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Fantasy (Letters): Difference between revisions

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<span class="link">[[Vanisource:Letter to Hayagriva -- Vrindaban 29 August, 1967|Letter to Hayagriva -- Vrindaban 29 August, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding separation, you may know that I am also feeling ____ it is all Krishna's design that we can not separate ________ transcendental field, the feeling of separation is more __ feeling of meeting. Physically I am trying to go back to your states as soon as possible. I have got a fancy for your country, and being inspired by that, I first went to your country, and still I feel that way. I am improving, although slowly; but I am eating and sleeping better than in N.Y.</p>
<span class="link">[[Vanisource:Letter to Hayagriva -- Vrindaban 29 August, 1967|Letter to Hayagriva -- Vrindaban 29 August, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding separation, you may know that I am also feeling ____ it is all Krishna's design that we can not separate ________ transcendental field, the feeling of separation is more __ feeling of meeting. Physically I am trying to go back to your states as soon as possible. I have got a fancy for your country, and being inspired by that, I first went to your country, and still I feel that way. I am improving, although slowly; but I am eating and sleeping better than in N.Y.</p>
</div>
</div>
<div id="1971_Correspondence" class="sub_section" sec_index="6" parent="Correspondence" text="1971 Correspondence"><h3>1971 Correspondence</h3>
</div>
<div id="LettertoSriGalimDelhi20November1971_0" class="quote" parent="1971_Correspondence" book="Let" index="531" link="Letter to Sri Galim -- Delhi 20 November, 1971" link_text="Letter to Sri Galim -- Delhi 20 November, 1971">
<div class="heading">We are prepared to sleep under a tree, so what is there need for a fancy house?
</div>
<span class="link">[[Vanisource:Letter to Sri Galim -- Delhi 20 November, 1971|Letter to Sri Galim -- Delhi 20 November, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">It is not so important that you have no temple building just now. The main thing is that somehow or other preaching work goes on and literature is distributed. We are prepared to sleep under a tree, so what is there need for a fancy house? Only people must have some place to go, so as soon as possible try to get some place where the public can come and sit down comfortably and chant Hare Krishna.</p>
</div>
</div>
<div id="LettertoNayanabhiramaBombay22December1971_1" class="quote" parent="1971_Correspondence" book="Let" index="587" link="Letter to Nayanabhirama -- Bombay 22 December, 1971" link_text="Letter to Nayanabhirama -- Bombay 22 December, 1971">
<div class="heading">This drama-playing is very good presentation for attracting their attention and displaying Krishna Consciousness very beautifully. Make everything very simple, without too much fancy costumes, and the real message will come out very nicely.
</div>
<span class="link">[[Vanisource:Letter to Nayanabhirama -- Bombay 22 December, 1971|Letter to Nayanabhirama -- Bombay 22 December, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Everyone enjoys play-acting, only there is at present a dearth of proper material for elevating the general mass of people to the proper standards. Practically, the whole world is going to hell. There is no decency, no gentleman anywhere. So we have to portray to the people of this fallen Age of Kali-yuga what is the right standard for their behavior. When they see that, Oh, here is such nice activity, such nice people, they will automatically become changed, simply we have to engage their senses in the right taste. So this drama-playing is very good presentation for attracting their attention and displaying Krishna Consciousness very beautifully. Make everything very simple, without too much fancy costumes, and the real message will come out very nicely.</p>
</div>
</div>
<div id="1972_Correspondence" class="sub_section" sec_index="7" parent="Correspondence" text="1972 Correspondence"><h3>1972 Correspondence</h3>
</div>
<div id="LettertoGirirajaCyavanaTokyo25April1972_0" class="quote" parent="1972_Correspondence" book="Let" index="199" link="Letter to Giriraja, Cyavana -- Tokyo 25 April, 1972" link_text="Letter to Giriraja, Cyavana -- Tokyo 25 April, 1972">
<div class="heading">I do not like the round towers you have proposed, it is too fanciful.
</div>
