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Embellishments: Difference between revisions

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<div id="SB3231415_0" class="quote" parent="SB_Canto_3" book="SB" index="916" link="SB 3.23.14-15" link_text="SB 3.23.14-15">
<div id="SB3231415_0" class="quote" parent="SB_Canto_3" book="SB" index="916" link="SB 3.23.14-15" link_text="SB 3.23.14-15">
<span class="link">[[Vanisource:SB 3.23.14-15|SB 3.23.14-15, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The castle was fully equipped with all necessary paraphernalia, and it was pleasing in all seasons. It was decorated all around with flags, festoons and artistic work of variegated colors. It was further embellished with wreaths of charming flowers that attracted sweetly humming bees and with tapestries of linen, silk and various other fabrics.</p>
<span class="link">[[Vanisource:SB 3.23.14-15|SB 3.23.14-15, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The castle was fully equipped with all necessary paraphernalia, and it was pleasing in all seasons. It was decorated all around with flags, festoons and artistic work of variegated colors. It was further embellished with wreaths of charming flowers that attracted sweetly humming bees and with tapestries of linen, silk and various other fabrics.</p>
</div>
</div>
<div id="SB_Canto_4" class="sub_section" sec_index="4" parent="Srimad-Bhagavatam" text="SB Canto 4"><h3>SB Canto 4</h3>
</div>
<div id="SB4961_0" class="quote" parent="SB_Canto_4" book="SB" index="426" link="SB 4.9.61" link_text="SB 4.9.61">
<span class="link">[[Vanisource:SB 4.9.61|SB 4.9.61, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The bedding in the palace was as white as the foam of milk and was very soft. The bedsteads were made of ivory with embellishments of gold, and the chairs, benches and other sitting places and furniture were made of gold.</p>
</div>
</div>
<div id="Sri_Caitanya-caritamrta" class="section" sec_index="2" parent="compilation" text="Sri Caitanya-caritamrta"><h2>Sri Caitanya-caritamrta</h2>
</div>
<div id="CC_Adi-lila" class="sub_section" sec_index="1" parent="Sri_Caitanya-caritamrta" text="CC Adi-lila"><h3>CC Adi-lila</h3>
</div>
<div id="CCAdi1650_0" class="quote" parent="CC_Adi-lila" book="CC" index="1878" link="CC Adi 16.50" link_text="CC Adi 16.50">
<span class="link">[[Vanisource:CC Adi 16.50|CC Adi 16.50, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">"You are an ordinary student of grammar. What do You know about literary embellishments? You cannot review this poetry because You do not know anything about it."</p>
</div>
</div>
<div id="CCAdi1652_1" class="quote" parent="CC_Adi-lila" book="CC" index="1880" link="CC Adi 16.52" link_text="CC Adi 16.52">
<span class="link">[[Vanisource:CC Adi 16.52|CC Adi 16.52, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">"Certainly I have not studied the art of literary embellishments. But I have heard about it from higher circles, and thus I can review this verse and find in it many faults and many good qualities."</p>
</div>
</div>
<div id="CCAdi1672_2" class="quote" parent="CC_Adi-lila" book="CC" index="1900" link="CC Adi 16.72" link_text="CC Adi 16.72">
<span class="link">[[Vanisource:CC Adi 16.72|CC Adi 16.72, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“Now hear the description of the five literary embellishments. There are two ornaments of sound and three ornaments of meaning.</p>
</div>
</div>
<div id="CCAdi1684_3" class="quote" parent="CC_Adi-lila" book="CC" index="1912" link="CC Adi 16.84" link_text="CC Adi 16.84">
<span class="link">[[Vanisource:CC Adi 16.84|CC Adi 16.84, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“I have simply discussed the five gross faults and five literary embellishments of this verse, but if we consider it in fine detail we will find unlimited faults.</p>
</div>
</div>
<div id="CC_Antya-lila" class="sub_section" sec_index="3" parent="Sri_Caitanya-caritamrta" text="CC Antya-lila"><h3>CC Antya-lila</h3>
</div>
<div id="CCAntya149_0" class="quote" parent="CC_Antya-lila" book="CC" index="2374" link="CC Antya 14.9" link_text="CC Antya 14.9">
<span class="link">[[Vanisource:CC Antya 14.9|CC Antya 14.9, Purport]]: </span><div style="display: inline;" class="purport text"><p style="display: inline;">For future reference, we should remember that Svarūpa Dāmodara Gosvāmī recorded the pastimes briefly, whereas Raghunātha dāsa Gosvāmī recorded them elaborately. These two great personalities simply recorded the facts; they did not create any descriptive literary embellishments.</p>
</div>
</div>
<div id="Other_Books_by_Srila_Prabhupada" class="section" sec_index="3" parent="compilation" text="Other Books by Srila Prabhupada"><h2>Other Books by Srila Prabhupada</h2>
</div>
<div id="Renunciation_Through_Wisdom" class="sub_section" sec_index="5" parent="Other_Books_by_Srila_Prabhupada" text="Renunciation Through Wisdom"><h3>Renunciation Through Wisdom</h3>
</div>
<div id="RTW19_0" class="quote" parent="Renunciation_Through_Wisdom" book="OB" index="11" link="RTW 1.9" link_text="Renunciation Through Wisdom 1.9">
<span class="link">[[Vanisource:RTW 1.9|Renunciation Through Wisdom 1.9]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The yogī retires from active service and, desiring to see the Supersoul within his heart, spends his days in meditation with half-closed eyes. But he whose work is a sacrifice for the satisfaction of the Supreme makes no endeavors for his physical requirements. Since he is engaged in devotional service to the Supreme Lord, he is not required to execute the ritualistic activities recommended in the scriptures. Such a detached karma-yogī is superior to one who is merely unattached to the fruits of his work. The karma-yogī is automatically accomplished in the knowledge of the Absolute that the sannyāsī seeks and the eight mystic perfections that the meditating yogī aspires for.</p>
<p>The real karma-yogīs are in fact devotees of the Supreme Lord. Since they have attained perfection, they do not hanker for profit, adoration, or distinction. In their state of perfection, all knowledge and mystic powers automatically embellish them. With everything desirable available to them, why should they need anything else?</p>
</div>
</div>
<div id="RTW29_1" class="quote" parent="Renunciation_Through_Wisdom" book="OB" index="21" link="RTW 2.9" link_text="Renunciation Through Wisdom 2.9">
<span class="link">[[Vanisource:RTW 2.9|Renunciation Through Wisdom 2.9]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Real mahātmās do not distract their minds with sense gratification and material desires, but with single-minded resolve they engage in the devotional service of the Supreme Lord. Because they are under the protection of His divine energy, they understand that Lord Kṛṣṇa is the supreme cause of all causes. Such persons alone possess all saintly qualities. Lord Kṛṣṇa's devotees are exceptional personalities, for at all times they are embellished with extraordinary characteristics rarely attained even by the demigods. To usher in the age of peace in this world, the presence such mahātmās is imperative.</p>
</div>
</div>
</div>
</div>
</div>
</div>

