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| <div id="SB105435_0" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="1570" link="SB 10.54.35" link_text="SB 10.54.35"> | | <div id="SB105435_0" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="1570" link="SB 10.54.35" link_text="SB 10.54.35"> |
| | <div class="heading">Lord Kṛṣṇa tied up the evil-doer with a strip of cloth. He then proceeded to disfigure Rukmī by comically shaving him, leaving parts of his mustache and hair. |
| | </div> |
| <span class="link">[[Vanisource:SB 10.54.35|SB 10.54.35, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Lord Kṛṣṇa tied up the evil-doer with a strip of cloth. He then proceeded to disfigure Rukmī by comically shaving him, leaving parts of his mustache and hair. By that time the Yadu heroes had crushed the extraordinary army of their opponents, just as elephants crush a lotus flower.</p> | | <span class="link">[[Vanisource:SB 10.54.35|SB 10.54.35, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Lord Kṛṣṇa tied up the evil-doer with a strip of cloth. He then proceeded to disfigure Rukmī by comically shaving him, leaving parts of his mustache and hair. By that time the Yadu heroes had crushed the extraordinary army of their opponents, just as elephants crush a lotus flower.</p> |
| | </div> |
| | </div> |
| | <div id="SB107019_1" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2228" link="SB 10.70.19" link_text="SB 10.70.19"> |
| | <span class="link">[[Vanisource:SB 10.70.19|SB 10.70.19, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">And there, O King, jesters would entertain the Lord by displaying various comic moods, expert entertainers would perform for Him, and female dancers would dance energetically.</p> |
| | </div> |
| | </div> |
| | <div id="Other_Books_by_Srila_Prabhupada" class="section" sec_index="3" parent="compilation" text="Other Books by Srila Prabhupada"><h2>Other Books by Srila Prabhupada</h2> |
| | </div> |
| | <div id="Renunciation_Through_Wisdom" class="sub_section" sec_index="5" parent="Other_Books_by_Srila_Prabhupada" text="Renunciation Through Wisdom"><h3>Renunciation Through Wisdom</h3> |
| | </div> |
| | <div id="RTW211_0" class="quote" parent="Renunciation_Through_Wisdom" book="OB" index="23" link="RTW 2.11" link_text="Renunciation Through Wisdom 2.11"> |
| | <div class="heading">Recent times have witnessed a concerted and noble effort on all fronts to bring about unity, peace, and harmony in the world, but these are possible only when people worship Lord Kṛṣṇa and render Him devotional service. |
| | Such a proposal is neither preposterous nor comic. |
| | </div> |
| | <span class="link">[[Vanisource:RTW 2.11|Renunciation Through Wisdom 2.11]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Recent times have witnessed a concerted and noble effort on all fronts to bring about unity, peace, and harmony in the world, but these are possible only when people worship Lord Kṛṣṇa and render Him devotional service.</p> |
| | <p>Such a proposal is neither preposterous nor comic. In fact, if someone is a sincere seeker of the Absolute Truth, then whatever his present situation may be, by regularly offering the Supreme Lord flowers, fruit, leaves, and water with love and devotion, he will readily experience that the Supreme Absolute Truth, Lord Kṛṣṇa, is gradually coming nearer to him. We humbly request all our readers to kindly try this excellent method of approaching Lord Kṛṣṇa's lotus feet. This method requires no monetary expenditure, physical exertion, philosophical knowledge, or noble birth.</p> |
| | </div> |
| | </div> |
| | <div id="Lectures" class="section" sec_index="4" parent="compilation" text="Lectures"><h2>Lectures</h2> |
| | </div> |
| | <div id="Srimad-Bhagavatam_Lectures" class="sub_section" sec_index="1" parent="Lectures" text="Srimad-Bhagavatam Lectures"><h3>Srimad-Bhagavatam Lectures</h3> |
| | </div> |
| | <div id="LectureonSB1511NewVrindabanJune101969_0" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="135" link="Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969" link_text="Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969"> |
| | <div class="heading">Grāmya-kathā means any book, any poetry, or any novel, or any drama... There is some hero and heroine, a man or woman, about their loving affairs, tragedy, comic, like that. |
| | </div> |
