Fun (Books)

Expressions researched:
"fun" |"funny"

SB Canto 1

SB 1.11.16-17, Purport:

When all the Vṛṣṇis were assembled during the time of Prabhāsa-yajña, his glorious activities were narrated by Sātyaki before Lord Baladeva. He was also present along with his father, Lord Śrī Kṛṣṇa, during the Aśvamedha-yajña performed by Yudhiṣṭhira. He was presented before some ṛṣis falsely dressed as a pregnant woman by his brothers, and in fun he asked the ṛṣis what he was going to deliver. The ṛṣis replied that he would deliver a lump of iron, which would be the cause of fratricidal war in the family of Yadu. The next day, in the morning, Sāmba delivered a large lump of iron, which was entrusted to Ugrasena for necessary action. Actually later on there was the foretold fratricidal war, and Sāmba died in that war.

So all these sons of Lord Kṛṣṇa left their respective palaces and leaving aside all engagements, including lying down, sitting and dining, hastened toward their exalted father.

SB 1.13.9, Purport:

Vidura went out from the palace to detach himself from household affairs, especially political intrigues. As referred to hereinbefore, he was practically insulted by Duryodhana's calling him a son of a śūdrāṇī, although it was not out of place to talk loosely in the case of one's grandmother. Vidura's mother, although a śūdrāṇī, was the grandmother of Duryodhana, and funny talks are sometimes allowed between grandmother and grandchildren. But because the remark was an actual fact, it was unpalatable talk to Vidura, and it was accepted as a direct insult. He therefore decided to quit his paternal house and prepare for the renounced order of life. This preparatory stage is called vānaprastha-āśrama, or retired life for traveling and visiting the holy places on the surface of the earth. In the holy places of India, like Vṛndāvana, Hardwar, Jagannātha Purī, and Prayāga, there are many great devotees, and there are still free kitchen houses for persons who desire to advance spiritually. Mahārāja Yudhiṣṭhira was inquisitive to learn whether Vidura maintained himself by the mercy of the free kitchen houses (chatras).

SB Canto 3

SB 3.17.27, Translation:

Vibhāvarī is the home of Varuṇa, lord of the aquatic creatures and guardian of the lower regions of the universe, where the demons generally reside. There Hiraṇyākṣa fell at Varuṇa's feet like a lowborn man, and to make fun of him he said with a smile, "Give me battle, O Supreme Lord!"

SB Canto 5

SB 5.18.23, Purport:

"Vyeṅkaṭa Bhaṭṭa replied, 'Lord Kṛṣṇa and Lord Nārāyaṇa are one and the same, but the pastimes of Kṛṣṇa are more relishable due to their sportive nature. They are very pleasing for Kṛṣṇa's śaktis. Since Kṛṣṇa and Nārāyaṇa are both the same personality, Lakṣmī's association with Kṛṣṇa did not break her vow of chastity. Rather, it was in great fun that the goddess of fortune wanted to associate with Lord Kṛṣṇa. The goddess of fortune considered that her vow of chastity would not be damaged by her relationship with Kṛṣṇa. Rather, by associating with Kṛṣṇa she could enjoy the benefit of the rāsa dance. If she wanted to enjoy herself with Kṛṣṇa what fault is there? Why are you joking so about this?'

SB Canto 7

SB 7.8.27, Purport:

When a sinful man enjoys material facilities, foolish people sometimes think, "How is it that this sinful man is enjoying whereas a pious man is suffering?" By the will of the Supreme, a sinful man is sometimes given the chance to enjoy the material world as if he were not under the clutches of material nature, just so that he may be fooled. A sinful man who acts against the laws of nature must be punished, but sometimes he is given a chance to play, exactly like Hiraṇyakaśipu when he was released from the hands of Nṛsiṁha-deva. Hiraṇyakaśipu was destined to be ultimately killed by Nṛsiṁha-deva, but just to see the fun, the Lord gave him a chance to slip from His hands.

SB Canto 9

SB 9.19.26, Translation:

When Devayānī heard Mahārāja Yayāti's story of the he-goat and she-goat, she understood that this story, which was presented as if a funny joke for entertainment between husband and wife, was intended to awaken her to her constitutional position.

