Red (CC and Other Books)

Expressions researched:
"red" |"reddish" |"rosy"

CC Adi-lila

CC Adi 1.52, Purport:

The transcendental personal forms of the Lord are a mystery, and the symptoms of these forms, which are absolutely different from anything made of mundane elements, are also mysterious. The innumerable forms of the Lord, such as Śyāmasundara, Nārāyaṇa, Rāma and Gaurasundara; the colors of these forms (white, red, yellow, cloudlike śyāma and others); His qualities, as the responsive Personality of Godhead to pure devotees and as impersonal Brahman to dry speculators; His uncommon activities like lifting Govardhana Hill, marrying more than sixteen thousand queens at Dvārakā, and entering the rāsa dance with the damsels of Vraja, expanding Himself in as many forms as there were damsels in the dance—these and innumerable other uncommon acts and attributes are all mysteries, one aspect of which is presented in the scientific knowledge of the Bhagavad-gītā, which is read and adored all over the world by all classes of scholars, with as many interpretations as there are empiric philosophers. The truth of these mysteries was revealed to Brahmā by the descending process, without the help of the ascending one. The Lord's mercy descends to a devotee like Brahmā and, through Brahmā, to Nārada, from Nārada to Vyāsa, from Vyāsadeva to Śukadeva and so on in the bona fide chain of disciplic succession. We cannot discover the mysteries of the Lord by our mundane endeavors; they are only revealed, by His grace, to the proper devotees.

CC Adi 3.36, Translation and Purport:

"This boy (Kṛṣṇa) has three other colors—white, red and yellow—as He appears in different ages. Now He has appeared in a transcendental blackish color."

This is a verse from Śrīmad-Bhāgavatam (10.8.13).

CC Adi 3.37, Translation:

White, red and yellow—these are the three bodily lusters that the Lord, the husband of the goddess of fortune, assumes in the ages of Satya, Tretā and Kali respectively.

CC Adi 3.52, Purport:

That golden Lord Kṛṣṇa is Lord Caitanya, who is worshiped by intelligent men in this age. That is confirmed in Śrīmad-Bhāgavatam by Garga Muni, who said that although the child Kṛṣṇa was blackish, He also appears in three other colors—red, white and yellow. He exhibited His white and red complexions in the Satya and Tretā ages respectively. He did not exhibit the remaining color, yellow-gold, until He appeared as Lord Caitanya, who is known as Gaura Hari.

CC Adi 4.259, Translation:

“"My dear auspicious Rādhārāṇī, Your body is the source of all beauty. Your red lips are softer than the sense of immortal sweetness, Your face bears the aroma of a lotus flower, Your sweet words defeat the vibrations of the cuckoo, and Your limbs are cooler than the pulp of sandalwood. All My transcendental senses are overwhelmed in ecstatic pleasure by tasting You, who are completely decorated by beautiful qualities."

CC Adi 5.22, Purport:

Their chests are beautifully broad and fully decorated with necklaces of a brilliant diamondlike metal surrounded by costly jewels never to be found in the material world. The residents of Vaikuṇṭha are always powerful and effulgent. Some of them have complexions like red coral cat's eyes and lotus flowers, and each of them has earrings of costly jewels. On their heads they wear flowery crowns resembling garlands.

CC Adi 5.41, Purport:

"The Lord is personal although impersonal, He is atomic although great, and He is blackish and has red eyes although He is colorless." By material calculation all this may appear contradictory, but if we understand that the Supreme Personality of Godhead has inconceivable potencies, we can accept these facts as eternally possible in Him. In our present condition we cannot understand the spiritual activities and how they occur, but although they are inconceivable in the material context, we should not disregard such contradictory conceptions.

CC Adi 5.51, Purport:

To explain how māyā acts by Kṛṣṇa's power, the author of Śrī Caitanya-caritāmṛta gives the example of an iron rod in a fire: although the rod is not fire, it becomes red-hot and acts like fire itself. Similarly, all the actions and reactions of material nature are not actually the work of material nature but are actions and reactions of the energy of the Supreme Lord manifested through matter. The power of electricity is transmitted through the medium of copper, but this does not mean that the copper is electricity.

CC Adi 5.60, Translation:

Thus prakṛti, by the energy of Lord Kṛṣṇa, becomes the secondary cause, just as iron becomes red-hot by the energy of fire.

CC Adi 5.61, Purport:

The example given is that iron has no power to heat or burn, but after coming in contact with fire the iron becomes red-hot and can then diffuse heat and burn other things. Material nature is like iron, for it has no independence to act without the touch of Viṣṇu, who is compared to fire.

CC Adi 5.61, Purport:

Lord Viṣṇu activates material nature by the power of His glance, and then the ironlike material nature becomes a material-supplying agent just as iron made red-hot becomes a burning agent. Material nature cannot independently become an agent for supplying the material ingredients.

CC Adi 5.66, Purport:

Agitated by these qualities, the elements supplied by the material energy produce varieties of things, just as an artist produces varieties of pictures by mixing the three colors red, yellow and blue. Yellow represents the quality of goodness, red represents passion, and blue represents ignorance. Therefore the colorful material creation is but an interaction of these three qualities, represented in eighty-one varieties of mixtures (3 x 3 equaling 9, 9 x 9 thus equaling 81).

CC Adi 5.190, Translation:

His red stick moving in His hand, He seemed like a maddened lion. All around the four sides of His feet were bumblebees.

CC Adi 14.15, Translation and Purport:

“"There are thirty-two bodily symptoms of a great personality: five of his bodily parts are large, five fine, seven reddish, six raised, three small, three broad and three grave."