| | <span class="link">[[Vanisource:Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969|Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The other day we discussed about literature which is very nicely composed from literary point of view, or poetic, or rhetoric. Maybe very nicely... But if there is no description of the Absolute Truth or the Supreme Personality of Godhead, that sort of literature is enjoyed by a class of men who are compared with the crows. That we have discussed. It is simply wasting time, valuable time in the human life, to divert our attention to such ordinary literature. They are called grāmya-kathā. In Sanskrit language it is called grāmya-kathā. Grāmya-kathā means any book, any poetry, or any novel, or any drama... There is some hero and heroine, a man or woman, about their loving affairs, tragedy, comic, like that. Actually, it is grāmya-kathā. The same thing as we are experiencing daily, āhāra-nidrā-bhaya-maithunam, this eating, sleeping, mating, that's all. What is the value of such literature? What do you gain by that? No. Simply mental agitation.</p> |
| | </div> |
| | </div> |
| | <div id="Conversations_and_Morning_Walks" class="section" sec_index="5" parent="compilation" text="Conversations and Morning Walks"><h2>Conversations and Morning Walks</h2> |
| | </div> |
| | <div id="1971_Conversations_and_Morning_Walks" class="sub_section" sec_index="4" parent="Conversations_and_Morning_Walks" text="1971 Conversations and Morning Walks"><h3>1971 Conversations and Morning Walks</h3> |
| | </div> |
| | <div id="RoomConversationAugust211971London_0" class="quote" parent="1971_Conversations_and_Morning_Walks" book="Con" index="22" link="Room Conversation -- August 21, 1971, London" link_text="Room Conversation -- August 21, 1971, London"> |
| | <div class="heading">Comic? |
| | </div> |
| | <span class="link">[[Vanisource:Room Conversation -- August 21, 1971, London|Room Conversation -- August 21, 1971, London]]: </span><div class="text"><p style="display: inline;">Haṁsadūta: Well it reminds me of Janārdana. You know Janārdana was a big scholar and he was very intelligent, but he never produced very much. You remember Janārdana? So Maṇḍalībhadra is working full time. He never comes to the temple. Of course, he lives far away, but he never comes to the temple. And I know when a person doesn't come to the temple, it's very difficult for him to maintain, especially if he maintains a full time job. It has an imperceptible effect on your consciousness. And he also, you know, we sometimes, we don't see very much eye to eye. Like for instance, this coming Back to Godhead he wanted to produce, he wanted to put a picture of some of the... Like there's a picture in one of the old Back to Godheads of Vṛndāvana. So I said, "This picture is not good because Kṛṣṇa is not in this picture. There's no Kṛṣṇa. We must have..."</p> |
| | <p>Prabhupāda: Old Vṛndāvana?</p> |
| | <p>Haṁsadūta: Yes, some buildings. Like Jaya Govinda used to write those articles, you remember? He used to write articles...</p> |
| | <p>Prabhupāda: Comic?</p> |
| | <p>Haṁsadūta: No, no, not comics. He would take some pictures of the scenery of Vṛndāvana, like the Yamunā or some of the temples, like Madana-Mohana temple, like that. So I said, "We must have a picture of Kṛṣṇa or a devotee or Prabhupāda. It can't be without some activity, some form, because people will not understand what it is. It may be very nice for us." So I feel that he has to either associate more with the temple or he must be paid some money so that he can work full time and... Some change must be made.</p> |
| | <p>Prabhupāda: No you pay and... You pay him money, and he must come. Both things should be done. He must come.</p> |
| | </div> |
| | </div> |
| | <div id="1972_Conversations_and_Morning_Walks" class="sub_section" sec_index="5" parent="Conversations_and_Morning_Walks" text="1972 Conversations and Morning Walks"><h3>1972 Conversations and Morning Walks</h3> |
| | </div> |
| | <div id="RoomConversationAugust11972London_0" class="quote" parent="1972_Conversations_and_Morning_Walks" book="Con" index="37" link="Room Conversation -- August 1, 1972, London" link_text="Room Conversation -- August 1, 1972, London"> |
| | <div class="heading">Charlie Chaplin is really funny man. (laughs) He has got originality. All his comic play has got some originality, that is the beauty. |
| | </div> |
| | <span class="link">[[Vanisource:Room Conversation -- August 1, 1972, London|Room Conversation -- August 1, 1972, London]]: </span><div class="text">Devotee: Pradyumna's been studying all day. Ah... Nanda Kumāra may be..., is he there in the room? |
