Lord Caitanya then sang a nice song to Sanātana Gosvāmīabout the opulences of Kṛṣṇa: "All the pastimes of Kṛṣṇa are exactly like the activities of human beings. Therefore it is to be understood that His form is like that of a human being. Indeed, the human form is an imitation of His form. Kṛṣṇa is dressed just like a cowherd boy. He has a flute in His hand, and He seems to be just like a newly grown youth. He is always playful, and He plays just like an ordinary boy."
Thus Lord Caitanya begin telling Sanātana Gosvāmī about the beautiful aspects of Kṛṣṇa. The Lord said that anyone who understands these beautiful qualities is dipped into an ocean of nectar. Kṛṣṇa's yogamāyā potency is transcendental, beyond the material energy, but the Lord exhibits His transcendental potency even within this material world just to satisfy His confidential devotees. In other words, Kṛṣṇa appears in the material world to satisfy His devotees. His qualities are so attractive that Kṛṣṇa Himself becomes eager to understand Himself. When He is fully decorated and stands with His body curved in three ways, with His eyebrows always moving and His eyes so attractive, the gopīs become enchanted. His special abode is at the top of the spiritual sky, and He resides there with His associates—the cowherd boys, the gopīs and all the goddesses of fortune. It is there that He is known as Madana-mohana.
There are many different pastimes of Kṛṣṇa, such as His pastimes in the forms of Vāsudeva and Saṅkarṣaṇa. In the material sky He performs pastimes as the first puruṣa incarnation, the creator of the material world. There are also pastimes in which He incarnates as a fish or a tortoise or takes the forms of Lord Brahmā and Lord Śiva, incarnations of the material qualities. In His pastimes as an empowered incarnation, He takes the form of King Pṛthu, and He also performs pastimes as the Supersoul in everyone's heart and as the impersonal Brahman as well.
Among Kṛṣṇa's innumerable pastimes, however, the most important are His humanlike activities—frolicking in Vṛndāvana, dancing with the gopīs, playing with the Pāṇḍavas on the Battlefield of Kurukṣetra and playing in Mathurā and Dvārakā. And His most important pastimes in the human form are those in which He appears as a cowherd boy, a newly grown youth who plays a flute. Just a partial manifestation of His pastimes in Goloka—in Gokula, Mathurā and Dvārāvatī, or Dvārakā—can overflood the whole universe with love of Godhead. Everyone can be attracted by the beautiful qualities of Kṛṣṇa.
The manifestation of Kṛṣṇa's internal potency (yogamāyā) is not exhibited in the part of the kingdom of God comprising the Vaikuṇṭha planets, but Kṛṣṇa does exhibit that internal potency within the universe when He descends from His personal abode out of His inconceivable mercy. Kṛṣṇa is so wonderful and attractive that He Himself becomes attracted by His own beauty, and this is proof that He is full of all inconceivable potencies. As far as the ornaments decorating Kṛṣṇa's body are concerned, it appears that they do not beautify Him but that they themselves become beautiful simply by being on His body. Always standing in a three-curved way, He attracts all living entities, including the demigods. Indeed, He even attracts the Nārāyaṇa form who presides in every Vaikuṇṭha planet.