgavatam and it is said that Kṛṣṇa had sixteen thousand wives, queens, so they think that an ordinary man, one who keeps more than one wife, he is considered to be very lusty. No, no. That is not the fact.

Lecture on SB 7.9.9 -- Mayapur, February 16, 1976:

That is Kṛṣṇa. Lakṣmī-sahasra-śata-sambhrama sevyamānaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.29). Kṛṣṇa, He's not after beauty, but beauty is after Him. That is Kṛṣṇa. Not Kṛṣṇa is after beauty. The materialistic person, they think that Kṛṣṇa was so much fond of beautiful woman. No, no. That is not the fact. The beautiful women were after Kṛṣṇa. That is Kṛṣṇa. Kṛṣṇa is so beautiful... Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Kandarpa. Kandarpa means Cupid. We have heard the name of Cupid, very beautiful, attractive. But He is kandarpa-koṭi-kamanīya viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi. Kṛṣṇa does not want any beauty for His satisfaction. He's self-satisfied. But devotees, beautiful devotees, rich devotees, aristocratic devotees, perfect devotees, they are after... That is... He's self-satisfied.

Lecture on SB 7.9.11 -- Montreal, August 17, 1968:

Prabhupāda: (singing)

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

(devotees chant responsively:) Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

(devotees chant responsively:) Govindam ādi-puruṣaṁ tam aham bhajami.

ālola-candraka-lasad vana-mālya-vaṁśī-

ratnāṅgadāṁ praṇaya-keli-kalā-vilāsam

śyāmaṁ tribhaṅga-lalitaṁ niyata-prakāśam

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.31)

aṅgāni yasya sakalendriya-vṛttimanti

paśyanti pānti kalayanti ciraṁ jaganti

ānanda-cinmaya-sad-ujjvala-vigrahasya

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.32)

Lecture on SB 7.9.36 -- Mayapur, March 14, 1976:

So evaṁ sahasra-vadana. Sahasra-vadana. This virāṭ-rūpa. This is māyāmayam. Kṛṣṇa's virāṭ-rūpa is another feature. His real rūpa or form is dvi-bhuja-muralīdhara, two hands. That is His original form. There is in the Brahma-saṁhitā,

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

That is Kṛṣṇa's real form. Veṇuṁ kvaṇantam: "He is playing on flute." But here it is said that sahasra-vadanāṅghri-śiraḥ-karoru. Here Brahmā saw He has got many sahasra... What is that? Sahasra-vadana, faces, aṅghri. As soon as there is face, as soon as there is one face, there must be two legs, two hands. So He appeared before Brahmā with thousands of faces. So similarly, number of hands and legs must increase proportionately.

Lecture on SB 7.9.51 -- Vrndavana, April 6, 1976:

Those who are rascals and less intelligent, mūḍhās, avajānanti māṁ mūḍhā mānuṣīṁ tanum āśritam... (BG 9.11). "Because I come exactly..." He is also... His form is like man. Dvibhuja, (Sanskrit). Kṛṣṇa has two hands and Nārāyaṇa (indistinct) Kṛṣṇa is always carrying His flute, this is Kṛṣṇa's līlā, form.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kaminīya-viśeṣa-śobhaṁ

govindam ādi...

(Bs. 5.30)

Veṇuṁ kvaṇantam. It is not that I can just imagine the God's form with a flute. No. It is confirmed in the Vedic literature. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitām... This is His original form. It is not the imagination of Māyāvādīs. No. But they do not know, they cannot understand. God's form can be understood by the devotees only. It is... Kṛṣṇa is not exposed to anyone except His devotee.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 1.15 -- Dallas, March 4, 1975:

So that is not human life. Human life is... Here it is described, just Kavirāja Gosvāmī's, mat-sarvasva-padāmbhojau rādhā-madana-mohanau. Our only asset should be the lotus feet of Kṛṣṇa along with Rādhārāṇī. Madana-mohana. Kṛṣṇa is so beautiful that He is more attractive than the Cupid. Madana-mohana. Madana means Cupid. Cupid is supposed to be the most beautiful person within the universe, but Kṛṣṇa is still more beautiful. Kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30). That is described in the śāstra. And when Kṛṣṇa was present, we know from the śāstra or from the evidences that Kṛṣṇa was attractive to so many gopīs. The gopīs were the most beautiful women, and Kṛṣṇa was attractive to them. So just imagine how much beautiful was Kṛṣṇa. Not only to the gopīs; there were 16,108 queens of Kṛṣṇa. Therefore His name is Kṛṣṇa. He is attractive to everyone. Jayatam suratau paṅgor mama. So why He should not be attractive to fallen souls like us? So that is the position of Kṛṣṇa.

Lecture on CC Madhya-lila 6.254 -- Los Angeles, January 8, 1968:

Prabhupāda: Yes, why the sky is blue? First of all, you try to explain this. This is you are seeing every day. Can you explain? You don't? You cannot? Sky is blue! That's all! Therefore it is blue. Kṛṣṇa is blue! Therefore He's blue. (laughter)

Guest: But his consort, His consort is not blue.

Prabhupāda: Sky is the reflection of Kṛṣṇa's bodily effulgence; therefore it is blue. Just like if the cover of the light is blue or, I mean to say, red, the radiance also becomes... Similarly, Kṛṣṇa is blue. It is described in the Vedic literature, veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam (Bs. 5.30). God's bodily hue is just like bluish cloud. But it is very beautiful.

Lecture on CC Madhya-lila 20.98-99 -- Washington, D.C., July 4, 1976:

We have to give it up. We have to accept another form according to our karma. Tathā dehāntara-prāptiḥ (BG 2.13). But Kṛṣṇa hasn't got to do that. He is in His original form. He has got many forms, expansions, but His original form is Kṛṣṇa with two hands and flutes.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣam tam ahaṁ bhajāmi

(Bs. 5.30)

Kṛṣṇa's symbolic representation is He is always playing on flute. And barhāvataṁsa: with a peacock feather. These are described in the Vedic literature. It is not that we worship Kṛṣṇa as imaginary form of God. No. As the Māyāvādīs, they say that you can imagine any form of God, no, that is not the fact. God has His original form, real form sac-cid-ānanda-vigrahaḥ (Bs. 5.1). Anādir ādir govindaḥ sarva-kāraṇa-kāraṇam (Bs. 5.1).

Sri Isopanisad Lectures

Sri Isopanisad, Mantra 1 -- Los Angeles, April 29, 1970:

But God is so kind, Kṛṣṇa is so kind, even in your present position He is present, arcā-vigraha. He's open to be seen by everyone, whether he knows and whether he does not know what is God. This arcā-vigraha is not idol; it is not imagination. They are... The knowledge is received from the superior ācāryas. Brahma-saṁhitā: veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). The description is there. So God realization, if you follow that... Immediately, by your blunt senses, either God, His form, His name, His quality, His paraphernalia cannot be perceived. The present senses are blunt.

Sri Brahma-samhita Lectures

Lecture on Brahma-samhita, Verse 32 Excerpt -- Los Angeles, August 14, 1972:

Aṅgāni yasya sakalendriya-vṛtti-manti (Bs. 5.32). Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). He is engaged in playing on flute. It is not artists' painting that Kṛṣṇa is painted as a very nice, beautiful young boy and He has got a flute. No. These are Vedic statement.

aṅgāni yasya sakalendriya-vṛtti-manti

paśyanti pānti kalayanti ciraṁ jaganti

ānanda-cinmaya-sad-ujjvala-vigrahasya

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.32)

Lecture on Brahma-samhita, Verse 34 -- San Francisco, September 13, 1968 :

Devotees: (singing) ...tam ahaṁ bhajāmi.

