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Panca-tattva (Letters): Difference between revisions

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<div id="LettertoJaduraniSanFrancisco16December1967_0" class="quote" parent="1967_Correspondence" book="Let" index="235" link="Letter to Jadurani -- San Francisco 16 December, 1967" link_text="Letter to Jadurani -- San Francisco 16 December, 1967">
<div id="LettertoJaduraniSanFrancisco16December1967_0" class="quote" parent="1967_Correspondence" book="Let" index="235" link="Letter to Jadurani -- San Francisco 16 December, 1967" link_text="Letter to Jadurani -- San Francisco 16 December, 1967">
<span class="link">[[Vanisource:Letter to Jadurani -- San Francisco 16 December, 1967|Letter to Jadurani -- San Francisco 16 December, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Yes, as I told you before, you can send all the different varieties of pictures to every center, especially the Sankirtana picture and Radha-Krishna picture. As you asked, the Panca-tattva paintings also.</p>
<span class="link">[[Vanisource:Letter to Jadurani -- San Francisco 16 December, 1967|Letter to Jadurani -- San Francisco 16 December, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Yes, as I told you before, you can send all the different varieties of pictures to every center, especially the Sankirtana picture and Radha-Krishna picture. As you asked, the Panca-tattva paintings also.</p>
</div>
</div>
<div id="LettertoJaduraniSanFrancisco23December1967_1" class="quote" parent="1967_Correspondence" book="Let" index="245" link="Letter to Jadurani -- San Francisco 23 December, 1967" link_text="Letter to Jadurani -- San Francisco 23 December, 1967">
<span class="link">[[Vanisource:Letter to Jadurani -- San Francisco 23 December, 1967|Letter to Jadurani -- San Francisco 23 December, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">You should think of this line and how we can help you and how your God-brothers can help you.</p>
<p>I have no objection to your sending to N.Y. for the print of Panca-tattva.</p>
</div>
</div>
<div id="1968_Correspondence" class="sub_section" sec_index="3" parent="Correspondence" text="1968 Correspondence"><h3>1968 Correspondence</h3>
</div>
<div id="LettertoHamsadutaLosAngeles4March1968_0" class="quote" parent="1968_Correspondence" book="Let" index="103" link="Letter to Hamsaduta -- Los Angeles 4 March, 1968" link_text="Letter to Hamsaduta -- Los Angeles 4 March, 1968">
<span class="link">[[Vanisource:Letter to Hamsaduta -- Los Angeles 4 March, 1968|Letter to Hamsaduta -- Los Angeles 4 March, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">There is no doubt about our success if we can make this Kirtana party successful. The most important point in this connection is that we shall never be professional; that is to say, we shall try to make the Kirtana party perfect from the point of view of Krishna Consciousness. The idea of introducing Panca-tattva in the kirtana party was also contemplated by me. Not only that, we have to prepare different dresses for Radha and Krishna, and Their eight confidential Associates, Sakhis. Sometimes you have to dress somebody as Nrsimhadeva and Prahlada; in this way, we shall have varieties of show along with the kirtana, and all the varieties will be picked up from Srimad-Bhagavatam and Bhagavad-gita. We have to teach the Brahmacaris and the Brahmacarinis to speak in Sanskrit some of the verses in this connection, and we explain the verses by singing, chanting, and speaking also. Sometimes in the middle of chanting and singing, we shall speak also. So, all these varieties show will be so attractive with melodious musical sounds, and above all our good behavior and advanced Krishna Consciousness, will make this show very successful.</p>
</div>
</div>
<div id="LettertoBrahmanandaSanFrancisco21March1968_1" class="quote" parent="1968_Correspondence" book="Let" index="118" link="Letter to Brahmananda -- San Francisco 21 March, 1968" link_text="Letter to Brahmananda -- San Francisco 21 March, 1968">
<span class="link">[[Vanisource:Letter to Brahmananda -- San Francisco 21 March, 1968|Letter to Brahmananda -- San Francisco 21 March, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So far the order of photos in the Teachings of Lord Caitanya is concerned, they should go like this: My photo, Guru Maharaja's photo, Srila Gaura Kisora, Srila Bhaktivinode, Lord Caitanya, and lastly, Lord Caitanya's Birthplace. For Lord Caitanya's photo, you may use a photograph of one of Jadurani's recent paintings of Panca-tattva. The other five pictures will be with the reading matter.</p>
</div>
</div>
<div id="LettertoBalaiSanFrancisco22March1968_2" class="quote" parent="1968_Correspondence" book="Let" index="120" link="Letter to Balai -- San Francisco 22 March, 1968" link_text="Letter to Balai -- San Francisco 22 March, 1968">
<span class="link">[[Vanisource:Letter to Balai -- San Francisco 22 March, 1968|Letter to Balai -- San Francisco 22 March, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I am so pleased to hear of the activities of Jadurani and her artist assistants. We require this service, as we require so many pictures. Pictures, books, etc., all we shall sell on world tour with our Sankirtana party. So we require a lot of pictures in stock; and wherever we open our centers, we must have at least Panca-tattva picture, Visnu picture, Sankirtana painting, and Spiritual Master's picture, and Radha Krishna painting—they are all required. Therefore, Krishna has sent so many devotees to work on the painting department, so we have to utilize them fully, so their service is fully utilized for advancing in Krishna Consciousness.</p>
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</div>
<div id="LettertoJaduraniSanFrancisco8April1968_3" class="quote" parent="1968_Correspondence" book="Let" index="138" link="Letter to Jadurani -- San Francisco 8 April, 1968" link_text="Letter to Jadurani -- San Francisco 8 April, 1968">
<span class="link">[[Vanisource:Letter to Jadurani -- San Francisco 8 April, 1968|Letter to Jadurani -- San Francisco 8 April, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Yes, the Panca-tattva picture is standard, no need of changing. Panca-tattva belongs to Navadvipa and it is authentic. In Vrindaban, there is Radha-Krishna, that you have got enough pictures of, and you have got picture of Radha Madan Mohan Temple. When you go to Vrindaban, you can take pictures of important places; wait for those days when I shall accompany you in all the important places of Vrindaban.</p>