SB Canto 10.1 to 10.13

SB 10.8.31, Translation:

"When Kṛṣṇa is caught in His naughty activities, the master of the house will say to Him, 'Oh, You are a thief,' and artificially express anger at Kṛṣṇa. Kṛṣṇa will then reply, 'I am not a thief. You are a thief.' Sometimes, being angry, Kṛṣṇa passes urine and stool in a neat, clean place in our houses. But now, our dear friend Yaśodā, this expert thief is sitting before you like a very good boy." Sometimes all the gopīs would look at Kṛṣṇa sitting there, His eyes fearful so that His mother would not chastise Him, and when they saw Kṛṣṇa's beautiful face, instead of chastising Him they would simply look upon His face and enjoy transcendental bliss. Mother Yaśodā would mildly smile at all this fun, and she would not want to chastise her blessed transcendental child.

SB 10.9.17, Translation:

Thus Mother Yaśodā joined whatever ropes were available in the household, but still she failed in her attempt to bind Kṛṣṇa. Mother Yaśodā's friends, the elderly gopīs in the neighborhood, were smiling and enjoying the fun. Similarly, Mother Yaśodā, although laboring in that way, was also smiling. All of them were struck with wonder.

SB 10.9.17, Purport:

Actually this incident was wonderful because Kṛṣṇa was only a child with small hands. To bind Him should have required only a rope not more than two feet long. All the ropes in the house combined together might have been hundreds of feet long, but still He was impossible to bind, for all the ropes together were still too short. Naturally Mother Yaśodā and her gopī friends thought, "How is this possible?" Seeing this funny affair, all of them were smiling. The first rope was short by a measurement the width of two fingers, and after the second rope was added, it was still two fingers too short. If the shortness of all the ropes were added together, it must have amounted to the width of hundreds of fingers. Certainly this was astonishing. This was another exhibition of Kṛṣṇa's inconceivable potency to His mother and His mother's friends.

SB 10.13.40, Purport:

Therefore, what was but a moment for Brahmā was one year on earth. Kṛṣṇa continued to expand Himself in so many forms for one year, but by the arrangement of yogamāyā no one could understand this but Balarāma.

After one moment of Brahmā's calculation, Brahmā came back to see the fun caused by his stealing the boys and calves. But he was also afraid that he was playing with fire. Kṛṣṇa was his master, and he had played mischief for fun by taking away Kṛṣṇa's calves and boys. He was really anxious, so he did not stay away very long; he came back after a moment (of his calculation). When Brahmā returned, he saw that all the boys, calves and cows were playing with Kṛṣṇa in the same way as when he had come upon them; by Kṛṣṇa's display of yogamāyā, the same pastimes were going on without any change.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.75.16, Translation:

Surrounded by guards, King Yudhiṣṭhira's queens came out on their chariots to see the fun, just as the demigods' wives appeared in the sky in celestial airplanes. As maternal cousins and intimate friends sprinkled the queens with liquids, the ladies' faces bloomed with shy smiles, enhancing the queens' splendid beauty.

CC Adi-lila

CC Adi 13.25, Translation:

When all the ladies saw this fun, they enjoyed laughing and called the Lord "Gaurahari." From then on, Gaurahari became another of His names.

CC Adi 14.22, Purport:

In the Caitanya-bhāgavata this pastime is described as follows: "The Lord, with His beautiful eyes, would cry, but He would stop immediately upon hearing the Hare Kṛṣṇa mahā-mantra. When the ladies, understanding the fun of the Lord, discovered that He would cry and then stop upon hearing the chanting of the Hare Kṛṣṇa mantra, they all took it as a clue to chant Hare Kṛṣṇa as soon as the Lord cried. Thus it became a regular function. The Lord would cry, and the ladies would begin chanting the Hare Kṛṣṇa mahā-mantra, clapping their hands. In this way all the ladies of the neighboring houses would assemble in the home of Śacīmātā to join in the saṅkīrtana movement twenty-four hours a day. As long as the ladies continued to chant the Hare Kṛṣṇa mahā-mantra, the Lord would not cry but would very pleasingly smile upon them."

CC Adi 17.35, Translation:

This ecstatic chanting was performed with the doors closed so that nonbelievers who came to make fun could not gain entrance.

CC Adi 17.200, Purport:

Sometimes demoniac nonbelievers, not understanding the potency of the holy name, make fun of the Vaiṣṇavas when the Vaiṣṇavas chant the Hare Kṛṣṇa mahā-mantra. This joking is also beneficial for such persons. Śrīmad-Bhāgavatam, Sixth Canto, Second Chapter, verse 14, indicates that the chanting of the Hare Kṛṣṇa mahā-mantra, even in joking, in the course of ordinary discussion, in indicating something extraneous, or in negligence, is called nāmābhāsa, which is chanting that is almost on the transcendental stage. This nāmābhāsa stage is better than nāmāparādha. Nāmābhāsa awakens the supreme remembrance of Lord Viṣṇu. When one remembers Lord Viṣṇu, he becomes free from material enjoyment. Thus he gradually comes forward toward the transcendental service of the Lord and becomes eligible to chant the holy name of the Lord in the transcendental position.

