Instrument (Letters)

Expressions researched:
"instrument" |"instrumental" |"instrumentally" |"instrumentation" |"instruments"

1947 to 1965 Correspondence

Letter to Brothers -- Allahabad 1 January, 1955:

(8) After partaking the "Mangalaratrik" Prasadam, he shall attend the morning class of "Path Kirtana" in which chanting of the holy name of God along with musical instruments, will be sung before and after reading of "Srimad Bhagavad-gita" "Bhagavatam" etc. This function will continue from 6 to 8 in the morning.

1966 Correspondence

Letter to Sumati Morarjee -- New York 18 March, 1966:

Now I shall require some Sankirtana instruments from India and three men to assist me in my missionary activities. And if the Temple is started I have to bring many things from India and I wish that you may kindly arrange for free conveyance of my men and goods in this connection.

1967 Correspondence

Letter to Mukunda -- Calcutta 8 December, 1967:

You will be glad to know that I have arranged with Messrs. Dwarkin & Son, 8/2 Esplanade East, Calcutta-1, to supply all kinds of musical instruments to our society at a special discount of 20%.

1968 Correspondence

Letter to Hamsaduta, Himavati -- Los Angeles 3 March, 1968:

Responsive chanting is very nice; one good singer may lead, and the others may join in. That is the system in India. It is very good for two reasons especially: One, the chanter gets to rest, so he does not become tired, and two, you get to chant and hear, that is the process. You may also have melodious accompaniment instruments, and amplifiers. Blowing of the conch shell and horns is very nice.

Letter to Hayagriva -- San Francisco 17 March, 1968:

I am so glad to understand that you are missing the atmosphere of S.F. which you so nicely enjoyed last year, and similarly, I am also missing your company which I enjoyed last year here. Whenever I go to the class, I remember you, how joyfully you were chanting in the Temple, and whistling the bugle so nicely. Whenever I see the cornet lying idle because nobody can play on this particular instrument, I remember Hayagriva Brahmacari immediately.

Letter to Hamsaduta -- Allston, Mass 28 May, 1968:

One or two boys from S.F. can join you at any moment, that is not a problem. But you must have some men locally. The process should be at least 4 to 6 men must be competent to begin the chanting with instruments and the members of the audience should be requested to join them. If you can make this practice successful, you can go anywhere.

Letter to Hamsaduta -- Montreal 21 June, 1968:

I think Krishna is giving you the required intelligence how to spread our transcendental movement. This is the right way, as you have adopted. To chant Hare Krishna, very nicely, with musical instruments and mrdanga, speak the philosophy of Bhagavad-gita, and sell our literatures like books and magazines. That process will make our mission successful. Please try to do it very nicely.

1969 Correspondence

Letter to Larry Snyder, Mark Perlman, John Curran -- Los Angeles 1 February, 1969:

Just begin chanting Hare Krishna in the accompaniment of a beating drum and the playing of cymbals. There is no necessity of any other instrument at present. The chanting is very simple; Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama Rama, Hare Hare. So in this way for 15-20 minutes you chant, and then read from our Bhagavad-gita.

Letter to Upendra -- Columbus, Ohio 8 May, 1969:

At the present moment, my material mind, intelligence and ego is carrying me in different types of bodies, because mind has different desires, and it carries the soul just like finer air carries the flavor of the flower or some other smell. So the mind is an instrument, and the soul is the worker of the instrument.

Letter to Jadurani -- New Vrindaban 26 May, 1969:

Regarding your question about kirtana, practically we are not concerned with the instruments. They are used sometimes to make it sweeter, but if we divert our attention for using the instruments more, that is not good. Generally kirtana is performed with mrdanga and karatalas, but if somebody is expert instrument player, he can be admitted to join Sankirtana. We can accept everything for Krishna's service, but not taking the risk of diverting attention to any other thing which will hinder our Krishna Consciousness. That should be our motto, or principle.

Letter to Bharadraja -- New Vrindaban 2 June, 1969:

There is no necessity either for you to go out on Sankirtana if this will take away your time from your real work. I understand that you are also very musically talented, but this talent is not so much required on Sankirtana Party because for chanting Hare Krishna it is not necessary that all instrumentation be so much polished or complicated.

Letter to Prabhas Babu -- Los Angeles 2 July, 1969:

That some people in India wish to donate Murtis and musical instruments but the Indian government has no provisions for such donation is most surprising. Hindustan has become independent, but while she was under foreign government she had the liberty to preach her culture and religion in foreign countries. During my Guru Maharaja's days, thousands of Rupees were being dispatched from Calcutta to London, but the new Indian government being independent, they are prohibiting to send some Murtis and mrdangas. So it is all our bad luck that these things are happening.

Letter to Mukunda -- Los Angeles 2 July, 1969:

You say that at present you cannot use instruments in the temple without soundproofing, but I do not know if this means you cannot use even mrdangas and karatala. I understand that soundproofing is very expensive enterprise, and do you have the money for this now? I think it is better if you wait until you are more established before you try for this expensive operation. If it is necessary, we shall go on without instruments. For the time being, you simply make the temple very nice with a nice altar and nice accommodations for living. Don't waste time and money on other projects.

Letter to Bali Mardan -- Tittenhurst Park, Tittenhurst House Ascot, Berkshire, England October 4th, 1969:

Your sentiments and nice words are worthy to be offered to my Guru Maharaj. I am quite unfit for such words. Whatever I am doing, it is due to the work of my Guru Maharaj. Actually, He is the power behind me, and I am only instrument. But anyway, I very much appreciate your understanding of the Krishna Conscious Movement, and I wish to publish this poetry in Back To Godhead.