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<div id="LettertoJaduraniSanFrancisco13April1968_4" class="quote" parent="1968_Correspondence" book="Let" index="146" link="Letter to Jadurani -- San Francisco 13 April, 1968" link_text="Letter to Jadurani -- San Francisco 13 April, 1968">
<span class="link">[[Vanisource:Letter to Jadurani -- San Francisco 13 April, 1968|Letter to Jadurani -- San Francisco 13 April, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Our institution is mainly for the devotees and as it is the custom in India, devotees are maintained by the general public, who are engaged in materialistic activities for sense gratification. But in this country it is not possible that the Brahmacaris or Sannyasis shall beg from door to door, as it is the custom in India. But at the same time we require some money for conducting our business of our society. Therefore the idea was that we may sell some pictures but so far I understand that even if we follow the principles of modern artists, still our pictures like Narada Muni, Panca-tattva, etc., will not have immediate prospective market. If there is actually any prospect for selling our pictures put up in this modern artistic way, then I have no objection for putting pictures in this way for selling them. But if that is not possible, then I think we should not waste time in this way. Of course, I am not an artist, neither I have power to see from artistic viewpoint; I am a layman, so whichever picture appeals to me I say it is nice, and whichever picture does not appeal to me I say it is not nice. That is my common sense affair. Therefore my remark has no value from artistic sense.</p>
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<div id="LettertoJaduraniMontreal9July1968_5" class="quote" parent="1968_Correspondence" book="Let" index="229" link="Letter to Jadurani -- Montreal 9 July, 1968" link_text="Letter to Jadurani -- Montreal 9 July, 1968">
<span class="link">[[Vanisource:Letter to Jadurani -- Montreal 9 July, 1968|Letter to Jadurani -- Montreal 9 July, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Please try to paint the following pictures in quantity—namely, the "Mohan Madhuri" which you have sent here in Montreal, that is to say, Radha and Krishna with the 8 principal gopis; the Sankirtana picture of Lord Caitanya; and Panca-tattva. These pictures should be popularized in our movement and try to paint them very nicely. I am anxious about you because you are conducting one of the important departments of our activities, namely, painting of pictures and this will make your life successful. Keep yourself always healthy because you have to work so much for Krishna, and whenever you feel some difficulty, you may immediately inform me. This girl, Madhavi Lata, has come here to stay, for some days, and I learned that several girls have come from New York to you; I do not know what they are doing, and I shall be glad to hear from you farther in this matter.</p>
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<div id="LettertoJaduraniLosAngeles6November1968_6" class="quote" parent="1968_Correspondence" book="Let" index="399" link="Letter to Jadurani -- Los Angeles 6 November, 1968" link_text="Letter to Jadurani -- Los Angeles 6 November, 1968">
<span class="link">[[Vanisource:Letter to Jadurani -- Los Angeles 6 November, 1968|Letter to Jadurani -- Los Angeles 6 November, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding the picture, Panca-tattva, I do not think there is necessity of putting them in perspective. Actually they are standing on the same line. Just like a group photo is taken and nobody looks smaller or greater. That is the system. But the thing is that if you make Lord Caitanya smaller, that would not be nice. He should be larger, and actually he was very large and broad shouldered. So better to paint as you have been doing, and with Lord Caitanya a little larger.</p>
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<div id="1969_Correspondence" class="sub_section" sec_index="4" parent="Correspondence" text="1969 Correspondence"><h3>1969 Correspondence</h3>
</div>
<div id="LettertoHamsadutaLosAngeles9February1969_0" class="quote" parent="1969_Correspondence" book="Let" index="107" link="Letter to Hamsaduta -- Los Angeles 9 February, 1969" link_text="Letter to Hamsaduta -- Los Angeles 9 February, 1969">
<span class="link">[[Vanisource:Letter to Hamsaduta -- Los Angeles 9 February, 1969|Letter to Hamsaduta -- Los Angeles 9 February, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding the Panca-tattva picture, it is simply a pose of Lord Caitanya and some of His associates receiving service from Their devotees and chanting Hare Krishna. Panca-tattva is described as Krishna in five expansions, namely Krishna Himself in the role of a devotee; His Incarnation in the role of a devotee; His energy in the role of a devotee; His expansion in the role of a devotee; and His two energies (internal and marginal) in the role of devotees. So the external energy is not there. Therefore the whole manifestation is transcendental. There are three energies, namely internal, external, and marginal. Although all of the energies are connected with Krishna, the external energy is differentiated. Just like darkness is another part of light, and therefore darkness can not stand before the light, but it stands somewhere by the side of the light. Without light, there is no existence of darkness, but darkness cannot be found in the light. Similarly, there is no darkness or activities of the external energy in the Pastimes of Lord Caitanya.</p>
</div>
</div>
<div id="LettertoKancanbalaLosAngeles25February1969_1" class="quote" parent="1969_Correspondence" book="Let" index="148" link="Letter to Kancanbala -- Los Angeles 25 February, 1969" link_text="Letter to Kancanbala -- Los Angeles 25 February, 1969">
<span class="link">[[Vanisource:Letter to Kancanbala -- Los Angeles 25 February, 1969|Letter to Kancanbala -- Los Angeles 25 February, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I thank you so much for your letter dated February 10, 1969, and I have noted the contents with pleasure. I am pleased to note that you are painting nicely, so go on improving your abilities because we will require so many paintings for our temples. You may paint pictures of Guru Maharaja, me, Bhaktivinode Thakura, Gaura Kisora, Panca-tattva, Sankirtana, etc. We have immense work to be done so you become expert painter. That will engladden me, and it will be a great benefit to all society.</p>
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</div>