Prabhupāda: So, the description is that Govinda is very fond of playing on flute, venum. Venum means flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ. His eyes are just like lotus petals. Very beautiful eyes. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam. And He likes peacock feather, peacock feather on the head. So you will find Kṛṣṇa always with peacock feather. He wears a very valuable helmet, helmet on His head, but you will find one peacock feather. Barhāvataṁsam asitāmbuda-sundarāṅgam, and His complexion of the body is blackish, just like new clouds. He is not that complexion light; He is blackish, Kṛṣṇa, and..., but He is so beautiful, all-attractive. Here, of course, in this material world, blackish we do not like; we want fair complexion. But Kṛṣṇa, the original person, He is blackish, but not blackish like this. Kandarpa-koti-kamaniya-visesa-sobham.

Lecture on Brahma-samhita, Verse 34 -- San Francisco, September 13, 1968 :

You have heard the name of Cupid. He is a very enchanting person, loving person, but here it is descibed, kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ. If you assemble millions of Cupids in one place, still it can not be compared with the beauty of Kṛṣṇa, Kṛṣṇa is so beautiful. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ. Veṇuṁ kvaṇantam, always playing on flute. (singing)

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

Festival Lectures

Janmastami Lord Sri Krsna's Appearance Day -- Montreal, August 16, 1968:

Devotees: govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **.

Prabhupāda:

cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-

lakṣāvṛteṣu surabhīr abhipālayantam

lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.29)

(repeats govindam ādi-puruṣaṁ tam ahaṁ bhajāmi and devotees respond)

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

(govindam ādi-puruṣaṁ tam ahaṁ bhajāmi)

ālola-candraka-lasad vanamālyavaṁsi

ratnāṅgadam praṇaya-keli-kalā-vilāsam

śyāmaṁ tribhaṅga-lalitaṁ niyata-prakāśaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.31)

(govindam ādi-puruṣaṁ tam ahaṁ bhajāmi)

Purports to Songs

Purport to Jaya Radha-Madhava -- New York, July 20, 1971:

Brahmā is accepting the Supreme Personality of Govinda, Kṛṣṇa in Vṛndāvana. Veṇuṁ kvaṇantam: "He is engaged in playing flute."

(veṇuṁ kvaṇantam) aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

So take advantage of these books, this knowledge, and this prasādam, this chanting, and be happy and go to Kṛṣṇa. So nice thing. All right.

1971 Conversations and Morning Walks

Room Conversation -- January 17, 1971, Allahabad:

Guest (1): No, there is no denying, you see, because we only know that all-attractiveness in Śyāmasundaram.

Prabhupāda: Śyāmasundaram... But the Śyāmasundaram means He is blackish, still, He is so beautiful that thousands of Cupids cannot be compared with Him. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Kandarpa-koṭi. Cupid is supposed to be the most beautiful, but about Kṛṣṇa it is stated that:

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Veṇuṁ kvaṇantam: He is playing on flute. Aravinda-dalāyatākṣaṁ: His eyes are just like petals of the lotus flower. Barhāvataṁsam: He has got a peacock feather on His head. Asitāmbuda: and His color is just like black cloud. Sundarāṅgam: but His beauty, total beauty is kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Still, the beauty... As soon as we say blackish, we think that he... If somebody is blackish, he is not beautiful.

Room Conversation -- January 17, 1971, Allahabad:

Prabhupāda: Yes. But still, He's still charming. Because it is all transcendental, we cannot compare the blackish cloud. It is simply given, an idea, that it is like blackish cloud. But immediately it is said, still, kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30). So God has many names, and according to your conception, you can have God's name also. But out of all those names, many thousands and unlimited different types of names, Kṛṣṇa is the principal name because Kṛṣṇa means all-attractive. You cannot say that God is not all-attractive. And if you use that sense, all-attractive, this is the word, Kṛṣṇa.

Room Conversation -- November 11, 1971, New Delhi:

Prabhupāda: Kṛṣṇa form.

Guest: Kṛṣṇa form holding muralī(?) in His hand?

Prabhupāda: Yes. Veṇu, muralīdhara.

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Guest: But when you chant "Rāma," the other...