| | Prabhupāda: No, I don't want(?). Maybe sleeping? |
| | Devotee: He is tired. |
| | Prabhupāda: Not very tired. What was it? |
| | Devotee: Pradyumna didn't take rest last night, I don't think. |
| | Prabhupāda: Pradyumna... Nanda Kumāra was sleeping. |
| | Devotee (2): Charlie Chaplin kept us up all night. |
| | Prabhupāda: Hm. |
| | Devotee (2): Charlie Chaplin kept us up all night. (laughs) Charlie Chaplin show. |
| | Prabhupāda: Hm. That was nice. (laughter) He is really funny man. (laughs) He has got originality. All his comic play has got some originality, that is the beauty. How he invented! (laughs) I think that character, when he was a drunkard, he was a great friend, (laughs) and when he's not drunkard, "Who is this man?" (laughs) He's grave(?) as rich man. And as drunkard, "You pay. You are my friend, life-long friend. Whatever you want, you take." (laughs) So these characters he's painting, it's very good intelligence. And he made him friend when he was going to commit suicide. |
| | </div> |
| | </div> |
| | <div id="1975_Conversations_and_Morning_Walks" class="sub_section" sec_index="8" parent="Conversations_and_Morning_Walks" text="1975 Conversations and Morning Walks"><h3>1975 Conversations and Morning Walks</h3> |
| | </div> |
| | <div id="RoomConversationwithSvarupaDamodaraMarch11975Atlanta_0" class="quote" parent="1975_Conversations_and_Morning_Walks" book="Con" index="16" link="Room Conversation with Svarupa Damodara -- March 1, 1975, Atlanta" link_text="Room Conversation with Svarupa Damodara -- March 1, 1975, Atlanta"> |
| | <div class="heading">Mahātmā means devotee, who have understood vāsudevaḥ sarvam iti (BG 7.19). But these rascal politicians, they have become mahātmā. For politics, they can do anything, lie like anybody, and so many things. There was a big writer in Bengal. So he is giving evidence in the court... That's a comic. |
| | </div> |
| | <span class="link">[[Vanisource:Room Conversation with Svarupa Damodara -- March 1, 1975, Atlanta|Room Conversation with Svarupa Damodara -- March 1, 1975, Atlanta]]: </span><div class="text"><p style="display: inline;">Prabhupāda: So many people are being misled by the so-called politician and scientist and... But Gandhi says... He has written so many nonsense things. One thing is that he said, "I do not believe that there was anybody as Kṛṣṇa living ever. Kṛṣṇa is of my imagination." These things he has written. And he is Mahatma Gandhi. Mahātmā's definition is there in the Bhagavad-gītā, mahātmānas tu māṁ pārtha daivīṁ prakṛtim āśritāḥ ([[Vanisource:BG 9.13 (1972)|BG 9.13]]). Mahātmā means devotee, who have understood vāsudevaḥ sarvam iti ([[Vanisource:BG 7.19 (1972)|BG 7.19]]). But these rascal politicians, they have become mahātmā. For politics, they can do anything, lie like anybody, and so many things. There was a big writer in Bengal. So he is giving evidence in the court... That's a comic. So he says, "Do you think I am editor? I am pleader? I am prostitute?" Means indirectly he is saying that they are prostitutes. As the prostitute can say anything, lies, for their profession, similarly, these people, the editor and the..., pleaders, they are like that. "Do you think I am prostitute? Do you think I am lawyer? Do you think I am editor, newspaper editor?" So take this formula from the śāstras that a living entity is never created.</p> |
| | </div> |
| | </div> |
| | <div id="MorningWalkJune71975Honolulu_1" class="quote" parent="1975_Conversations_and_Morning_Walks" book="Con" index="97" link="Morning Walk -- June 7, 1975, Honolulu" link_text="Morning Walk -- June 7, 1975, Honolulu"> |
| | <div class="heading">Long ago, when we were boys, we saw one comic cinema. That old cinema player was... His name was Max Linder. |
| | </div> |
| | <span class="link">[[Vanisource:Morning Walk -- June 7, 1975, Honolulu|Morning Walk -- June 7, 1975, Honolulu]]: </span><div class="text"><p style="display: inline;">Prabhupāda: ...animals. The animals... You keep the animals here, and take one of them, slaughter—they will think, "I am safe." This is animal. All of them will think, "Oh, I am safe. He is being taken. That's all." This is their dull brain, the modern animals. (break)...dvī-pada-paśuḥ. These two-legged animals, they will think like that.</p> |