<div id="LettertoVibhavatiAllstonMass25April1969_2" class="quote" parent="1969_Correspondence" book="Let" index="246" link="Letter to Vibhavati -- Allston, Mass 25 April, 1969" link_text="Letter to Vibhavati -- Allston, Mass 25 April, 1969">
<span class="link">[[Vanisource:Letter to Vibhavati -- Allston, Mass 25 April, 1969|Letter to Vibhavati -- Allston, Mass 25 April, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I beg to thank you for your letter dated April 23, 1969 sent along with the Panca-tattva painting, and I am so glad to learn that you are also a good painter. Your first attempt has been almost successful, so I request you to continue to practice so that excellent paintings may be drawn by you. We require so many pictures for our temples which are already present and which will be opened in the future. Immediately upon receipt of your picture, I had it hung right above my Deity room. Wherever I go I convert one closet into my Deity room, so I shall always be seeing your picture there.</p>
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</div>
<div id="1970_Correspondence" class="sub_section" sec_index="5" parent="Correspondence" text="1970 Correspondence"><h3>1970 Correspondence</h3>
</div>
<div id="LettertoHimavatiLosAngeles1April1970_0" class="quote" parent="1970_Correspondence" book="Let" index="212" link="Letter to Himavati -- Los Angeles 1 April, 1970" link_text="Letter to Himavati -- Los Angeles 1 April, 1970">
<span class="link">[[Vanisource:Letter to Himavati -- Los Angeles 1 April, 1970|Letter to Himavati -- Los Angeles 1 April, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding taking Lord Jagannatha to your next center, that will not be very good because you already do not have enough devotees to engage in Arcana. Unless there is a Deity worshipper available, we may worship Panca-tattva and Guru. That can be done by all initiated students whether they are once or twice initiated. Before an altar with pictures of Lord Caitanya, Pancatattva and Acaryas, everyone can offer Aratrik and Bhoga.</p>
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</div>
<div id="LettertoDamodaraLosAngeles1July1970_1" class="quote" parent="1970_Correspondence" book="Let" index="395" link="Letter to Damodara -- Los Angeles 1 July, 1970" link_text="Letter to Damodara -- Los Angeles 1 July, 1970">
<span class="link">[[Vanisource:Letter to Damodara -- Los Angeles 1 July, 1970|Letter to Damodara -- Los Angeles 1 July, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I do not know what Kirtanananda Maharaja has told you, but where there is want of pujaris only Panca Tattva picture should be worshiped by performance of Kirtana and as soon as Jagannatha or Radha Krsna Deities are installed you will require some qualified pujaris immediately.  If there is scarcity of such qualifies pujaris, each center should be satisfied only by worshiping Panca Tattva of Lord Caitanya by performance of Sankirtana.</p>
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</div>
<div id="LettertoHarivilas371HindusthanRoadCalcutta29IndiaSeptember21st1970_2" class="quote" parent="1970_Correspondence" book="Let" index="523" link="Letter to Harivilas -- 37/1 Hindusthan Road; Calcutta-29; India September 21st, 1970" link_text="Letter to Harivilas -- 37/1 Hindusthan Road; Calcutta-29; India September 21st, 1970">
<span class="link">[[Vanisource:Letter to Harivilas -- 37/1 Hindusthan Road; Calcutta-29; India September 21st, 1970|Letter to Harivilas -- 37/1 Hindusthan Road; Calcutta-29; India September 21st, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I think Krishna is giving you good intelligence to manage everything in Paris.  Everyone should be kept fully engaged one hundred percent of the time in Krishna's service without a vacant moment so that Maya will never have a chance to act.  It does not matter what one's engagement in Krishna's service may be; Krishna accepts equally the service given to Him by a little calf and that given by Srimati Radharani.  So we should all be very much appreciative of our God-brothers' and Godsisters' service.  I am glad that Aradhana and Santanu are engaged in painting pictures.  As we open more temples there is a greater and greater need for paintings.  So they can paint as many as possible pictures of Panca Tattva and Acharyas and distribute them to all the new temples—this will be a great service to our society.</p>
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</div>
<div id="LettertoTulsiBombay9November1970_3" class="quote" parent="1970_Correspondence" book="Let" index="579" link="Letter to Tulsi -- Bombay 9 November, 1970" link_text="Letter to Tulsi -- Bombay 9 November, 1970">
<span class="link">[[Vanisource:Letter to Tulsi -- Bombay 9 November, 1970|Letter to Tulsi -- Bombay 9 November, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Please see that the schedule of offerings is done regularly without any break. To worship the Deity or to worship Panca-tattva means that there can be no upsetting of the schedule of offerings. You have seen our L.A. temple and how nicely the pujaris are doing everything. So, in the same way, try and make your worship equally nice. In that way you will have the full blessings of Srimati Radharani.</p>
</div>
</div>
<div id="1971_Correspondence" class="sub_section" sec_index="6" parent="Correspondence" text="1971 Correspondence"><h3>1971 Correspondence</h3>
</div>
<div id="LettertoKrsnaDeviGorakhpur16February1971_0" class="quote" parent="1971_Correspondence" book="Let" index="69" link="Letter to Krsna Devi -- Gorakhpur 16 February, 1971" link_text="Letter to Krsna Devi -- Gorakhpur 16 February, 1971">
<span class="link">[[Vanisource:Letter to Krsna Devi -- Gorakhpur 16 February, 1971|Letter to Krsna Devi -- Gorakhpur 16 February, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Yes, you can set up a Guru-Gauranga altar and if you can offer full arati ceremony, that is nice. Panca-tattva are most merciful.</p>
</div>
</div>
<div id="LettertoGovindaDelhi20November1971_1" class="quote" parent="1971_Correspondence" book="Let" index="532" link="Letter to Govinda -- Delhi 20 November, 1971" link_text="Letter to Govinda -- Delhi 20 November, 1971">
<span class="link">[[Vanisource:Letter to Govinda -- Delhi 20 November, 1971|Letter to Govinda -- Delhi 20 November, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The Panca-tattva can all be golden. The Deity of Lord Caitanya is very nicely done so there is no need to change the color. Yes, Srivas Pandit has sikha. Vaisnava must have sikha. Advaita Prabhu has a full white beard. He was an old man. He was practically older than the father of Lord Caitanya. He was an elder gentleman in the town of Navadvipa, elder of the brahmana community. All should wear Tulasi kunti beads, not less than two strands. Three, four strands or my Guru Maharaja had five strands. Only Lord Caitanya and Lord Nityananda wear crowns and nosepins. Lord Caitanya and Lord Nityananda can be decorated with all kinds of jewelry. For Krishna Tulasi and Rama Tulasi the the worship is the same. There is no difference between Rama and Krishna. Both are the Supreme Personality of Godhead. Simply they are expansions of the same Absolute Truth.</p>