The five large parts are the nose, arms, chin, eyes and knees. The five fine parts are the skin, fingertips, teeth, hair on the body and hair on the head. The seven reddish parts are the eyes, soles, palms, palate, nails and upper and lower lips. The six raised parts are the chest, shoulders, nails, nose, waist and mouth. The three small parts are the neck, thighs and male organ. The three broad parts are the waist, forehead and chest. The three grave parts are the navel, voice and existence. Altogether these are the thirty-two symptoms of a great personality. This is a quotation from the Sāmudrika.

CC Adi 17.38, Purport:

Therefore outside Śrīvāsa Ṭhākura's door he placed various paraphernalia for worshiping Bhavānī, the wife of Lord Śiva, such as a red flower, a plantain leaf, a pot of wine, and reddish sandalwood paste.

CC Adi 17.38, Purport:

Since Śrīvāsa Ṭhākura was a well-known and respected Vaiṣṇava in Navadvīpa, Gopāla Cāpāla wanted to reduce his prestige by bringing him down to the platform of the śāktas. Therefore outside Śrīvāsa Ṭhākura's door he placed various paraphernalia for worshiping Bhavānī, the wife of Lord Śiva, such as a red flower, a plantain leaf, a pot of wine, and reddish sandalwood paste.

CC Adi 17.39, Translation:

On the upper portion of a plantain leaf he placed such paraphernalia for worship as oḍa-phula, turmeric, vermilion, red sandalwood and rice.

CC Adi 17.83, Translation:

The fruits were all red and yellow, with no seed inside and no skin outside, and eating one fruit would immediately fill a man's belly.

CC Adi 17.83, Purport:

In India a mango is considered best when it is red and yellow, its seed is very small, its skin is very thin, and it is so palatable that if a person eats one fruit he will be satisfied. The mango is considered the king of all fruits.

CC Adi 17.91, Purport:

When He thus heard the holy name of Lord Nṛsiṁha, Lord Caitanya became absorbed in thought, and He became angry like Nṛsiṁha Prabhu in His angry mood. His eyes became red, His bodily hairs stood on end, all the parts of His body trembled, and He made a thundering sound.

CC Madhya-lila

CC Madhya 1.41, Purport:

There are also fourteen manvantara incarnations: Yajña, Vibhu, Satyasena, Hari, Vaikuṇṭha, Ajita, Vāmana, Sārvabhauma, Ṛṣabha, Viṣvaksena, Dharmasetu, Sudhāmā, Yogeśvara and Bṛhadbhānu. There are also four incarnations for the four yugas, and their colors are described as white, red, blackish and black (sometimes yellow, as in the case of Lord Caitanya Mahāprabhu).

CC Madhya 2.72, Purport:

When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of aśru. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice.

CC Madhya 6.101, Translation:

“"In the past, your son has had bodies of three different colors, according to the age. These colors were white, red and yellow. In this age (Dvāpara-yuga) He has accepted a blackish body."

CC Madhya 6.101, Purport:

This verse from Śrīmad-Bhāgavatam (10.8.13) was spoken by Garga Muni when he was performing the rituals at Lord Kṛṣṇa's name-giving ceremony. He states that the incarnations of the Lord in other ages had been white, red and yellow. This yellow color refers to Śrī Caitanya Mahāprabhu, whose bodily complexion was yellowish. This confirms that in past Kali-yugas the Lord also had incarnated in a body that was yellow in hue.

CC Madhya 8.166, Purport:

“Her beauty is more and more enhanced, being decorated with the red kuṅkuma of beauty itself and the blackish musk of conjugal love. Thus Her body is decorated with different colors. Her ornaments embody the natural symptoms of ecstasy—trembling, tears, jubilation, stunning, perspiration, faltering of the voice, bodily redness, madness and dullness.

CC Madhya 8.166, Purport:

Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame. Her lips are always reddish due to the betel nut of ecstatic affection for Kṛṣṇa. The black ointment around Her eyes is Her tricky behavior with Kṛṣṇa brought about by love. Her joking with Kṛṣṇa and gentle smiling constitute the camphor with which She is perfumed. She sleeps in Her room with the aroma of pride, and when She lies down in Her bed, the transcendental variety of Her loving ecstasies is like a jeweled locket in the midst of Her necklace of separation.

CC Madhya 8.170, Translation:

“Śrīmatī Rādhārāṇī’s personal beauty is the reddish powder known as kuṅkuma, Her affection for Her associates is sandalwood pulp, and the sweetness of Her smile is camphor. All these, combined together, are smeared over Her body.

CC Madhya 8.173, Translation:

“Her attachment for Kṛṣṇa is the reddish color of betel nuts on Her brilliant lips. Her double-dealings in loving affairs constitute the black ointment around Her eyes.

CC Madhya 8.195, Translation:

Therefore one can no longer distinguish between You and Śrīmatī Rādhārāṇī. Now You have mixed Your newly invoked affection, which is like vermilion, with Your melted hearts, and for the benefit of the whole world You have painted both Your hearts red within this great palace of the universe.’”

CC Madhya 14.181, Translation:

“"Agitated by tears, Śrīmatī Rādhārāṇī"s eyes were tinged with red, just like the eastern horizon at sunrise. Her lips began to move with jubilation and lusty desire. Her eyebrows curved, and Her lotuslike face smiled mildly. Seeing Rādhārāṇī’s face exhibit such emotion, Lord Śrī Kṛṣṇa felt a million times happier than when He embraced Her. Indeed, Lord Śrī Kṛṣṇa's happiness is not at all mundane.’”

CC Madhya 20.246, Purport:

The four yuga-avatāras are (1) śukla (white) in Satya-yuga (SB 11.5.21), (2) rakta (red) in Tretā-yuga (SB 11.5.24), (3) śyāma (dark blue) in Dvāpara-yuga (SB 11.5.27) and (4) generally kṛṣṇa (black) but in special cases pīta (yellow) as Caitanya Mahāprabhu in Kali-yuga (SB 11.5.32 and 10.8.13).