| | <p>Paramahaṁsa: They say that if you have a herd of sheep and one, the first part of the herd falls off of a cliff, then all the rest of them will simply walk off the cliff.</p> |
| | <p>Prabhupāda: Yes. That is called veriya dāsan. In Hindi, veriya dāsan.</p> |
| | <p>Paramahaṁsa: What is that called?</p> |
| | <p>Prabhupāda: Veriya dāsan.</p> |
| | <p>Paramahaṁsa: What does that mean?</p> |
| | <p>Prabhupāda: No, veri means lamb or sheep. Their walk... If you can push one of them in the slaughterhouse, all of them enter. This is called veriya dāsan. You haven't got to endeavor to push others. You just push one only. "Fut, fut, fut, fut, fut, fut, fut," they all enter. (Laughter) In Hindi it is called veriya dāsan. Just cheat one veri, and all others will be followers. (break) Long ago, when we were boys, we saw one comic cinema. That old cinema player was... His name was Max Linder. Max Linder. So this Max Linder was going to a ball dance, and he was waiting in the park, and the ball dance coat, you know? It has got a tail. So he was sitting in a bench, and some naughty boys came and they nailed the tailing part. So when he got up it became torn, like... So his, this hip was visible. So when was dancing in the ball others were seeing his, "What is this?" (laughter) So he went to the mirror, he saw, "Oh?" So he began to dance and show everyone like this. So others said, "What is this?" "This is the latest fashion. This is the latest fashion in ball dancing." "Oh?" Then all cut their tail coat. You see? "The latest fashion."</p> |
| | </div> |
| | </div> |
| | <div id="1977_Conversations_and_Morning_Walks" class="sub_section" sec_index="10" parent="Conversations_and_Morning_Walks" text="1977 Conversations and Morning Walks"><h3>1977 Conversations and Morning Walks</h3> |
| | </div> |
| | <div id="RoomConversationJanuary211977Bhuvanesvara_0" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="38" link="Room Conversation -- January 21, 1977, Bhuvanesvara" link_text="Room Conversation -- January 21, 1977, Bhuvanesvara"> |
| | <div class="heading">The Bankim Babu, Bankim Chatterji, a famous novelist, he wrote a book, one comic book. |
| | </div> |
| | <span class="link">[[Vanisource:Room Conversation -- January 21, 1977, Bhuvanesvara|Room Conversation -- January 21, 1977, Bhuvanesvara]]: </span><div class="text"><p style="display: inline;">Prabhupāda: The lawyer was taking monthly at least three hundred dollars and postponing. That's all.</p> |
| | <p>Rāmeśvara: Naturally. So he can continue getting money.</p> |
| | <p>Prabhupāda: He would phone Rayarāma, "Will you kindly send me $150 today." And he has to send. And he was simply postponing date. That's all.</p> |
| | <p>Gargamuni: He would call on the phone.</p> |
| | <p>Rāmeśvara: I heard that you once said, "Lawyer means liar."</p> |
| | <p>Prabhupāda: Yes. (laughs)</p> |
| | <p>Rāmeśvara: I'm going to go get that survey to show Prabhupāda. It's printed...</p> |
| | <p>Prabhupāda: The Bankim Babu, Bankim Chatterji, a famous novelist, he wrote a book, one comic book. Trial is going on, so the witness charged the... First of all the judge charged that "I see you are witness in every case." He was a professional. So, "You are speaking he is sixty years old for the last five years. You do not increase your age?" (laughing) "No, sir. A gentleman has one word. He does not change his word. And do not think me that I am either a lawyer or a prostitute or a newspaper editor."</p> |
| | <p>Gargamuni: Oh. Because they're all liars. Yeah.</p> |
| | <p>Prabhupāda: "My word is one. I do not change my word."</p> |
| | <p>Gargamuni: So a newspaper editor, a lawyer...</p> |
| | <p>Prabhupāda: And a prostitute. (laughs) He classified them in one category.</p> |
| | </div> |
| | </div> |
| | <div id="RoomConversationFirstDayinJuhuQuartersMarch301977Bombay_1" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="125" link="Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay" link_text="Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay"> |
| | <div class="heading">This Amritlal Bose was a big author also, for writing comic books. And very expert lecturer. |
| | </div> |
| | <span class="link">[[Vanisource:Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay|Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay]]: </span><div class="text"><p style="display: inline;">Gopāla Kṛṣṇa: The drama was very appreciated last night. Samayadi was watching it with us, and he said he would like to arrange a big program in his house.</p> |