</div>
</div>
<div id="1972_Correspondence" class="sub_section" sec_index="7" parent="Correspondence" text="1972 Correspondence"><h3>1972 Correspondence</h3>
</div>
<div id="LettertoGovindaMadras12February1972_0" class="quote" parent="1972_Correspondence" book="Let" index="84" link="Letter to Govinda -- Madras 12 February, 1972" link_text="Letter to Govinda -- Madras 12 February, 1972">
<span class="link">[[Vanisource:Letter to Govinda -- Madras 12 February, 1972|Letter to Govinda -- Madras 12 February, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding the Panca-tattva deities, the pictures you have sent are very nice. Because they live in Bengal, dhoti, shirt and chaddar are the standard dress, and if they are dressed in this style with different colors, that is nice. They should normally always be dressed in dhoti, but if occasionally you dress them in skirt-dress outfit, that can be also. They may all five wear jewellery, why not?</p>
</div>
</div>
<div id="LettertoAbhiramaCalcutta16February1972_1" class="quote" parent="1972_Correspondence" book="Let" index="90" link="Letter to Abhirama -- Calcutta 16 February, 1972" link_text="Letter to Abhirama -- Calcutta 16 February, 1972">
<span class="link">[[Vanisource:Letter to Abhirama -- Calcutta 16 February, 1972|Letter to Abhirama -- Calcutta 16 February, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Yes, you may install either the Jagannatha deities, the Panca-tattva, or, if you are very serious to engage in deity worship program, you may have both, according to the direction and advice of your GBC man. But this deity worship is very serious program, and it must be kept to the utmost highest standard and never allowed to be neglected. So if you are willing and able to initiate such program in Baltimore center, I have no objection.</p>
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</div>
<div id="LettertoCyavanaLosAngeles23May1972_2" class="quote" parent="1972_Correspondence" book="Let" index="275" link="Letter to Cyavana -- Los Angeles 23 May, 1972" link_text="Letter to Cyavana -- Los Angeles 23 May, 1972">
<span class="link">[[Vanisource:Letter to Cyavana -- Los Angeles 23 May, 1972|Letter to Cyavana -- Los Angeles 23 May, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have enclosed herewith some photos from the deity installation of Panca-tattva in Honolulu. I remember that you have good ability to do propaganda work, so I am entrusting that you will try for printing these photos in the big newspapers in Bombay. You can write that they are taken at the deity installation in our Honolulu ISKCON center on May 7, 1972.</p>
</div>
</div>
<div id="1973_Correspondence" class="sub_section" sec_index="8" parent="Correspondence" text="1973 Correspondence"><h3>1973 Correspondence</h3>
</div>
<div id="LettertoKarandharaBombay31March1973_0" class="quote" parent="1973_Correspondence" book="Let" index="114" link="Letter to Karandhara -- Bombay 31 March, 1973" link_text="Letter to Karandhara -- Bombay 31 March, 1973">
<span class="link">[[Vanisource:Letter to Karandhara -- Bombay 31 March, 1973|Letter to Karandhara -- Bombay 31 March, 1973]]: </span><div style="display: inline;" class="text"><p style="display: inline;">There is no need of adding further Deities. Once installed it cannot be changed. Do not make it childish, too much addition of Deities will encumber us. At first, either Panca Tattva or Gaura-Nitai Deities may be installed, taking care that there is sufficient space. There is no need to consult with me for these installations, the local president can decide whether the circumstances are opportune.</p>
</div>
</div>
<div id="1974_Correspondence" class="sub_section" sec_index="9" parent="Correspondence" text="1974 Correspondence"><h3>1974 Correspondence</h3>
</div>
<div id="LettertoMuralidharaMayapur7March1974_0" class="quote" parent="1974_Correspondence" book="Let" index="67" link="Letter to Muralidhara -- Mayapur 7 March, 1974" link_text="Letter to Muralidhara -- Mayapur 7 March, 1974">
<span class="link">[[Vanisource:Letter to Muralidhara -- Mayapur 7 March, 1974|Letter to Muralidhara -- Mayapur 7 March, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Please accept my blessings. I have received your letter sent to Mayapur with a list of questions regarding your painting pictures for my books. The answers are as follows.</p>
<p>1. Kardama Muni should look something like you have pictured Vyasadeva, with beard and top know of hair, not as you have pictured him in your drawing. Generally munis have beards.</p>
<p>2. a) The kinnaras and kimpurasas should look like demigods.</p>
<p> b) Ghosts and hobgoblins look all rights as you have them pictured.</p>
<p> c) There is nothing peculiar looking about Yaksas and Raksasas; they are meat eaters. Just as meat eaters in the ordinary world do not look different. You may show them eating meat, or something like that.</p>
<p> d) The Manus should look like kings, they should not have beards, but mustaches.</p>
<p>3. As far as wearing beards one class of men like Advaita Prabhu never wore clean shaven appearance but always had a beard. The other process is to be nicely clean shaven, by the barber. King PratapaRudra was a king so he should not wear a beard but mustaches.</p>
<p>4. Svarupa Damodara should look like a brahmacari. He should not have a beard.</p>
<p>5. In Panca-tattva everyone has an effulgence, but especially Lord Caitanya and Lord Nityananda</p>
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</div>
<div id="LettertoAmeyatmaBombay8December1974_1" class="quote" parent="1974_Correspondence" book="Let" index="656" link="Letter to Ameyatma -- Bombay 8 December, 1974" link_text="Letter to Ameyatma -- Bombay 8 December, 1974">
<span class="link">[[Vanisource:Letter to Ameyatma -- Bombay 8 December, 1974|Letter to Ameyatma -- Bombay 8 December, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding the painting of the arati ceremony, yes do it as it is described in the song. The ceremony was held inside. No arati takes place in the open. Lord Caitanya was a householder at the time. Navadvipa lila means householder lila. The form exhibited was the Panca-tattva form, as it is described: dakhine nitaicand bame gadadhara. Not only are Brahma and Lord Siva but all demigods are offering. And, everyone has got sikhas, why you are asking if only Narahari and others have got? Srivasa was grhastha, and Advaita acharya was grhastha.</p>
