View source for When Krsna is killing Putana, that picture they will not paint, or killing Kamsa, or... Krsna has got so many pictures. These pictures these rascals will not paint. They will simply paint the picture, His confidential dealings with the gopis

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{{terms|"when Krsna is killing Putana, that picture they will not paint, or killing Kamsa, or... Krsna has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopis"}}
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<div id="Lectures" class="section" sec_index="4" parent="compilation" text="Lectures"><h2>Lectures</h2>
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<div id="Bhagavad-gita_As_It_Is_Lectures" class="sub_section" sec_index="0" parent="Lectures" text="Bhagavad-gita As It Is Lectures"><h3>Bhagavad-gita As It Is Lectures</h3>
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<div id="LectureonBG210LondonAugust161973_0" class="quote" parent="Bhagavad-gita_As_It_Is_Lectures" book="Lec" index="45" link="Lecture on BG 2.10 -- London, August 16, 1973" link_text="Lecture on BG 2.10 -- London, August 16, 1973">
<div class="heading">The rascals, they paint picture, and that pictures are very much appreciated, that Kṛṣṇa is embracing gopīs. Somebody was telling me that... Last... Who came? That Kṛṣṇa's picture. So when Kṛṣṇa is killing Putanā, that picture they will not paint, or killing Kaṁsa, or... Kṛṣṇa has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopīs.
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<span class="link">[[Vanisource:Lecture on BG 2.10 -- London, August 16, 1973|Lecture on BG 2.10 -- London, August 16, 1973]]: </span><div class="text"><p style="display: inline;">Prabhupāda: So Bhīṣmadeva, in Rājasūya-yajña, admitted that "Nobody is better brahmacārī than Kṛṣṇa. He was within the gopīs, all young girls, but He remained a brahmacārī. If I would have been within the gopīs, I do not know what was, what would have been my condition." So therefore Kṛṣṇa is the perfect brahmacārī, Hṛṣīkeśa. And these rascals they are saying that Kṛṣṇa is immoral. No. Kṛṣṇa is perfect brahmacārī. Dhīra. Dhīra means one who is not agitated even there is cause of being agitated. So Kṛṣṇa is such a brahmacārī. In spite of in His just on the verge of youthhood at the age of 15, 16, years, all the village girls were friends, they were very much attracted with Kṛṣṇa's beauty. They used to come to Kṛṣṇa for dancing in the village. But He was brahmacārī. You will never hear that Kṛṣṇa had some illicit sex. No. There was no such thing description. The dancing is description, but no contraceptive pill. No. That is no described here. Therefore He is Hṛṣīkeśa. Hṛṣīkeśa means perfect brahmacārī. Vikāra-hetu, even there is cause of being agitated, He is not agitated. That is Kṛṣṇa. He has got thousands and thousands of devotees, and some of the devotees, if they want Kṛṣṇa as lover, Kṛṣṇa accepts that, but He does not require anyone else. He does not require. He is self-sufficient. He does not require anyone's help for His sense gratification. Therefore Kṛṣṇa is Hṛṣīkeśa, the master of the senses.</p>
<p>So at least Kṛṣṇa's devotees... There are many instances of Kṛṣṇa's devotees. They are also... Why many? Almost all devotees, they are master of the senses, gosvāmī. Just like Haridāsa Ṭhākura, you know. Haridāsa Ṭhākura was young man, and the village zamindar, he was Mohammedan. So everyone was eulogizing Haridāsa Ṭhākura, such a great devotee. So the zamindar, the village zamindar, he became very much envious. So he employed one prostitute to pollute Haridāsa Ṭhākura. And she came at dead of night, nicely dressed, attractive. She was also young, very beautiful. So she proposed that "I have come, being attracted by your beauty." Haridāsa Ṭhākura said, "Yes, that's all right. Come on, sit down. Let me finish my chanting. Then we shall enjoy." So she sat down. But Haridāsa Ṭhākura chanting, he was chanting... We, we cannot chant even sixteen rounds, and he was chanting three times sixty-four rounds. How many it is?</p>
<p>Revatinandana: 196.</p>
<p>Prabhupāda: 196 rounds. That was his only business. Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa... So sometimes somebody wants to imitate Haridāsa Ṭhākura. It is not possible. So Haridāsa Ṭhākura, when it became morning, the prostitute, "Sir, now it is morning." "Yes, next night I shall... Come next night. Today I could not finish my chanting." That was a plea. In this way three days passed. Then the prostitute became converted, fell down on his..., "Sir, I came to pollute you. Now save me, I am so fallen." So Haridāsa Ṭhākura said "Yes, I know that. I could have leaved this place immediately when you came, but I wanted that you have come to me, you may be converted to this Vaisnavism." So the prostitute became a great devotee by the mercy of... Haridāsa Ṭhākura said that "You sit down in this place. You chant Hare Kṛṣṇa before this tulasī plant. Now I am leaving this place."</p>