| | <p>Prabhupāda: Old Samayadi or his son?</p> |
| | <p>Gopāla Kṛṣṇa: His son. He liked the drama very much.</p> |
| | <p>Lokanātha: It has become one of the main attractions of the public, this Vaikuṇṭha Player performance(?). After..., two nights after the program, I inquired from the public on the microphone, "Do you like this drama?" Immediately everybody raised their hands: "Yes!"</p> |
| | <p>Prabhupāda: They were asking me whether they are professional men. "No, no, these all my disciples."</p> |
| | <p>Gopāla Kṛṣṇa: They're actually much better than any of the professional men.</p> |
| | <p>Prabhupāda: Oh, yes. We played caitanya-līlā in our younger days. So we brought one very famous man, Amritlal Bose. He is one of the three chief men who started theatrical performances in Bengal. Amritlal Bose, Girish Candra Ghosh, and one some Pathan. This Amritlal Bose was a big author also, for writing comic books. And very expert lecturer. So somehow or other, we contacted him, and we used to call him, (Bengali:) dādā-mahāśaya. Dādā-mahāśaya means grandfather. He was of our grandfather's age. In the evening he was drinking. Very luxurious. So when he came, he said, "Yes, I will give you direction. You are all aristocratic family. But you must know that what is the difference between this professional and this aristocratic family." So he explained that "Caitanya-līlā, in the public theater, anyone can pay eight annas." That eight annas was third-class ticket. Eight annas, one rupee, two rupees and five rupees. "So they can see Caitanya-līlā. Then where is the difference between your playing and their playing?" So he explained that "There must be some difference, that the public, after seeing your playing, they should appreciate so much that they will agree they will never see. So I want to train you like that.</p> |
| | </div> |
| | </div> |
| | <div id="Correspondence" class="section" sec_index="6" parent="compilation" text="Correspondence"><h2>Correspondence</h2> |
| | </div> |
| | <div id="1968_Correspondence" class="sub_section" sec_index="3" parent="Correspondence" text="1968 Correspondence"><h3>1968 Correspondence</h3> |
| | </div> |
| | <div id="LettertoSatsvarupaMontreal19August1968_0" class="quote" parent="1968_Correspondence" book="Let" index="263" link="Letter to Satsvarupa -- Montreal 19 August, 1968" link_text="Letter to Satsvarupa -- Montreal 19 August, 1968"> |
| | <div class="heading">So far the Mahajana comic picture, it was very nicely drawn, but actually it is not so distinct. |
| | </div> |
| | <span class="link">[[Vanisource:Letter to Satsvarupa -- Montreal 19 August, 1968|Letter to Satsvarupa -- Montreal 19 August, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So far the Mahajana comic picture, it was very nicely drawn, but actually it is not so distinct. Next time, I request that picture must be very distinct and clear. There is no question of hurrying. I have given some hints to Brahmananda about a story of a mouse and a tiger, and you can ask him for the hints. And he will give you.</p> |
| | </div> |
| | </div> |
| | <div id="LettertoJaduraniLosAngeles5December1968_1" class="quote" parent="1968_Correspondence" book="Let" index="474" link="Letter to Jadurani -- Los Angeles 5 December, 1968" link_text="Letter to Jadurani -- Los Angeles 5 December, 1968"> |
| | <div class="heading">You will be pleased to know that our London center has managed to have one local newspaper devote a two-page spread to a comic book feature of the story of Prahlada Maharaja as depicted by Gaurasundara and Govinda Dasi. |
| | </div> |
| | <span class="link">[[Vanisource:Letter to Jadurani -- Los Angeles 5 December, 1968|Letter to Jadurani -- Los Angeles 5 December, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I was happy to read your recent letter (undated) and to see how you are working hard and now you are sending your finished paintings to our various centers to be appreciated. You will be pleased to know that our London center has managed to have one local newspaper devote a two-page spread to a comic book feature of the story of Prahlada Maharaja as depicted by Gaurasundara and Govinda Dasi. This is very nice propaganda so as much as possible we should try for overflooding publications with similar of our stories. We have so many artists now in Boston and also New York so if someone can work on this idea it will be very nice.</p> |
| | </div> |
| | </div> |