CC Madhya 20.330, Translation:

“In the four yugas—Satya, Tretā, Dvāpara and Kali—the Lord incarnates in four colors: white, red, black and yellow respectively. These are the colors of the incarnations in different millenniums.

CC Madhya 20.331, Translation:

“"This child formerly had three colors according to the prescribed color for different millenniums. Formerly He was white, red and yellow, and now He has assumed a blackish color."

CC Madhya 20.333, Translation:

“"In Tretā-yuga, the Lord appeared in a body that had a reddish hue and four arms. There were three distinctive lines on His abdomen, and His hair was golden. His form manifested the Vedic knowledge, and He bore the symbols of a sacrificial spoon, ladle and so on."

CC Madhya 20.335, Translation:

“In Satya-yuga the people were generally advanced in spiritual knowledge and could meditate upon Kṛṣṇa very easily. The people's occupational duty in Tretā-yuga was to perform great sacrifices. This was induced by the Personality of Godhead in His reddish incarnation.

CC Madhya 21.131, Translation:

“Kṛṣṇa has two reddish, widely spread eyes. These are ministers of the king, and they subdue the pride of Cupid, who also has beautiful eyes. That face of Govinda, which is full of happiness, is the home of the pastimes of beauty, and it is very pleasing to everyone's eyes.

CC Madhya 24.235, Translation:

“The hunter's body was blackish. He had reddish eyes, and he appeared fierce. It was as if the superintendent of death, Yamarāja, were standing there with a bow and arrows in his hands.

CC Antya-lila

CC Antya 5.119, Purport:

Even the very body of a devotee becomes spiritualized, just as an iron rod put into fire becomes as qualified as fire because it becomes red hot and will immediately burn anything it touches. Therefore the poet from Bengal committed a great offense by treating Lord Jagannātha's body and Lord Jagannātha, the Supreme Personality of Godhead, as two different entities, material and spiritual, as if the Lord were an ordinary living being.

CC Antya 13.7, Translation:

He acquired some fine cloth and colored it with red oxide. Then he filled it with cotton from a śimula tree.

CC Antya 13.52, Translation:

Assuming the reddish cloth to be a gift from Caitanya Mahāprabhu, Jagadānanda Paṇḍita was overwhelmed with ecstatic love. Thus he questioned Sanātana Gosvāmī.

CC Antya 13.53, Translation:

"Where did you get that reddish cloth on your head?" Jagadānanda asked.

Sanātana Gosvāmī replied, "Mukunda Sarasvatī gave it to me."

CC Antya 18.25, Translation:

"As an independent leader among elephants enters the water with its female elephants, Kṛṣṇa, who is transcendental to the Vedic principles of morality, entered the water of the Yamunā with the gopīs. His chest had brushed against their breasts, crushing His flower garland and coloring it with red kuṅkuma powder. Attracted by the fragrance of that garland, humming bumblebees followed Kṛṣṇa like celestial beings of Gandharvaloka. In this way, Lord Kṛṣṇa mitigated the fatigue of the rāsa dance."

CC Antya 18.96, Translation:

“The hands of the gopīs, which resembled red lotus flowers, arose from the water in pairs to obstruct the bluish flowers. The blue lotuses tried to plunder the white cakravāka birds, and the red lotuses tried to protect them. Thus there was a fight between the two.

CC Antya 18.97, Translation:

“Blue and red lotus flowers are unconscious objects, whereas cakravākas are conscious and alive. Nevertheless, in ecstatic love, the blue lotuses began to taste the cakravākas. This is a reversal of their natural behavior, but in Lord Kṛṣṇa's kingdom such reversals are a principle of His pastimes.

CC Antya 18.98, Translation:

"The blue lotuses are friends of the sun-god, and though they all live together, the blue lotuses plunder the cakravākas. The red lotuses, however, blossom at night and are therefore strangers or enemies to the cakravākas. Yet in Kṛṣṇa's pastimes the red lotuses, which are the hands of the gopīs, protect their cakravāka breasts. This is a metaphor of contradiction."

CC Antya 18.98, Purport:

Normally, cakravākas move about whereas lotuses stand still, but herein Kṛṣṇa's hands, which are compared to blue lotuses, attack the breasts of the gopīs, which are compared to cakravākas. This is called a reverse analogy. At night the red lotus blossoms, whereas in sunlight it closes. Therefore the red lotus is an enemy of the sun and is unknown to the sun's friend the cakravāka. The gopīs' breasts, however, are compared to cakravākas and their hands to red lotuses protecting them. This is a wonderful instance of reverse analogy.

CC Antya 20.90-91, Purport:

I am a very insignificant living being, like a small red-beaked bird. Just as such a bird drinks the water of the sea to quench its thirst, so I have touched only a drop of the ocean of Śrī Caitanya Mahāprabhu's pastimes. From this example, you may all understand how expansive are the pastimes of Śrī Caitanya Mahāprabhu.

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 7:

The form of the Lord who causes the energy of material nature to bring about creation is Saṅkarṣaṇa, and it is understood that this cosmic manifestation is created when the material nature comes in contact with the superintendent energy of the Supreme Lord, Saṅkarṣaṇa. The example is given of iron becoming hot in contact with fire and, when red hot, acting just like fire.

Teachings of Lord Caitanya, Chapter 7:

The four yuga-avatāras are also described in Śrīmad-Bhāgavatam. In the Satya-yuga the incarnation of God is white; in the Tretā-yuga He is red; in the Dvāpara-yuga He is blackish; and in the Kali-yuga He is also blackish, but sometimes, in a special Kali-yuga, His color is yellowish (as in the case of Caitanya Mahāprabhu).