<span class="link">[[Vanisource:Letter to Giriraja, Cyavana -- Tokyo 25 April, 1972|Letter to Giriraja, Cyavana -- Tokyo 25 April, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have included one photograph of our proposed skyscraper to be built up in Los Angeles at ISKCON World Headquarters, and so I want that our skyscraper in Juhu should also be looking like this. I do not like the round towers you have proposed, it is too fanciful. Simply add Govindaji's temple, as you and Saurabha have drawn it, add it onto this skyscraper in the enclosed photo, then you will have per Juhu plan.</p>
</div>
</div>
<div id="LettertoCyavanaHonolulu10May1972_1" class="quote" parent="1972_Correspondence" book="Let" index="236" link="Letter to Cyavana -- Honolulu 10 May, 1972" link_text="Letter to Cyavana -- Honolulu 10 May, 1972">
<div class="heading">The round towers are too fanciful, and not so much practical because square building gives us more space to utilize.
</div>
<span class="link">[[Vanisource:Letter to Cyavana -- Honolulu 10 May, 1972|Letter to Cyavana -- Honolulu 10 May, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have sent already one photo to Giriraja of our skyscraper in Los Angeles, so I want that this square building, whether as one bigger building or two square towers as you have proposed, that this type of square building be added to Govindaji's temple. Then it will be perfect. Otherwise, the round towers are too fanciful, and not so much practical because square building gives us more space to utilize. One other thing is that there should be a facade on top of the temple across the front like an ornamental arch.</p>
</div>
</div>
<div id="LettertoJayadharmaAhmedabad13December1972_2" class="quote" parent="1972_Correspondence" book="Let" index="612" link="Letter to Jayadharma -- Ahmedabad 13 December, 1972" link_text="Letter to Jayadharma -- Ahmedabad 13 December, 1972">
<div class="heading">Emphasis should be given to the words of Bhagavat, they are spiritual and will have powerful effect if someone only hears them with attention, do not be very much enamoured by fancy costumes and stage-decorations, they will only distract. Real acting art is to know how to speak.
</div>
<span class="link">[[Vanisource:Letter to Jayadharma -- Ahmedabad 13 December, 1972|Letter to Jayadharma -- Ahmedabad 13 December, 1972]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I beg to acknowledge receipt of your letter dated November 10, 1972, and I have noted the contents, along with the drama-script from Srimad-Bhagavatam. It is very nice. This kind of play-acting is wanted. Now introduce it to your country-men very nicely presented. Emphasis should be given to the words of Bhagavat, they are spiritual and will have powerful effect if someone only hears them with attention, do not be very much enamoured by fancy costumes and stage-decorations, they will only distract. Real acting art is to know how to speak. The greatest dramas, even in your western culture, they can be played without any extra equipment. Just like your Shakespeare—sometime I saw they were playing one drama, I think Hamlet or something like that, and only two men were there on the bare stage and everyone was praising. So the art is catching their ears. Now in that spirit go on with your work and try to do something wonderful.</p>
</div>
</div>
<div id="1974_Correspondence" class="sub_section" sec_index="9" parent="Correspondence" text="1974 Correspondence"><h3>1974 Correspondence</h3>
</div>
<div id="LettertoCaruhasaVrindaban20August1974_0" class="quote" parent="1974_Correspondence" book="Let" index="344" link="Letter to Caruhasa -- Vrindaban 20 August, 1974" link_text="Letter to Caruhasa -- Vrindaban 20 August, 1974">
<div class="heading">I do not care very much for these filmings because by presenting Krishna in this way it makes it something like fantasy. It is better to have people to read my Krishna books what I have written so that they can understand Krishna fully.
</div>
<span class="link">[[Vanisource:Letter to Caruhasa -- Vrindaban 20 August, 1974|Letter to Caruhasa -- Vrindaban 20 August, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I appreciate your interest in making the Krishna book film but it is not important for now. I therefore think that you could use your talent better if you work with Yadubara. In Hawaii I understand that he is making TV programs. So you can go and help with him. I do not care very much for these filmings because by presenting Krishna in this way it makes it something like fantasy. It is better to have people to read my Krishna books what I have written so that they can understand Krishna fully. I think you can understand this.</p>
</div>
</div>
</div>
</div>
</div>
</div>