</div>
</div>
<div id="1975_Correspondence" class="sub_section" sec_index="10" parent="Correspondence" text="1975 Correspondence"><h3>1975 Correspondence</h3>
</div>
<div id="LettertoKalacandaHonolulu31May1975_0" class="quote" parent="1975_Correspondence" book="Let" index="291" link="Letter to Kalacanda -- Honolulu 31 May, 1975" link_text="Letter to Kalacanda -- Honolulu 31 May, 1975">
<span class="link">[[Vanisource:Letter to Kalacanda -- Honolulu 31 May, 1975|Letter to Kalacanda -- Honolulu 31 May, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Please accept my blessings. I am in due receipt of your letter dated Trivikrama 1,489 and have noted the contents. Thank you for the nice photos. I saw one photo there of Bharadraja's doll studio along with the others. You can tell him that we want many Panca-tattva Deities made out of cement or plaster paris. They can be made the same size as the L.A. Gaura-Nitai Deities.</p>
</div>
</div>
<div id="LettertoMadhudvisaDetroit4August1975_1" class="quote" parent="1975_Correspondence" book="Let" index="448" link="Letter to Madhudvisa -- Detroit 4 August, 1975" link_text="Letter to Madhudvisa -- Detroit 4 August, 1975">
<span class="link">[[Vanisource:Letter to Madhudvisa -- Detroit 4 August, 1975|Letter to Madhudvisa -- Detroit 4 August, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding Adelaide, unless you are sure that the Deity worship will go on nicely, do not install the Deity. Simply have kirtana and keep the Panca-tattva picture, that's all. What are the ingredients of the Lord Caitanya murti? Metal or wood is best, but not ordinary wood. Neem wood which is never attacked by moth is best. Regarding New Zealand Spiritual Sky, that you must decide. Spiritual Sky is not important.</p>
</div>
</div>
<div id="LettertoSukadevaBombay9November1975_2" class="quote" parent="1975_Correspondence" book="Let" index="652" link="Letter to Sukadeva -- Bombay 9 November, 1975" link_text="Letter to Sukadeva -- Bombay 9 November, 1975">
<span class="link">[[Vanisource:Letter to Sukadeva -- Bombay 9 November, 1975|Letter to Sukadeva -- Bombay 9 November, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding putting in the new temple floor, marble, and extending the Deity room, yes, that is nice. And your plans to have marble Panca-Tattva Deities, that is also good. You ask whether you should make your life's endeavor to have a temple on every island, but I say first of all improve the present temple, then talk of others.</p>
</div>
</div>
<div id="LettertoKirtananandaBombay10November1975_3" class="quote" parent="1975_Correspondence" book="Let" index="661" link="Letter to Kirtanananda -- Bombay 10 November, 1975" link_text="Letter to Kirtanananda -- Bombay 10 November, 1975">
<span class="link">[[Vanisource:Letter to Kirtanananda -- Bombay 10 November, 1975|Letter to Kirtanananda -- Bombay 10 November, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding your question about the dancing, the dancing should be done enthusiastically by raising the hands like Panca-Tattva. You can also dance enthusiastically by raising hands. All of Lord Caitanya's followers used to dance with raised hands. If someone dances with ecstasy, that is all right, but it is better to dance with raised hands.</p>
</div>
</div>
<div id="1976_Correspondence" class="sub_section" sec_index="11" parent="Correspondence" text="1976 Correspondence"><h3>1976 Correspondence</h3>
</div>
<div id="LettertoKarandharaMayapur29January1976_0" class="quote" parent="1976_Correspondence" book="Let" index="83" link="Letter to Karandhara -- Mayapur 29 January, 1976" link_text="Letter to Karandhara -- Mayapur 29 January, 1976">
<span class="link">[[Vanisource:Letter to Karandhara -- Mayapur 29 January, 1976|Letter to Karandhara -- Mayapur 29 January, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The photos of my murti are very nice. The murti of the Spiritual Master should be treated as good as the Deity. Saksad-dharitvena samasta-sastrair, uktas tatha bhavyata eva sadbhih/kintu prabhor yah priya eva tasya **, The guru should be treated as good as God. This is stated in all the sastras. The difference is that God is master-God and guru is servant-God. So the installation ceremony for such a murti should be similar to that done for other Deities. All Temples can have this Deity if they like. But Temples which have only Panca-tattva painting worship should not be given this Deity.</p>
</div>
</div>
<div id="LettertoSukadevaMayapur4February1976_1" class="quote" parent="1976_Correspondence" book="Let" index="109" link="Letter to Sukadeva -- Mayapur 4 February, 1976" link_text="Letter to Sukadeva -- Mayapur 4 February, 1976">
<span class="link">[[Vanisource:Letter to Sukadeva -- Mayapur 4 February, 1976|Letter to Sukadeva -- Mayapur 4 February, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The Panca-tattva should not have long hair. It should only come to Their shoulders as you have shown in the drawing. Please correct this.</p>
</div>
</div>
<div id="LettertoGabhiraMayapur21February1976_2" class="quote" parent="1976_Correspondence" book="Let" index="159" link="Letter to Gabhira -- Mayapur 21 February, 1976" link_text="Letter to Gabhira -- Mayapur 21 February, 1976">
<span class="link">[[Vanisource:Letter to Gabhira -- Mayapur 21 February, 1976|Letter to Gabhira -- Mayapur 21 February, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">In your office you can hang a nice picture of the Panca Tattva done by a good artist, or a sankirtana picture. I am also recognized as an ordained minister by the immigration authorities.</p>
</div>
</div>
<div id="1977_Correspondence" class="sub_section" sec_index="12" parent="Correspondence" text="1977 Correspondence"><h3>1977 Correspondence</h3>
</div>
<div id="LettertoGurukrpaBombay6April1977_0" class="quote" parent="1977_Correspondence" book="Let" index="84" link="Letter to Gurukrpa -- Bombay 6 April, 1977" link_text="Letter to Gurukrpa -- Bombay 6 April, 1977">
<span class="link">[[Vanisource:Letter to Gurukrpa -- Bombay 6 April, 1977|Letter to Gurukrpa -- Bombay 6 April, 1977]]: </span><div style="display: inline;" class="text"><p style="display: inline;">As you have suggested I am instructing Bharadraja to immediately make a new set of Panca-tattva Deities for our Hawaii temple.</p>
</div>
</div>
</div>
</div>
</div>
</div>