Teachings of Lord Caitanya, Chapter 8:

There are four yugas, or millenniums—Satya, Tretā, Dvāpara and Kali—and in each millennium the Supreme Lord appears in an incarnation of a different color. In the Satya-yuga the color of the principal incarnation is white, in the Tretā-yuga the color is red, in the Dvāpara-yuga blackish (Kṛṣṇa), and in the Kali-yuga yellow (Caitanya Mahāprabhu).

Teachings of Lord Caitanya, Chapter 8:

In the Tretā millennium the process for self-realization was the performance of various sacrifices, and this process was taught by the red incarnation of God.

Teachings of Lord Caitanya, Chapter 16:

The hunter's complexion was very black, and his eyes were red. It appeared to be dangerous just to see him standing there with his bow and arrows, looking just like an associate of Yamarāja, death.

Teachings of Lord Caitanya, Chapter 31:

The decorative transcendental pleasure potency manifests nine symptoms. Five of these are manifested by the expansion of Rādhārāṇī’s personal beauty, which is adorned with garlands of flowers. Her patient calmness is compared to a covering of cloths which have been cleansed by camphor. Her confidential agony for Kṛṣṇa is the knot in Her hair, and the mark of tilaka on Her forehead is Her good fortune. Rādhārāṇī’s sense of hearing is eternally fixed on Kṛṣṇa's name and fame. Chewing betel nuts makes one's lips reddish. Similarly, Rādhārāṇī’s complete attachment to Kṛṣṇa has blackened the borders of Her eyes.

Nectar of Devotion

Nectar of Devotion 8:

(12) One should not enter the temple after touching a dead body. (13) One should not enter the temple wearing garments of red or blue color or garments which are unwashed. (14) One should not enter the temple after seeing a dead body. (15) One should not pass air within the temple. (16) One should not be angry within the temple.

Nectar of Devotion 21:

He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities."

Nectar of Devotion 23:

There is a nice statement in the Kūrma Purāṇa about these contradictory traits of the Supreme Personality of Godhead. It is stated there that the Supreme Person is neither very fat nor very thin; He is always transcendental to material qualities, and yet His bodily luster is blackish. His eyes are reddish, He is all-powerful, and He is equipped with all different kinds of opulences. Contradictory traits in Kṛṣṇa's person are not at all surprising; one should not consider the characteristics of Kṛṣṇa, the Supreme Personality of Godhead, to be actually contradictory. One should try to understand the traits of Kṛṣṇa from authorities and try to understand how these characteristics are employed by the supreme will of the Lord.

Nectar of Devotion 26:

Kṛṣṇa's kaiśora age may be divided into three parts. In the beginning of His kaiśora age—that is, at the beginning of His eleventh year—the luster of His body becomes so bright that it becomes an impetus for ecstatic love. Similarly, there are reddish borders around His eyes, and a growth of soft hairs on His body. In describing this early stage of His kaiśora age, Kundalatā, one of the residents of Vṛndāvana, said to her friend, "My dear friend, I have just seen an extraordinary beauty appearing in the person of Kṛṣṇa. His blackish bodily hue appears just like the indranīla jewel. There are reddish signs on His eyes, and small soft hairs are coming out on His body. The appearance of these symptoms has made Him extraordinarily beautiful."

Nectar of Devotion 26:

Sometimes the gopīs would think about His soft nails, His moving eyebrows and His teeth, which were catechu-colored from chewing pan. One description was given by a gopī to her friend: "My dear friend, just see how the enemy of Agha has assumed such wonderful features! His brows are just like the brows of Cupid, and they are moving just as though they were dancing. The tips of His nails are so soft—it is as if they were dried bamboo leaves. His teeth are reddish, and so it appears that He has assumed a feature of anger. Under the circumstances, where is the chance for a young girl not to be attracted by such beautiful features and not to be afraid of becoming a victim to such beauty?"

Nectar of Devotion 26:

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṅkuma red spots on His body and the tilaka on His forehead.

Nectar of Devotion 26:

Generally, there are four kinds of garments on the body of Kṛṣṇa: His shirt, turban, belt and wearing garments. In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates. This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa's gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.

Nectar of Devotion 26:

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṅkuma red spots on His body and the tilaka on His forehead.

Nectar of Devotion 28:

When Kṛṣṇa and Balarāma were present in the arena of Kaṁsa, Kaṁsa's body changed color. Similarly, Indra's face changed color when he saw that Kṛṣṇa was protecting all the denizens of Vraja by lifting Govardhana Hill. If the color change takes place due to excessive jubilation, the hue turns red. Because such a change of color is so rare, Śrīla Rūpa Gosvāmī does not further discuss this point.

Nectar of Devotion 28:

In the Tenth Canto of Śrīmad-Bhāgavatam, Sixtieth Chapter, verse 23, there is a nice example of Rukmiṇī's shedding tears of lamentation. When Kṛṣṇa and Rukmiṇī were talking, Rukmiṇī became frightened of separation from Kṛṣṇa, and therefore she began scratching the earth with her red, lotuslike nails. Because she was shedding tears, the black ointment from her eyes was dripping, along with the tears, onto her breasts, which were covered with kuṅkuma powder. Rukmiṇī was so aggrieved that her voice was choked up.

Nectar of Devotion 28:

Out of jubilation, anger or separation there may be the pouring down of tears from the eyes. When such tears are very cold they are due to jubilation, and when they are due to anger the tears become hot. In all cases there is a severe movement of the eyes, and the eyes generally become reddish. There is also an itching sensation which causes the sufferer to rub his eyes.

