Rhythm: Difference between revisions
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Latest revision as of 18:24, 6 July 2017
rhythm | rhythmic | rhythmical | rhythmically | rhythms
Pages in category "Rhythm"
The following 17 pages are in this category, out of 17 total.
1
I
- I wish to form a nice Kirtana party consisting of 12 heads - 2 mrdanga players, 1 harmonium player in melody, 1 tambura player, and at least 6 cymbal players. In this way 12 heads shall perform Kirtana very rhythmically and melodiously
- In Sanskrit there are many compound words, of which the dual word, like Rama-krsna, is called dvandvah. For instance, Rama and Krsna have the same rhythm and therefore are called dual. BG 1972 purports
M
- My dear Lord Krsna, where is that woman within the three worlds who would not be captivated by the rhythms of the sweet songs coming from Your wonderful flute? Who would not fall down from the path of chastity in this way
- My special instruction to you all is that you practice Sankirtana very rhythmically and in a responsive way. That means one should chant first, and others should follow him. That is a very nice system
T
- Taking advantage of the pleasing atmosphere, Krsna and Balarama began to sing very melodiously. The damsels became so absorbed in Their rhythmical song that they almost forgot themselves
- The celestial species of human beings, like the Gandharvas and Vidyadharas, can sing wonderfully and can entice even the minds of the heavenly demigods. Their musical rhythm represents the musical sense of the Lord
- The celestial species of human beings, like the Gandharvas, Vidyadharas, Caranas and angels, all represent His musical rhythm, and the demoniac soldiers are representations of His wonderful prowess
- The four Kumaras, headed by Sanat-kumara, who all knew the transcendental pastimes of the Lord, glorified the Lord in rhythmic accents with selected words full of affection and love
- The gopis said, "If You (Krsna) accuse us, however, of encouraging prostitution, then we can only ask, Where is that woman within these three worlds who is not captivated by Your beauty and the rhythmic songs vibrated by Your transcendental flute?"
- They (Krsna and Balarama) learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, from simple village arts up to the highest perfectional stage
- They (Krsna and Balarama) learned the favorable and unfavorable accents and meters, how to sing different kinds of rhythms and melodies, and how to follow them by beating different kinds of drums
- This process is very pleasant: we chant the Hare Krsna mantra, we dance rhythmically, and we eat nice prasada. While enjoying this life, we are preparing to enter into the kingdom of God in our next life. This is not a fabrication - it is all factual