Latest revision as of 08:06, 5 February 2012

Correspondence

1967 Correspondence

Letter to Jadurani -- San Francisco 16 December, 1967:

Yes, as I told you before, you can send all the different varieties of pictures to every center, especially the Sankirtana picture and Radha-Krishna picture. As you asked, the Panca-tattva paintings also.

Letter to Jadurani -- San Francisco 23 December, 1967:

You should think of this line and how we can help you and how your God-brothers can help you.

I have no objection to your sending to N.Y. for the print of Panca-tattva.

1968 Correspondence

Letter to Hamsaduta -- Los Angeles 4 March, 1968:

There is no doubt about our success if we can make this Kirtana party successful. The most important point in this connection is that we shall never be professional; that is to say, we shall try to make the Kirtana party perfect from the point of view of Krishna Consciousness. The idea of introducing Panca-tattva in the kirtana party was also contemplated by me. Not only that, we have to prepare different dresses for Radha and Krishna, and Their eight confidential Associates, Sakhis. Sometimes you have to dress somebody as Nrsimhadeva and Prahlada; in this way, we shall have varieties of show along with the kirtana, and all the varieties will be picked up from Srimad-Bhagavatam and Bhagavad-gita. We have to teach the Brahmacaris and the Brahmacarinis to speak in Sanskrit some of the verses in this connection, and we explain the verses by singing, chanting, and speaking also. Sometimes in the middle of chanting and singing, we shall speak also. So, all these varieties show will be so attractive with melodious musical sounds, and above all our good behavior and advanced Krishna Consciousness, will make this show very successful.

Letter to Brahmananda -- San Francisco 21 March, 1968:

So far the order of photos in the Teachings of Lord Caitanya is concerned, they should go like this: My photo, Guru Maharaja's photo, Srila Gaura Kisora, Srila Bhaktivinode, Lord Caitanya, and lastly, Lord Caitanya's Birthplace. For Lord Caitanya's photo, you may use a photograph of one of Jadurani's recent paintings of Panca-tattva. The other five pictures will be with the reading matter.

Letter to Balai -- San Francisco 22 March, 1968:

I am so pleased to hear of the activities of Jadurani and her artist assistants. We require this service, as we require so many pictures. Pictures, books, etc., all we shall sell on world tour with our Sankirtana party. So we require a lot of pictures in stock; and wherever we open our centers, we must have at least Panca-tattva picture, Visnu picture, Sankirtana painting, and Spiritual Master's picture, and Radha Krishna painting—they are all required. Therefore, Krishna has sent so many devotees to work on the painting department, so we have to utilize them fully, so their service is fully utilized for advancing in Krishna Consciousness.

Letter to Jadurani -- San Francisco 8 April, 1968:

Yes, the Panca-tattva picture is standard, no need of changing. Panca-tattva belongs to Navadvipa and it is authentic. In Vrindaban, there is Radha-Krishna, that you have got enough pictures of, and you have got picture of Radha Madan Mohan Temple. When you go to Vrindaban, you can take pictures of important places; wait for those days when I shall accompany you in all the important places of Vrindaban.

Letter to Jadurani -- San Francisco 13 April, 1968:

Our institution is mainly for the devotees and as it is the custom in India, devotees are maintained by the general public, who are engaged in materialistic activities for sense gratification. But in this country it is not possible that the Brahmacaris or Sannyasis shall beg from door to door, as it is the custom in India. But at the same time we require some money for conducting our business of our society. Therefore the idea was that we may sell some pictures but so far I understand that even if we follow the principles of modern artists, still our pictures like Narada Muni, Panca-tattva, etc., will not have immediate prospective market. If there is actually any prospect for selling our pictures put up in this modern artistic way, then I have no objection for putting pictures in this way for selling them. But if that is not possible, then I think we should not waste time in this way. Of course, I am not an artist, neither I have power to see from artistic viewpoint; I am a layman, so whichever picture appeals to me I say it is nice, and whichever picture does not appeal to me I say it is not nice. That is my common sense affair. Therefore my remark has no value from artistic sense.

Letter to Jadurani -- Montreal 9 July, 1968:

Please try to paint the following pictures in quantity—namely, the "Mohan Madhuri" which you have sent here in Montreal, that is to say, Radha and Krishna with the 8 principal gopis; the Sankirtana picture of Lord Caitanya; and Panca-tattva. These pictures should be popularized in our movement and try to paint them very nicely. I am anxious about you because you are conducting one of the important departments of our activities, namely, painting of pictures and this will make your life successful. Keep yourself always healthy because you have to work so much for Krishna, and whenever you feel some difficulty, you may immediately inform me. This girl, Madhavi Lata, has come here to stay, for some days, and I learned that several girls have come from New York to you; I do not know what they are doing, and I shall be glad to hear from you farther in this matter.