Nectar of Devotion 30:

They began to draw lines on the ground with their toes, and with their tears they washed the black ointment from their eyes onto their breasts, which were covered with red kuṅkuma powder. This is an instance of anxiety in ecstatic love.

Nectar of Devotion 31:

In other words, attachment for Kṛṣṇa is one, but because there exist different kinds of devotees, such attachment is manifested in many varieties. As clothing tinged red appears red, so the temporary appearance of a certain type of feeling can be detected or observed by the specific ecstatic symptom. In fact, all the different humors and mellows of the devotees produce various specific feelings within the mind.

Nectar of Devotion 32:

It can be manifest sometimes in trembling of the body and changing of the color of the eyes (to red, white, etc.), although there is no symptom of any particular affection.

Nectar of Devotion 33:

Mahārāja Bali was so fortunate that the Lord extended before him His hand, which was reddish from touching the breast of the goddess of fortune, who is always smeared with red kuṅkuma powder. In other words, although the Personality of Godhead is so great that the goddess of fortune is always under His command for enjoyment, He still extended His hands to take charity from Mahārāja Bali.

Nectar of Devotion 33:

I cannot bear to see Your behavior, because even though Kṛṣṇa's peacock feather has touched Your feet, You still appear to be red-faced."

Nectar of Devotion 33:

Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence.

Nectar of Devotion 34:

Devotional service can therefore be divided into twelve types, each of which has a different color. The colors are white, multicolored, orange, red, light green, gray, yellow, off-whitish, smoky, pink, black and cloudy. The twelve different kinds of transcendental humors are controlled by different incarnations of God, such as Kapila, Mādhava, Upendra, Nṛsiṁha, Nanda-nandana, Balarāma, Kūrma, Kalki, Rāghava, Bhārgava, Varāha and Matsya.

Nectar of Devotion 41:

Of the five Pāṇḍavas, Arjuna is the most intimately connected with Kṛṣṇa. He has a nice bow called Gāṇḍīva in his hand. His thighs are compared to the trunks of elephants, and his eyes are always reddish. When Kṛṣṇa and Arjuna are together on a chariot, they become celestial beauties, pleasing to the eyes of everyone. It is said that once Arjuna was lying on his bed with his head upon Kṛṣṇa's lap and was talking and joking with Kṛṣṇa in great relaxation, enjoying Kṛṣṇa's company with smiling and great satisfaction.

Nectar of Devotion 41:

Out of all these confidential friends, Śrīdāmā is considered to be the chief. Śrīdāmā used to put on a yellow-colored dress. He would carry a buffalo horn, and his turban was of reddish, copper color. His bodily complexion was blackish, and around his neck there was a nice garland. He would always challenge Kṛṣṇa in joking friendship. Let us pray to Śrīdāmā to bestow his mercy upon us!

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Nectar of Devotion 43:

Similarly, Mahārāja Nanda would address his wife, "My dear Yaśodā, just look at your offspring, Kṛṣṇa! See His blackish bodily luster, His eyes tinged with red color, His broad chest and His nice golden neck lace! How wonderful He looks, and how He is increasing my transcendental bliss more and more!"

Nectar of Devotion 46:

Mahārāja Bali was so fortunate that the Lord extended before him His hand, which was reddish from touching the breast of the goddess of fortune, who is always smeared with red kuṅkuma powder. In other words, although the Personality of Godhead is so great that the goddess of fortune is always under His command for enjoyment, He still extended His hands to take charity from Mahārāja Bali.

Krsna, The Supreme Personality of Godhead

Krsna Book 3:

“You are called śuklam. Śuklam, or "whiteness," is the symbolic representation of the Absolute Truth because it is unaffected by the material qualities. Lord Brahmā is called rakta, or red, because Brahmā represents the quality of passion for creation. Darkness is entrusted to Lord Śiva because he annihilates the cosmos.

Krsna Book 5:

The gates were made of green leaves and flowers. All the cows, bulls and calves were smeared with a mixture of oil and turmeric and painted with minerals like red oxide, yellow clay and manganese. They wore garlands of peacock feathers and were covered with nice colored cloths and gold necklaces.

Krsna Book 6:

As she died screaming, there was a tremendous vibration on the earth and in the sky, on the upper and lower planets, and in all directions, and people thought that thunderbolts were falling. Thus the nightmare of the Pūtanā witch was over, and she assumed her real feature as a great demon. She opened her fierce mouth and spread her arms and legs all over. She fell exactly as Vṛtrāsura did when struck by the thunderbolt of Indra. The long hair on her head was scattered all over her body. Her fallen body extended up to twelve miles and smashed all the trees to pieces, and everyone was struck with wonder upon seeing this gigantic body. Her teeth appeared just like plows, and her nostrils appeared just like mountain caves. Her breasts appeared like small hills, and her hair was a vast reddish bush. Her eye sockets appeared like blind wells, and her two thighs appeared like two banks of a river. Her two hands appeared like two strongly constructed bridges, and her abdomen seemed like a dried-up lake. All the cowherd men and women became struck with awe and wonder upon seeing this. And the tumultuous sound of her falling shocked their brains and ears and made their hearts beat strongly.

Krsna Book 8:

Garga Muni then informed Nanda Mahārāja, “As far as your son is concerned, this child has taken different bodily complexions in different yugas (millennia). First of all He assumed the color white, then the color red, and then the color yellow, and now He has assumed the color black. Besides that, He was formerly the son of Vasudeva; therefore His name should be Vāsudeva as well as Kṛṣṇa. Some people will call Him Kṛṣṇa, and some will call Him Vāsudeva.