CC Adi 17.293, Translation:

"Prior to the rāsa dance, Lord Kṛṣṇa hid Himself in a grove just to have fun. When the gopīs came, their eyes resembling those of deer, by His sharp intelligence He exhibited His beautiful four-armed form to hide Himself. But when Śrīmatī Rādhārāṇī came there, Kṛṣṇa could not maintain His four arms in Her presence. This is the wonderful glory of Her love."

CC Madhya-lila

CC Madhya 7.66, Translation:

"I could not realize when I first spoke with Rāmānanda Rāya that his topics and endeavors were all transcendentally uncommon. I made fun of him simply because he was a Vaiṣṇava."

CC Madhya 9.116, Translation:

“Since Kṛṣṇa and Nārāyaṇa are the same personality, Lakṣmī’s association with Kṛṣṇa does not break her vow of chastity. Rather, it was in great fun that the goddess of fortune wanted to associate with Lord Kṛṣṇa.”

CC Madhya 14.78, Translation:

Sometimes two would pair off to fight in the water. One would emerge victorious and the other defeated, and the Lord would watch all this fun.

CC Madhya 17.43, Translation:

When Śrī Caitanya Mahāprabhu saw all this fun, He began to smile. Finally He left the animals and continued on His way.

CC Madhya 24.29, Translation:

“Causeless devotional service is unmotivated by sense enjoyment, perfection or liberation. When one is freed from all these contaminations, he can bring Lord Kṛṣṇa, who is very funny, under control.

CC Antya-lila

CC Antya 4.131, Translation:

“If one transgresses the laws of etiquette, people make fun of him, and thus he is vanquished in both this world and the next.

CC Antya 6.49, Translation:

Lord Nityānanda was by nature very merciful and funny. Being merciful, He spoke to Raghunātha dāsa as follows.

CC Antya 6.81, Translation:

In this way Lord Nityānanda was walking through all the groups of eaters, and all the Vaiṣṇavas standing there were seeing the fun.

CC Antya 6.93, Translation:

Anyone who came to see how these funny things were going on was also fed chipped rice, yogurt and bananas.

Nectar of Devotion

Nectar of Devotion 21:

One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."

Nectar of Devotion 23:

A person is called dhīra-lalita if he is naturally very funny, always in full youthfulness, expert in joking and free from all anxieties. Such a dhīra-lalita personality is generally found to be domesticated and very submissive to his lover. This dhīra-lalita trait in the personality of Kṛṣṇa is described by Yajña-patnī, the wife of one of the brāhmaṇas who were performing sacrifices in Vṛndāvana. She tells her friends, "One day Śrīmatī Rādhārāṇī, accompanied by Her associates, was taking rest in Her garden, and at that time Lord Śrī Kṛṣṇa arrived in that assembly. After sitting down, He began to narrate very impudently about His previous night's pastimes with Rādhārāṇī. While He was speaking in that way, Rādhārāṇī became very embarrassed. She was feeling ashamed and was absorbed in thought, and Kṛṣṇa took the opportunity to mark Her breasts with different kinds of tilaka. Kṛṣṇa proved Himself to be very expert in that art." In this way Kṛṣṇa, as dhīra-lalita, was enjoying His youthful proclivities in the company of the gopīs.

Nectar of Devotion 33:

When Nārada came to see the activities of the Lord at Dvārakā and he saw that Kṛṣṇa was present within every palace in the same body and was engaged in different activities, he was struck with wonder. This is one of the examples of astonishment in devotional service by direct perception. One of the friends of mother Yaśodā said, "Yaśodā, just see the fun! On the one hand, there is your child, who is always captivated by sucking the milk from your breast, and on the other hand there is the great Govardhana Hill, which can obstruct the passing of the clouds. But still, just see how wonderful it is that this great Govardhana Hill is resting on the finger of your child's left hand, just as though it were a toy. Is this not very mysterious?" This statement is another example of astonishment in devotional service by direct perception.