Prabhupāda: Yes. Rāma is another... There is no difference between Rāma and Kṛṣṇa. If you like...

1974 Conversations and Morning Walks

Morning Walk -- April 5, 1974, Bombay:

Prabhupāda: For devotee, that is a terrible form. That is not very pleasing. Therefore they do not worship the virāṭ form. They worship Kṛṣṇa's original, dvi-bhuja. Dvi-bhuja murlīdhāra śyāmasundara. That is the original form.

Dr. Patel: That is what we say.

Prabhupāda: Yes, Dvi-bhuja murlidhara śyāmasundara. Venuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbudha-sundarāṅgam (Bs. 5.30). Arcā-vigraha. Venuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁ... Barha, this peacock feather. They are described in the Vedic literature, but these rascals say, "That it is imagination. They have imagined." The Māyāvādīs say, "They have imagined a form of God as Kṛṣṇa, with peacock feather, with murlī." But that's not the fact. The fact is there in the Vedic literature. So Kṛṣṇa has got this universal form, but the devotees are not interested with this universal form. But they know that Kṛṣṇa has universal form. Go on.

Morning Walk -- April 6, 1974, Bombay:

Prabhupāda: The attraction by playing flute, and the rāsa dance. In this way there are four principles. That is mentioned in the Caitanya caritamrta.

Acyutānanda: But otherwise Nārāyaṇa has all the six opulences.

Prabhupāda: Yes. Super-excellent opulence in Kṛṣṇa, by His veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). That attraction is only in Kṛṣṇa. (break) ...scientist, we say the same thing.

Bhāgavata: Yes. He has spent his whole life, twenty-five years, studying so hard.

Prabhupāda: When he said this?

Bhāgavata: In 1972. His name is Professor Leakey. He is from, I think, America. And he has found in Kenya one skull two million years old. (break)

Prabhupāda: Hare Kṛṣṇa. When our book was published?

Reporters Interview -- June 29, 1974, Melbourne:

Prabhupāda: Yes, similarly, it is Kṛṣṇa's painting. But the difference is that you cannot talk with your photograph, but we can talk with Kṛṣṇa's photograph. That is the difference.

Guest (2): But some of these pictures are slightly different. They show different...

Prabhupāda: No, no, on principle it is, as Kṛṣṇa's color is there, Kṛṣṇa's flute is there, Kṛṣṇa's peacock feather is there, these things... These are described in the śāstra. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁ samasitāmbuda-sun... (Bs. 5.30). So Kṛṣṇa's... Suppose even a painting of yourself. One man paints a little different from your face. Another man paints. But on the whole, it is the same. In that way Kṛṣṇa is not depending on the painting but on the features of His description as it is in the śāstra. Kṛṣṇa's color is described there. Kṛṣṇa's peacock feather is described there. Kṛṣṇa's flute is there. Kṛṣṇa's ever eternal consort... Praṇaya-keli. In loving mood always, Kṛṣṇa... Praṇaya-keli-kalā-vilāsam. He's always in enjoying spirit. So we get idea. Idea of Kṛṣṇa and Kṛṣṇa being Absolute, the idea of Kṛṣṇa and Kṛṣṇa is nondifferent.

1975 Conversations and Morning Walks

Conversation with Indian Guests -- April 12, 1975, Hyderabad:

Mahāṁsa: Kṛṣṇa means, actually in Sanskrit, one of the meanings of the word Kṛṣṇa...

Guest: That is...

Prabhupāda: Kṛṣṇa is all-attractive, that he will not explain. In the Brahma-saṁhitā, it is said, asitāmbuda-sundarāṅgam kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Asitām, sundaram. He is blackish, but He is so attractive, more attractive than many millions of Cupid.

Guest: (Hindi)

Prabhupāda: No, no. Why you should commit offense like that? It is a great offense to decry Kṛṣṇa.