Krsna Book 9:

Just to stop the milk from spilling, Mother Yaśodā at once put Kṛṣṇa aside and went to the stove. Left in that state by His mother, Kṛṣṇa became very angry, and His lips and eyes became red in rage. He pressed His teeth and lips, and taking up a piece of stone, He immediately broke the butter pot. He took butter out of it, and with false tears in His eyes, He began to eat the butter in a secluded place.

Krsna Book 12:

The boys were fully decorated with various kinds of golden ornaments, yet out of sporting propensities they began to pick up flowers, leaves, twigs, peacock feathers and red clay from different places in the forest and further decorate themselves in different ways.

Krsna Book 12:

One of them said, “Yes, what you say is true. This animal's upper lip appears to be just like the sunshine, and its lower lip is just like the reflection of red sunshine on the ground. Dear friends, just look to the right- and left-hand side of the mouth of the animal. Its mouth appears to be like a big mountain cave, and its height cannot be estimated.

Krsna Book 14:

Govardhana Hill is always famous for supplying natural red oxides, and Kṛṣṇa and His friends painted their bodies with them. Each of them had a bugle made of buffalo horn and a stick and a flute, and each called his respective calves by their particular names.

Krsna Book 16:

Kṛṣṇa immediately pressed down the serpent's hoods and jumped up on them. The Lord's lotus feet became tinged with red from the rays of the jewels on the snake's hoods. Then He who is the original artist of all fine arts, such as dancing, began to dance upon the hoods of the serpent, although they were moving to and fro.

Krsna Book 20:

Due to rainfall, the grass, trees and other vegetation look very green. Sometimes the grass is covered by a certain kind of red insect, and when the green and red combine with the umbrellalike mushrooms, the entire scene changes, just like a person who has suddenly become rich.

Krsna Book 21:

The aborigine girls became fully satisfied when they smeared their faces and breasts with the dust of Vṛndāvana, which was reddish from the touch of Kṛṣṇa's lotus feet. The aborigine girls had very full breasts, and they were also very lusty, but when their lovers touched their breasts, the girls were not very much satisfied. When they came out into the midst of the forest, they saw that while Kṛṣṇa was walking some of the leaves and creepers of Vṛndāvana had turned reddish from the kuṅkuma powder which fell from His lotus feet. His lotus feet are held by the gopīs on their breasts, which are smeared with kuṅkuma powder, but when Kṛṣṇa travels in the Vṛndāvana forest with Balarāma and His boyfriends, the reddish powder falls on the ground. So the lusty aborigine girls, while looking toward Kṛṣṇa playing His flute, saw the reddish kuṅkuma on the ground and immediately took it and smeared it over their faces and breasts. In this way they became fully satisfied, although they were not satisfied when their lovers touched their breasts. All material lusty desires can be immediately satisfied if one comes in contact with Kṛṣṇa consciousness.

Krsna Book 26:

When he came to perform the name-giving ceremony, he said that this boy descends in different periods of time in different colors and that this time He has appeared in Vṛndāvana in a blackish color, known as kṛṣṇa. Previously He had a white color, then a red color, then a yellow color. He also said that this boy was once the son of Vasudeva, and everyone who knows of His previous birth calls Him Vāsudeva.

Krsna Book 29:

When the full moon rose in the east, it tinged everything with a reddish color. With the rising of the moon, the whole sky appeared smeared by red kuṅkuma. When a husband long separated from his wife returns home, he decorates the face of his wife with red kuṅkuma. This long-expected moonrise of the śarat season was thus smearing the eastern sky.

Krsna Book 29:

Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere and the blossoming flowers.

Krsna Book 29:

When the full moon rose in the east, it tinged everything with a reddish color. With the rising of the moon, the whole sky appeared smeared by red kuṅkuma. When a husband long separated from his wife returns home, he decorates the face of his wife with red kuṅkuma. This long-expected moonrise of the śarat season was thus smearing the eastern sky.

Krsna Book 30:

Otherwise, how is it possible that the aroma of His garland, which is smeared with the red kuṅkuma from the breasts of the goddess of fortune, can be perceived in the breeze blowing here? It appears that they must have passed through here and touched your bodies, and thus you are feeling so pleasant and are looking toward us with sympathy.

Krsna Book 32:

Fully satisfied in the company of Kṛṣṇa, they spread their cloths on the ground. These garments were made of fine linen and smeared with the red kuṅkuma which decorated their breasts. With great care they spread a sitting place for Kṛṣṇa. Kṛṣṇa was their life and soul, and they created a very comfortable seat for Him.

Krsna Book 33:

The necks of the gopīs became tinted with red due to their desire to enjoy Kṛṣṇa more and more. To satisfy them, Kṛṣṇa began to clap His hands in time with their singing. Actually the whole world is full of Kṛṣṇa's singing, but it is appreciated in different ways by different kinds of living entities.

Krsna Book 33:

The gopīs and Kṛṣṇa entered the water of the Yamunā just to relieve their fatigue from the rāsa dance. The lily-flower garlands around the necks of the gopīs were strewn to pieces due to the gopīs' embracing the body of Kṛṣṇa, and the flowers were reddish from being smeared with the kuṅkuma on their breasts. The bumblebees were humming about in order to get honey from the flowers. Kṛṣṇa and the gopīs entered the water of the Yamunā just as an elephant enters a water tank with his many female companions. Both the gopīs and Kṛṣṇa forgot their real identities, playing in the water, enjoying each other's company and relieving the fatigue of rāsa dancing. The gopīs began to splash water on the body of Kṛṣṇa, all the while smiling, and Kṛṣṇa enjoyed this. As Kṛṣṇa was taking pleasure in the joking words and splashing water, the demigods in the heavenly planets showered flowers. The demigods thus praised the superexcellent rāsa dance of Kṛṣṇa, the supreme enjoyer, and His pastimes with the gopīs in the water of the Yamunā.