1970 Correspondence

Letter to Turya Shramy Maharaja -- Los Angeles 8 April, 1970:

As you know the western boys and girls are educated and trained up in practical life.. They are spreading this movement better that any Indian could do. So whatever success is there, it is due to them; I am simply instrumental in giving them direction. They are very kind upon me and offer me the best facilities of comfort. So things are very satisfactory here.

Letter to Gurudasa -- Los Angeles 16 April, 1970:

Regarding Sanskrit class, it is very encouraging that Mr. Parikh is helping you in this connection, but the chief aim for learning Sanskrit would be how to pronounce the Sanskrit verses especially in our published books just like you have already chanted the Govinda verses in the record. Similarly all the verses you have to chant combinedly and melodiously along with musical instruments, and it will be a great charm to the people of the world.

Letter to Syamasundara -- Los Angeles 24 April, 1970:

His name is Hrsikesa which means the Master of All Senses. We are exercising our senses, therefore, according to His direction. In that sense, if every living entity is working under His direction, then all the legs and hands which are existing all over his creation are His legs and hands. We are simply instrumental.

Letter to Paramananda -- Los Angeles 17 June, 1970:

You have rightly observed that I am simply trying to execute the order of my Spiritual Master. Whatever is being done it is not on account of my intelligence or endeavor because I am simply an instrument in the hands of my Spiritual Master. I do not know how far I have got the capacity to carry His order, but I may say that I have a sincere desire to do it. This is Parampara system. If a student tries to satisfy his immediate Acarya or the Spiritual Master, that is the only qualification for advancing in Krsna consciousness. This is explained in the "Guruvastakam"—yasya prasadah bhagavata prasadao.

1971 Correspondence

Letter to Nayanabhirama -- Allahabad 9 January, 1971:

That your "TV sermonette" was so successful is also very good news. This also goes to show how much people will be attracted to our books such as KRSNA book if they are properly displayed, and so propoganda should be made in this way. The mass media can become such an important instrument in spreading our Krishna Consciousness movement and I am glad to see that you are endeavoring to explore how this can be done.

Letter to Danavir -- London 24 August, 1971:

Everything is under Krishna's control. Krishna is the supreme controller. Maya is only an instrumental agent. The example is given generally that in the rainy season the rain falls down equally everywhere but on the ground different seasonal plants and vegetables grow. Similarly when the material world is created it is set in motion by the Supreme Lord through the instrumental agency of maya. But according to different fruitive actions of different living entities different phases of happiness and distress appear exactly as after the rainfall there are varieties of vegetables. So everything takes place according to one's past individual karma but those who are in Krishna Consciousness their resultant action of karma becomes summarized.

1973 Correspondence

Letter to Ravindra Svarupa -- Bombay 5 January, 1973:

Of course we should not understanding the meaning of sankirtana very narrowly, that only chanting and dancing and playing instruments, no, sankirtana means to glorify the Lord in a congregational manner.

Letter to Atreya Rsi -- Bombay 20 October, 1973:

Try to convince the elite section about our Krsna consciousness movement. You have got a very nice place there with attached garden, and you are able, so just depend upon Krsna. Simply we have to desire to please Him, and not desire anything for ourselves. Then we become simply instruments for His will. This is the important essence of Krsna consciousness.

Letter to Svarupa Damodara -- Vrindaban 29 October, 1973:

I am glad to note that you are keeping an altar in your place. If the Dr. offers his obeisances, that goes to his devotional credit. All our processes of seeing the Deity, taking caranamrta, playing instruments, taking prasadam all go to the credit of devotional service.

1974 Correspondence

Letter to Unknown -- Bombay 17 November, 1974:

5B There shall be a Governing Body Commission whose purpose is to act as the instrument for the execution of the will of the Founder-Acarya His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. The GBC members will be initially selected by His Divine Grace Srila Prabhupada. It will oversee all operations and management of ISKCON, as it receives direction from Srila Prabhupada, and Srila Prabhupada has the final approval in all matters.

1975 Correspondence

Letter to Bahudak -- Bombay 10 November, 1975:

I am glad to note that you are taking out the traveling party. I hope that you have good success. Just do everything very soberly. Regarding the instruments, stringed instruments are Vedic, but the real Vedic instrument is mrdanga and karatala. Anyway, you have to do according to the time and circumstances if you use these other instruments. So you have got my approval and you can go on.

1976 Correspondence

Letter to Satsvarupa Goswami -- New Vrndavana 30 June, 1976:

With regard to your question about Bengali style kirtana and mrdanga playing, one or two styles is best. To introduce more styles is not good. It will become an encumbrance. Who is that Krsna das Babaji who is teaching? If we introduce so much emphasis on style of kirtana, then simply imitation will go on. Devotional emotion is the main thing. If we give stress to instrument and style then attention will be diverted to the style. That will be spiritual loss.

1977 Correspondence

Letter to Artists -- Unknown Place Unknown Date:

Endeavor means energy which is employed. Anything you do, there must be some activity. That is endeavor. In our devotional service, if the endeavor is right, then it is successful. So the painting is not very clear. The doer means the man. The place must be favorable. The activities must be authorized. The doer must be expert, the instruments must be fit and the help from the Supersoul may be adequate. These are the five causes for success and opposite are the five factors for nonsuccess.