Latest revision as of 17:19, 13 September 2011

Srimad-Bhagavatam

SB Canto 3

SB 3.23.14-15, Translation:

The castle was fully equipped with all necessary paraphernalia, and it was pleasing in all seasons. It was decorated all around with flags, festoons and artistic work of variegated colors. It was further embellished with wreaths of charming flowers that attracted sweetly humming bees and with tapestries of linen, silk and various other fabrics.

SB Canto 4

SB 4.9.61, Translation:

The bedding in the palace was as white as the foam of milk and was very soft. The bedsteads were made of ivory with embellishments of gold, and the chairs, benches and other sitting places and furniture were made of gold.

Sri Caitanya-caritamrta

CC Adi-lila

CC Adi 16.50, Translation:

"You are an ordinary student of grammar. What do You know about literary embellishments? You cannot review this poetry because You do not know anything about it."

CC Adi 16.52, Translation:

"Certainly I have not studied the art of literary embellishments. But I have heard about it from higher circles, and thus I can review this verse and find in it many faults and many good qualities."

CC Adi 16.72, Translation:

“Now hear the description of the five literary embellishments. There are two ornaments of sound and three ornaments of meaning.

CC Adi 16.84, Translation:

“I have simply discussed the five gross faults and five literary embellishments of this verse, but if we consider it in fine detail we will find unlimited faults.

CC Antya-lila

CC Antya 14.9, Purport:

For future reference, we should remember that Svarūpa Dāmodara Gosvāmī recorded the pastimes briefly, whereas Raghunātha dāsa Gosvāmī recorded them elaborately. These two great personalities simply recorded the facts; they did not create any descriptive literary embellishments.

Other Books by Srila Prabhupada

Renunciation Through Wisdom

Renunciation Through Wisdom 1.9:

The yogī retires from active service and, desiring to see the Supersoul within his heart, spends his days in meditation with half-closed eyes. But he whose work is a sacrifice for the satisfaction of the Supreme makes no endeavors for his physical requirements. Since he is engaged in devotional service to the Supreme Lord, he is not required to execute the ritualistic activities recommended in the scriptures. Such a detached karma-yogī is superior to one who is merely unattached to the fruits of his work. The karma-yogī is automatically accomplished in the knowledge of the Absolute that the sannyāsī seeks and the eight mystic perfections that the meditating yogī aspires for.

The real karma-yogīs are in fact devotees of the Supreme Lord. Since they have attained perfection, they do not hanker for profit, adoration, or distinction. In their state of perfection, all knowledge and mystic powers automatically embellish them. With everything desirable available to them, why should they need anything else?

Renunciation Through Wisdom 2.9:

Real mahātmās do not distract their minds with sense gratification and material desires, but with single-minded resolve they engage in the devotional service of the Supreme Lord. Because they are under the protection of His divine energy, they understand that Lord Kṛṣṇa is the supreme cause of all causes. Such persons alone possess all saintly qualities. Lord Kṛṣṇa's devotees are exceptional personalities, for at all times they are embellished with extraordinary characteristics rarely attained even by the demigods. To usher in the age of peace in this world, the presence such mahātmās is imperative.