Krsna Book 36:

Digging the earth with his hooves, Ariṣṭāsura lifted his tail, and it appeared that clouds were hovering about the tail. His eyes were reddish and moving in anger. Pointing his horns at Kṛṣṇa, he charged Him just like the thunderbolt of Indra. But Kṛṣṇa immediately caught his horns and tossed him away, just as a gigantic elephant repels a small inimical elephant. Although the demon was perspiring and appeared very tired, he took courage and got up. Again he charged Kṛṣṇa with great force and anger. While rushing toward Kṛṣṇa, he breathed very heavily.

Krsna Book 39:

When he saw Them on the chariot, he began to wonder whether he had mistakenly seen Them in the water. He therefore went back to the river. This time he saw not only Balarāma and Kṛṣṇa there but many of the demigods and all the Siddhas, Cāraṇas and Gandharvas. They were all bowing down before the Lord. He also saw Lord Śeṣa Nāga, with thousands of hoods. Lord Śeṣa Nāga was covered with bluish garments, and His necks were all white. The white necks of Śeṣa Nāga appeared exactly like snowcapped mountains. On the coiled lap of Śeṣa Nāga, Kṛṣṇa was sitting very soberly, with four hands. His eyes were like the reddish petals of the lotus flower.

Krsna Book 39:

In other words, after returning to the Yamunā, Akrūra saw Balarāma turned into Śeṣa Nāga and Kṛṣṇa turned into Mahā-Viṣṇu. He saw the four-handed Supreme Personality of Godhead, smiling very beautifully. The Lord was very pleasing to all and was looking toward everyone with a merciful glance. He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants.

Krsna Book 44:

"But my dear friends," another lady in the assembly spoke out, "just look at the face of Kṛṣṇa. There are drops of perspiration on His face from chasing His enemy, and His face appears like a lotus flower with drops of water."

Another lady said, “Don’t you see how the face of Lord Balarāma has turned especially beautiful? There is a reddish hue on His white face because He is engaged in a strenuous wrestling match with Muṣṭika.”

Krsna Book 47:

While the other gopīs were talking with Kṛṣṇa's messenger Uddhava, Śrīmatī Rādhārāṇī took that bumblebee to be a messenger from Kṛṣṇa and began to talk with it as follows: “Bumblebee, you are accustomed to drinking honey from flower to flower, and therefore you have preferred to be a messenger of Kṛṣṇa, who is of the same nature as you. I can see on your mustaches the red powder of kuṅkuma which was smeared on the flower garland of Kṛṣṇa while it was pressed against the breasts of some other girl who is My competitor. You feel very proud because of having touched that garland, and your mustaches have become reddish.

Krsna Book 47:

While the other gopīs were talking with Kṛṣṇa's messenger Uddhava, Śrīmatī Rādhārāṇī took that bumblebee to be a messenger from Kṛṣṇa and began to talk with it as follows: “Bumblebee, you are accustomed to drinking honey from flower to flower, and therefore you have preferred to be a messenger of Kṛṣṇa, who is of the same nature as you. I can see on your mustaches the red powder of kuṅkuma which was smeared on the flower garland of Kṛṣṇa while it was pressed against the breasts of some other girl who is My competitor. You feel very proud because of having touched that garland, and your mustaches have become reddish. You have come here carrying a message for Me, anxious to touch My feet. But My dear bumblebee, let Me warn you—don’t touch Me! I don’t want any messages from your unreliable master. You are the unreliable servant of an unreliable master.”

Krsna Book 55:

Pradyumna's wife, Māyāvatī, could travel in outer space, and therefore they directly reached his father's capital, Dvārakā, by the airways. They passed above the palace of Lord Kṛṣṇa and came down as a cloud comes down with lightning. The inner section of a palace is known as the antaḥ-pura (private apartments). Pradyumna and Māyāvatī could see many women there, and they set down among them. When the women saw Pradyumna, dressed in yellowish garments, with very long arms, curling hair, beautiful reddish eyes, a smiling face, jewelry and ornaments, they at first could not recognize him as a personality different from Kṛṣṇa. They all felt very bashful at the sudden presence of Kṛṣṇa and wanted to hide in a different corner of the palace.

Krsna Book 60:

I wanted to irritate you a bit, and I was expecting you to make counteranswers to those joking words. Unfortunately, you have taken them seriously; I am very sorry for it. I expected that your red lips would tremble in anger when you heard My statement and that you would chastise Me with many words.

Krsna Book 60:

Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds.

Krsna Book 60:

Rukmiṇī was conscious that her husband was not an ordinary human being. He was the Supreme Personality of Godhead, the master of the three worlds. By the way He was speaking, she was afraid of being separated from the Lord, for she had never heard such harsh words from Kṛṣṇa before. Thus she became perplexed with fear of separation, and her heart began to palpitate. Without replying to a word of Kṛṣṇa's statement, she simply cried in great anxiety, as if drowning in an ocean of grief. She silently scratched the floor with her toenails, which reflected reddish light on the floor. The tears from her eyes mixed with the black cosmetic ointment from her eyelids and dropped down, washing the kuṅkuma and saffron from her breasts.

Krsna Book 61:

Śrī Balarāma's losing the game was an opportunity for the King of Kaliṅga to criticize Kṛṣṇa and Balarāma. Thus the King of Kaliṅga was talking jokingly while purposefully showing his teeth to Balarāma. Because Balarāma was the loser in the game, He was a little intolerant of the sarcastic joking words and became somewhat agitated. Rukmī again challenged Balarāma and made a bet of a hundred thousand gold coins, but fortunately this time Balarāma won. Nonetheless, out of cunningness Rukmī claimed that Balarāma was the loser and that he himself had won. Because of this lie, Balarāmajī became most angry with Rukmī. His agitation was so sudden and great that it appeared like a tidal wave in the ocean on a full-moon day. Balarāma's eyes are naturally reddish, and when He became agitated and angry His eyes became more reddish. This time He challenged and made a bet of a hundred million coins.