| | <div id="1969_Correspondence" class="sub_section" sec_index="4" parent="Correspondence" text="1969 Correspondence"><h3>1969 Correspondence</h3> |
| | </div> |
| | <div id="LettertoRayaramaLosAngeles15February1969_0" class="quote" parent="1969_Correspondence" book="Let" index="124" link="Letter to Rayarama -- Los Angeles 15 February, 1969" link_text="Letter to Rayarama -- Los Angeles 15 February, 1969"> |
| | <div class="heading">When I look through the back issues, the comic pictures of Vamanadeva, of the hunter, of the bride-groom party, such things are very instructive. |
| | </div> |
| | <span class="link">[[Vanisource:Letter to Rayarama -- Los Angeles 15 February, 1969|Letter to Rayarama -- Los Angeles 15 February, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have received your very long letter dated February 9, 1969. I have to read it very carefully and reply you in due course, but I wish to inform you that the advertisements are not very congenial to our prestige, especially the hippy kind of advertisements. So we have to think over how we can avoid the advertisements and publish at the same time. The hippy advertisements referred to by Purusottama was written to you on my consent. When I look through the back issues, the comic pictures of Vamanadeva, of the hunter, of the bride-groom party, such things are very instructive. I think instead of engaging our pages in the matter of book reviews with which we do not agree, we should utilize these pages for such comic pictures. On the whole, I wish to present Back To Godhead purely in the line of Krishna Consciousness throughout and criticism of too much materialism, as you have written many articles already. That is very nice.</p> |
| | </div> |
| | </div> |
| | <div id="LettertoRayaramaLosAngeles22February1969_1" class="quote" parent="1969_Correspondence" book="Let" index="144" link="Letter to Rayarama -- Los Angeles 22 February, 1969" link_text="Letter to Rayarama -- Los Angeles 22 February, 1969"> |
| | <div class="heading">You say that Rohini Kumar is an artist, so he can do comic work. |
| | </div> |
| | <span class="link">[[Vanisource:Letter to Rayarama -- Los Angeles 22 February, 1969|Letter to Rayarama -- Los Angeles 22 February, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Now our policy should be as follows: 1. the layout should be done by us, 2. there should be no advertisements, 3. under different headings we shall publish articles from Bhagavad-gita As It Is, Srimad-Bhagavatam, Brahma Samhita, Nectar of Devotion, Vedanta Philosophy, Upanisads, etc. as well as comic pictures when possible. Besides that, if some of our students write as they have assimilated the philosophy, that also should be welcome. You say that Rohini Kumar is an artist, so he can do comic work. There are other girls there such as Indira who can also do this. So we shall fill up the pages simply with Vedic ideas. Now the policy should be straight that this Back to Godhead is completely different from all other magazines. As there are different magazines for different subject matters, this magazine will be simply devoted for Vaisnava philosophy, or Krishna Consciousness movement. That should be our policy.</p> |
| | </div> |
| | </div> |
| | <div id="1971_Correspondence" class="sub_section" sec_index="6" parent="Correspondence" text="1971 Correspondence"><h3>1971 Correspondence</h3> |
| | </div> |
| | <div id="LettertoSatsvarupaBrooklyn27July1971_0" class="quote" parent="1971_Correspondence" book="Let" index="321" link="Letter to Satsvarupa -- Brooklyn 27 July, 1971" link_text="Letter to Satsvarupa -- Brooklyn 27 July, 1971"> |
| | <div class="heading">The subject matter of BTG should be very grave. It should not be made a joking, comical literature. |
| | </div> |
| | <span class="link">[[Vanisource:Letter to Satsvarupa -- Brooklyn 27 July, 1971|Letter to Satsvarupa -- Brooklyn 27 July, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The subject matter of BTG should be very grave. It should not be made a joking, comical literature. The subject matter is that everyone should know who is Krishna. So present it in philosophical way but with simple language. The next subject matter is our relationship with Krishna. Then how we fulfill our life's ambition in Krishna Consciousness. So all these subject matters should be made understandable by the people in general, but we should be very grave in our presentation.</p> |
| </div> | | </div> |
| </div> | | </div> |
| </div> | | </div> |