Nectar of Devotion 42:

Pārvatī, the wife of Lord Śiva, told her husband, "My dear Pañcamukha (five-faced), just look at the Pāṇḍavas! After hearing the sound of Kṛṣṇa's conchshell, known as Pāñcajanya, they have regained their strength and are just like lions."

At this age, Kṛṣṇa once dressed Himself up exactly like Rādhārāṇī, just to create fun among His friends. He put on golden earrings, and because He was blackish, He smeared the pulp of kuṅkuma all over His body in order to become as fair as She. By seeing this dress, Kṛṣṇa's friend Subala became very astonished.

Nectar of Devotion 45:

When tears from the eyes are added to the smiling and the shoulders are shaking, the smile is called apahasita. When child Kṛṣṇa was dancing in response to the singing of the old maidservant Jaratī, Nārada was astonished. The Supreme Personality of Godhead, who controls all the movements of great demigods like Brahmā, was now dancing to the indications of an old maidservant. Seeing this fun, Nārada also began to dance, and his shoulders trembled, and his eyes moved. Due to his smiling, his teeth also became visible, and on account of the glaring effulgence from his teeth, the clouds in the skies turned silver.

Krsna, The Supreme Personality of Godhead

Krsna Book 8:

Thus their joy would be intensified to see their children grow. Sometimes the naughty babies would crawl up to the cowshed, catch the tail of a calf and stand up. The calves, being disturbed, would immediately begin running here and there, and the children would be dragged over clay and cow dung. To see this fun, Yaśodā and Rohiṇī would call all their neighborhood friends, the gopīs. Upon seeing these childhood pastimes of Lord Kṛṣṇa, the gopīs would be merged in transcendental bliss. In their enjoyment they would laugh very loudly.

Kṛṣṇa and Balarāma were so restless that Their mothers, Yaśodā and Rohiṇī, would try to protect Them from cows, bulls, monkeys, water, fire and birds while they were executing their household duties. Always being anxious to protect the children and to execute their duties, they were not very tranquil. In a very short time, Kṛṣṇa and Balarāma began to stand up and slightly move on Their legs.

Krsna Book 12:

He was also struck with wonder at how the external energy works so wonderfully. He then began to consider how He could kill the demon and at the same time save the boys and calves. Although there was no factual concern on Kṛṣṇa's part, He was thinking like that. Finally, after some deliberation, He also entered the mouth of the demon. When Kṛṣṇa entered, all the demigods, who had gathered to see the fun and who were hiding within the clouds, expressed their feelings with the words "Alas! Alas!" At the same time, all the friends of Aghāsura, especially Kaṁsa, who were all accustomed to eating flesh and blood, expressed their jubilation, understanding that Kṛṣṇa had also entered the mouth of the demon.

Krsna Book 13:

We have information of Lord Brahmā’s duration of life from the Bhagavad-gītā: 1,000 times the duration of the four ages, or 1,000 x 4,320,000 years, constitute Brahmā’s twelve hours. Similarly, one moment of Brahmā’s time is equal to one year of our solar calculation. After one moment of Brahmā’s calculation, Brahmā came back to see the fun caused by his stealing the boys and calves. But he was also afraid that he was playing with fire. Kṛṣṇa was his master, and he had played mischief for fun by taking away His calves and boys. He was really anxious, so he did not stay away very long; he came back after a moment (by his calculation). He saw that all the boys and calves were playing with Kṛṣṇa in the same way as when he had come upon them, although he was confident that he had taken them and made them lie down asleep under the spell of his mystic power. Brahmā began to think, “All the boys and calves were taken away by me, and I know they are still sleeping. How is it that a similar batch of boys and calves is playing with Kṛṣṇa? Is it that they are not influenced by my mystic power?

Krsna Book 43:

After taking Their baths and finishing all other morning duties, Kṛṣṇa and Balarāma could hear the beating of the kettledrums in the wrestling arena. They immediately prepared Themselves to proceed to the spot to see the fun. When Kṛṣṇa and Balarāma reached the gate of the wrestling arena, They saw a big elephant of the name Kuvalayāpīḍa being tended by a caretaker riding on its head. The caretaker was deliberately blocking Their entrance by keeping the elephant in front of the gateway. Kṛṣṇa could understand the purpose of the caretaker, and He prepared Himself by tightening His clothes before combating the elephant. He addressed the caretaker in a very grave voice, as resounding as a cloud: "You miscreant caretaker, give way and let Me pass through the gate. If you block My way, I shall send you and your elephant to the house of death personified."