Latest revision as of 13:27, 2 April 2010

Expressions researched:
"fancied" |"fancies" |"fanciful" |"fancy" |"fancying" |"fantasies" |"fantasy"

Correspondence

1967 Correspondence

I have got a fancy for your country, and being inspired by that, I first went to your country, and still I feel that way.
Letter to Hayagriva -- Vrindaban 29 August, 1967:

Regarding separation, you may know that I am also feeling ____ it is all Krishna's design that we can not separate ________ transcendental field, the feeling of separation is more __ feeling of meeting. Physically I am trying to go back to your states as soon as possible. I have got a fancy for your country, and being inspired by that, I first went to your country, and still I feel that way. I am improving, although slowly; but I am eating and sleeping better than in N.Y.

1971 Correspondence

We are prepared to sleep under a tree, so what is there need for a fancy house?
Letter to Sri Galim -- Delhi 20 November, 1971:

It is not so important that you have no temple building just now. The main thing is that somehow or other preaching work goes on and literature is distributed. We are prepared to sleep under a tree, so what is there need for a fancy house? Only people must have some place to go, so as soon as possible try to get some place where the public can come and sit down comfortably and chant Hare Krishna.

This drama-playing is very good presentation for attracting their attention and displaying Krishna Consciousness very beautifully. Make everything very simple, without too much fancy costumes, and the real message will come out very nicely.
Letter to Nayanabhirama -- Bombay 22 December, 1971:

Everyone enjoys play-acting, only there is at present a dearth of proper material for elevating the general mass of people to the proper standards. Practically, the whole world is going to hell. There is no decency, no gentleman anywhere. So we have to portray to the people of this fallen Age of Kali-yuga what is the right standard for their behavior. When they see that, Oh, here is such nice activity, such nice people, they will automatically become changed, simply we have to engage their senses in the right taste. So this drama-playing is very good presentation for attracting their attention and displaying Krishna Consciousness very beautifully. Make everything very simple, without too much fancy costumes, and the real message will come out very nicely.

1972 Correspondence

I do not like the round towers you have proposed, it is too fanciful.
Letter to Giriraja, Cyavana -- Tokyo 25 April, 1972:

I have included one photograph of our proposed skyscraper to be built up in Los Angeles at ISKCON World Headquarters, and so I want that our skyscraper in Juhu should also be looking like this. I do not like the round towers you have proposed, it is too fanciful. Simply add Govindaji's temple, as you and Saurabha have drawn it, add it onto this skyscraper in the enclosed photo, then you will have per Juhu plan.

The round towers are too fanciful, and not so much practical because square building gives us more space to utilize.
Letter to Cyavana -- Honolulu 10 May, 1972:

I have sent already one photo to Giriraja of our skyscraper in Los Angeles, so I want that this square building, whether as one bigger building or two square towers as you have proposed, that this type of square building be added to Govindaji's temple. Then it will be perfect. Otherwise, the round towers are too fanciful, and not so much practical because square building gives us more space to utilize. One other thing is that there should be a facade on top of the temple across the front like an ornamental arch.

Emphasis should be given to the words of Bhagavat, they are spiritual and will have powerful effect if someone only hears them with attention, do not be very much enamoured by fancy costumes and stage-decorations, they will only distract. Real acting art is to know how to speak.
Letter to Jayadharma -- Ahmedabad 13 December, 1972:

I beg to acknowledge receipt of your letter dated November 10, 1972, and I have noted the contents, along with the drama-script from Srimad-Bhagavatam. It is very nice. This kind of play-acting is wanted. Now introduce it to your country-men very nicely presented. Emphasis should be given to the words of Bhagavat, they are spiritual and will have powerful effect if someone only hears them with attention, do not be very much enamoured by fancy costumes and stage-decorations, they will only distract. Real acting art is to know how to speak. The greatest dramas, even in your western culture, they can be played without any extra equipment. Just like your Shakespeare—sometime I saw they were playing one drama, I think Hamlet or something like that, and only two men were there on the bare stage and everyone was praising. So the art is catching their ears. Now in that spirit go on with your work and try to do something wonderful.

1974 Correspondence

I do not care very much for these filmings because by presenting Krishna in this way it makes it something like fantasy. It is better to have people to read my Krishna books what I have written so that they can understand Krishna fully.
Letter to Caruhasa -- Vrindaban 20 August, 1974:

I appreciate your interest in making the Krishna book film but it is not important for now. I therefore think that you could use your talent better if you work with Yadubara. In Hawaii I understand that he is making TV programs. So you can go and help with him. I do not care very much for these filmings because by presenting Krishna in this way it makes it something like fantasy. It is better to have people to read my Krishna books what I have written so that they can understand Krishna fully. I think you can understand this.