Letter to Jadurani -- Los Angeles 6 November, 1968:

Regarding the picture, Panca-tattva, I do not think there is necessity of putting them in perspective. Actually they are standing on the same line. Just like a group photo is taken and nobody looks smaller or greater. That is the system. But the thing is that if you make Lord Caitanya smaller, that would not be nice. He should be larger, and actually he was very large and broad shouldered. So better to paint as you have been doing, and with Lord Caitanya a little larger.

1969 Correspondence

Letter to Hamsaduta -- Los Angeles 9 February, 1969:

Regarding the Panca-tattva picture, it is simply a pose of Lord Caitanya and some of His associates receiving service from Their devotees and chanting Hare Krishna. Panca-tattva is described as Krishna in five expansions, namely Krishna Himself in the role of a devotee; His Incarnation in the role of a devotee; His energy in the role of a devotee; His expansion in the role of a devotee; and His two energies (internal and marginal) in the role of devotees. So the external energy is not there. Therefore the whole manifestation is transcendental. There are three energies, namely internal, external, and marginal. Although all of the energies are connected with Krishna, the external energy is differentiated. Just like darkness is another part of light, and therefore darkness can not stand before the light, but it stands somewhere by the side of the light. Without light, there is no existence of darkness, but darkness cannot be found in the light. Similarly, there is no darkness or activities of the external energy in the Pastimes of Lord Caitanya.

Letter to Kancanbala -- Los Angeles 25 February, 1969:

I thank you so much for your letter dated February 10, 1969, and I have noted the contents with pleasure. I am pleased to note that you are painting nicely, so go on improving your abilities because we will require so many paintings for our temples. You may paint pictures of Guru Maharaja, me, Bhaktivinode Thakura, Gaura Kisora, Panca-tattva, Sankirtana, etc. We have immense work to be done so you become expert painter. That will engladden me, and it will be a great benefit to all society.

Letter to Vibhavati -- Allston, Mass 25 April, 1969:

I beg to thank you for your letter dated April 23, 1969 sent along with the Panca-tattva painting, and I am so glad to learn that you are also a good painter. Your first attempt has been almost successful, so I request you to continue to practice so that excellent paintings may be drawn by you. We require so many pictures for our temples which are already present and which will be opened in the future. Immediately upon receipt of your picture, I had it hung right above my Deity room. Wherever I go I convert one closet into my Deity room, so I shall always be seeing your picture there.

1970 Correspondence

Letter to Himavati -- Los Angeles 1 April, 1970:

Regarding taking Lord Jagannatha to your next center, that will not be very good because you already do not have enough devotees to engage in Arcana. Unless there is a Deity worshipper available, we may worship Panca-tattva and Guru. That can be done by all initiated students whether they are once or twice initiated. Before an altar with pictures of Lord Caitanya, Pancatattva and Acaryas, everyone can offer Aratrik and Bhoga.

Letter to Damodara -- Los Angeles 1 July, 1970:

I do not know what Kirtanananda Maharaja has told you, but where there is want of pujaris only Panca Tattva picture should be worshiped by performance of Kirtana and as soon as Jagannatha or Radha Krsna Deities are installed you will require some qualified pujaris immediately. If there is scarcity of such qualifies pujaris, each center should be satisfied only by worshiping Panca Tattva of Lord Caitanya by performance of Sankirtana.

Letter to Harivilas -- 37/1 Hindusthan Road; Calcutta-29; India September 21st, 1970:

I think Krishna is giving you good intelligence to manage everything in Paris. Everyone should be kept fully engaged one hundred percent of the time in Krishna's service without a vacant moment so that Maya will never have a chance to act. It does not matter what one's engagement in Krishna's service may be; Krishna accepts equally the service given to Him by a little calf and that given by Srimati Radharani. So we should all be very much appreciative of our God-brothers' and Godsisters' service. I am glad that Aradhana and Santanu are engaged in painting pictures. As we open more temples there is a greater and greater need for paintings. So they can paint as many as possible pictures of Panca Tattva and Acharyas and distribute them to all the new temples—this will be a great service to our society.

Letter to Tulsi -- Bombay 9 November, 1970:

Please see that the schedule of offerings is done regularly without any break. To worship the Deity or to worship Panca-tattva means that there can be no upsetting of the schedule of offerings. You have seen our L.A. temple and how nicely the pujaris are doing everything. So, in the same way, try and make your worship equally nice. In that way you will have the full blessings of Srimati Radharani.

1971 Correspondence

Letter to Krsna Devi -- Gorakhpur 16 February, 1971:

Yes, you can set up a Guru-Gauranga altar and if you can offer full arati ceremony, that is nice. Panca-tattva are most merciful.

Letter to Govinda -- Delhi 20 November, 1971:

The Panca-tattva can all be golden. The Deity of Lord Caitanya is very nicely done so there is no need to change the color. Yes, Srivas Pandit has sikha. Vaisnava must have sikha. Advaita Prabhu has a full white beard. He was an old man. He was practically older than the father of Lord Caitanya. He was an elder gentleman in the town of Navadvipa, elder of the brahmana community. All should wear Tulasi kunti beads, not less than two strands. Three, four strands or my Guru Maharaja had five strands. Only Lord Caitanya and Lord Nityananda wear crowns and nosepins. Lord Caitanya and Lord Nityananda can be decorated with all kinds of jewelry. For Krishna Tulasi and Rama Tulasi the the worship is the same. There is no difference between Rama and Krishna. Both are the Supreme Personality of Godhead. Simply they are expansions of the same Absolute Truth.