Room Conversation with Ganesa dasa's Mother and Sister -- May 14, 1975, Perth:

Prabhupāda: No, because you, without seeing Him, you do not develop Kṛṣṇa consciousness. You require to see Him. So He has appeared before you so that you can see Him. That is His mercy, so that you see Him and you think of Him. Man-manā bhava mad-bhaktaḥ. You see Him and think of Him. That is the meaning of picture. You cannot say, "I have not seen God." Here is God. You see God's picture here in the temple. In the śāstra description is there. Just like in the Brahma-saṁhitā it is said, veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "Kṛṣṇa is playing on His flute." That is the information in the Vedas. Here He is playing on flute. Veṇuṁ kvaṇantam aravinda-dalāya... "His eyes are like lotus petal." You see? The description in the Vedas and the picture the same. It is not imagination. It is in the Veda. Vedas will give you information. Then surabhīr abhipālayantam (Bs. 5.29). There are cows. Kṛṣṇa is very much fond of cows. So what is stated in the Vedas about Kṛṣṇa, that is depicted.

1976 Conversations and Morning Walks

Interview with Jackie Vaughn (Black Congressman) -- July 12, 1976, Detroit:

Prabhupāda: Why not? He's the most beautiful. Otherwise, why people are attracted? There is a verse in the Brahma-saṁhitā: kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30); barhāvataṁsam asitāmbuda-sundarāṅgam. He has got one peacock feather on His head and He's blackish, but wonderfully beautiful. These words are used. Kandarpa-koṭi-kamanīya. He's so beautiful that thousands of Cupids cannot be compared with His beauty. Cupid is understood to be the most beautiful person within this universe. You know Cupid? Yes. He enchants by beauty. But Kṛṣṇa's beauty is so great that millions of beauty, kandarpa or Cupid, cannot be compared with Him. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam ahaṁ bhajāmi (Bs. 5.30). It is a question of attraction. It is not a question of black and white. Attraction. So unless Kṛṣṇa is beautiful, why He has got so many millions of devotees? This very word is kandarpa-koṭi. Barhāvataṁsam asitāmbuda-sundarāṅgam. His blackness is compared with the black cloud. Asita-ambuda, ambuda means the cloud. The black cloud is full of water. When there is black cloud in the sky, you can be sure that the rain is going to fall down. Not the white cloud. White cloud means no water. Is it not? So you understand this philosophy and add water to the suffering humanity.

Answers to a Questionnaire from Bhavan's Journal -- June 28, 1976, Vrndavana:

Prabhupāda: And if there is no God, no conception of God, no order of God, then where is religion? If there if no government, then where is law? Outlaw. Everyone is outlaw. That is going on. Ask any religious system what is the conception of God. Can anyone tell clearly? Nobody can say. We shall immediately say, veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam (Bs. 5.30). Aṅgāni yasya sakalendriya-vṛttimanti... immediately description, "Here is God." Then there is religion. And if there is no God, where is religion? Bogus. Therefore declining. They have no conception of God, and therefore there is no understanding of religion. Therefore it is declining. So this is the cause of declining. And because it is declining, human being becoming more animals. Animal means there will be no memory. A dog comes... Here is some eatables. He comes. I say, "Hut!" He goes away. Again he comes. No memory. So when this memory is reducing that means human quality is reduced. So in the Kali-yuga these eight things will reduce. That means they are becoming like cats and dogs. This is the answer to the first question.

Evening Darsana -- July 8, 1976, Washington, D.C.:

Puṣṭa Kṛṣṇa: She's saying but it's manufactured, it's made, graven.

Prabhupāda: That doesn't matter. But it is made according to the Vedic principles. Just like in the Vedas, Kṛṣṇa's form is described, veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). Kṛṣṇa is playing on His flute, veṇuṁ kvaṇantam. His eyes are like the petals of the lotus flower. So if you follow the description, then it is coming from the Vedic literature or Vedic knowledge. It is not that an artistic way of imagining some idol, the eyes are like this and He must play flute. It is not like that.

Woman guest (2): That's because it came from scriptures instead of from men's minds.