Krsna Book 62:

When Bāṇāsura saw him, Aniruddha was engaged in playing with Ūṣā. Aniruddha was nicely dressed, and Ūṣā had garlanded him with various beautiful flowers. The reddish kuṅkuma powder put on the breasts of women was spotted here and there on the garland, indicating that Ūṣā had embraced him. Bāṇāsura was struck with wonder that, even in his presence, Aniruddha was peacefully sitting in front of Ūṣā. Aniruddha knew, however, that his would-be father-in-law was not at all pleased and that he was gathering many soldiers in the palace to attack him.

Krsna Book 69:

Beautiful birds were chirping, and peacocks crowed delightfully. There were ponds full of blue and red lotus flowers, and some of these ponds were filled with varieties of lilies. The lakes were full of nice swans and cranes, and the voices of these birds resounded everywhere.

Krsna Book 75:

When the queens, with their heavy breasts and thin waists, moved within the palace and their ankle bells rang very melodiously with their movement, the whole palace appeared more opulent than the heavenly kingdom. Because a portion of their breasts was sprinkled with saffron powder, the pearl necklaces on their breasts appeared reddish. With their beautiful earrings and flowing hair, the queens appeared very attractive. After seeing such beauties in the palace of King Yudhiṣṭhira, Duryodhana was envious.

Krsna Book 77:

When Lord Śrī Kṛṣṇa stood up with His disc to kill Śālva, He appeared just like a mountain with the red sun rising over it. Lord Kṛṣṇa then cut off Śālva's head, and the head, with its earrings and helmet, fell to the ground. Śālva was thus killed in the same way that Vṛtrāsura was killed by Indra, the King of heaven.

Krsna Book 78:

After the demise of Śiśupāla, Śālva and Pauṇḍraka, a foolish demoniac king of the name Dantavakra wanted to kill Kṛṣṇa to avenge the death of his friend Śālva. He became so agitated that he appeared on the battlefield without the proper arms and ammunition and without even a chariot. His only weapon was his great anger, which was red-hot. He carried only a club in his hand, but he was so powerful that when he moved, everyone felt the earth tremble.

Krsna Book 79:

Screaming loudly, the demon, who had been such a great disturbance to the pious brāhmaṇas, fell to the ground like a great mountain with a red oxide peak being struck and smashed to the ground by a thunderbolt.

Krsna Book 79:

Lord Balarāma prepared Himself to meet the demon Balvala. At the time when the demon usually attacked the sacred place, there appeared a great hailstorm, the whole sky became covered with dust, and the atmosphere became surcharged with a filthy smell. Just after this, the mischievous demon Balvala began to shower torrents of stool and urine and other impure substances on the arena of sacrifice. After this onslaught, the demon himself appeared with a great trident in his hand. He was a gigantic person, and his black body was like a huge mass of carbon. His hair, his beard and his mustache appeared reddish like copper, and because of his great beard and mustache, his mouth appeared dangerous and fierce. As soon as He saw the demon, Lord Balarāma prepared to attack him. He first considered how He could smash the great demon to pieces.

Krsna Book 89:

Because the quality of ignorance is prominent in Lord Śiva, when he heard Bhṛgu's insult his eyes immediately became red with anger. With uncontrollable rage, he took up his trident and prepared to kill Bhṛgu Muni.

Krsna Book 90:

The crystal-clear water of the lakes contained many blooming lotus flowers of different colors, like blue, yellow, white and red, and the saffron powder from the lotus flowers was blown all around by the breeze. All the lakes were full of beautiful swans, ducks and cranes, crying occasionally with melodious sounds.

Krsna Book 90:

Sometimes the wives of Lord Kṛṣṇa, who were all goddesses of fortune, would embrace the Lord in the midst of the water while swimming or taking a bath, and the red vermilion of kuṅkuma decorating their beautiful breasts would adorn the chest of the Lord with a reddish color.

Krsna Book 90:

All the lakes were full of beautiful swans, ducks and cranes, crying occasionally with melodious sounds. Lord Śrī Kṛṣṇa sometimes entered those lakes or the rivers with His wives and enjoyed swimming pastimes with them in full jubilation. Sometimes the wives of Lord Kṛṣṇa, who were all goddesses of fortune, would embrace the Lord in the midst of the water while swimming or taking a bath, and the red vermilion of kuṅkuma decorating their beautiful breasts would adorn the chest of the Lord with a reddish color.

Message of Godhead

Message of Godhead 2:

An example may be given here to illuminate the above process of spiritualization. When the iron is put into the fire and becomes red hot, the iron then develops the qualities of fire and stops functioning as iron. In the same way, when all our activities are done in terms of our relationship with Kṛṣṇa, then everything is surcharged with spiritualization.

Message of Godhead 2:

His perfect spiritual vision cannot but penetrate the encagement of every material body, just as a red-hot iron cannot but burn everything that it contacts. Thus, the karma-yogī sets an example of transcendental character, by engaging everyone and everything in the transcendental service of the Personality of Godhead.

Light of the Bhagavata

Light of the Bhagavata 8, Purport:

The beautiful Red Fort and the Taj Mahal were built by Shah Jahan, who left the place long ago, and many others have also come and gone in the same place, like seasonal flowers.

Mukunda-mala-stotra (mantras 1 to 6 only)

Mukunda-mala-stotra mantra 2, Purport:

The present verse of the Mukunda-mālā-stotra states that the color of the Lord's body is blackish, like that of a new cloud. Also, His body is very soft. Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.