1972 Correspondence

Letter to Govinda -- Madras 12 February, 1972:

Regarding the Panca-tattva deities, the pictures you have sent are very nice. Because they live in Bengal, dhoti, shirt and chaddar are the standard dress, and if they are dressed in this style with different colors, that is nice. They should normally always be dressed in dhoti, but if occasionally you dress them in skirt-dress outfit, that can be also. They may all five wear jewellery, why not?

Letter to Abhirama -- Calcutta 16 February, 1972:

Yes, you may install either the Jagannatha deities, the Panca-tattva, or, if you are very serious to engage in deity worship program, you may have both, according to the direction and advice of your GBC man. But this deity worship is very serious program, and it must be kept to the utmost highest standard and never allowed to be neglected. So if you are willing and able to initiate such program in Baltimore center, I have no objection.

Letter to Cyavana -- Los Angeles 23 May, 1972:

I have enclosed herewith some photos from the deity installation of Panca-tattva in Honolulu. I remember that you have good ability to do propaganda work, so I am entrusting that you will try for printing these photos in the big newspapers in Bombay. You can write that they are taken at the deity installation in our Honolulu ISKCON center on May 7, 1972.

1973 Correspondence

Letter to Karandhara -- Bombay 31 March, 1973:

There is no need of adding further Deities. Once installed it cannot be changed. Do not make it childish, too much addition of Deities will encumber us. At first, either Panca Tattva or Gaura-Nitai Deities may be installed, taking care that there is sufficient space. There is no need to consult with me for these installations, the local president can decide whether the circumstances are opportune.

1974 Correspondence

Letter to Muralidhara -- Mayapur 7 March, 1974:

Please accept my blessings. I have received your letter sent to Mayapur with a list of questions regarding your painting pictures for my books. The answers are as follows.

1. Kardama Muni should look something like you have pictured Vyasadeva, with beard and top know of hair, not as you have pictured him in your drawing. Generally munis have beards.

2. a) The kinnaras and kimpurasas should look like demigods.

b) Ghosts and hobgoblins look all rights as you have them pictured.

c) There is nothing peculiar looking about Yaksas and Raksasas; they are meat eaters. Just as meat eaters in the ordinary world do not look different. You may show them eating meat, or something like that.

d) The Manus should look like kings, they should not have beards, but mustaches.

3. As far as wearing beards one class of men like Advaita Prabhu never wore clean shaven appearance but always had a beard. The other process is to be nicely clean shaven, by the barber. King PratapaRudra was a king so he should not wear a beard but mustaches.

4. Svarupa Damodara should look like a brahmacari. He should not have a beard.

5. In Panca-tattva everyone has an effulgence, but especially Lord Caitanya and Lord Nityananda

Letter to Ameyatma -- Bombay 8 December, 1974:

Regarding the painting of the arati ceremony, yes do it as it is described in the song. The ceremony was held inside. No arati takes place in the open. Lord Caitanya was a householder at the time. Navadvipa lila means householder lila. The form exhibited was the Panca-tattva form, as it is described: dakhine nitaicand bame gadadhara. Not only are Brahma and Lord Siva but all demigods are offering. And, everyone has got sikhas, why you are asking if only Narahari and others have got? Srivasa was grhastha, and Advaita acharya was grhastha.

1975 Correspondence

Letter to Kalacanda -- Honolulu 31 May, 1975:

Please accept my blessings. I am in due receipt of your letter dated Trivikrama 1,489 and have noted the contents. Thank you for the nice photos. I saw one photo there of Bharadraja's doll studio along with the others. You can tell him that we want many Panca-tattva Deities made out of cement or plaster paris. They can be made the same size as the L.A. Gaura-Nitai Deities.

Letter to Madhudvisa -- Detroit 4 August, 1975:

Regarding Adelaide, unless you are sure that the Deity worship will go on nicely, do not install the Deity. Simply have kirtana and keep the Panca-tattva picture, that's all. What are the ingredients of the Lord Caitanya murti? Metal or wood is best, but not ordinary wood. Neem wood which is never attacked by moth is best. Regarding New Zealand Spiritual Sky, that you must decide. Spiritual Sky is not important.

Letter to Sukadeva -- Bombay 9 November, 1975:

Regarding putting in the new temple floor, marble, and extending the Deity room, yes, that is nice. And your plans to have marble Panca-Tattva Deities, that is also good. You ask whether you should make your life's endeavor to have a temple on every island, but I say first of all improve the present temple, then talk of others.

Letter to Kirtanananda -- Bombay 10 November, 1975:

Regarding your question about the dancing, the dancing should be done enthusiastically by raising the hands like Panca-Tattva. You can also dance enthusiastically by raising hands. All of Lord Caitanya's followers used to dance with raised hands. If someone dances with ecstasy, that is all right, but it is better to dance with raised hands.

1976 Correspondence

Letter to Karandhara -- Mayapur 29 January, 1976:

The photos of my murti are very nice. The murti of the Spiritual Master should be treated as good as the Deity. Saksad-dharitvena samasta-sastrair, uktas tatha bhavyata eva sadbhih/kintu prabhor yah priya eva tasya **, The guru should be treated as good as God. This is stated in all the sastras. The difference is that God is master-God and guru is servant-God. So the installation ceremony for such a murti should be similar to that done for other Deities. All Temples can have this Deity if they like. But Temples which have only Panca-tattva painting worship should not be given this Deity.

Letter to Sukadeva -- Mayapur 4 February, 1976:

The Panca-tattva should not have long hair. It should only come to Their shoulders as you have shown in the drawing. Please correct this.

Letter to Gabhira -- Mayapur 21 February, 1976:

In your office you can hang a nice picture of the Panca Tattva done by a good artist, or a sankirtana picture. I am also recognized as an ordained minister by the immigration authorities.

1977 Correspondence

Letter to Gurukrpa -- Bombay 6 April, 1977:

As you have suggested I am instructing Bharadraja to immediately make a new set of Panca-tattva Deities for our Hawaii temple.