<p>So Kṛṣṇa-bhakti is like that. Full control over the senses. As Kṛṣṇa has got full control over the senses, similarly, those who are actually Kṛṣṇa devotees, they have got full control over the senses. Hṛṣīkeśa. Just like Yamunacārya. He is praying, he is speaking, yad-avadhi mama cittaḥ kṛṣṇa-padāravinde nava-nava-dhāmany udyataṁ rantum āsīt: "Since I have begun to feel transcendental bliss being taken shelter of the lotus feet of Kṛṣṇa," yad-avadhi mama cittaḥ kṛṣṇa-padāravinde, kṛṣṇa-padāravinde, the lotus feet of Kṛṣṇa. "Since my citta, my heart, has been attracted by the lotus feet of Kṛṣṇa," tad-avadhi bata nārī-saṅgame, "since then, as soon as I think of sex life," bhavati mukha-vikāraḥ, "I hate, I spit on it." This is Kṛṣṇa-bhakti. Kṛṣṇa-bhakti is like that. Bhakti-pareśānubhava-viraktir anyatra syāt. This most attractive feature in this material world is sex. That is the foundation of material life. All these people are working so hard day and night only for that sex enjoyment. Yan maithunādi-gṛha... They are taking so much risk. They are working, karmis, they are working so hard. What is their pleasure of life? The pleasure of life is sex. Yan maitunādi-gṛhamedhi-sukhaṁ hi tuccham. Very abominable activities, but that is their pleasure. This is material life. So Kṛṣṇa is not like that. But the rascals, they paint picture, and that pictures are very much appreciated, that Kṛṣṇa is embracing gopīs.  Somebody was telling me that... Last... Who came? That Kṛṣṇa's picture. So when Kṛṣṇa is killing Putanā, that picture they will not paint, or killing Kaṁsa, or... Kṛṣṇa has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopīs. One who cannot understand Kṛṣṇa, what is Kṛṣṇa, which Vyāsadeva has described what is Kṛṣṇa in nine cantos, to understand Kṛṣṇa, and then in the Tenth Canto he begins the birth advent of Kṛṣṇa... But these rascals, they jump over immediately to the rāsa-līlā. First of all understand Kṛṣṇa. Just like if you become a friend of some very big man, so first of all try to understand him. Then you'll try to understand his family affairs or confidential things. But these people jump over to the rāsa-līlā. And misunderstand. And therefore they sometimes say, "Kṛṣṇa is immoral." How Kṛṣṇa can be immoral? By accepting, by chanting Kṛṣṇa's name, the immoral persons are becoming moral, and Kṛṣṇa is immoral. Just see the foolishness. Simply by chanting Kṛṣṇa's name, all immoral persons are becoming moral. And Kṛṣṇa is immoral. And it is spoken by a rascal professor.</p>
<p>So it is very difficult. Nobody can understand Kṛṣṇa without becoming a pure devotee of Kṛṣṇa. Because Kṛṣṇa says, bhaktyā mām abhijānāti yāvān yas cāsmi tattvataḥ ([[Vanisource:BG 18.55 (1972)|BG 18.55]]). Tattvataḥ, in truth. Tattvataḥ means truth. If one wants to understand Kṛṣṇa as He is, then he has to take this process of devotional service, bhakta, bhakti. Hṛṣīkeṇa hṛṣīkeśa-sevanaṁ bhaktir ucyate ([[Vanisource:CC Madhya 19.170|CC Madhya 19.170]]). When one is employed as the servitor of Hṛṣīkeśa, the master of senses. Master, and hṛsīkeṇa, when your senses are also engaged in the service of the master of the senses, then you also become master of the senses. You also. Because your senses are engaged in the service of the Hṛṣīkeśa, the senses have no other opportunity to be engaged. Locked up. Sa vai manaḥ kṛṣṇa-padāravindayoḥ ([[Vanisource:SB 9.4.18-20|SB 9.4.18]]). So this is the process of devotional service. If you want to become master of the senses, gosvāmī, svāmī, then you should always keep your senses engaged in the service of Hṛṣīkeśa. That is the only way. Otherwise it is not possible. As soon as you become a little slack to engage your senses in the service of the master of the senses, immediately māyā is there, "Come on, please." This is the process. Kṛṣṇa bhuliyā jīva bhoga vāñchā kare, pāsate māyā tāre jāpaṭiyā dhare. As soon as you forget Kṛṣṇa, even for a moment, immediately māyā is there: "Please, my dear friend, come here." Therefore we have to become very cautious. We cannot forget Kṛṣṇa even for a moment. Therefore the chanting program, Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma... Always remember Kṛṣṇa. Then māyā will not be able to touch you. Mām eva ye prapadyante māyām etān taranti. Māyā cannot touch. Just like Haridāsa Ṭhākura. He was engaged in the service of Hṛṣīkeśa. Māyā came in full-fledged strength. Still, she was defeated; Haridāsa Ṭhākura was not defeated.</p>
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